UDSKRIFT 🔗
WEBVTT
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You better wake up. The world you live in is
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just a sugar coated topic. There is another world, the
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real world. For thousands of years, they have existed among us.
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You keep your eyes open there everywhere. Chances are you're
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seeing him yourself and didn't know it. A secret nation.
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Our livelihot depends on our ability to blend in with
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the lust for power. We should be ruling the humans.
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These people are our food. They've got their claws into everything, politics, finance,
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real estate. There's a war going on out there. He
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makes the weapons. I use the word now. One will
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lead them to conquer mankind. Tonight the age of man
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comes to an end. We're gonna be gods, and one
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will try to stop him dead. There were things out
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tonight than vampires, like me.
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Attacked by the vampire while she was pregnant, half immortal.
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He got the best of both worlds, all our strings,
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none of our weaknesses.
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He is their greatest fear and our only hope. So
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open Season of Vampires. Wesley snips Stephen Dora one of
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them a blade boy.
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What an exciting trailer, and it really tells everything you
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needed to know. Through dialogue. Paul, I have a theory.
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If you can make a fantastic radio ad for your
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film based solely on dialogue, letting everyone know who all
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the characters are and what the plot is, you've probably
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got a terrible screenplay.
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That wouldn't be a theory, that'd be a fact.
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Such is the case here, all right, listen, this is
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a new fest, a brand new fest. HP is on
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vacation because he does not like horror. I'm pulling in
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an array from the galaxy of horror podcasting stars to
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talk about horror movies based on horror comic books.
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How fucking niche is that?
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And I can't think of anybody anybody better to start
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the entire process off with me, then mister year in
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Horror himself, mister Paul Waller, how are.
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Load full transcript
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You, Paul? Ah? What an intro? What a smashing voice
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you've got, sir, And yeah, I do love it. When ever,
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I speak to our fellow friend Lono, who goes, please
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don't start liking father Malone more than me. So, yeah,
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more than happy to be back with you. And yeah,
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Stephen Norington's he's delivereds a film for the ages here.
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Now, okay, we aren't talking blade, we're gonna start this
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off with Blade Everybody, Blade, which came out in nineteen
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ninety eight August twenty first, nineteen ninety eight, one hundred
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and twenty minutes, forty five million dollar budget, pulled in
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one hundred and thirty one million dollars. People will tell
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you that this is the actual start of the Marvel
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cinematic universe. Prior to this, there were no incarnations. That's wrong.
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There was Howard the Duck before this. Before that, there
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was the Doctor Strange television movie or the Captain America
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TV movies. There have always been cinematic adaptations of Marvel films. Okay,
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in some way, shape or form, not everything has to
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be a landmark. Nevertheless, this motherfucking film is a motherfucking
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landmark because it might be the first time that a
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non traditional superhero hit the big screen in such a
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way that was actually goddamn decent. Paul, Yeah, yeah, take
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me back to nineteen ninety eight, would you where are you,
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Paul Waller? Culturally? What are you wearing? Who are you
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listening to? What are you going to see at the movies?
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Okay, I was. I can tell you exactly what was
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going on. I discovered hardcore. It was the likes of
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I don't know. The first thing was Nirvana, and when
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that had finished, I was like, right, that list Kirk
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Bain's given us, That's what I'm going to do with
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my life. And I discovered underground American indie music and
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hardcore and I got so heavily into hardcore and emo
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with that very first wave bands that people will have
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never heard of. But like, I was just obsessed with
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this stuff. I was so desperate I formed a band
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and when we were on tour, Blade was one of
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the watches that we did. It was nineteen ninety nine
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in fact, when I first saw Blade and we were
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on tour and we were in Germany at the time.
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With this's a VHS, I think it must have been like,
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it's a bit vague that, but it no, Maybe it
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wasn't because we watched it in English, so yeah, and
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we were in Germany, so maybe it was. I don't know,
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but either way, we watched it late one night and
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the rest of the band were just like you know
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when you leave a cinema and you're so excited about
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what you've seen and you're reenacting little parts and things
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like that. The rest of the tour was then being
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Blade and it was so annoying.
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That's fucking fantastic, man, I love that. Yeah, for me,
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I saw Blade when it came out. I've been a
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Blaede fan for a long time. But before I delve
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in any of that fucking autobiographical bullshit, I gotta ask you, what,
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at this point, you're seeing Blade for the first time,
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did you know Blaede was a comic book character.
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I did, Yeah, I did, thanks to things like Empire
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magazine and things like that. I also knew it was
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a horror as well, although like from what my friends
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were sort of saying, it wasn't that they were like
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even in the comics, it really is, right, Oh yeah,
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it's a horror comic. But yeah, to be honest with you,
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I knew like a little bit of the history with
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it because of that Empire article that had come out,
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and it was something that I did want to see,
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but I didn't want to go to the cinema, and
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I had free cinema tickets where I lived, so it
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was that much of an effort not to actually go
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and see it. I was just not bothered.
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Wow, that's incredible. Note they do need to bring up
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a couple of things here. This will let you know
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where Blade was for me in nineteen ninety
eight when
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this movie came out, because I've been an avid reader
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of the comic for fucking Ever's.
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Going to be such a nerd here, I can't write.
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Let's do it all right now. Listen.
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In the Marvel universe, all evil comes from their version
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of the Necronomicon. It's called the Dark Hole. So this
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evil book and the book begat the first vampire. His
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name was Varney, and then he gave us Dracula, and
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then Dracula was the ruler of vampires in the Marvel universe.
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He got his own comic book in nineteen seventy one
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called Tomb of Dracula, where he became the antagonist. But
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really he's the protagonist. But we can't really say he's
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the protagonist because he drinks blood and he's trying to
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take over the world. So what they had was this
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trio of vampire hunters and they're chasing Dracula all around
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the globe. A couple of years in the comic is
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taken over by a guy named Marv Wolfman. No joke, Well,
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Marv Wolfman and his first order of business is to
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introduce While the characters are traveling across Europe, they stop
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in London and there they meet Blade. He's black and
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he's English. I'm gonna say that again, everybody, Blade is English.
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He's from London.
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Okay.
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Now, Blade is not an ally of this trio of
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vampire hunters. He's just his own independent contractor. He's out
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to fucking kill Dracula. And he gets his name because
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he uses these teak wooden daggers that he throws.
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And okay, this.
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Gid's even weirder man right, So his origin is the
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same in the comics. His mom was bitten while she
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was pregnant and that imbued him with powers, except he's
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not a vampire at all in the comics. What he
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is immune to the vampire infection. If a vampire bites him,
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he'll still be human, and he can sense when evil
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is around, so basically he has incorruptible blood. Now, throughout
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the seventies, Blade would pop up in comics here and there,
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but by the eighties he completely disappeared for a very
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good reason, because vampires were banished from the Marvel universe
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for the entirety of the nineteen eighties, Doctor Strange just
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got sick of them and got hold of the Dark
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Hold and he banished them, so we wouldn't see Blade
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again until the late nineteen eighties, where he shows back
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up with a group calling them selves the night Stalkers,
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which is again, this is Hannibal King and Frank Drake
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that was the third from the other, right. Now, Hannibal
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King is a vampire himself, and Frank Drake is the
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last living relative of Dracula. So before Dracula was turned,
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he still had a bloodline and this is his last guy, right.
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So they formed this trio called the night Stalkers who
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are hunting just they're basically it's like the X Files, okay,
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because there are no vampires, so they're hunting demons and shit.
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Now there's this.
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Whole other group of superheroes that are all the dark
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versions of Marvel. So we got two versions of ghost Rider,
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we got Morbius, the Living Vampire, and oh and Doctor
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Strange himself. They all get together with the Knight Snalckers
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and they form a group called the Midnight Suns who
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have to defeat Lilith. It's a great fucking run of comics.
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Everyone should be reading these They were fucking great, right.
