UDSKRIFT 🔗
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You're listening to Shadows That Shine, a movie podcast.
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Every year, as the temperatures fall with the leaves, we cinophiles gather in cinemas and homes to all at the autumn's favorite tradition.
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Movies of terror, psychological thrill, mystery, and above all horror.
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For all Hollow's Eve approaches, it is almost Halloween.
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The spooky season is a time where we all unite together to celebrate what we run from by watching people on screen run from what we run from, until they don't.
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For many that means falling victim to whatever fear is being explored.
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Usually, a variation of death and suffering.
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Sometimes they don't run anymore because they decide it's time to stand their ground.
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It's time to fight back.
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It is a needed reminder that in the face of absolute horror, we don't always have to run.
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Over the next few days, shadows that shine a movie podcast.
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We'll explore a very small offering of suffering cinema.
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We will take glee and gore.
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Explore themes and horror memes that remind us that we are rich with life.
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Even if some of us are indeed poor, we will celebrate the spooky season.
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So come, let us begin.
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You have nothing to fear but bad movies.
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Once again, ladies and gentlemen, you're listening to Shadows That Shine, a movie podcast.
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I am Topher Mack, your host, for the special limited run, the season within a season.
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That's right, it's finally time for the spooky season.
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And I thought to myself, when figuring out what to what to choose to start us off with, what better thing could we start with than the original monster movie?
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The original horror movie.
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Dracula from nineteen thirty one.
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Yeah.
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Yeah, that's what we're doing.
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We're doing it.
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Why yeah?
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Don't mind me.
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I'm being silly.
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Uh no, but seriously, uh, this is Dracula.
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It was the first of the Universal Monster movies, and I say it's the first horror film.
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Of course, we all know.
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Well, horror horror.
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That's a tough uh scary movie enthusiast.
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There we go.
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Um, scary movie enthusiasts know that there were horror films before Dracula.
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Um, there was even a Dracula film before Dracula called Nasferatu during the silent film era.
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There was the cabinet of Dr.
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Uh Caligari.
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Uh, there was several hunchback of Notre Dame's, uh, Notre Dame's, or however you want to say it.
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What I'm not French, give me a break.
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Uh, there was even um Phantom in the Opera.
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And there were witch films and Devil films as well, but none of them were called horror films until this.
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Uh, in my research in in the last couple of months, I came across that information and I thought it was fascinating.
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So I thought I'd share with you.
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This apparently was the first time that the genre horror really became a thing.
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And uh with that being said, the reason was because prior to this movie, which of course would be followed by Frankenstein later in 1931, and then all of the other subs uh subsequent monster movies, you know, I almost said Marvel movies, and that's funny because this is the first shared universe in cinema history.
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Um so that's a fun movie slip-up, anyways.
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Um Tangent over.
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See, I announced it.
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Forgive me.
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I haven't done one of these in a while.
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I'm trying to keep it all together here.
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Um, yeah, this is uh this was a very unique thing before this.
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Uh horror films were usually referred to, and by usual I mean always referred to as mystery films.
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They were mystery films, which kind of makes sense, even with this film.
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Like mystery is it, like you're trying to solve a mystery all the way through.
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Now, one thing that was different about this movie than uh many of the movies that uh had come before is there was no explanation that uh shied away as far as American-made uh films that could have been classified as horror, they always got like answered away so that they weren't really supernatural, they weren't really monsters, those things don't really exist.
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It was a dream, it was a this, it was a that.
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And Dracula was the first time where not only did they not do that, but in the first run, there was a monologue at the very end where they they exclamation pointed this no, this happened, he's a monster, he vampires are real, and this is it.
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Because they wanted to send you
Load full transcript
home not happy, but afraid, which is part of how this ended up kind of launching that genre.
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Um, and you know, from pretty much the the film after this, Frankenstein on, and retroactively this one, they all sort of got called horror films from here on, and the genre was born, and it is uh perhaps most likely my favorite of the genres.
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So I wanted to do something big, and I wanted to cover uh uh the spooky season as thoroughly as I could.
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I originally had this big plan to do 13 episodes over the course of 13 weeks.
