UDSKRIFT 🔗
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Sunrise and sunset, promise and fulfillment, birth and death.
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The whole drama of life is written in the sounds
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of time.
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We present the new series of radio programs, The Clock.
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Am I disturbing you? I hope not.
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I don't mean to intrude. I just dropped in for
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half an hour with a story. It's not an ordinary story,
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and yet it might easily happen to someone you know.
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Someone you may have heard of. In any case, I'm
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pretty certain you'll be glad you listened. But perhaps I'd
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better introduce myself again, although we.
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Have met before. You don't remember? Oh, come now, we're
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old friends.
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You must have seen my face on your wrist, in
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your pocket, or on that steeple over there where I
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suppose I have more dignity.
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But much less fun.
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Yes, we've met before, and we'll meet again, I'm sure
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of that. You see, I get around. Sooner or later,
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I run into everyone. Sooner or later, everyone runs into me.
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But I was telling you about my story, which has
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to do with Jeannie Clare. Jeannie's a pretty girl of
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23 and rather nice. She had a birthday just a
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month ago, and it was a very happy affair. Some
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of the girls who worked with Jeannie at Kane's department
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store threw the party, and they all had a wonderful time,
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but that was a month ago, and things are different now.
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Precinct police stations are not exactly pleasant places, especially for
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girls like Jeannie Clare. The desk sergeant's always impersonal and deficient,
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but sometimes even efficiency can be a frightening thing.
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How long will it take, Sergeant?
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About 20 minutes. As long as it takes him to
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get down and back.
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20 minutes?
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20 minutes.
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In the meantime, I want to ask you a couple
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of questions. Now, Jeannie Clare, 1148... Is that right? That's right. Now,
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what's your age?
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Load full transcript
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23.
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23.
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Blue eyes, brown hair. Height?
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Five feet, too. Weight? 110 pounds without my shoes.
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110. Married?
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No. No, I'm not married.
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Occupation?
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Occupation.
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Yeah, where do you work?
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At Kane's department store. I sell gloves, men's gloves. That's
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where it started, Kane.
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Yes, that's where it started, at Cane's.
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It had been a long, long afternoon behind the counter,
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and the girls were glad to hear the closing bell. Ah,
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saved by the bell.
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I was just ready to pass out with exhaustion. Oh,
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my feet are killing.
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Me, Jeannie.
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You make out your sails, Tally Ethel? You think I've
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got eight hands like an octopus? I'm just starting now,
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and I better hurry. I've got a date with Harry. Oh? Well,
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you want to come along?
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With you and Harry?
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Yeah, he could get another guy. Oh, thanks, Ethel, but
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not tonight. Why, what goes with you? Don't you ever
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want to have any fun? I like my fun, same
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as anyone else. Only, well, not tonight, Ethel.
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Not tonight, not tomorrow night, not next month.
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Are you waiting for the perfect man? Maybe. Ah, there
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ain't no such animal. Oh, but you can't be too particular, Jeannie.
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Unless you want to sell gloves for old man Martin
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for the rest of your life.
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Just take Harry, for instance.
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He's no Van Johnson, but he's got his points.
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Harry's nice, but he's not my type.
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Now, who is your type, that Johnson dream?
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I'm not interested so much in looks as I am
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in character.
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I want to marry a man, Ethel, a human being.
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Not a Colorado.
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What do you think Harry is, a horse?
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Oh, you don't know what I mean. You see, Ethel...
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I never had much education. So that man's got to
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be smart. He's got to have manners, too. Smart manners.
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Like they have in France. He won't look silly, for instance,
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when he kisses my hand.
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What else?
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He'll dress in taste. Not like a clothes horse, but
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like a gentleman. He'll be interested in good books and
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classical music.
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He'll take me to the art galleries and explain what
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the pictures mean. And when he talks, his voice will
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be soft and gentle and clever, like a man of
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the world.
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I beg your pardon?
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What?
