UDSKRIFT 🔗
WEBVTT
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Music.
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Hello, and welcome to Forgotten Frights. I'm Josh, and I'm sitting here with Adam.
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Hey, what's up? And today on
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the podcast, we're reviewing the 1958 horror film, The Horror of Dracula,
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directed by Terrence Fisher, written by Jimmy Sangster and starring Peter Cushing,
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Christopher Lee, Michael Goh, Melissa Stribbling, and Carol Marsh. Here's the trailer.
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This is the story of Dracula, a creature who destroys all whom he touches.
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Dracula the terrifying, the feared, who sleeps in the tombs of the dead by day,
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and arises at night to inflict his terror upon the innocent and the unsuspecting.
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You must help me. You must. You're my only hope. You must. I'll help you.
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Music.
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I promise. Oh,
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my God.
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Please try and understand. This is not Lucy, the sister you loved.
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It's only a shell, possessed and corrupted by the evil of Dracula.
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How do you destroy a fiend who has so far proven himself indestructible?
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Those who come to end his reign of terror stay to become his victims.
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Castle Dracula is summoned here in Clousenborough. Will you tell me how I get
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there? You ordered a meal, sir.
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As an innkeeper, it's my duty to serve you. When you've eaten,
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I ask you to go and leave us in peace. This is the doctor who dares to challenge the vampire Dracula.
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This is the anguished man who fears for the lives of his beloved.
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The girl who is his sister and the one that is his wife.
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Dracula, the bedeviled master of all that is evil.
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Music.
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Come on!
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Music.
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Okay, there was the spooktacular trailer, or spooktastic. I think I've used spooktacular.
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But the spooktastic trailer to The Horror of Dracula, starring Peter Cushing
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and Christopher Lee. Adam, how's it going?
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Good. It's warm outside today. It is. We took the month of July.
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I think our last published podcast was June 30th.
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And I think it makes perfect sense because we both were extremely busy this
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past month. I've been camping a lot.
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And yeah so it's been nice to have that little actually to have a little breezeway there between.
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Podcasting yeah the summer has been very eventful i
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feel like every year i make a commitment to say
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i'm not gonna pack my summer's all full and it just
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never works so we is my wife and i started doing the notes
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app on my phone and then we just share it with each
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other so we both just log the dates because i forget constantly
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you know i'll set up stuff to do this
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coming weekend and then it'll turn out we were supposed to
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have been camping and we set that up like three months prior so
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it's just so now it's like it actually makes a little bit more sense
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this summer we're staying on top of things which is nice but
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we've had a few instances where things pop up and it's like
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oh we forgot we were doing that i just have to rely on my wife to remind me
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what we're doing each weekend because it is certainly not sitting down and relaxing
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yes yeah it's just a lot of stuff but you know i can recall going i think you
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and i went to a jethro tull concert and i can I remember like the day before
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I was at your house and you're like, hey, excited to go see Tull.
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And I'm like, oh, God, like we have to go tomorrow and I have to find a babysitter.
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Like it was that level of me not remembering.
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OK, so we are reviewing The Horror of Dracula, 1958.
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Would you like to hear some of the taglines? Yeah, blame on me. All right.
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The first one is Don't Dare See It, dot, dot, dot, Alone.
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All right, yeah, I mean, yeah, I get it. Yeah, and this is 58,
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so, you know, they're just, they're giving you a heads up.
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Spooky things have been happening this past decade in cinema, so be, you know, be wary.
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I like this one. It says, important note, don't confuse this picture with the other Dracula movies.
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This is the newest and best one and the only one in Technicolor.
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That's a real tagline? I guess. Wow. I mean, I didn't see it on the poster myself,
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but it was under a category that said taglines. Something they could get sued.
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Vampires never existed before this movie. Sleep.
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In this tagline, the words that are all caps are Dracula,
Load full transcript
newest, best, only one.
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Technicolor. Newest only.
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Yeah. What? Yeah, what is the, I'm going to mess it up, but the Lionel Hutz,
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no, money down, from The Simpsons.
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Okay, this one starts with an ellipsis. There's a lot of ellipses in these old taglines.
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So this is dot, dot, dot, now she's one of the dead-alive brides of Dracula.
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Yeah, that happens quite a few times, actually. It does, it happens a couple times in the film.
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There's a lot of them. So I'm just kind of going through them.
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I'm just going to get your impression. Feel free.
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This is three of, oh no, this is four of like 10.
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Sensational shock and thrill show. That's another tagline. That's very generic.
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The one before that you said there was an ellipsis before?
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At the very start. Do you think the word before that was, hey?
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Actually, going back to the one that says- Some guy trying to get your attention.
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That's exactly what I was going to say about the tagline that says, Dracula, newest, best.
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It's almost like somebody's screaming it in a crowd and you're only catching those words.
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Dracula, newest, best. Like those are- Yeah. He's got Dracula hand puppets,
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Dracula ice cream sandwiches.
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I mean, he's just like, you have to see this. Listen, buddy,
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I've got Dracula hands. I took out a mortgage at my house for this.
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This one's good, too. Every night he rises from his coffin bed silently to seek
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the soft flesh, the warm blood he needs to keep himself alive.
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I think that one is the best one that really encapsulates the movie.
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So I think I think it fits the yeah, the atmosphere.
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Yeah. OK, so there's more of them because this film was this film was like a
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double feature with a lot of other films.
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And one of the films it was a double feature with, it seems often,
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was The Curse of Frankenstein, a movie we previously reviewed.
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Oh, yeah. So these two movies would come out.