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Basically that ends, vampires end up getting reintroduced. At the
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end of it, Blade gets his own series, and this
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is when he gets the attention of Avi A Rod
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who's running Marvel and trying to sell off properties and movies,
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who brings it to David Goyer, who's the screenwriter of
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this movie. And David Goyer sees this as an opportunity
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to make a superhero movie without a real superhero, and
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to create a because the Blade's history is still vague
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at this point, vague enough where he can turn him
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into something else. So what you
end up getting is
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and this happens rarely, but it happens more in comics
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than any other sort of media. The movie comes out
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and is so influential that they go back and rewrite
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the character. So now Blade is a vampire day walker
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who has to feed on blood in the comics, where
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up until nineteen ninety eight he was not.
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Okay, isn't this going against your the rules though of
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this series? With I take it this is episode one,
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so you've already gone against the rules. So no, this
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is comic adaptations. There's no rule at play here.
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This is I want to see what they do with it,
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and if what they do with it is good, then
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I'm going to continue to praise it.
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And what David Goyer did here was great.
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Man because he took this character and gave us a
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real world version of the vampires, and then he built
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on top of it what we end up getting in
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this film with the House of Arabas.
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And the Twelve Clans and all that kind of stuff.
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That's all Dave Goyer, and that's what this series needed overall.
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So like his contribution to it, the film ends up
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being as important as the comic itself, except the comic
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still stands. Here's the thing, this is so comic Bookie.
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I'm such a fucking nerd about this. But they don't
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go back in retcon anything. What they do is Blade,
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after the movie has come out, gets attacked by Morbius,
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the living vampire. Now Morbius is like a scientific vampire,
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he's not a traditional vampire, so his attack changes blades
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bloodstream and turns him into a day walker.
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There's a rhyme reason then, right, So.
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I'm not I don't think this is breaking any rules
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or anything here. This is not a retcon this is.
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They just continued the character and went, oh, yeah, that's
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yeah the movie that does actually link up continuity wise
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because he is. But maybe the events happened after Morbius attack.
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Then I've got another question. If that was the case
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with pre film Blade, Was Whistler part of that pre film?
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No makes sense. Yeah. Blade was a solo act and
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Blade had been raised.
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He was an orphan obviously because his mom is dead
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and his father was a fucking his father was absent
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and a vampire turned his mother. But he received some training,
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but he didn't have a mentor character who was out
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there doing it. Certainly not what seems like a lineage
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of vampire slaying like we did in this movie. But interestingly,
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now here's okay, here's this weird thing. Now people claim
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that Whistler did exist in the continuity beforehand, because in
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between his return in comic Book in this film's debut,
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there was an episode of an animated series called Spider Man.
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The animated series where I think it was season two
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or three, where Blade shows up for it's season two.
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Blade shows up for an episode or two because there's
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a vampire epidemic and in it we meet Whistler. So
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people are like, Whistler existed, he was created for that cartoon.
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But here's what happened. They wrote that cartoon and then
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somebody said, hey, look they're making it into a movie
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as well, and they gave him the script, and then
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they wrote Whistler into the cartoon, which ended up coming
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out long before them because the movie was just it
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wasn't in production, it was in development at that moment.
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So this movie creates so much lore for him. Two things.
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First of all, I've scrolled down my notes. It was
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October two thousand in Dresden. They go, so I was
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completely wrong with regards to when I saw it second
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European tool, not the first one. There's that. Secondly, Whistler
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is it's so important to how I see Blade that
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I can't see a Blade comic series or anything without him.
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I can't see it. It doesn't work.
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And is that because Chris Christofferson is playing him or
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is it because the character is just so fucking cool?
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I think both. I think both may yeah, yeah.
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Yeah, you can see other people playing different characters, but
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that character I don't think needs recasting if they're going
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to remake this or do anything, else with it, because
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why would.
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You Okay, I want to go into a couple of things.
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First of all, I guess because you are such a
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big fan of this. I read an article twenty seven
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years ago or something, and I cannot remember any of
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it with regards to the introduction of this franchise in
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this film, with the EDM pumping scene and the blood
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showers that had to have come from a comic like
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that had to it can't be original for the screen.
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It's original for this script.
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I was gonna ask you, it's so crazy, like you
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were in Germany in two thousand and this is being
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displayed on the screen. Are you seeing any raves like
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this where you're out there in the world. In the
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music scene, there's no blood showers where you're going, which,
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by the way, the opening scene always makes me think
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that DJ has to have really great insurance for that equipment,
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Like who's spot Deacon Frost is sponsoring that gig? Is
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he covering that because that equipment's done right.
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If that's what you're thinking of, Like, yeah, I guess
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they've got the like cheap logo in the background as well,
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like sort of thing, so it looks like a makeshift thing.
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It doesn't look like it's a regular do. It just
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looks like just as a one off. He's probably stolen
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that equipment and like they're.
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Most likely, yeah, it probably killed some DJ at some
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other party and just taking his equipment over there. Yet
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the opening scene, which is great, amazing, nobody's thought of
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it prior the a vampire nightclub where they're going to
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bathe in fountains of blood, like of course they would,
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--> 00:17:08.680
why wouldn't they do that? And ultimately that becomes the
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theme in the movie, which is the sort of old
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versus the new, And that's I have a complicated relationship
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with David Goyer. I think he's one of my favorite
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screenwriters and one of my least favorite screenwriters because he
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always comes up with such fucking good ideas and then
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he always delivers a ham fisted dialogue poor. Structure is great,
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but the characterizations are just okay. Kind of a screenpoint.
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But like case in point, this what a way to
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open your fucking movie. Man, Let's introduce the world of vampires.
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Let's see what they are up to in the modern age.
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This is look up until now, there have been plenty
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of vampire movies and We've seen them in all sorts
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of guys is, but I can't think of one that
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kind of dragged them into the technological age the way
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this movie dispenses with gothic trappings entirely.
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It's Tracy Lord's she does this. She literally drags this
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bloke in off the street and says, get into this
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meat looker with me. Yeah, I'm yeah, she's the one
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doing it. Man, she's fantastic. What an opening, Like, You're
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totally right, it's incredible. Don't you wish she had survived? Man? Yes, yes,
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I do.
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God, the sequels could have been saved if Tracy Lawi's
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had just kept popping up.
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What do you mean the sequels are better than this.
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I'm just trying. I'm just trying to we're gonna get there.
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No, I mean we're not gonna get there because I
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don't want to talk about those movies. But all right, Blade,
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Oh so let's talk you know what, Let's talk about
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Blade himself as a character. I want to talk about
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an anti hero. I think he's the ultimate perfection of
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an anti hero. When you have anti heroes in movies,
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they have to end up caring about other people. I
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don't get the sense that Blade ever did from beginning
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to end. I think he has a bit of affection
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for what people can do for him, and certainly he's
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sad that his mentor goes. But like, really, this is
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the distillation of what people expected from an antihero.
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Yeah, he doesn't bring a lot to empathize with. That's
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the word I was trying to think of earlier, But yeah,
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there isn't. He's like a blank, but for good reason,
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Like it's difficult to read what he's thinking because he
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never shows like any emotion apart from revenge for you know,
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so many things, the way his life's turned out. He
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just wants revenge. He just wants to kill every other
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vampire that there is. But the thing is he doesn't
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care if someone gets in his way, and yet he
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every now and again he'll do something to buck that.
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So I don't know how much sense that that sort
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of character makes to me, because if you are going
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to go completely down that line, like he gives the
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nurse a chance, you know, a fighting chance. The way
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I would have preferred his character he is if he
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didn't give a shit, I don't care, Well, don't care.
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Do you want a child? I don't care. You won't
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get it from me. I'm on to my next thing.
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You know. That's how I would like to see Blade,
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and I think surely in the comics that's how he's written,
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like a kick ass doesn't care. I'm on to the
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next thing. I've got the same goal.
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He has to be a little bit more empathetic. Look,
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and when he came back in the early nineties with
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the Knight Stalkers, he had to be empathetic then because
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he's on a team. Prior to that, as a solo guy, no,
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he didn't give a shit about anybody anywhere, like he
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would fuck up other heroes who got in his way
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prior to that. Once he came back with the Knight Stalkers, which,
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by the way, when we first meet him, he's in
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an asylum in the comics, so he's a broken man
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when we finally get back to him. But the comics
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00:20:52.359
don't really matter. We're talking about Blade here on screen
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and Wesley Snipes's portrayal of him. What do you think
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of mister Wesley Snipes as Blade?