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May I see those gloves, please? They're on the first shelf.
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I'm sorry, mister.
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The store's closed.
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Oh, that's too bad.
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It's all right, Ethel.
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I'll open up my book again and take care of
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the gentle one.
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No, it's your time.
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That's awfully kind of you. I hope I'm not putting
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you to too much trouble.
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No. No trouble at all.
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Is something wrong? Wrong? The way you stare at me.
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My tie... Oh, excuse me.
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I was just thinking of something. Are these the gloves
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you mean?
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Yes, please.
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$ 7. 98 plus tax.
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They're extremely smart.
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Yeah. They're good looking, all right. What is your size?
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Eight and a half.
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These ought to fit.
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May I try them on? Oh, sure.
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And Take your time. I'm in no hurry. I'm in
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no hurry at all.
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Jeannie could hardly believe it.
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There he was, the man she'd always dreamed about standing
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right in front of her. He wasn't handsome, but he
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was tall. And his clothes were neat. Jeannie always used
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to think a derby hat was rather silly on a man,
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but on this one, it was different.
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Everything seemed so different about him. And his voice.
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Well, when Jeannie heard his voice, the picture was complete.
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And what a wonderful picture it was. But then Jeannie
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remembered that he'd buy his gloves, he'd pay for them,
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and she'd never see him again. She tried to think
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of something to say to keep him there. But he
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only smiled politely, made his purchase, and walked away. And
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Jeannie felt she was watching him walk right out of
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her life.
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Jeannie! Huh?
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What are you dreaming about? I.
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nothing. Did you make the sale?
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Yeah.
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Yeah, I made the sale.
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Hey, look.
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He forgot his wallet.
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His wallet?
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Yeah, on the counter over here. Oh, I'll take care
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of it. Give it to me.
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Hey, hey, what's your hurry?
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Uh, see if it's got any identification.
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Well, there's a card in here and a license. His
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name is Courtney.
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Keith Courtney. Huh, pretty fancy.
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You better turn that over to the section manager.
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Oh, it's all right, Ethel. I can handle it.
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What?
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Oh, just to make sure he gets it. I'll, uh,
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I'll deliver it myself.
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The young man's address was in the 40s, a small hotel.
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Not an elegant place, Jeannie thought, but dignified.
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She waited in the lobby while the desk clerk called
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his room. It only took him two minutes to come down,
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but sometimes two short minutes can seem like two long years.
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Good evening.
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You, you remember me?
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Of course. You are the charming young lady who waited
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on me in the stores.
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You're kind of absent-minded, aren't you?
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I am.
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You left this wallet on the counter.
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Oh, thank you. Thank you so much.
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I thought I'd lost it. You know, that's happened to
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me once before. I really should be more careful.
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You really should.
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There wasn't much.
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Money in it, but there were the pictures. My family,
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you see. I would have hated to lose those snapshots.
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Well, you got them back now.
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So I guess I'll go.
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No, just a minute, please. You've got a great deal
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of trouble to return this to me.
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Oh, that's all right.
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When one returns a wallet, there's usually a reward. Well,
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in this case, we might reverse the procedure.
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I don't get it.
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I'd reap the reward myself if you'd have dinner with me.
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Or have you made a previous appointment?
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No, I haven't got anything much to do.
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Then you'll accept?
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Oh, sure. I mean, oh, sure.
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He took Jeannie to a little Italian place on 46th.
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But Jeannie could hardly think of food. She just kept
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listening to his voice and watching him smile as he
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told her all about himself and about his work. He
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wanted to be an actor, oh, ever since he could remember.
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And he was looking for a break. He didn't want
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to be a movie star and make a lot of money.
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Shakespeare and Ibsen were more his style. He said right
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now he wasn't working. He was at liberty and available
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for the right part. Jeannie crossed her fingers and hoped
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that he was at liberty and available for the right girl.
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After dinner, they took a walk.