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I would assume the drive-in or they would be at like a temple theater type thing
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as like a double showing when those were hip.
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We have Frankenstein spills it. Dracula drinks it.
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In the screen's
greatest double creature feature, double bill with The Curse of Frankenstein.
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They never talk about blood no they it could be juice could be juice could be
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booze it'd be vodka yeah bella lugosi no boris carloff sorry could be a lemon lime little hug,
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actually a film we previously reviewed and discussed but a launch any jr in
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the haunted castle the haunted palace yeah i was called the haunted castle yeah
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that is so funny that But in that episode,
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I could not remember the name of it, and I kept calling it The Haunted Castle,
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and you kept correcting me that it was The Haunted Palace, and you just did it again.
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I don't remember ever doing that, but yeah. I could not remember.
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I was like, the darkest place on earth, and you're like, it's The Haunted Palace.
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But Lon Chaney Jr. is in that movie, and he looks like he spills it and drinks it.
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Oh, yeah. He looks pretty rough. He looks pretty bloated in that movie.
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Okay, this is another one. A double dose of full color thrills.
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Double bill with the Curse of Frankenstein. Yeah, I mean, yeah.
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Christopher Lee's fangtastic first ever performance as the Lord of the Undead.
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Fangtastic got me. Every time. Just a few more.
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The chill of the tomb won't leave your blood for hours after you come face to face with Dracula.
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Okay. Yeah. I don't know if hours was the right word.
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Like i don't know just like it'll stay
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with you for a while like yeah hours is like oh yeah i feel better now the chill
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of the tomb won't leave your blood for hours for hours okay so if you watch
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it at seven by nine yeah i can go right to sleep i'm fine now the chill's gone
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that was the other tagline i'm fine now the terrifying lover who died yet lived.
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And finally, who will be his bride tonight? It's probably more like,
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who will be his bride tonight?
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Or just, who will be his bride tonight? Yeah, but just the bride.
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I mean, that sounds kind of nice. Yeah.
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Why don't we get into it, Adam? Why don't we get into the film?
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This is an interesting one.
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I think we have some of definitely like the Curse of Frankenstein adaptation.
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I don't know if we want to call those issues
right off the bat,
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but I think it's, you know, these early Hammer horror productions seem very slow.
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I think they really leaned into the gothic themes.
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We've discussed that before, but very much like the slow build and then the
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occasional gasps happening.
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They nailed the gothic part for sure. The set design was very cool.
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It was super foggy in a lot of the graveyard courtyard scenes.
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So that's, that's always appreciated. You know, you know what you're getting
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into when you watch these movies and it's like, okay, if the atmosphere is there,
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that's for me, it's half the battle.
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And this movie is, it's strange because part of it feels like a pretty close
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adaptation, but every once in a while they'll like be like, ah,
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you can change this a little bit.
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Yeah, we can. Yeah. And yeah, we can discuss that too.
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I should touch on, this is our spookiest episode.
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Yet because it's episode 13. Oh.
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And it's, yeah, we're doing The Curse of Dracula on episode 13.
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All right. Now, in honor of that, I'm going to crack this bubbly coconut pineapple.
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How's your orange cream over there, Adam? It is terrifyingly good.
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Yeah. You can taste the pineapple. Did I say it was warm?
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It's actually very dark clouds and thunderstorms. It's not a beautiful July
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day. It's not full sun. It's hurting my eyes.
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Did you want me to close the drape? Oh, no, no, no. Is this comfortable?
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Yeah. We're looking at the greenery outside. It's great.
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It's like, oh, I love recording at your house, too, because we're sitting there
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having these conversations about just horrifying, and it's just like this beautiful
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greenery out your window.
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No, the barn kind of looks like the haunted castle from that movie we watched.
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The haunted palace. Oh, that's right.
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Ah, now I, the other hand is on the other foot. That's right.
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The other foot is on the other hand.
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And then I also want to touch on before we get into the movie,
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because I feel like I'm stalling now at this point, but we have about 200 downloads
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on Podbean, which is pretty cool.
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And then on YouTube, we have about 500, just crossed 500 views with some of those.
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It seems like Twice Told Tales seems to be a very popular episode.
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I don't know why, but it's got that one's cracked about 100 views itself.
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So, yeah, we're kind of moving along. And then I've just been trying to monitor
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some of the other downloads and things.
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But it seems like, yeah, you know, to get some downloads, which is good.
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And we don't advertise this at all. And I think that's kind of the way to do it.
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I like kind of just being able to post it and let it do its own thing.
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And I'm not, you know, harping on it on social media all the time.
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Listen to us. Yeah. We're great.
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I mean, obviously, both you and I are doing this because we have a passion for movies.
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And if anybody's getting anything out of these podcasts, then that's awesome.
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Yeah. That's great. Yeah. I had a previous podcast where a friend of mine said,
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would often remark, There are more people on your podcast than those who listen
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to it, which was entirely true.
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So right now, that's not true. Yeah.
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Now I'm fighting back with Forgotten Frights.
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All right. So getting into the horror of Dracula, we've got Jonathan Harker
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arrives at Castle Dracula in Klausenberg to take his spot as the castle or the town librarian.
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Or is it a castle or is it a palace? No, I don't know. It's Castle Dracula.
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It is, yeah. It's not the haunted palace of Dracula. It's not Palace Dracula,
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no? Yeah, the Castle Dracula.
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So he's taking his spot as the librarian, which I thought was kind of interesting.
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Because it seems like if he's going to do that, why is he talking to Dracula?
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But he's like, curate my books. I guess, yeah.