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As I explained in my last podcast, um other things came up, including booking a gig where I played Ed Geen, um, and then I was sick for a little while, and so I wasn't able to do that.
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So instead, the consolation prize is this.
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I'm going to release an episode every single day this week, which is actually gonna end up costing me money to do it that way.
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But you know what?
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I think it's worth it because I love the genre.
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So we're starting 1931's Dracula.
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Um, and before we get into the nitty-gritty of Dracula, I did want to say I have been watching a lot of horror films lately.
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If uh if you wanted to find STS Pod on um Letterboxd, you would be able to do that.
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Uh, and you would be able to see a record of most of the movies I've been watching.
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There's little gaps and holes in there.
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Uh, those are preparations for episodes that are gonna come later.
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And so I didn't put those movies into the rating system.
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Uh, Dracula, of course, will be um, yeah, I haven't put it in yet, but Dracula will be by the time this is uploaded.
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I'm probably gonna put it at three and a half or four three and a half stars because uh well, we'll get into my whole review of that in a little bit.
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Uh, we have other movies every single day this week, unless something crazy happens.
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I intend on having a new episode, and we're gonna continue with horror films after October is done, all the way until November the 13th, because that is a Friday the 13th, and we launched this uh podcast with a Friday the 13th episode, so we will be uh I can I that's the only one I'm gonna tell you ahead of time.
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Friday 13th, part three is coming, uh, and we do intend on having John Paul Edmondson join us again.
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Uh gifted comedian who's uh now branching off into acting, and he's gonna join us and we're gonna talk about that one.
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Um, hopefully, we'll
also be able to talk about some other films along the way uh with him and other people.
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Alright, let's get into the nitty-gritty of Dracula.
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As you can tell, I really like doing that voice.
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Dracula.
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So it was a pre-code movie.
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Now, we haven't had a chance to deep dive into history just yet.
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I want to, we just haven't got to it.
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Uh, the Hayes Code was a thing that had a huge effect on movies, it changed the way that they were done, and this is before that.
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So things like sexuality, things like violence can be in it.
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Now, they didn't go all in with this.
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There was no uh there's decidingly no gore whatsoever.
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Uh, but you know, they could have if they wanted.
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Now, I think it is interesting to point out.
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Um I hate to jump ahead here, but it was produced at Universal under Carl Lemmy Jr.
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I might be pronouncing his name wrong, but I think it's Carl Lemmy.
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Lemmel, it's L-A-E-M-M-L-E.
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It's his name.
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Um, but he uh had always wanted this dra uh this genre to exist, and it was his birthday, his 21st birthday, he was given control of the studio from his father, who was previously running the studio.
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Um now I'll get into all the specifics of that uh later down the road.
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I'll have a more researched and uh factual uh I'll make sure everything's factually accurate on that.
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Because I'm kind of doing some of this off the top of my head off of memory.
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Anyways, Carl Jr.
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wanted this genre to be a thing.
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He thought there was a lot of promise in it, and he bet big.
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So I'm gonna shoot ahead real quick to some of the the big information about it, you know, and and budget is where one of those things is$341,191 was the budget for this film.
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That's$7.3 million in today's money, rounded up, and um, the profit that this film made, the success that launched this genre, is reports that I've read.
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It's very hard to get exact numbers.
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Reports that I have read uh have put it at about$700,000 in profits.
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In profits, that puts you at about$14 million in profits on a$7.3 million investment.
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That's fantastic.
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Now, I don't know if the$14 million is after the budget was recouped, uh, because of the way that I had read the things and where I read them, and it's hard to get information on films that old, especially from the sources I normally get them from.
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Uh my uh there's a strong chance at some point we'll revisit Dracula uh when I have another host, and we'll get more into the specifics of uh those numbers.
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Uh so like I said, it's a studio system movie, it was directed by Todd Browning, screenplay by Garrett Fort based on a play.
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That's what a lot of people don't realize is Dracula was a play, it was a book, everyone knows that, but then it was a Broadway play that was very successful, and that's what got translated into this film, and it very much feels like it.