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When anyone says Blade, he's all you think of, Like
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it's just the way it is, Like there's no other
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way around it, and he was the reason I didn't
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really gel with the series anyway. I don't really rate
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him as an actor, But on the really watch of this,
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like what more does he have to do? You know what?
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He nails this character. And it's not that I don't
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like the character. I just think I don't. You know
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some actors you just don't like, you don't gel with,
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and Wesley Snipes is one of them. But like, if
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I take myself out of my own like weird likes
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and dislikes, he kicks us throughout this and like he's
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so well trained. I can't imagine what the training was
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like just to get match fit for this film. I know,
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like he's an action star anyway, but christ like what
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he brings to this performance is something special. The wirework
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alone just would have like broke his back for the
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rest of your life, surely, like amazing.
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I totally agree with you as far as the Wesley
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Snipes aspect of it, where I do not like that guy.
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There's something arrogant and troubling about Wesley Snipes as a
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human being, but I love him as a performer, Like
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I'd never seen a bad performance from him, and for
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whatever reason, this seems to be the perfect meeting of
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those two halves, the arrogant prick of a human being
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and the total perfect action star. And what makes it
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better is because Blade is something not unemotional, but such
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a shut down human being. We know all the arrogance
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is there, but he's keeping it in check, so it's like,
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what could be better?
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I got a DVD of another horror film that Wes
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leads in. I think it's something Walkers. I can't remember really,
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Death Walkers, Gargallo Walkers, I think anyway, I got it
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when it was on Hygen being those shelves that you
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get at the bottom of like a thing which is
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like we're just going to sell this stuff cheap, and
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it was one of them, and I got gifted that
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and I was like, oh, thanks for that, but I
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knew in my head I would never watch it. I've
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still got this unwatched DVD of this thing that he's in,
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Like that's how much I just don't care for his
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character that I got given something for free. All I
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have to do is press play and I'm never gonna
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actually like pull the trigger on that one. But like, yeah,
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as I said, he kicks ass in this. I'm glad that,
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like he's still vocal about it now, Like still whenever
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anyone brings up this and his name is included, like
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he's disgusted and too right, like he makes this character his,
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Like I don't know anything about like the comic book
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stuff of it, apart from that it was a comic book.
403
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So whenever anyone mentions Blade, I'm just thinking Weresley Snipes,
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he encompasses that character and as far as acting goes,
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apart from that film with Demolition Man, like which again
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I don't mind him in but I wish he wasn't
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in it, which it was someone else, But like, I
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just think this is it for Wesley Slip.
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It's the only film of his that I will watch.
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I will watch Demolition Man. I think he's a I
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think he's a fun element to that movie. I think
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you're if you wanted to make a great movie, then
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you should take out the Simon Phoenix character altogether and
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have some other plot at foot for that film. But
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if you're gonna make that movie with the taco bell
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jokes and Sandra Bullock and you know, murder, death kills,
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then yeah, then Wesley Snipes is the perfect part. Plus
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seeing him with the fucking with the hair, with the
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fucking blonde hair and the blue eyes, just a cuckoo
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like going for broke. Like you want a comic book villain,
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I'll give you a comic book villain. Speaking of comic
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book villains, Deacon Frost played by Stephen Dorf, what's your
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opinion of that performance?
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Not so much the character. It's a good character. And
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so this is where me and my wife differ. She
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hated it. She was just like, I don't buy him
427
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as like this sort of a surpa of like you know,
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menace from within and he's going to overtake the cartel
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sort of thing. I'm completely buying him. I think he's
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fantastic in it. He it's almost camp in his like
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villainous the ways. But you mentioned it at the beginning,
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it's so modern this and for the time it really
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was modern. There was no of that previous sort of
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vampire trace and this was a new sort of vampire villain.
435
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It was as much as like like a Wolf of
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Wall Street sort of thing, whereas there was political intrigue
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in this, like how are you going to overtake this cartel?
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I don't know, I think he was great for it,
439
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but I completely get what my wife was saying and
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she doesn't buy it. So I can see both sides,
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but for me like no complete pass.
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Yeah, Dwarf comes off kind of a bit, let's say,
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youthful and whiny at times, but that's Deacon Frost, So
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I can see being off put by that as a
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character trait. But that doesn't mean he ain't doing a
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good job because it is that thing. This is a
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character who in rewatching it. I never really noticed how
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wounded a character he is. He does feel the sting
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that he's not a pure blood vampire. Like as much
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as he's going to topple that regime and be and
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put in the new order, it does really bother him,
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which that was a nice thing, and I think that's
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Stephen Dorf bringing that to the character. But he doesn't
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ever come off as incapable.
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The thing is, when you look at his face, do
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you
think of the Gate anymore? Do you think he's
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not that kid in the Gate? Do you think he's
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I always think of the Gate? What are you talking about?
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Because I can't get it out of my head? But
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I still give him, as I say, a complete pass
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this like the way that all it would take for
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them is to be able to and this is the
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people above him at the beginning of the film. All
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it would take is for them to see which way
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the tide was turning and to stop being such like
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the Royal family and sticking to like tradition and moving
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with the times. And they would have, I reckon they
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would have got Blade, they would have just done Blade
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over that that would be it. But they don't. They
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don't stick together, they don't bond together. The Evil Vamps
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fail and lose the day because of like Stephen Dorf's
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like oh sorry, Deacon Frost's will to a serpent become
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like this is what we need to do to, you know,
474
00:27:45.519 --> 00:27:48.559
be like we should we need to be like not
475
00:27:48.640 --> 00:27:52.680
respecting humans in any way. We just need to kill
476
00:27:53.200 --> 00:27:58.759
is it Eric Bloody Brooks is Blade's name, That's correct? Yeah,
477
00:27:58.880 --> 00:28:01.319
Eric Brooks. We need to Eric Brooks, we need to
478
00:28:01.359 --> 00:28:05.480
kill him. And yeah, we need to overtake this the cartel.
479
00:28:05.640 --> 00:28:08.240
I've got my little posse, my gang behind me. We
480
00:28:08.319 --> 00:28:10.079
can do it, and they do, but all this inner
481
00:28:10.240 --> 00:28:13.759
internal fighting costs him the game. Yeah.
482
00:28:13.799 --> 00:28:16.839
I love this character and this is again a step
483
00:28:16.920 --> 00:28:19.440
up from the original Deacon Frost character, who is just
484
00:28:19.480 --> 00:28:22.160
this wandering vampire funck shit up. This guy's got a
485
00:28:22.279 --> 00:28:26.319
plan and I love the battle of old versus new.
486
00:28:26.400 --> 00:28:32.160
I love the throwing off the marbled old world quiet speaking,
487
00:28:32.240 --> 00:28:34.759
we're oh so proper when we're actually just a bunch
488
00:28:34.759 --> 00:28:40.359
of fucking monsters, genteel version of the vampire versus the
489
00:28:40.400 --> 00:28:43.359
one who will throw a rave at an avatoir and
490
00:28:43.559 --> 00:28:45.599
know that there is good to do that, and you
491
00:28:45.720 --> 00:28:48.319
should be doing it and there shouldn't be any human
492
00:28:48.440 --> 00:28:49.680
interference in that.
493
00:28:50.079 --> 00:28:50.519
Why not?
494
00:28:51.119 --> 00:28:53.759
He's right, they are the top of the food chain.
495
00:28:54.200 --> 00:28:57.519
I think he goes a little extreme. Maybe you don't
496
00:28:57.519 --> 00:28:59.359
want to bring back a blood god who's going to
497
00:28:59.400 --> 00:29:02.599
turn to everyone to a vampire. That's counterproductive, Deacon, but
498
00:29:02.960 --> 00:29:05.279
he should be fucking smashing the fuck out of the
499
00:29:05.319 --> 00:29:07.359
House of arab Us.
500
00:29:07.400 --> 00:29:11.920
I would love to know, like the pre Blade film,
501
00:29:12.240 --> 00:29:14.599
like what was going on there? What's the deal with humans? Like,
502
00:29:14.680 --> 00:29:17.359
let's go through that, Let's go through the political intrigue,
503
00:29:17.519 --> 00:29:20.039
Like there is a TV series set up there just
504
00:29:20.160 --> 00:29:24.039
for you know, for the ages, like imagine like all
505
00:29:24.079 --> 00:29:26.519
the Cloak and Dagger stuff and like how that first
506
00:29:26.559 --> 00:29:29.480
come about and how they quietly live with each other.