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I don't know. That's wildly different than the original story there.
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Yeah, because the original story, we've got Harker shows up. after Renfield.
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And he's doing some estate work. I'm going to move my phone over here because
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I feel like I got a little zip.
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He's doing estate work for Dracula. I think he's getting him a new,
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not a parsonage, but what am I thinking of?
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I think he's... House over in London. Yeah, like an abbey. An abbey, yeah.
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So he's moving there. So yeah, they're just, for whatever reason in this adaptation,
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they're like, nah, he's gonna... He's just a librarian. He's a librarian. He's doing that.
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So once he gets there, he immediately meets a woman who needs his help.
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I believe he finds a note in the beginning that says, like, I can't join you.
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It's a note from Dracula. It's like, I can't join you, but, you know, help yourself to this.
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You know, hang out in my castle and, you know, I'll be there for dinner or something
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like that. He has a cloche with some food and he's, like, go ahead and grab
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a bite to eat and he does and then he knocks something off the table and then
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he looks up and there's the lady.
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Yes, and then she is like, you have to help me.
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Please, save me. And then Christopher Lee arrives and,
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Harker, I think, tells her, yes, I'll do my best to help you.
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Christopher Lee arrives and gets him to his room. This is where we find out
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that Harker is actually a vampire hunter.
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Again, yeah, just... Kind of interesting that they went this route with it.
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That confused me. Yeah, so they know about vampires?
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So, yeah, he's pretty up on that stuff, which is vampire lore.
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And Peter Cushing, who we'll find as Van Helsing, was just training him to be
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what ostensibly is the worst vampire hunter of all time.
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He's real bad. He's not good at his job. Yeah, he makes some serious missteps.
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I would say, yeah, he was, yeah, yeah, so.
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Yeah, but he's immediately talking about how he's like, I'm going to get this
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SOB. And it's just like, wait a second.
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And he's Dracula. So we already know about other vampires?
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Yeah, and Van Helsing is not, like, this is young Peter Cushing.
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So this isn't like old man Van Helsing who needs help.
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Like, please go kill Dracula. It's more like for your first assignment,
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you're going to go kill Dracula.
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Yeah. That's like sending a top secret agent to be like the first,
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your first job in the CIA is to infiltrate the Kremlin.
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Yeah. It's like, we need you to take down, take down James Bond and then we'll
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go on to the, the harder, the harder things.
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It's like if if odd job in
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a james bond his first job was
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to kill james bond and then he had to like figure everything
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out as he went very interesting but uh the
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woman appears again in castle dracula and she tries to this
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time kind of revealing that she is she's already vampiric
00:16:45.564 --> 00:16:48.244
now now before that dracula says hey i
00:16:48.244 --> 00:16:51.024
gotta leave for a little while so you go ahead
00:16:51.024 --> 00:16:54.524
and just use my house Mikasa Tsukasa you know just yeah you
00:16:54.524 --> 00:16:57.504
know but I'm not gonna be around so this is
00:16:57.504 --> 00:17:00.364
where we here's the key to the library all this yeah yeah so yeah
00:17:00.364 --> 00:17:03.644
he gives him the yeah the open uh invitation yep
00:17:03.644 --> 00:17:06.704
and this is where we get the first sense and something I'm
00:17:06.704 --> 00:17:10.184
going to talk about as we discuss the film Dracula doesn't
00:17:10.184 --> 00:17:12.944
really have any powers and he's definitely just a dude
00:17:12.944 --> 00:17:15.964
walking around that castle yeah he's uh
00:17:15.964 --> 00:17:19.144
and there are very specific examples that.
00:17:19.144 --> 00:17:22.064
I'd like to illustrate as we go but yeah he because he
00:17:22.064 --> 00:17:25.244
it's it's very it's very 1958 so everything's
00:17:25.244 --> 00:17:28.084
already set heavy so dracula just like opens the
00:17:28.084 --> 00:17:31.564
door and i think a part of
00:17:31.564 --> 00:17:35.104
the issue here for me is having seen francis ford
00:17:35.104 --> 00:17:39.944
coppola's dracula which i think is like people harp on that film because of
00:17:39.944 --> 00:17:43.804
keanu reeves and rightly so you know who's a winona writer and they're doing
00:17:43.804 --> 00:17:51.404
these very like posh stage English accents but a film that just absolutely nails
00:17:51.404 --> 00:17:54.324
atmosphere and like sensuality and like.
00:17:54.945 --> 00:17:58.645
Like Dracula is like floating from room to room pretty much.
00:17:58.645 --> 00:18:00.325
He's very like ethereal.
00:18:00.585 --> 00:18:04.625
He's got costume changes. Costume changes. He never seems to be like,
00:18:04.885 --> 00:18:07.905
you know, his shadow's moving around him. Chris Verley, he's just like.
00:18:08.445 --> 00:18:11.685
Yeah. Hello. Here, let me get those bags for you. Seriously.
00:18:11.745 --> 00:18:13.005
He like carries the luggage.
00:18:13.485 --> 00:18:18.405
He opens all the doors. He opens all the doors. The thing, I've never seen Dracula open a door.
00:18:18.605 --> 00:18:23.725
So I will say though, part of that I appreciate because things have gone so
00:18:23.725 --> 00:18:29.585
off
the rails in the last, you know, 80 years, whatever, where it's like vampires
00:18:29.585 --> 00:18:31.785
are these crazy, you know, and I get it.
00:18:31.945 --> 00:18:37.005
He is a supernatural being, but it's like, also, it doesn't have to be,
00:18:37.185 --> 00:18:39.845
everything doesn't have to be over the top. Yeah. Crazy scary either.