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And Jeannie noticed how he always tried to keep on
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her left or right, whichever was nearest to the street.
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Other men she'd met were never quite so thoughtful. But
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then Keith wasn't like other men.
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And Jeannie knew that from the moment she saw him.
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Jeannie?
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Yes, Keith?
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It's been a wonderful evening. Yes. You know, somehow it's
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been perfect. Nothing has spoiled it. For me.
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Or for me.
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Jeannie, may I see you
again? You.
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You really want to?
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Very much.
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All right.
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Tomorrow night?
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That's kind of soon, isn't it?
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Too soon for you? No.
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It's not too soon for me.
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Then we have a date.
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Tomorrow night and... I hope for many nights to come.
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For many nights to come. That sounded wonderful to Jeannie Clare.
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It sounded like forever. But she didn't know that forever
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could be a very short time. Jeannie saw him every
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night for four weeks in a row. They went everywhere together,
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to interesting places, to museums and art shows, a concert
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or two.
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Every once in a while, the theater. Not a moving picture.
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The theater.
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The legitimate stage, as Keith put it. Well, when you've
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never been in love before and you meet the perfect man...
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You don't have to think very hard to find out
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where you stand. After a while, Jeannie stopped telling herself
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to be sensible and to wait. She was crazy about him,
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that was that. And then one day, he got a job.
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He wanted to celebrate and treat Jeannie to something special.
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They had dinner and danced a lot, then took the
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subway home.
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Jeannie, I've got something to tell you.
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Really, Keith?
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First of all, Let me say then, you're the nicest
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girl I ever met in my life. Gee.
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And you understand me more than anyone else I've ever known. Jeannie,
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I haven't let our relationship get too personal up to
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now because.
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Well, somehow I felt I didn't have a right to.
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You shouldn't have felt like that.
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Oh, well.
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It was mostly money, I guess. I... I didn't have
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very much saved up. And an actor never knows when
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he's going to get another job.
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But you've got one now.
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Yeah. Oh, Jeannie, it's a wonderful part. You know, if
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this play clicks... Well, when and if that happens, Jeannie,
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I'll have something more to tell you.
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You couldn't tell me now?
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No, not just yet. But if you want to, you
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can guess, and you'll probably be right.
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I think I know Keith, and I'm very glad.
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00:12:04.669 --> 00:12:07.559
You know, sometimes I think I'm a very.
257
00:12:07.379 --> 00:12:08.659
Lucky girl, Keith.
258
00:12:08.679 --> 00:12:09.080
Why?
259
00:12:09.679 --> 00:12:12.700
Well, things happen if you wait for them long enough,
260
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and the things that happen are usually nice.
261
00:12:16.860 --> 00:12:19.360
Not like that poor kid, or whoever she was.
262
00:12:20.169 --> 00:12:20.750
What poor kid?
263
00:12:21.169 --> 00:12:23.129
See the paper that man is reading across the aisle?
264
00:12:23.149 --> 00:12:25.250
Oh, yeah?
265
00:12:25.470 --> 00:12:28.730
Look what that headline says. Young girl slain by maniacs.
266
00:12:30.210 --> 00:12:30.970
Isn't it awful?
267
00:12:32.289 --> 00:12:32.720
Horrible.
268
00:12:33.629 --> 00:12:36.620
Maybe it's selfish of me to say so. And I'm
269
00:12:36.720 --> 00:12:39.340
sure glad things like that only happen to other people.
270
00:12:39.360 --> 00:12:41.759
And I only have to read about them in the papers.
271
00:12:43.539 --> 00:12:47.840
I'm sure glad only nice things happen to me.