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Like once you're aware of it and you watch it, you go, Oh, yeah, this is definitely a play.
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Everything about this reads like a play on steroids.
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It definitely flows like one, the ending is like one, even the way that they do some of the tricks seems like how they must have done it on stage, with very few innovations.
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Um, you know, I'm sure that they didn't do the the uh cobweb thing, how they did it in this movie at the beginning of it.
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So uh it starts Bella Legosi, who was one of the people who played Dracula on stage, and Dwight Frye gives this brilliant, like over-the-top psychotic, creepy performances Renfeld.
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I thought that was great.
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Uh, the play, by the way, was written that it's based on was written by Hamilton Dean and John L.
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uh Balderston.
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And uh, as I said before, first uh horror film, it is uh the novel was written by Bramstroker, which most people know because of Bramstroker's Dracula, which is Francis Ford Coppola's take on on the movie.
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And that book was written in 1897.
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Now, here's something you might not know that's worth knowing.
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There is a Spanish version of this film that was filmed at the same time as the English version.
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What happened was during the day, regular Dracula shot, and at night, with a different cast and a different crew, but on the exact same sets, you had the Spanish version, which was directed by George Melford.
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And I have heard other people say that it is better than the original.
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You know, this being considered the original, so let me rephrase it.
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Better than the English language version.
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I agree.
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I watched both versions.
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I do not speak Spanish, it was fantastic.
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And
um, if you'll please hold, uh, just a moment.
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Alright.
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Uh, for you, that was uh not even a whole moment, but for me it was more.
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I didn't want to cough fall into your ears, ladies and gentlemen.
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Uh, this is a good time to remind you that to this day, this is still a podcast that is uh done um live to tape, an industry term.
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Basically, I don't edit, I don't edit anything out.
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All the ums are there, the coughs are there, the accidentally saying uh the foul language is there, everything's there.
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Um here we are.
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Okay.
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So back on top of this, uh released in New York City on February 12th, 1931.
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And it was in the um, I believe the Roxy Theater.
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I thought I had that information written down, but I don't see it.
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But I remember it being Roxy Theater.
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Uh two days later it was rele uh began its international releases.
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Here's what's wild about it.
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Uh you know, they are I I I did find it.
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I have written it down.
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Uh it was after the premiere at the Roxy, it was reported that people fainted, which led to success across the country.
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So that was really smart of them the way that they marketed this film.
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Very similar to if you guys if you're old enough to remember the early 2000s, certain films were marketed not by what was happening in the movie, but by the audience's reaction to the movie.
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That trick obviously was being done in print, you know, 70 years earlier when this movie came out.
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It was selected in 2000 to be in the US National Film Registry.
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Uh, the National Film Registry is a collection of films which uh have special um special they are saved basically in vault in a vault.
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Uh so that if something happens, like proof of America, they get taken care of better.
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Like there's there's special copies that are made for this to happen, but it's an elite group of films that are important to America American, and by American, I mean United States of America, American culture.
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Before I was talking about the multiple versions, and yeah, no, dude, if you ever get a chance to watch it, if you gotta put subtitles on, put it on.
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I what I did was I watched the original Dracula, and then I turned around and watched the other one because it's kind of the same, it's pretty much the same thing.
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Uh but the acting's better, the women are more beautiful, um, and the I mean the acting is a lot better.
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Bella Legosi is fantastic, so I don't know if I'd say he's better, but the shots are definitely better, like from a director point of view, and you know, this is a director first podcast, like that is far better directed, and they're using the same physical location, so you can't do anything but look at that director and that director photography and say, No, yeah, I just did a better job.
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Um, but not to take away from this because the pacing is off and there's very little music in it, and that can be really hard for today's audience.
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Um I must admit, I have uh fallen asleep every time I've ever watched it and had to rewind because of the way that it's paced, it was not made for modern audiences, but what is there is still very good.
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I know that's weird to be like, oh, I fell asleep during it, but like it's good, especially certain parts.
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You know, that beginning in the in Dracula's Castle was fantastic.
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There's a few other moments later on, it's it's just really solid uh work.