00:18:39.985 --> 00:18:43.625
I kind of like the fact that he like has to open the door. He really does.
00:18:43.805 --> 00:18:47.605
Yeah. And he just, yeah, he, it's, I think it's definitely interesting.
00:18:47.605 --> 00:18:50.205
I think it's a, it's an interesting interpretation.
00:18:50.565 --> 00:18:57.305
I like to imagine that that, that kind of writer's room, or that pitch the director
00:18:57.305 --> 00:19:02.345
had to make was definitely something to the level of like, what are you going to do different?
00:19:02.545 --> 00:19:04.705
He's like, Dracula's going to open doors.
00:19:05.825 --> 00:19:08.685
He's carrying the luggage. He's going to be riding the carriage.
00:19:09.765 --> 00:19:13.145
He might be driving it. He might even be. We don't know.
00:19:13.785 --> 00:19:18.805
So the woman tries to bite this vampiric woman that shows up again.
00:19:19.565 --> 00:19:22.665
Yeah, she reveals herself to be that. She's like, oh, you know,
00:19:22.745 --> 00:19:24.905
this drac's a real jerk. You got to get me out of here. Yeah.
00:19:25.265 --> 00:19:30.485
Then she tries to bite Harker, and then Drack comes in through the window, and he is mad.
00:19:31.065 --> 00:19:36.005
So he, like, is it, I think, yeah, he appears on, like, top of the stairs, right?
00:19:36.045 --> 00:19:40.385
At the top of the stairs. And he's, like, and they both look up, and he's just, like.
00:19:41.125 --> 00:19:43.325
He didn't come through the window that time? I don't think so.
00:19:43.385 --> 00:19:45.165
Okay. I thought he did come through the window, and he had, like,
00:19:45.225 --> 00:19:48.265
blood on his mouth. He's, like, already doing other stuff. Oh, was he? Okay.
00:19:48.545 --> 00:19:50.385
Because I just remember he was at the top of the stairs. Maybe he did.
00:19:50.645 --> 00:19:55.845
Yeah. I just feel like I'm fully immersed in this idea that he was just like, hey.
00:19:56.025 --> 00:19:59.465
He's just always by a doorway, and he's always just opening it.
00:20:00.527 --> 00:20:03.207
Well, he's at the top of the stairs and it was poorly, like,
00:20:03.287 --> 00:20:06.407
it was poorly recorded. And he's like, what are you guys doing down there?
00:20:07.067 --> 00:20:09.887
Oh, no, no. He came through the window and he's like, hey, somebody unlock that
00:20:09.887 --> 00:20:13.507
from the inside. Cause I, I forgot my kid. I'm having a hard time.
00:20:13.867 --> 00:20:17.587
Hey, what are you guys talking about? So he comes running down the stairs,
00:20:18.587 --> 00:20:22.147
throws, throws her like, you know, a few feet.
00:20:23.007 --> 00:20:27.107
Stakes his claim. I'm the, I'm the drack of the house and sends her off. Yep.
00:20:27.887 --> 00:20:31.727
Harker has been bit on the neck. So it does turn out that she bit him and he
00:20:31.727 --> 00:20:36.247
knocks her out and then he carries the lady away and then Harker wakes up and he's got Bymar. Yes.
00:20:37.327 --> 00:20:42.407
And so then I think it's kind of within now we're at a point where he's like,
00:20:42.587 --> 00:20:44.527
I, you know, I'm going to turn into a vampire.
00:20:45.127 --> 00:20:48.487
I'm gonna. So therefore I need to take care of this now before I turn.
00:20:48.747 --> 00:20:52.507
And he's got that working knowledge of how vampires work. Yeah.
00:20:52.807 --> 00:20:57.107
Already. Like it's, you know, so they've been dealing with these things for a long time.
00:20:57.107 --> 00:21:00.367
I think it's just a weird it's that yeah i
00:21:00.367 --> 00:21:03.267
mean we can get to it but it's weird that he is like
00:21:03.267 --> 00:21:06.927
i have to ingratiate myself by being the librarian but he
00:21:06.927 --> 00:21:11.147
has a working knowledge of being a vampire hunter so much so that he's been
00:21:11.147 --> 00:21:16.887
sent to kill the vampire he brought pre-sharpened steaks with him i mean okay
00:21:16.887 --> 00:21:20.907
but he shows up and he's like wouldn't you just like i don't know if you're
00:21:20.907 --> 00:21:24.787
a vampire hunter just like break into the house during the daytime and then
00:21:24.787 --> 00:21:26.387
just take care of business Yeah.
00:21:26.747 --> 00:21:30.367
You know, like I would, the last thing I would do as a vampire hunter is like,
00:21:30.567 --> 00:21:32.487
well, I got to go try to be friends with Dracula first.
00:21:32.707 --> 00:21:36.607
Like that's such a bad idea, right? Maybe in like two weeks I'll try the steak.
00:21:38.447 --> 00:21:43.207
As long as he doesn't turn me into a thrall, use one of his like thralls to
00:21:43.207 --> 00:21:45.527
kill me. Yeah. Seduce me in some way.
00:21:45.807 --> 00:21:48.967
He's got all these doors to open. Yes. That sweet zip line.
00:21:50.387 --> 00:21:54.047
Now, if he had had a zip line at the top of the stairs and he came flying around,
00:21:54.347 --> 00:21:55.267
perfect Straight for Dracula.
00:21:56.647 --> 00:22:00.167
So Harker then goes and he finds the woman who bit him.