507
00:29:30.039 --> 00:29:33.240
That's really interesting. I want more of that stuff, and
508
00:29:33.279 --> 00:29:35.119
we don't get it, damn it. We just get it
509
00:29:35.160 --> 00:29:38.880
all hinted at, which at the same time does work
510
00:29:39.200 --> 00:29:42.759
for this film, because like they just sprinkle enough world
511
00:29:42.799 --> 00:29:45.680
building where you know, like any sequel could go anywhere.
512
00:29:46.200 --> 00:29:50.839
So yeah, again, I think you're right. Like he's a
513
00:29:51.119 --> 00:29:54.200
great actor doing a great role, and I think he's
514
00:29:54.440 --> 00:29:59.000
perfect for it, pretty much like Wesley Snipes is perfect
515
00:29:59.039 --> 00:30:01.960
for Blade. And I don't know if it's because I've
516
00:30:02.000 --> 00:30:04.720
seen it so much that I think that and I
517
00:30:04.759 --> 00:30:06.920
can't see it any other way. But as I said
518
00:30:06.920 --> 00:30:08.799
at the beginning, you close your eyes, you think of
519
00:30:08.839 --> 00:30:11.240
these characters. You can't think of anyone else in that role.
520
00:30:12.119 --> 00:30:13.279
Now we have in Bushy E.
521
00:30:13.400 --> 00:30:18.559
Wright as Karen the hypotologist, the human character our proxy.
522
00:30:18.599 --> 00:30:20.960
The audience is proxy, because this is still a time
523
00:30:21.720 --> 00:30:24.960
and we would still be stumbling through this particular fog
524
00:30:25.119 --> 00:30:27.839
for a few more years. With comic book movies, where
525
00:30:28.640 --> 00:30:31.480
the filmmakers do not trust us to just go with
526
00:30:31.559 --> 00:30:34.480
the fucking premise, they have to give us our human proxy.
527
00:30:35.000 --> 00:30:36.440
So same with hell Boy.
528
00:30:36.480 --> 00:30:39.319
We got
some agent nobody from Nowheresville who's never going
529
00:30:39.359 --> 00:30:42.839
to reappear guy. So that's effectively with Karen is Karen
530
00:30:42.880 --> 00:30:46.240
has a little more agency than most of the human
531
00:30:46.240 --> 00:30:50.480
proxy characters in that she provides the sort of mcguffin
532
00:30:50.519 --> 00:30:52.279
for the climax of the movie at least, and she
533
00:30:53.000 --> 00:30:57.279
actually helps along the way. But ultimately so we need
534
00:30:57.319 --> 00:31:00.200
her like at all.
535
00:31:01.319 --> 00:31:03.640
I do not think we do, and I don't think
536
00:31:03.640 --> 00:31:08.960
her character is handled correctly by Blade, but I will
537
00:31:09.079 --> 00:31:13.160
say it's believable how quick she gets with the program.
538
00:31:13.279 --> 00:31:16.680
And they do set it up so you would also
539
00:31:16.839 --> 00:31:18.960
get with the program at the same speed she does,
540
00:31:19.039 --> 00:31:21.359
Like you know how some of these films will be
541
00:31:21.440 --> 00:31:24.759
like someone will believe just straight away. Here she's given
542
00:31:25.119 --> 00:31:27.799
like the story, she's like, oh come on, she sees
543
00:31:27.839 --> 00:31:32.279
the evidence, She's like, oh god, come on quick. So
544
00:31:32.440 --> 00:31:34.960
I completely believe it. And that's really well written. Like
545
00:31:35.039 --> 00:31:37.000
there are some problems with the writing here, but that
546
00:31:37.119 --> 00:31:37.799
isn't one of them.
547
00:31:38.279 --> 00:31:41.640
Yeah, No, there are some minor miracles with the writing here,
548
00:31:41.680 --> 00:31:45.240
and I do think that you handle this ultimately completely
549
00:31:45.279 --> 00:31:48.920
superfluous character in a really good way. Look the movie,
550
00:31:49.079 --> 00:31:52.519
what's funny to me? Is if you go back and
551
00:31:52.599 --> 00:31:55.119
read earlier drafts of the screenplays and you listen to
552
00:31:55.319 --> 00:31:59.279
David Goyer talk about the movie. He describes this sequence
553
00:31:59.319 --> 00:32:03.319
as it is, it is easing us into the story
554
00:32:03.480 --> 00:32:06.599
as a character we're going to identify with, and it
555
00:32:06.720 --> 00:32:09.599
is our world. Right. They're working in a hospital and
556
00:32:09.640 --> 00:32:12.200
it's very mundane, and he said he very he kept
557
00:32:12.200 --> 00:32:16.519
the dialogue basically to melrose Place levels of ness, right,
558
00:32:17.599 --> 00:32:20.599
and then when Quinn, the vampire who's been brought in,
559
00:32:20.720 --> 00:32:24.359
jumps up and attacks them, then all the all reality
560
00:32:24.400 --> 00:32:25.640
goes out the window.
561
00:32:25.359 --> 00:32:26.640
For her and for us.
562
00:32:27.119 --> 00:32:29.319
And that's true, but I would also say we began
563
00:32:29.400 --> 00:32:32.640
with a blood rave. At the end of the Blood Rave,
564
00:32:32.920 --> 00:32:34.720
just follow Blade and get in his car and have
565
00:32:34.799 --> 00:32:38.039
a fucking narration. Come on and goes, My name's Blade.
566
00:32:38.279 --> 00:32:40.839
I've been doing this for twenty years. The world you
567
00:32:40.880 --> 00:32:43.640
see is candy is a candy coated topping to the
568
00:32:43.640 --> 00:32:44.559
horrors underneath.
569
00:32:44.759 --> 00:32:46.880
Here we go. I got to get this guy, Deacon Frost,
570
00:32:46.920 --> 00:32:50.640
that prick, and we as it's happening, you're seeing like
571
00:32:50.759 --> 00:32:54.119
everything happen outside of the window, so you can see, oh, like,
572
00:32:54.279 --> 00:32:56.920
here's the vampire on the corner of the street, like
573
00:32:57.000 --> 00:32:59.599
we're just not We're seeing it, but we just don't look.
574
00:33:00.119 --> 00:33:00.279
You know.
575
00:33:00.960 --> 00:33:03.000
Let's talk about that for a minute. The look of
576
00:33:03.039 --> 00:33:05.720
this movie, Oh my god, I want to live in
577
00:33:05.759 --> 00:33:08.400
that Los Angeles. I was living in Los Angeles when
578
00:33:08.440 --> 00:33:10.759
this movie came out, and that's the la. I want
579
00:33:10.799 --> 00:33:15.039
to live in a completely darkened Neon Litz Street where
580
00:33:15.079 --> 00:33:17.680
not trash but newspapers just loose.
581
00:33:17.680 --> 00:33:21.400
Newspapers are blowing everywhere all the time. What could be
582
00:33:21.440 --> 00:33:24.920
better than that? Having them not blowing everywhere?
583
00:33:25.160 --> 00:33:28.119
Perhaps, Oh, then there's no atmosphere. I lived in the
584
00:33:28.200 --> 00:33:30.519
not blowing everywhere. I blew with the trash everywhere on
585
00:33:30.559 --> 00:33:33.039
the ground. At least it's airborne here. The look of
586
00:33:33.079 --> 00:33:34.960
this movie is gorgeous, is what I'm saying.