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I think everyone should probably watch this movie at least once in their life.
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Um, I don't think it's something that I would watch every year.
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If I wasn't from the podcast, I had not planned on watching it.
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I thought this would be a great start of the series.
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Uh, let's see, what have I missed?
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You know, I I did want to get into now that we're talking about the movie, it's a very highly uh rated film.
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Both uh critics and audiences are very kind to this movie.
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You know, it is for most people in Western culture, like some version of this Dracula lives in their brain, even if they've never seen the movie.
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The talking like this.
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Um the look, the cloak, and then the hairst uh the hairstyle like that, and all that stuff is is buried into our subconscious because the performance by Bella Legosi is so incredibly iconic, and uh there's a lot of you know.
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People like to say that he hated it and he wanted to get away from it.
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He wanted to be taken seriously as an actor, but I've seen mixed reporting on that.
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I do know that he didn't want to do he was offered Frankenstein and he didn't want to do it.
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And it created a rivalry because of who did do Frankenstein.
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But we'll get into all that stuff when it gets to Frankenstein.
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Uh, which eventually uh this podcast would would like to cover that movie as well.
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This movie has, like I said, no gore in it.
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A lot of the movies that I prefer do have a lot of gore and does have a lot of violence.
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I think uh violence belongs in horror, but it does this movie proves that it doesn't have to be there.
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And even when the violence is there, it can be the violence can be subtle with the horror being turned up.
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And the way that they do that is really manipulating suspense, it's their primary tool of fear and creepy.
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You know, I I call this the spooky season, as many people do, and spooky and creepy are words very closely related to each other, and creepy is what I mean.
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That performance by Dwight Fry, I had to look his name up, as Rain uh Renfeld.
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I mean, that's creepy.
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There's there's just no other way around it.
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It's it's theatrical and over the top, and a great thing to point at uh when you're trying to understand the difference between theater acting and film acting, because that's theater acting happening on film, but it's still kind of there.
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Like, dude, is really off-putting and unsettling if you allow yourself to buy into the film.
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I mean, imagine how huge that must have felt next to you, a performance like that, which is amplified even more because Bella is so subtle and calm and soft in his movements.
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So you've got uh the guy playing Renfeld, just berserko full-on tofer style.
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Sorry, it's just I play a lot of roles like that Renfeld role, and so really it really hit me real good.
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I said, Oh, that's that's good shit right there.
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Wait, and I'm sure it'll get under your skin.
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If it doesn't, let me know.
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You can let me know by going to our Instagram, which is the primary source of information for this podcast, is on uh Instagram at shadows that shine.
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We want you to follow us there.
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Uh, we hope that you're subscribed to this podcast.
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I am not gonna go on and on because it's just me, but there will be guest co-hosts throughout the week that will be joining us for different episodes.
00:25:13.599 --> 00:25:19.279
Um if uh if stuff happens, then some of these episodes might be just me.
00:25:19.759 --> 00:25:22.880
I hope you enjoyed this episode.
00:25:23.039 --> 00:25:29.200
I hope that you will go and watch Dracula and get in touch with the roots of this genre.
00:25:31.519 --> 00:25:35.359
You know, Dracula is a very important film.
00:25:35.440 --> 00:25:40.480
I you know, just like Psycho, just like Halloween.
00:25:41.359 --> 00:25:45.200
But we'll get into all that stuff later on and down the road.
00:25:45.359 --> 00:25:54.160
Uh I have been your host for the evening or day or night.
00:25:55.119 --> 00:26:00.640
I maybe have been the creature of the night that stalks you.
00:26:02.160 --> 00:26:03.119
Or maybe not.
00:26:03.279 --> 00:26:06.480
Maybe you're just like, you know, on your shit break.
00:26:07.119 --> 00:26:09.839
Hey, that's the first cast word of the night.
00:26:10.319 --> 00:26:12.640
Um I'm Topher Mac.
00:26:13.039 --> 00:26:16.640
This is Shadows That Shine, a movie podcast.
00:26:17.119 --> 00:26:18.880
See you tomorrow.
00:26:19.359 --> 00:26:20.000
Bye.