00:22:00.327 --> 00:22:05.707
Oh, this is after. So he's put his journal down by like the road in like a kind
00:22:05.707 --> 00:22:08.767
of like a rock face for the villagers to find.
00:22:09.087 --> 00:22:13.067
And then he goes up and he says, I'm going to kill Dracula. And he goes in,
00:22:13.767 --> 00:22:17.847
finds Dracula's tomb under the castle and stakes the woman.
00:22:18.467 --> 00:22:23.327
Well, he sees both the woman and Dracula's coffins.
00:22:23.567 --> 00:22:28.687
Yes. This is where I believe one of the first glaring instances of him being
00:22:28.687 --> 00:22:35.267
a bad vampire hunter is that he has
the Lord of the vampires and then he has
00:22:35.267 --> 00:22:39.467
a lady who is under the vampires control and he's like, I'm going to take this lady out. Yeah.
00:22:39.747 --> 00:22:42.167
First. Yep. Yeah. Very strange.
00:22:42.687 --> 00:22:46.267
And then she turns into the old lady from room 237 in the shining.
00:22:47.447 --> 00:22:51.087
Is that the same lady? I think it was. I think it was too. Yeah.
00:22:51.975 --> 00:22:56.615
I like that she, if you, I don't know if you caught this, but every vampire
00:22:56.615 --> 00:22:59.655
in the movie, in the coffin, they all had a pillow.
00:22:59.995 --> 00:23:04.235
Oh yeah, they were resting. There was dirt that they were laying in and then there's the pillow.
00:23:04.675 --> 00:23:08.095
Well, yeah. So there probably was like a specific kind of pillow too.
00:23:08.295 --> 00:23:09.575
Yeah. Dracula's recommendation.
00:23:10.455 --> 00:23:13.715
If you want to wake up with a sore neck. Temporbleedic.
00:23:15.135 --> 00:23:19.975
That's exactly what it was. And he's a bad guy, so he got it from that Mr. Pillow guy.
00:23:20.875 --> 00:23:23.735
The MyPillow guy? Oh, MyPillow. Yeah. Mr. Pillow, whatever.
00:23:24.655 --> 00:23:28.235
Mr. Pillow's way better. I did Dallas Haunted Castle. Yeah. Tomato, tomato.
00:23:29.335 --> 00:23:32.875
It's better. It's actually better that I remember him as Mr. Pillow.
00:23:34.035 --> 00:23:38.975
All right. So then one of my, another favorite moment, Dracula catches Harker
00:23:38.975 --> 00:23:44.155
killing, staking the lady and he slams the door behind him angrily.
00:23:44.275 --> 00:23:46.875
He does. He does. Yeah. And it fades to black.
00:23:47.315 --> 00:23:49.195
Well, he disappears out of his coffin.
00:23:49.975 --> 00:23:53.835
And then he comes back into the door. So what was he doing? He was just doing
00:23:53.835 --> 00:23:56.355
a grand entrance. He's like, I open doors.
00:23:58.115 --> 00:24:01.995
So he woke up because Harker staked the girl.
00:24:02.595 --> 00:24:06.655
He saw him doing that. He jumped out of his coffin. He ran into the hallway.
00:24:07.035 --> 00:24:10.395
And then he like peeked around the corner and saw Harker turn around.
00:24:10.735 --> 00:24:13.195
And then he came back to the door and be like, aha.
00:24:14.575 --> 00:24:19.235
Now I'm here. He's like, I am. I am supernatural. he's just trying to like get
00:24:19.235 --> 00:24:24.095
him to how did i get here yeah okay give me give me one second,
00:24:24.755 --> 00:24:28.455
okay harker has been uh seemingly killed or
00:24:28.455 --> 00:24:31.735
punished by dracula we don't know but then
00:24:31.735 --> 00:24:34.635
we cut to the arrival of dr van
00:24:34.635 --> 00:24:37.435
helsing as played by peter cushing i say
00:24:37.435 --> 00:24:40.935
a colleague of harker but the i think he's the vampire
00:24:40.935 --> 00:24:44.175
trainer vampire hunter
00:24:44.175 --> 00:24:47.455
trainer yeah i guess yeah whatever of
00:24:47.455 --> 00:24:53.235
of that so he's arrived to investigate harker's disappearance which i assume
00:24:53.235 --> 00:25:01.435
he was sent him on that journey or task or mission to go kill dracula by himself
00:25:01.435 --> 00:25:05.635
which is crazy to me but he So he arrives in the town,
00:25:06.195 --> 00:25:10.175
That's just outside of Castle Dracula At an inn and he investigates there.
00:25:11.235 --> 00:25:15.995
Everybody's super cagey He asks for a meal,
00:25:16.495 --> 00:25:19.955
It's an undefined meal from beginning to end That's something that's stuck out
00:25:19.955 --> 00:25:23.335
Where it's just like get this man a meal And she's like your meal's ready I
00:25:23.335 --> 00:25:27.355
have no idea what that is That's probably just what it was back in the day Give
00:25:27.355 --> 00:25:30.455
me your best meal Can I see your menu and it just says meal.
00:25:31.295 --> 00:25:36.735
One gold coin and then Inga his server is because everybody else is kind of
00:25:36.735 --> 00:25:42.295
just shutting him out so she gives him Harker's diary and you know he's,
00:25:42.784 --> 00:25:45.724
basically she was getting the impression that she shouldn't talk to him,
00:25:45.844 --> 00:25:49.124
but she was just kind of giving some info. So that was good of her to do.