587
00:33:35.519 --> 00:33:39.079
It's Yeah, it's I would say it's sort of post
588
00:33:39.079 --> 00:33:43.240
apocalyptic without being post apocalyptic. It has that feel about
589
00:33:43.279 --> 00:33:46.759
it still be in without the annihilation. Yeah, there we
590
00:33:46.839 --> 00:33:50.599
go perfect. I would say with the budget that this has,
591
00:33:50.640 --> 00:33:53.680
with the cast that this has, with the lead up,
592
00:33:53.759 --> 00:33:56.279
they know it's going to be a success, Like that's
593
00:33:56.279 --> 00:33:59.960
the very minimum that they should be delivering, though they
594
00:34:00.079 --> 00:34:03.599
should be getting that stuff correct first of all before
595
00:34:03.640 --> 00:34:07.400
everything else, and mentioned all the stump work. Why work
596
00:34:07.799 --> 00:34:11.920
all their effects digital? And otherwise? Well, let's talk about
597
00:34:11.920 --> 00:34:13.679
those for a second, shall we. I agree?
598
00:34:15.079 --> 00:34:18.519
Look, we can all agree not only digital effects in
599
00:34:18.559 --> 00:34:22.400
general never age well unless
they're done supremely well. To
600
00:34:22.519 --> 00:34:27.920
begin with the effects, here are early days of CGI. Look,
601
00:34:28.079 --> 00:34:31.360
we've had the triumph of Jurassic Park, and now we
602
00:34:31.400 --> 00:34:34.519
think we can do anything. And so they come up
603
00:34:34.559 --> 00:34:37.400
with a pretty cool innovation here, which is whenever Blade
604
00:34:37.760 --> 00:34:41.639
kills a vampire, they immediately combust, which is different, which
605
00:34:41.639 --> 00:34:43.559
is funny. If you read the original script, they turn
606
00:34:43.599 --> 00:34:46.280
into goo. They just they dissolved into a pile of go.
607
00:34:46.719 --> 00:34:49.519
And then somebody went, we can make them explode. That's
608
00:34:49.559 --> 00:34:53.000
more dynamic. What do you think of those though? Now
609
00:34:53.039 --> 00:34:54.639
looking at them, I'll tell you what.
610
00:34:54.760 --> 00:34:57.960
If you couldn't get with it, forget this film, like
611
00:34:58.039 --> 00:35:00.360
the first time that happens. If you've taken out it,
612
00:35:00.639 --> 00:35:03.159
forget it because there is a lot of it, and
613
00:35:03.480 --> 00:35:08.519
it's key to key to every fight scene because it
614
00:35:08.639 --> 00:35:11.480
is such a thing of awe when you look at it.
615
00:35:12.199 --> 00:35:14.840
I'll be honest, like I'm okay with it, Like it
616
00:35:14.920 --> 00:35:18.639
doesn't annoy me as I say overall, I don't love
617
00:35:18.679 --> 00:35:22.320
this film, but it isn't that I can't pick apart
618
00:35:22.719 --> 00:35:24.639
the reason as to why. There are a couple of
619
00:35:24.639 --> 00:35:27.760
things that really annoy me, and I'll get to them,
620
00:35:27.960 --> 00:35:31.079
but that isn't one of them. And I see how
621
00:35:31.119 --> 00:35:33.239
hokey it is, and I can see how much better
622
00:35:33.280 --> 00:35:38.000
that's become since. But that's the onset of technical stuff.
623
00:35:38.039 --> 00:35:41.119
You know. I wonder if cgi if this was pushing
624
00:35:41.159 --> 00:35:43.559
it at the time, because you know, we're not seeing
625
00:35:43.639 --> 00:35:46.960
exploding dinosaurs in Jurassic Park. We're seeing the movement and
626
00:35:47.000 --> 00:35:49.880
how they got that correct and the texture and things
627
00:35:49.920 --> 00:35:54.440
like that. This is different. This is like supreme blood splatter,
628
00:35:55.119 --> 00:35:58.400
and I get for me, it's I'm okay with it.
629
00:35:58.599 --> 00:36:00.840
I'm okay, I'm all right, don't upset me.
630
00:36:01.599 --> 00:36:05.400
Two things I would say if they had concentrated all
631
00:36:05.440 --> 00:36:11.360
of their effects were force and budget toward the exploding vampires,
632
00:36:11.639 --> 00:36:13.559
then I think we would be marveling at them to
633
00:36:13.679 --> 00:36:18.519
this day instead of the lamagra ending that we'll get
634
00:36:18.559 --> 00:36:22.480
to which we'll get to. Okay, that it, we'll get
635
00:36:22.519 --> 00:36:25.960
to it. I do think just as early as like
636
00:36:26.000 --> 00:36:27.960
the opening scene, not the opening scene, but the first
637
00:36:28.000 --> 00:36:28.880
time you see Blade.
638
00:36:28.920 --> 00:36:30.400
In Blade two, he.
639
00:36:30.400 --> 00:36:34.239
Starts killing vampires. The effects had already like it was
640
00:36:34.800 --> 00:36:39.159
geometrically better as far as what the look of it was.
641
00:36:40.679 --> 00:36:44.559
I do agree with you, though maybe it's nostalgia or something,
642
00:36:45.159 --> 00:36:48.719
but it's not like my brain is now looking at
643
00:36:48.719 --> 00:36:51.719
the effects and going, oh no, those were bad. They
644
00:36:51.719 --> 00:36:54.320
were the My reaction was the exact same in the
645
00:36:54.360 --> 00:36:56.519
movie theater. It wasn't like I was bowled over by
646
00:36:56.599 --> 00:36:58.880
how fucking fantastic this computer shit looked.
647
00:36:58.920 --> 00:37:01.719
You know what I mean? And you know what's funny
648
00:37:01.719 --> 00:37:03.639
to me is on a pure editing level. I think
649
00:37:03.639 --> 00:37:04.320
they could have fixed it.
650
00:37:04.360 --> 00:37:06.000
If you can probably still do it now, maybe I'll
651
00:37:06.039 --> 00:37:08.840
do it. I've been listening to a podcast, the Lonely
652
00:37:08.840 --> 00:37:11.360
Island Podcast, a group of comedians. I don't know if
653
00:37:11.400 --> 00:37:13.960
you're familiar with their work, but they were on Saturday
654
00:37:14.039 --> 00:37:15.800
Night Live here in America, and they used to do
655
00:37:15.800 --> 00:37:19.119
these little digital shorts and there was always esoteric little bits.
656
00:37:19.360 --> 00:37:22.679
They had a sketch called people eating food getting punched.
657
00:37:22.960 --> 00:37:26.280
The premise is very simple, a person in frame starting
658
00:37:26.280 --> 00:37:28.559
to eat something and before as they're getting it to
659
00:37:28.639 --> 00:37:31.440
their mouth, Andy Samberg would pop into the frame and
660
00:37:31.480 --> 00:37:33.840
just punch them in the face and then dance. What
661
00:37:33.880 --> 00:37:35.960
a kiva schaff for the guy who directed it figured
662
00:37:36.000 --> 00:37:39.440
out was if he removed one frame of the film
663
00:37:39.599 --> 00:37:42.840
right before he connected with the punch, then the punch
664
00:37:42.880 --> 00:37:45.960
became savage. And if you watch it, I'll put a
665
00:37:46.000 --> 00:37:47.519
link in the show notes to it so everyone can
666
00:37:47.559 --> 00:37:49.519
watch it. If you watch it, you can see, like,
667
00:37:49.559 --> 00:37:52.320
what is an innocuous little comedy Skit looks like somebody
668
00:37:52.400 --> 00:37:55.280
is really just wrecking people if they I think if
669
00:37:55.320 --> 00:37:56.840
you had just taken out one frame, they were so
670
00:37:57.000 --> 00:37:58.719
in love with the fact that
you were getting to
671
00:37:58.760 --> 00:38:02.159
see the skeleton that if you took that one frame
672
00:38:02.320 --> 00:38:04.360
of the skeleton out, I think we wouldn't have a
673
00:38:04.360 --> 00:38:05.159
problem here at all.
674
00:38:05.400 --> 00:38:09.239
You'll have to do it. What about the hospital scene
675
00:38:09.239 --> 00:38:12.519
with the burned up vamp me that looked great.