272
00:13:08.850 --> 00:13:10.590
When Keith said goodnight at the door, he bent down
273
00:13:10.610 --> 00:13:12.850
and kissed Jeannie's hand. And Jeannie seemed to know even
274
00:13:12.870 --> 00:13:14.090
before he did it that that was just the thing
275
00:13:14.110 --> 00:13:16.669
he'd do. When she got inside her room, she was
276
00:13:16.710 --> 00:13:19.009
much too excited to sleep. So she tried to read
277
00:13:19.070 --> 00:13:20.750
a while, and she opened the paper Keith had bought
278
00:13:20.769 --> 00:13:24.309
her as he left the subway. Then Jeannie saw that
279
00:13:24.370 --> 00:13:26.950
headline again. It gave a full description of the murder
280
00:13:26.970 --> 00:13:29.490
and where the victim was found. The girl was 24
281
00:13:29.490 --> 00:13:32.070
and pretty. She'd been keeping company with an unknown man
282
00:13:32.110 --> 00:13:33.990
and a description by one of the neighbors tallied with
283
00:13:34.009 --> 00:13:35.690
a description of a maniac who killed another girl a
284
00:13:35.690 --> 00:13:36.259
week before her.
285
00:13:37.299 --> 00:13:39.759
The description followed, and Jeannie read it aloud to herself.
286
00:13:40.659 --> 00:13:46.620
Five feet ten, nice-looking, dressed in perfect taste. He flatters
287
00:13:46.659 --> 00:13:49.759
the girls he meets with his continental manners.
288
00:13:50.879 --> 00:13:52.720
And his voice is low
and soft.
289
00:13:53.740 --> 00:13:56.000
He's never seen without a derby hat.
290
00:13:56.940 --> 00:13:58.440
His gloves are always new.
291
00:13:58.460 --> 00:14:02.490
And by profession, he claims to be an actor.
292
00:14:05.179 --> 00:14:06.620
You know, there are people in the world who never
293
00:14:06.639 --> 00:14:08.259
grow old, even though they live to be a.
294
00:14:08.259 --> 00:14:11.340
Hundred years old. Somehow they shoulder their cares very lightly,
295
00:14:11.360 --> 00:14:13.059
and their minds remained young and strong.
296
00:14:13.840 --> 00:14:16.120
Jeannie Clare's mind was young and it was strong, but
297
00:14:16.139 --> 00:14:17.879
she grew up far beyond her years when she read
298
00:14:17.919 --> 00:14:20.639
that paper. She just sat there and shook her pretty
299
00:14:20.659 --> 00:14:22.659
head in a funny sort of a way. You could
300
00:14:22.679 --> 00:14:24.480
see she didn't want to believe what she read. She
301
00:14:24.500 --> 00:14:27.679
was trying to convince herself it was only a coincidence. Well, Jeannie,
302
00:14:27.730 --> 00:14:29.549
perhaps it is. There are many men who could answer
303
00:14:29.570 --> 00:14:31.990
that description, and lots of them could be actors. Only
304
00:14:32.029 --> 00:14:33.750
this particular man is the man you love.
305
00:14:33.809 --> 00:14:34.289
Remember that.
306
00:14:35.370 --> 00:14:38.029
But suddenly Jeannie noticed another fact. The man they were
307
00:14:38.090 --> 00:14:40.509
after had come from Chicago. They traced him to New
308
00:14:40.549 --> 00:14:44.450
York from there. Well, that was different. Hadn't Keith told
309
00:14:44.470 --> 00:14:45.309
her his folks lived in St.
310
00:14:45.350 --> 00:14:48.700
Louis? Of course he had. At least twice. Jeannie laughed
311
00:14:48.740 --> 00:14:49.129
in relief.
312
00:14:50.379 --> 00:14:53.019
Then fell asleep on the couch from sheer nervous exhaustion.
313
00:14:54.480 --> 00:14:56.080
The next evening as she and Keith walked up the
314
00:14:56.120 --> 00:14:58.519
street after dinner... Jeannie was ashamed of herself for ever
315
00:14:58.559 --> 00:15:00.799
having the thought she'd had. He was so tall and
316
00:15:00.820 --> 00:15:02.840
straight in his well-kept clothes... and she felt proud just
317
00:15:02.860 --> 00:15:05.419
to be walking by his side... Somehow he was even
318
00:15:05.480 --> 00:15:08.200
nicer than he'd ever been before. And he started to
319
00:15:08.240 --> 00:15:09.230
tell her about the play he was in.