00:25:49.584 --> 00:25:53.884
Yeah. And it, um, I do like that. Like the, I've always liked when the,
00:25:53.884 --> 00:25:57.764
you know, the residents just outside of castle Dracula are, you know,
00:25:57.824 --> 00:26:01.124
they're scared and they're superstitious and, you know, they have every right
00:26:01.124 --> 00:26:02.024
to be, cause I'm sure people,
00:26:02.324 --> 00:26:07.044
you know, have been drained of their blood for years and years. Right.
00:26:07.224 --> 00:26:11.184
So they're kind of cagey and they're this, but Peter Cushing seems like a pretty
00:26:11.184 --> 00:26:17.444
intelligent fellow. So he's kind of, you know, like I'm here to to kill Dracula.
00:26:17.724 --> 00:26:22.184
You know, I'm here to, you know, rid you guys of this. But they still don't want to help him.
00:26:22.644 --> 00:26:28.024
But she gives him his meal, which has the book inside or has Harker's journal,
00:26:28.364 --> 00:26:33.284
not inside the meal, but inside of like a like a towel or a napkin that's next to it.
00:26:33.284 --> 00:26:42.144
And then Cushing is like, oh, he found Dracula and whoops, shouldn't have sent
00:26:42.144 --> 00:26:43.424
him to do that, I guess. I don't know.
00:26:44.024 --> 00:26:48.924
But Van Helsing then ventures, he arrives at Castle Dracula before he goes to the other town.
00:26:49.244 --> 00:26:54.204
He finds Lucy's portrait so he knows Harker's made it to Castle Dracula.
00:26:54.524 --> 00:26:59.624
Well, he finds the broken picture frame that had Lucy's portrait.
00:26:59.884 --> 00:27:03.104
Yes. Is the portrait gone? Portia's gone, because earlier, Drak's like,
00:27:03.364 --> 00:27:05.544
you mind if I look at your
wife? And Harker's like, sure.
00:27:05.804 --> 00:27:08.204
Well, that would make sense then. He's like, I know who I'm going after.
00:27:08.344 --> 00:27:09.664
Yeah. Because I have a picture of her.
00:27:10.304 --> 00:27:15.164
So Van Helsing finds Harker, who's now turned, resting peacefully on a pillow,
00:27:15.364 --> 00:27:19.684
in his coffin, and he mercifully kills him with a stake.
00:27:20.044 --> 00:27:25.284
Yes. It is then that Van Helsing ventures to the town of Karlstadt and informs
00:27:25.284 --> 00:27:27.784
Arthur and Mina of Harker's death.
00:27:27.784 --> 00:27:32.524
And so Arthur and Mina also appeared in the original Bram Stoker novel,
00:27:32.584 --> 00:27:35.784
but they were secondary characters.
00:27:37.032 --> 00:27:41.012
Well, Mina would be one of the more prominent characters, but Arthur was just
00:27:41.012 --> 00:27:46.152
a suitor to Lucy Westernos, who was Mina's best friend here.
00:27:46.172 --> 00:27:50.452
He's like one of the main characters. He's like he's Lucy's brother.
00:27:50.852 --> 00:27:54.872
Yes. And who I assume Jonathan Harker should have been in this movie.
00:27:55.232 --> 00:27:59.252
I mean, you know, he was. But I mean, yeah, he was a vampire hunter and he's
00:27:59.252 --> 00:28:02.212
got a risky job. And that's where I'm kind of like this.
00:28:02.472 --> 00:28:06.152
It's 58. So whatever. But like rewrites of this film would have made sense in
00:28:06.152 --> 00:28:10.572
like, OK, you make that that core group of characters. You've got Arthur,
00:28:10.752 --> 00:28:12.692
you've got Jonathan, you got Mina, you got Lucy.
00:28:12.912 --> 00:28:16.692
Make them all like vampire hunters that Van Helsing is training.
00:28:17.172 --> 00:28:20.972
And then the movie starts with Arthur going to the castle. And that way you
00:28:20.972 --> 00:28:25.072
still retain the Jonathan Harker, who is a I don't know, he seems like an important
00:28:25.072 --> 00:28:28.172
character that you don't want to just lose in the first 20 minutes of a film.
00:28:28.352 --> 00:28:31.652
But yeah, Hammer was like, we don't care.
00:28:32.332 --> 00:28:35.352
Yeah, I think so. I think it was just like, we don't care what the,
00:28:35.512 --> 00:28:40.132
as long as Van Helsing is the vampire hunter and as long as Dracula is the Dracula,
00:28:40.132 --> 00:28:42.052
we don't care where anybody else falls.
00:28:42.232 --> 00:28:46.412
Yeah. Which is interesting, I guess, because of, cause Hammer gets sequel crazy.
00:28:46.632 --> 00:28:50.212
There's like the, I was talking to you before, but the curse of Frankenstein
00:28:50.212 --> 00:28:51.692
has like, I don't even know.
00:28:51.772 --> 00:28:56.712
It was like five sequels or something or six or I, that might even be too few.
00:28:56.912 --> 00:29:00.912
There's just so many sequels. It just seems killing. well
00:29:00.912 --> 00:29:04.292
sequels is an interesting word because i feel like
00:29:04.292 --> 00:29:07.052
they they retain the whole like we're gonna have
00:29:07.052 --> 00:29:10.832
frankenstein in this movie again but they don't
00:29:10.832 --> 00:29:14.012
really have the same actor necessarily playing frankenstein they're
00:29:14.012 --> 00:29:19.332
not really going off the same it's not like a through line story so so interesting
00:29:19.332 --> 00:29:24.152
as far as i know the the cushion ones there are like four sequels that stay
00:29:24.152 --> 00:29:28.172
within line of the curse of frankenstein all right well maybe okay and then
00:29:28.172 --> 00:29:31.572
it eventually So he gets to like Frankenstein's brother,
00:29:31.972 --> 00:29:37.172
part seven, where it's like, I've just built a time machine and I have to go.