676
00:38:12.760 --> 00:38:15.760
That was a great makeup. That's a great character. Quinn
677
00:38:15.800 --> 00:38:20.599
played by Donald Logue, who is that character? As written
678
00:38:20.760 --> 00:38:24.800
was a know nothing, no say nothing character who maybe
679
00:38:24.800 --> 00:38:26.880
says three lines in the entire movie, was just a
680
00:38:26.960 --> 00:38:31.199
right hand man. And then Donald Loge kept improvising all
681
00:38:31.280 --> 00:38:33.679
of that shit, and he turns out one of the
682
00:38:33.679 --> 00:38:36.679
best characters in the entire movie. But funny thing is,
683
00:38:37.880 --> 00:38:41.079
Donald Logue was in a motorcycle accident in his youth
684
00:38:41.440 --> 00:38:46.599
that broke his jaw. So if his jaw gets struck
685
00:38:46.639 --> 00:38:50.559
in a certain way, it it locks itself open. So
686
00:38:50.920 --> 00:38:53.719
during the hospital sequence when he was wrestling with and
687
00:38:53.840 --> 00:38:56.800
busche E Wright, they fell to the ground and that happened,
688
00:38:57.280 --> 00:38:59.679
so they had to rush him to the hospital and
689
00:38:59.719 --> 00:39:02.599
he's in full burn makeup and they walk into the
690
00:39:02.920 --> 00:39:05.840
er and everyone's like, holy shit, and they're like they
691
00:39:05.840 --> 00:39:06.400
all rest to.
692
00:39:06.480 --> 00:39:10.719
Help him fair as you would, what can you do?
693
00:39:11.039 --> 00:39:13.440
But it does look that real as well, you'd be like,
694
00:39:13.559 --> 00:39:15.559
I'm not prepared for this.
695
00:39:16.400 --> 00:39:18.400
All the practical effects in the movie are great, Like
696
00:39:18.480 --> 00:39:22.400
talk about Pearl, for instance, the age old vampire who's
697
00:39:22.480 --> 00:39:25.679
grown so morbidly obese that he can no longer move
698
00:39:26.159 --> 00:39:28.800
in the archives, I thought that effect looked great.
699
00:39:29.039 --> 00:39:32.440
Yeah, but that for me, that is pushing it to
700
00:39:32.519 --> 00:39:36.039
the edge, Like that's at the edge where I don't
701
00:39:36.039 --> 00:39:38.360
want to see anything beyond that. Don't go more silly
702
00:39:38.440 --> 00:39:41.519
than that, Like you that is right there for me,
703
00:39:42.119 --> 00:39:44.519
Like I feel like this should be what am I
704
00:39:44.519 --> 00:39:47.320
trying to say? You know? How sometimes in total weekle,
705
00:39:47.480 --> 00:39:51.199
it's just like, oh, you've introduced this another mad thing
706
00:39:51.239 --> 00:39:54.800
that Arnie's bumped into, you know, like
the face coming apart. Oh,
707
00:39:54.800 --> 00:39:57.280
it's just another mad thing. And it becomes so many
708
00:39:57.360 --> 00:39:59.960
mad things that are happening that this film's just become
709
00:40:00.199 --> 00:40:03.360
mad and completely unbelievable. Like it or loathe it, but
710
00:40:03.639 --> 00:40:06.239
it's just crazy. And when you get you're built, you're
711
00:40:06.280 --> 00:40:09.400
already into this world. It's already been introduced as like,
712
00:40:09.400 --> 00:40:12.320
like we've said, like this post apocalyptic thing without being
713
00:40:12.440 --> 00:40:15.519
post apocalyptic, So we've already got this like hype of
714
00:40:15.639 --> 00:40:19.320
future real sort of thing, and then we're introducing another
715
00:40:19.480 --> 00:40:22.400
wacky sort of aspect to it. We've already got to
716
00:40:22.440 --> 00:40:25.960
deal with the whole ending thing. That's a lot already,
717
00:40:26.159 --> 00:40:29.239
and we introduced to another characters. Well, I don't push it,
718
00:40:29.480 --> 00:40:32.440
and luckily it doesn't really push it too much further
719
00:40:32.800 --> 00:40:33.679
before the ending.
720
00:40:34.000 --> 00:40:36.119
Well, let me defend Perl because if you're watching the
721
00:40:36.159 --> 00:40:39.159
movie for the first time, yeah, you might feel like
722
00:40:39.239 --> 00:40:42.119
it's pushing there, but you have no idea what's coming.
723
00:40:42.280 --> 00:40:44.639
Because let's talk about the ending, shall we. There's a
724
00:40:44.679 --> 00:40:47.559
mystic gotten ending the once again and look, maybe it
725
00:40:47.639 --> 00:40:50.280
wasn't the once again, but the idea of the chosen
726
00:40:50.320 --> 00:40:54.159
One I'm so fucking tired of Blade isn't necessarily the
727
00:40:54.280 --> 00:40:56.639
chosen one. He's not going to lead the vampires, but
728
00:40:56.679 --> 00:40:59.239
it is his blood that ends up being the key
729
00:40:59.519 --> 00:41:04.199
to Unliine. Like this amorphous mcguffin ending of we're going
730
00:41:04.280 --> 00:41:08.519
to release La Magra, the blood Tie, the ancient demon
731
00:41:08.679 --> 00:41:12.039
that created vamporism to begin with. I think, I mean,
732
00:41:12.039 --> 00:41:14.039
we're going there, and it does all make sense. I'm
733
00:41:14.039 --> 00:41:16.679
not saying it doesn't, it's just what are your thoughts
734
00:41:16.679 --> 00:41:17.599
on the ending that we got.
735
00:41:17.760 --> 00:41:20.559
I just think it's too much, and it's probably one
736
00:41:20.599 --> 00:41:25.719
of the reasons that I wasn't loving the film, and
737
00:41:25.760 --> 00:41:29.519
it's because it's so mad. I just put that there.
738
00:41:29.639 --> 00:41:32.119
It is mad, right, the whole ending is mad. But
739
00:41:32.199 --> 00:41:35.320
then on top of it, we've got this most ridiculous,
740
00:41:35.480 --> 00:41:39.519
over the top fight going on. It's so crazy. It's
741
00:41:39.920 --> 00:41:42.440
do one or the other, choose a lane. Let's have
742
00:41:42.480 --> 00:41:45.599
the face off and we'll deal with that for a sequel.
743
00:41:45.639 --> 00:41:48.360
Maybe put it in a post credit scene of like, oh,
744
00:41:48.480 --> 00:41:52.480
we've actually kicked this thing off inadvertently or something like that.
745
00:41:52.599 --> 00:41:54.400
But the fact that it's all going on at once
746
00:41:54.679 --> 00:41:58.280
reminds me of that the return of the Jedi problem,
747
00:41:58.280 --> 00:42:00.960
where you've got all these sort of things happening at
748
00:42:00.960 --> 00:42:03.199
the ending, you don't know really which one to focus on.
749
00:42:03.239 --> 00:42:04.880
The think I think they get away with it because
750
00:42:04.920 --> 00:42:08.320
we've all watched it forty thousand times. But it's just
751
00:42:08.400 --> 00:42:11.199
a lot going on and we're not concentrating on any
752
00:42:11.199 --> 00:42:14.199
one thing. And I think that's the problem for me,
753
00:42:14.480 --> 00:42:18.000
is that I'm not focused enough on whatever. And the
754
00:42:18.079 --> 00:42:21.360
fight is so ridiculous that is putting me, starting to
755
00:42:21.599 --> 00:42:23.920
make me not likee Blade because he just seems like
756
00:42:23.960 --> 00:42:26.199
he's never gonna lose anything no matter what happens, it
757
00:42:26.239 --> 00:42:29.519
doesn't matter. He's so tough. Yeah, it started pissing me
758
00:42:29.519 --> 00:42:30.880
off a bit far from alone. I'm sorry.
759
00:42:31.039 --> 00:42:33.000
Well, they do throw a lot of minions at him
760
00:42:33.000 --> 00:42:35.159
at the end, which leads me to think, like, why
761
00:42:35.239 --> 00:42:38.079
you guys aren't dressed the same, aren't you Because they're vampires.
762
00:42:38.079 --> 00:42:41.679
These aren't even familiars, like they're exploding when he kills them, which,
763
00:42:41.719 --> 00:42:44.280
by the way, not to keep praising or deriding the
764
00:42:44.320 --> 00:42:46.880
exploding party this is in this case, it's praising. When
765
00:42:46.880 --> 00:42:48.960
you do have a sequence where you're killing tons and
766
00:42:49.000 --> 00:42:52.920
tons of faceless minions, having them just explode is great.