320
00:15:09.240 --> 00:15:11.519
It was a melodrama, Jeannie.
321
00:15:11.840 --> 00:15:12.299
A what?
322
00:15:13.080 --> 00:15:14.600
You know, a play about crime.
323
00:15:14.940 --> 00:15:15.120
Oh.
324
00:15:16.000 --> 00:15:18.909
Not the usual one, though. I think it ought to
325
00:15:18.919 --> 00:15:19.259
be a hit.
326
00:15:19.470 --> 00:15:20.399
I hope so, Keith.
327
00:15:20.429 --> 00:15:24.690
You know, I guess ordinarily I wouldn't
have taken a
328
00:15:24.710 --> 00:15:25.289
part like that.
329
00:15:26.450 --> 00:15:28.649
Ah, you know the way I am, Jeannie. I worship Shakespeare.
330
00:15:28.669 --> 00:15:29.889
I'd rather.
331
00:15:29.909 --> 00:15:32.610
I'd rather carry a sword and a hammer than have
332
00:15:32.649 --> 00:15:33.970
a lead in any comedy in town.
333
00:15:35.500 --> 00:15:37.659
But, uh, I don't know.
334
00:15:37.679 --> 00:15:41.330
This part should give me the foothold I need. At
335
00:15:41.370 --> 00:15:42.990
least I'll start to make enough money to plan for
336
00:15:43.009 --> 00:15:43.429
the future.
337
00:15:43.450 --> 00:15:49.309
You mean you took this part just for me, Keith?
338
00:15:49.350 --> 00:15:50.509
Let's say I took it for both of us, and
339
00:15:51.029 --> 00:15:54.179
we'll let it go at that, huh? Hey, would you
340
00:15:54.220 --> 00:15:55.230
like to see a rehearsal one day?
341
00:15:55.320 --> 00:15:56.379
Oh, I sure would.
342
00:15:56.419 --> 00:15:58.740
You won't let it scare you, I hope. Scare me? Well,
343
00:15:58.759 --> 00:15:59.860
the play is pretty violent.
344
00:16:00.539 --> 00:16:01.340
In fact, it's quite a shock.
345
00:16:02.620 --> 00:16:04.879
You see, it involves a homicidal maniac, a man who
346
00:16:04.899 --> 00:16:05.980
likes to kill for pleasure.
347
00:16:06.000 --> 00:16:06.679
Huh?
348
00:16:08.179 --> 00:16:12.799
You dropped your purse. Hey, Jeannie, you've broken your mirror.
349
00:16:12.820 --> 00:16:15.720
Can you hear me?
350
00:16:16.620 --> 00:16:17.159
Yes, Jeannie.
351
00:16:18.090 --> 00:16:20.129
Someday I'd like to meet your folks.
352
00:16:20.789 --> 00:16:21.690
Someday you shall, Jeannie.
353
00:16:22.669 --> 00:16:24.379
I know St. Louis is a long way off, but.
354
00:16:24.429 --> 00:16:24.509
St.
355
00:16:24.549 --> 00:16:24.929
Louis?
356
00:16:26.289 --> 00:16:27.269
They don't live there anymore.
357
00:16:27.649 --> 00:16:28.289
But you told me.
358
00:16:28.309 --> 00:16:31.009
Oh, they were born there. Oh, yeah. About a couple
359
00:16:31.029 --> 00:16:32.070
of years ago they moved, Jeannie.
360
00:16:33.620 --> 00:16:36.320
I did. To where?
361
00:16:37.159 --> 00:16:40.399
Chicago. Chicago.