00:29:37.752 --> 00:29:41.772
Time machine meets Frankenstein. Yes. It's like Frankenstein in space.
00:29:42.392 --> 00:29:47.892
So Arthur and Mina are like mad at Van Helsing for being, he's cagey now about
00:29:47.892 --> 00:29:49.732
the death of Harker. Van Helsing?
00:29:49.872 --> 00:29:52.672
Yes. He's like, yeah, Jonathan died.
00:29:54.612 --> 00:30:01.972
I didn't just say. How did he die? from death reasons and also he was cremated by me.
00:30:02.912 --> 00:30:05.972
Yeah, now you said it was his first mission. What was going on?
00:30:06.092 --> 00:30:09.232
Don't worry about it. Don't worry about it. He was successful. Just know that.
00:30:09.792 --> 00:30:14.592
I have here, it says Dracula flees to England and no doubt that dude was riding
00:30:14.592 --> 00:30:15.772
horseback the whole way.
00:30:16.852 --> 00:30:21.552
And then if he took a boat, he sailed it. Yeah. Through the evening.
00:30:22.232 --> 00:30:27.312
But I was seeking revenge because that both Harker and his other thrall were
00:30:27.312 --> 00:30:31.712
killed and so now he's like but I don't know if that's revenge or more so he
00:30:31.712 --> 00:30:34.652
just wants Mina I think he just Lucy,
00:30:35.628 --> 00:30:39.868
Yes, doesn't he? But, oh yeah, so it was Lucy's portrait.
00:30:40.288 --> 00:30:44.868
Yeah. Okay. Jonathan Harker and Lucy was his fiance. Oh, okay.
00:30:44.988 --> 00:30:50.368
Okay, so that still was confusing because then Mina was there with Arthur and then those two are...
00:30:50.928 --> 00:30:54.608
Married. Weird. Yes. Why do you think they did that?
00:30:54.828 --> 00:31:00.048
I believe Lucy was Harker's fiance in the original story.
00:31:00.248 --> 00:31:05.408
I think Mina was because it's Mina Harker. I think they changed that in Bram
00:31:05.408 --> 00:31:08.808
Stoker's Dracula in 91, and that's why.
00:31:09.108 --> 00:31:14.848
Lucy was the redhead in Bram Stoker's. But the name Lucy was actually attributed
00:31:14.848 --> 00:31:19.588
to his fiance in the original Bram Stoker's story. Weird. I believe.
00:31:19.868 --> 00:31:22.928
Okay, yeah, because I don't remember. I just feel like it's,
00:31:23.008 --> 00:31:25.328
I mean, they just did weird things with the characters.
00:31:25.488
--> 00:31:29.488
For sure. I think they just, I don't know why. And I'm not going to answer that question.
00:31:31.208 --> 00:31:34.188
Certainly not going to research. No, I have.
00:31:34.328 --> 00:31:38.348
There are a few things in here that will probably answer that question,
00:31:38.548 --> 00:31:42.828
honestly, but we can we can hold off. We'll wait till we get to our next segment.
00:31:43.288 --> 00:31:48.308
But so we've got this is kind of this like, I don't know, vampire recording
00:31:48.308 --> 00:31:53.928
session of the of the movie where Lucy is now she starts seeing Dracula.
00:31:53.928 --> 00:31:57.668
He's appearing on like the terrace outside he's
00:31:57.668 --> 00:32:00.528
drinking her blood Arthur doesn't know what's going
00:32:00.528 --> 00:32:03.268
on Van Helsing is like I think I
00:32:03.268 --> 00:32:06.128
have an idea you have to keep garlic above her bed because
00:32:06.128 --> 00:32:11.468
there's you know there's a foul odor on the air well there's like a doctor and
00:32:11.468 --> 00:32:17.288
he's like I don't know what's wrong but we'll keep an eye on her and then yeah
00:32:17.288 --> 00:32:22.028
Lucy's like opening the window at night and just like taking her cross off and
00:32:22.028 --> 00:32:25.028
she's Compelled by an unknown force. I mean, we know. Yeah.
00:32:25.468 --> 00:32:29.968
And then in the doorway, who should appear one night? But Dracula himself.
00:32:30.508 --> 00:32:33.568
And if I remember right, he opened both doors. I think she did it for him.
00:32:33.568 --> 00:32:37.428
Oh, okay. He was tired. His wrists hurt from opening all those doors before him.
00:32:38.365 --> 00:32:42.845
Hey, I'm here. Hey, how are you? What's up, baby? Can you open the doors?
00:32:43.545 --> 00:32:47.805
So then eventually she dies. Because Lucy dies.
00:32:48.685 --> 00:32:52.685
Van Helsing asks them to keep the garlic up. They are like, okay, we'll do it.
00:32:52.765 --> 00:32:57.785
But then they take it down. And then Dracula finally finishes Lucy off.
00:32:57.905 --> 00:33:03.085
And also she is aware of Jonathan's death without anybody actually telling her that Jonathan died.
00:33:04.265 --> 00:33:09.385
Yeah. And then, yes, the maid, she ends up going crazy. Not crazy,
00:33:09.465 --> 00:33:11.765
but she doesn't want all the garlic around her.