767
00:42:53.280 --> 00:42:54.719
Like a video game, we don't even have to think
768
00:42:54.719 --> 00:42:58.039
about them again. But I think that the main problem
769
00:42:58.239 --> 00:43:00.320
for the movie, for the script for me, is in
770
00:43:00.400 --> 00:43:03.760
this scene. Because Dave Goyer, in every one of his
771
00:43:03.840 --> 00:43:07.920
movies you can tell has done the scientific research in
772
00:43:07.960 --> 00:43:10.840
one way or another, Like he's always trying to figure
773
00:43:10.880 --> 00:43:13.760
out a solution to a problem even if no one's
774
00:43:13.840 --> 00:43:17.880
noticed the problem. So he's overly scientific here. So we'll
775
00:43:17.880 --> 00:43:22.360
find out
that it's Alium sativa is from the garlic plant,
776
00:43:22.400 --> 00:43:24.840
and if you've synthesized that and make it liquid, you
777
00:43:24.840 --> 00:43:27.360
can use it. If you use a UV light, it
778
00:43:27.400 --> 00:43:30.800
replicates the sun's rays. Right, So he's all focused on
779
00:43:30.920 --> 00:43:35.000
Blade using technology. He's all focused on Deacon Frost using
780
00:43:35.119 --> 00:43:39.440
technology and shaking off all the old world bullshit. To
781
00:43:39.480 --> 00:43:42.239
that end, they have Deacon Frost like using a computer
782
00:43:42.360 --> 00:43:46.480
program to decipher this old text to bring about this demon.
783
00:43:46.840 --> 00:43:49.360
And I would say, we don't need a fucking demon
784
00:43:49.559 --> 00:43:51.960
who gives a shit about any of this blood business.
785
00:43:52.119 --> 00:43:53.800
At the end of the movie, just.
786
00:43:53.960 --> 00:43:57.400
Have a new ending, like just something new. Like the
787
00:43:57.480 --> 00:44:00.559
idea of summoning anything from the past and all we're
788
00:44:00.559 --> 00:44:02.880
trying to do is kill the past in this movie
789
00:44:03.039 --> 00:44:04.519
seems fucking crazy to me.
790
00:44:04.800 --> 00:44:07.719
But it has been like, to defend it a little.
791
00:44:07.800 --> 00:44:11.119
It has been brought up throughout the whole film, like
792
00:44:11.159 --> 00:44:13.199
it's not like they just brought it out of nowhere.
793
00:44:13.719 --> 00:44:17.199
I just don't think it was the best path for
794
00:44:17.280 --> 00:44:20.000
the film to end on whilst all that battle's going on.
795
00:44:20.079 --> 00:44:22.159
Oh would much rather just like I just have the
796
00:44:22.639 --> 00:44:27.159
like an exciting battle, you know where then a blade
797
00:44:27.320 --> 00:44:30.840
might introduce something that we haven't seen or what's worth
798
00:44:31.480 --> 00:44:35.320
maybe even frost, like having something that we didn't know about.
799
00:44:35.400 --> 00:44:38.880
But it is just has been like laid like, oh,
800
00:44:38.880 --> 00:44:41.440
there's a little clue in the first twenty minutes or something.
801
00:44:41.639 --> 00:44:43.840
Do you know anything like that would have improved it.
802
00:44:44.199 --> 00:44:46.800
And I tell you the worst moment for me when
803
00:44:47.320 --> 00:44:50.320
he mouths what the fuck and it was just like,
804
00:44:50.400 --> 00:44:52.880
oh man, it's so cheesy.
805
00:44:53.280 --> 00:44:56.840
Yeah, it's very superhero. It turns into a very superhero
806
00:44:56.880 --> 00:45:00.480
movie in the last ten or fifteen minutes. Unfortunately, did
807
00:45:00.480 --> 00:45:02.320
you see the did you ever see the original ending?
808
00:45:02.800 --> 00:45:05.239
Oh? Please? No, I have not oh.
809
00:45:05.079 --> 00:45:09.320
Boy, there is no battle TwixT Deacon Frost and Blade.
810
00:45:09.320 --> 00:45:13.400
What happens is Deacon Frost immediately turns into a blood
811
00:45:13.480 --> 00:45:17.599
tornado that completely engulfs the room. It is literally a
812
00:45:17.719 --> 00:45:22.280
spinning vortex of blood, and Blade is hanging on to
813
00:45:22.440 --> 00:45:25.639
debris and trying to work his way up toward his
814
00:45:26.039 --> 00:45:30.000
the serum, the anticoagulant that will make the bloody explode.
815
00:45:30.280 --> 00:45:32.800
You can see it. It's on YouTube. It only exists
816
00:45:32.840 --> 00:45:36.280
a pre visual. They've already filmed this. Oh yeah, it's done.
817
00:45:36.280 --> 00:45:40.039
You can watch it, so the effects aren't finished, so
818
00:45:40.199 --> 00:45:43.480
you can't really ding it for the effects looking pad.
819
00:45:43.920 --> 00:45:47.800
And it gets even worse because they cg in or
820
00:45:47.840 --> 00:45:51.239
they just layer in Stephen Dwarf like they filmed him
821
00:45:51.239 --> 00:45:52.320
and you can tell they were going to do some
822
00:45:52.360 --> 00:45:56.119
blood version of him, but instead it's just him going.
823
00:45:56.079 --> 00:45:58.360
Hey, Blade, I'm gonna go fuck the world in a minute.
824
00:45:58.480 --> 00:46:00.760
So see, yuh. It's awful.
825
00:46:00.880 --> 00:46:04.079
And you can tell fight that we get is an
826
00:46:04.079 --> 00:46:07.920
improvement over it, but not by much. That fight only
827
00:46:07.920 --> 00:46:12.679
becomes interesting when Blade lops off Deacon Frost's arm and
828
00:46:12.719 --> 00:46:15.440
it comes back to him Like at that moment, I thought,
829
00:46:15.440 --> 00:46:18.800
oh this could be interesting. This could be a whole
830
00:46:19.119 --> 00:46:23.800
fight of this unstoppable blood thing that he Deacon Frost
831
00:46:23.800 --> 00:46:27.239
has now become like that to me is interesting, but
832
00:46:27.360 --> 00:46:29.079
they don't do anything with it because they were just
833
00:46:29.119 --> 00:46:31.159
so desperate to have a fucking ending that wasn't a
834
00:46:31.159 --> 00:46:33.679
blood tornado that we just got a quick sword fight.
835
00:46:34.119 --> 00:46:36.599
I've got a question for you. And this was my
836
00:46:37.039 --> 00:46:41.960
most frustrating thing of the whole film. Blade's mum is introduced.
837
00:46:42.239 --> 00:46:44.719
She talked about but then we get her introduced. She's
838
00:46:44.760 --> 00:46:48.840
been kept alive, she's a vampire, and she makes an
839
00:46:48.880 --> 00:46:53.800
appearance to try and sort weaken Blade and to make
840
00:46:53.840 --> 00:46:57.679
Blade question things and things like that, and unfortunately, I
841
00:46:57.679 --> 00:47:00.000
if you're going to do that, you can't just introduce
842
00:47:00.280 --> 00:47:03.119
so like this is Blade's mum. I want way more.
843
00:47:03.599 --> 00:47:06.000
You can't just throw that in there as like that's
844
00:47:06.079 --> 00:47:09.320
another five minutes tops, and then Blade's going to get
845
00:47:09.320 --> 00:47:13.119
out of it
like a cinch anyway, Like no, like,
846
00:47:13.280 --> 00:47:16.199
let's go into that. Let's I mean, that is such
847
00:47:16.719 --> 00:47:22.039
heavy dialogue, friendly, loads of potential. Let's deal with it,
848
00:47:22.119 --> 00:47:25.079
and it's not. It's just washed out so quick.