362
00:16:40.860 --> 00:16:42.679
It couldn't have been Los Angeles or Salt Lake City.
363
00:16:42.970 --> 00:16:45.289
It had to be Chicago. And Ginny almost felt she
364
00:16:45.309 --> 00:16:47.610
was going to be sick. She managed to keep herself
365
00:16:47.629 --> 00:16:50.590
composed until they said goodnight, though. Keith was due at
366
00:16:50.629 --> 00:16:52.649
rehearsal at eight, so he didn't take her home. And
367
00:16:52.690 --> 00:16:54.350
Ginny was never so glad to get back to her
368
00:16:54.389 --> 00:16:57.330
room and her life. She sat down near the radio
369
00:16:57.350 --> 00:16:59.750
and tried to catch her breath. Her head was pounding
370
00:16:59.789 --> 00:17:02.070
and she could hardly think. She kept saying over and
371
00:17:02.110 --> 00:17:05.390
over to herself, is Keith the man they want? She
372
00:17:05.430 --> 00:17:07.509
couldn't turn him in unless she was sure. And how
373
00:17:07.549 --> 00:17:10.400
could she be sure? Then she turned the radio on.
374
00:17:11.019 --> 00:17:14.619
She didn't know exactly why. She was frightened, lonesome, miserable.
375
00:17:14.900 --> 00:17:16.940
She wanted to hear a voice, any voice, someone who'd
376
00:17:16.980 --> 00:17:19.720
talk to her so she'd know she wasn't alone. She
377
00:17:19.740 --> 00:17:22.579
heard a voice all right. And the words burned holes
378
00:17:22.640 --> 00:17:23.099
in her heart.
379
00:17:23.500 --> 00:17:25.450
And the United Nations will discuss the matter during their
380
00:17:25.470 --> 00:17:29.789
next session. New York. The police have unearthed new evidence
381
00:17:29.809 --> 00:17:32.450
concerning the homicidal maniac whose gun has claimed three victims
382
00:17:32.490 --> 00:17:35.450
thus far. He apparently was able to hoodwink his unhappy
383
00:17:35.490 --> 00:17:37.730
victims into believing he'd fallen in love with them and
384
00:17:37.759 --> 00:17:40.559
was about to propose marriage. The police are hoping to
385
00:17:40.619 --> 00:17:42.400
apprehend the killer before he has the chance to add
386
00:17:42.420 --> 00:17:43.400
another victim to his list.
387
00:17:46.559 --> 00:17:49.099
Operator, get me the police department.
388
00:17:55.140 --> 00:17:56.839
She gave them her name and told them where he worked.
389
00:17:57.259 --> 00:17:58.900
He'd be at the theater now, she said, in rehearsal.
390
00:17:59.349 --> 00:18:01.029
They promised to send a squad car and a detective
391
00:18:01.049 --> 00:18:03.049
over to her place in 15 minutes for her protection.
392
00:18:03.049 --> 00:18:04.769
15 minutes.
393
00:18:05.130 --> 00:18:06.890
That wasn't long by the usual standards.
394
00:18:07.170 --> 00:18:09.609
But as Jeannie hung up, she began to experience the
395
00:18:09.630 --> 00:18:11.710
most harrowing 15 minutes of her life.
396
00:18:12.710 --> 00:18:15.509
Jeannie! Jeannie, are you there?
397
00:18:16.309 --> 00:18:16.470
Jeannie?
398
00:18:16.490 --> 00:18:21.710
Jeannie? Jeannie?
399
00:18:23.839 --> 00:18:24.940
What are you doing here?
400
00:18:24.960 --> 00:18:28.150
When you left me an hour ago, I was worried.
401
00:18:29.529 --> 00:18:35.130
You behaved so strangely. I thought of calling you. Then
402
00:18:35.150 --> 00:18:38.930
decided to come instead and.
403
00:18:37.609 --> 00:18:38.339
Just talk to you.
404
00:18:41.259 --> 00:18:43.119
What about rehearsal, Keith?