849
00:47:25.599 --> 00:47:29.679
Yes, this is the main problem with the movie because
850
00:47:30.360 --> 00:47:35.039
when at that moment it's revealed Blade's mom is still
851
00:47:35.039 --> 00:47:39.159
alive and she's in league with Deacon Frost. She's just
852
00:47:39.239 --> 00:47:45.039
as she's just as villainous as Deacon Frist that I thought,
853
00:47:45.079 --> 00:47:49.599
Oh my god, this is what a turn for our hero.
854
00:47:50.159 --> 00:47:52.199
How will he deal with this for the rest? Oh no,
855
00:47:52.320 --> 00:47:55.440
she's dead, and isn't that Blade's reason for being Blade?
856
00:47:55.679 --> 00:47:58.199
Right? Yeah, that's it. Yeah, And here's the thing.
857
00:47:58.280 --> 00:48:02.679
It's my understanding that when the script first was coming together,
858
00:48:02.920 --> 00:48:05.400
he was writing it for Ernest Dickerson to direct. Ernest
859
00:48:05.440 --> 00:48:08.360
Dickerson was Spike Lee's DP. He did tell from the
860
00:48:08.559 --> 00:48:11.360
Crypt Demon Knight, and then the second director was going
861
00:48:11.360 --> 00:48:15.000
to be David Fincher, and David Fincher's contribution to the
862
00:48:15.000 --> 00:48:19.119
screenplay was he told David Goyer about this, like kne
863
00:48:19.280 --> 00:48:23.039
or some Buddhist philosophy, that in order to be your
864
00:48:23.079 --> 00:48:25.760
own person, you have to kill your mother, kill your father,
865
00:48:25.960 --> 00:48:28.880
kill the Buddha. That's why during the course of this movie,
866
00:48:28.880 --> 00:48:32.000
Blade does exactly those things. He kills his mother, he
867
00:48:32.079 --> 00:48:35.119
kills Deacon Frost, his father, he kills Buddha, who is
868
00:48:35.440 --> 00:48:38.519
or does. He provides the gun for Whistler to kill himself.
869
00:48:38.920 --> 00:48:44.280
So that's there, and that's really fascinating. But it also,
870
00:48:44.760 --> 00:48:48.519
as you said, it's we're given such short shrift here
871
00:48:48.840 --> 00:48:53.280
because his mom should have been introduced halfway through this movie.
872
00:48:53.480 --> 00:48:56.719
That should have been a complication running throughout the movie.
873
00:48:57.119 --> 00:49:01.800
He's dealing with his father figure Whistler, his now figured
874
00:49:01.800 --> 00:49:05.320
out his other father figure Deacon Frost, and his actual mother.
875
00:49:05.639 --> 00:49:07.880
What a fucking cocktail? Why do we have?
876
00:49:08.000 --> 00:49:13.719
Karen correct, Yeah, so this is it just feels so messy.
877
00:49:13.760 --> 00:49:16.960
It feels like all the ingredients are there and they
878
00:49:17.000 --> 00:49:19.639
have been put together in
such a I want to
879
00:49:19.679 --> 00:49:22.800
say that it feels like as a viewer, and as
880
00:49:22.800 --> 00:49:24.840
I say, I've seen this four times in five years
881
00:49:24.840 --> 00:49:27.639
for some reason. I do not know why, but it
882
00:49:27.840 --> 00:49:32.559
just seems so haphazardly bummed together when there is so
883
00:49:32.719 --> 00:49:35.679
many ingredients for such a wonder. I watched Spider Man.
884
00:49:35.760 --> 00:49:38.559
Let's just say that, I watched Spider Man Sam Raimi's
885
00:49:38.559 --> 00:49:41.440
one the other day and it worked so well, like
886
00:49:41.920 --> 00:49:45.199
everything seemed to be clicking, and it was like it
887
00:49:45.320 --> 00:49:47.920
completely makes sense in the world that it's built up
888
00:49:47.960 --> 00:49:51.960
around it, and I left it completely satisfied. And I
889
00:49:51.960 --> 00:49:54.440
haven't watched it since when it came out of the
890
00:49:54.440 --> 00:49:57.239
cinema and I was just like, Wow, that really held up,
891
00:49:57.360 --> 00:50:00.280
really loved it. Coming back to this, I don't know.
892
00:50:00.320 --> 00:50:02.199
I wish people would stop asking me to watch it.
893
00:50:02.440 --> 00:50:07.400
God, and they're going through after this, and yet look,
894
00:50:07.440 --> 00:50:09.400
I still give this a really good score.
895
00:50:09.880 --> 00:50:13.559
Like I feel like Blade is iconic. I feel like
896
00:50:13.760 --> 00:50:18.440
the action work, especially in the first half, is some
897
00:50:18.480 --> 00:50:21.480
of it's incredible. I still can't figure out how they
898
00:50:21.519 --> 00:50:23.679
did it. As I say, some of that why work
899
00:50:23.800 --> 00:50:26.880
must have just been intense. I just don't know how
900
00:50:26.920 --> 00:50:29.400
you can make your body go through that, because it
901
00:50:29.480 --> 00:50:32.480
definitely wasn't like a you could tell at this age
902
00:50:32.480 --> 00:50:35.519
when it's a c cgi human bouncing around the room
903
00:50:35.559 --> 00:50:38.519
and things like that. They'll see it in the fucking sequel,
904
00:50:38.960 --> 00:50:42.559
you certainly will, But this is Wesley Snipe's going through it.
905
00:50:42.960 --> 00:50:45.480
So yeah, I, as I say, I give it a
906
00:50:45.480 --> 00:50:47.880
good rating, I think it's a solid seven for me.
907
00:50:48.440 --> 00:50:51.760
But I really just think this could have even been
908
00:50:51.800 --> 00:50:54.440
a ten with some care and attention given to it,
909
00:50:54.480 --> 00:50:58.119
because all the ingredients are already there. Rip Whistler couldn't.
910
00:50:57.800 --> 00:51:01.199
Have said it better myself. This is an almost their movie.
911
00:51:01.199 --> 00:51:04.360
This could have been a perfect movie. Let's get another
912
00:51:04.400 --> 00:51:06.880
one going. How about that Marvel? You've been talking about
913
00:51:06.920 --> 00:51:10.320
it for fucking five years, Paul Waller, thank you so
914
00:51:10.440 --> 00:51:12.440
much for joining us in my inaugural episode.
915
00:51:12.639 --> 00:51:14.840
When people are looking for you, where do they find
916
00:51:14.840 --> 00:51:18.199
you in a Year in Horror? Honestly, just go to
917
00:51:18.320 --> 00:51:21.639
wherever you search your podcasts out put in a Year
918
00:51:21.679 --> 00:51:23.920
in Horror. If you want to listen to some horrible
919
00:51:24.360 --> 00:51:30.639
doom music, go and put Ome's double HMS India Music
920
00:51:30.679 --> 00:51:34.800
platform listening preference. But like, yeah, all I would say
921
00:51:35.360 --> 00:51:38.719
is over last year, Father Malone, I've been sort of
922
00:51:38.800 --> 00:51:42.159
addicted to your shows, So keep it up, keep the
923
00:51:42.440 --> 00:51:46.039
keep this spunk pummeling. I want all that energy. Don't
924
00:51:46.039 --> 00:51:48.760
give up on this, because you make my days better
925
00:51:48.920 --> 00:51:51.039
for being there. I'll do it just for you.
926
00:51:51.280 --> 00:51:55.519
Everybody, keep listening here, Patrons, thank you for patroning, and listeners,
927
00:51:55.559 --> 00:51:58.320
thank you for listening. We've got so many fests going
928
00:51:58.360 --> 00:52:01.159
on right now, Star trek Fest, We've got Climb Barker's
929
00:52:01.199 --> 00:52:03.440
Books of blood Fest, and now we have our comic
930
00:52:03.519 --> 00:52:05.679
book horror Fest. I don't really have a name for
931
00:52:05.719 --> 00:52:07.559
this one yet. We'll figure that one out anyway, Thank
932
00:52:07.599 --> 00:52:09.599
you all for listening. We'll check you out next time.
933
00:52:09.800 --> 00:52:11.280
I got to come up with a comic book phrase
934
00:52:11.320 --> 00:53:02.880
at the end. God damn itent