405
00:18:44.000 --> 00:18:48.039
Oh, that. I rehearsed for ten minutes and I left
406
00:18:48.079 --> 00:18:48.500
the theater.
407
00:18:50.299 --> 00:18:50.759
Oh, don't worry.
408
00:18:50.779 --> 00:18:54.470
I promised I'd be back in an hour or two. Anyway,
409
00:18:55.049 --> 00:18:56.190
I'm not in the second act.
410
00:18:58.549 --> 00:18:58.849
Jeannie.
411
00:18:58.869 --> 00:18:58.990
Yes?
412
00:19:01.690 --> 00:19:06.210
What's the matter? Why do you keep moving away from
413
00:19:06.259 --> 00:19:06.910
me like that?
414
00:19:08.700 --> 00:19:09.839
I haven't been moving away.
415
00:19:09.859 --> 00:19:10.000
Jeannie.
416
00:19:11.700 --> 00:19:12.359
What's happened?
417
00:19:14.880 --> 00:19:18.440
Why do you stare at me? Almost as though you're afraid.
418
00:19:18.460 --> 00:19:20.859
We should leave me alone.
419
00:19:21.569 --> 00:19:22.009
For a while.
420
00:19:22.549 --> 00:19:23.319
Just a little while, Keith. I.
421
00:19:23.369 --> 00:19:26.880
Jeannie, you've got to tell me what's wrong. Has it
422
00:19:26.900 --> 00:19:31.920
been because... Because I haven't asked you to marry me yet? No.
423
00:19:32.359 --> 00:19:33.140
No, it's not that.
424
00:19:34.579 --> 00:19:37.099
Jeannie. Come here.
425
00:19:38.000 --> 00:19:39.359
Jeannie had moved to the other end of the room
426
00:19:39.440 --> 00:19:41.769
and her back was against the wall. Fifteen minutes, they
427
00:19:41.789 --> 00:19:44.269
told her. It would take a detective fifteen minutes to arrive.
428
00:19:44.289 --> 00:19:48.970
But fifteen minutes might be too late. Keith kept coming closer, smiling, talking,
429
00:19:49.190 --> 00:19:49.730
his hands in.
430
00:19:49.750 --> 00:20:12.690
Arm's Oh, gee. Inch by inch, her hand crept toward
431
00:20:12.730 --> 00:20:14.029
his pocket, and then inside.
432
00:20:14.049 --> 00:20:17.000
She felt the trigger, and then the handle, and.
433
00:20:16.700 --> 00:20:18.640
With all the strength she had left, she pulled it
434
00:20:18.720 --> 00:20:19.380
out and fired.
435
00:20:32.210 --> 00:20:32.890
Policeman!
436
00:20:33.109 --> 00:20:33.410
Policeman!
437
00:20:33.589 --> 00:20:37.230
What's the matter, lady?
438
00:20:37.890 --> 00:20:41.210
That maniac officer, the killer, I want to shut the ghetto.
439
00:20:41.230 --> 00:20:42.710
Well, what about it?
440
00:20:42.990 --> 00:20:45.970
In my house, in my apartment. He's there.
441
00:20:46.009 --> 00:20:47.039
Take it easy, darling.
442
00:20:47.059 --> 00:20:47.599
Take it easy.
443
00:20:47.670 --> 00:20:51.500
It was awful. He tried to kill me. All right,
444
00:20:51.559 --> 00:20:53.079
all right, so you ran into a masher. For the
445
00:20:53.099 --> 00:20:54.980
love of my, take it easy. A masher?
446
00:20:55.279 --> 00:20:56.619
I tell you, he's a maniac.
447
00:20:56.660 --> 00:20:58.359
Maybe he's not, lady, but he ain't the guy we're
448
00:20:58.380 --> 00:21:03.589
looking for. We caught that girl killer half an hour ago.
449
00:21:06.329 --> 00:21:08.410
Jeannie just stood there and looked at him. The words
450
00:21:08.450 --> 00:21:10.930
just didn't sink in. And then she started to laugh.
451
00:21:11.809 --> 00:21:15.319
She laughed and she couldn't control herself. She laughed until
452
00:21:15.339 --> 00:21:18.579
she cried. For it was then that Jeannie realized that
453
00:21:19.640 --> 00:21:21.079
she had killed the wrong man.
454
00:21:21.740 --> 00:21:24.200
Hey, miss. Hey, miss, hang on to yourself.
455
00:21:25.839 --> 00:21:29.329
Sorry, Sergeant. I.
456
00:21:31.869 --> 00:21:35.450
Yes, that officer must have thought that I was the
457
00:21:35.509 --> 00:21:37.549
one who was crazy when.
458
00:21:37.450 --> 00:21:38.650
He brought me here.
459
00:21:38.690 --> 00:21:42.130
Well, now we'll see when he gets back. Just relax.
460
00:21:42.450 --> 00:21:45.390
Take it easy. What?
461
00:21:46.829 --> 00:21:47.829
Did you say something, Sergeant?
462
00:21:48.630 --> 00:21:58.880
No, I didn't. I looked behind you. Jeannie. No. No.
463
00:21:59.240 --> 00:22:02.089
Here's your cup, Sarge. Only it ain't so stiff. Walked
464
00:22:02.109 --> 00:22:06.009
down here by herself. And there's the rod. Filled with blanks.
465
00:22:06.450 --> 00:22:06.970
Can you beat it?
466
00:22:06.970 --> 00:22:08.329
Huh?
467
00:22:08.390 --> 00:22:11.930
It's just a prop we use in the play.
468
00:22:11.950 --> 00:22:15.309
I guess I forgot to leave it at the theater
469
00:22:15.329 --> 00:22:16.450
tonight when I left the rehearsal.
470
00:22:18.569 --> 00:22:19.829
When you fired it, Jeannie, I.
471
00:22:21.279 --> 00:22:22.960
Must have got such a shock I passed out. I.
472
00:22:23.799 --> 00:22:24.039
I.
473
00:22:26.559 --> 00:22:27.319
Can't believe it.
474
00:22:30.890 --> 00:22:36.180
It's all right, Jeannie. It's all right. I know what happened.
475
00:22:38.079 --> 00:22:43.650
It's all right now. Come on, Jeannie. I'll take you home.
476
00:23:06.240 --> 00:23:08.460
And that's the story of Jeannie Clare as recorded by
477
00:23:08.480 --> 00:23:09.069
the clock.
478
00:23:10.470 --> 00:23:12.609
Well, I see we've used up our allotted span, for
479
00:23:12.630 --> 00:23:16.509
the clock keeps running and the hands keep moving around. So,
480
00:23:16.549 --> 00:23:19.049
good people, accept each minute with gratitude and with joy.
481
00:23:20.089 --> 00:23:21.809
Time is good to most of you, and most of
482
00:23:21.849 --> 00:23:26.430
you make good use of time. Remember, it's later than
483
00:23:26.450 --> 00:23:29.529
you think, so use your time well this week. And
484
00:23:29.569 --> 00:23:31.509
return again to listen to The Clock.
485
00:23:34.349 --> 00:23:36.529
The clock will be heard again next week, same time,
486
00:23:36.589 --> 00:23:39.630
same station. This program is written by Lawrence Klee, and
487
00:23:39.650 --> 00:23:42.619
you heard Hart McGuire as the clock, and as Jeannie,
488
00:23:42.859 --> 00:23:46.700
Wendy Playfair, as Keith, John Million. Others in the cast
489
00:23:46.720 --> 00:23:50.140
were Joan Lander, Derek Barnes, and Joe McCormick. The clock
490
00:23:50.220 --> 00:23:53.440
is directed by John Saul, a Grace Gibson radio production.