00:33:12.225 --> 00:33:16.445
And so she asked the maid to take all that stuff away after Van Helsing said,
00:33:16.585 --> 00:33:18.525
do not take this stuff away. Yeah.
00:33:18.945 --> 00:33:22.925
It is very important you listen to me right now. The next morning,
00:33:23.185 --> 00:33:26.505
Lucy is found dead and Van Helsing's like, I told you. Yes.
00:33:26.865 --> 00:33:29.665
Now, is that until later they do the blood transfusion, right?
00:33:30.065 --> 00:33:33.645
Or do they do the blood transfusion for Lucy? No, they do that for Mina.
00:33:33.945 --> 00:33:35.585
Mina, okay. When she starts getting the.
00:33:36.225 --> 00:33:40.365
Itis. Yes. So, yeah. So in, I would say a pretty cool scene,
00:33:40.365 --> 00:33:43.465
you have kind of outside of Lucy's crypt.
00:33:44.145 --> 00:33:52.025
Arthur shows up and then there's another like thrall lady vampire woman shows
00:33:52.025 --> 00:33:54.585
up or no, it is Lucy. Lucy is there. It's Lucy.
00:33:54.745 --> 00:33:59.385
And the little girl, Tanya says earlier, right before that scene,
00:33:59.605 --> 00:34:02.805
the little girl says that This girl tried to take her into the woods,
00:34:02.805 --> 00:34:07.645
and she scared her, and Mina said, who is it? And she said, it's Aunt Lucy.
00:34:07.925 --> 00:34:11.845
And they're both like, oh. So then Arthur goes out to the tomb, yeah. Gotcha.
00:34:12.105 --> 00:34:19.265
And then he sees Lucy there. She's about to bite Arthur, and Van Helsing pulls out a crucifix.
00:34:19.365 --> 00:34:21.585
He steps in the frame. It's very cool, very iconic.
00:34:21.885 --> 00:34:25.705
Does the cross on the forehead thing. Yes, very cool. And then you're like,
00:34:25.825 --> 00:34:28.425
you should have been there hunting Dracula.
00:34:28.565 --> 00:34:31.525
Why did you send him? You're way better than Arthur. So much better way better
00:34:31.525 --> 00:34:34.885
forces her back into her like tomb.
00:34:35.105 --> 00:34:40.325
And then they both Arthur and Van Helsing go in there and stake her. Yes.
00:34:40.725 --> 00:34:45.405
And yeah, then we, we kind of move on to the next, the next section from there.
00:34:46.269 --> 00:34:51.829
Oh, go ahead. They essentially, they meaning Van Helsing and Arthur decide that
00:34:51.829 --> 00:34:54.689
they're going to try to find where Drax Coffin is.
00:34:54.969 --> 00:34:58.189
Yes. And so they go to the border crossing at Ingolstadt.
00:34:58.509 --> 00:35:04.809
And in that same time period, Mina gets a telegram saying to meet Arthur while
00:35:04.809 --> 00:35:06.029
the fellows are out of town.
00:35:06.189 --> 00:35:09.629
So she's kind of going to go. She just got a telegram from somebody who's not
00:35:09.629 --> 00:35:12.909
Arthur who says, I need you to meet me at this place. It was,
00:35:12.909 --> 00:35:16.849
yeah, and it was written in blood and signed D, which I don't know why she didn't,
00:35:16.989 --> 00:35:19.189
she should have been like, this is Dracula.
00:35:19.349 --> 00:35:21.549
Your favorite door opener. Yes.
00:35:22.069 --> 00:35:26.589
There was an illustrated picture of his smiling face with bloodshot eyes down
00:35:26.589 --> 00:35:27.389
at the bottom of the corner.
00:35:27.409 --> 00:35:31.409
A flip book of a door, of a hand opening a doorknob. I do all my own footwork.
00:35:31.809 --> 00:35:33.869
Now you do your footwork and meet me here.
00:35:34.949 --> 00:35:39.169
I do all of my own knob work. Doorknob. Knobwork.
00:35:39.689 --> 00:35:44.269
All right, so Arthur and Van Helsing visit The Undertaker, but find Dracula's
00:35:44.269 --> 00:35:46.529
coffin missing at
Ingolstadt.
00:35:47.349 --> 00:35:52.309
I want to just stop for a moment. At an hour and four minutes into the film,
00:35:52.309 --> 00:35:54.589
we are rewarded with the mortician character.
00:35:55.209 --> 00:35:58.749
This guy is talking about how some guy fell down the stairs once.
00:35:59.189 --> 00:36:05.449
He is so goofy and over the top. And at one point, he's bent at the waist,
00:36:05.589 --> 00:36:07.829
and he's tapping his hands on a casket. He's like, where is it?
00:36:07.909 --> 00:36:10.029
Where is it? Where is it? It's just so silly.
00:36:10.189 --> 00:36:14.029
I wonder what, yeah, and that scene, that's kind of like a, that's like a thing, right?
00:36:14.089 --> 00:36:17.369
That was just like in the 50s cinema was just like, hey, we got to like,
00:36:17.689 --> 00:36:19.789
what do they call that? Like levity. We got to have- Comic relief.
00:36:20.009 --> 00:36:22.489
There's a couple scenes where, you know, they break the gate.
00:36:23.029 --> 00:36:26.689
Okay, yes. And then also the mortician out of nowhere. Yeah.
00:36:27.029 --> 00:36:31.269
Does he get like, does he get like, was that when he gets to like hitting the balls? Yeah.
00:36:31.884 --> 00:36:35.184
Wait, what? I feel like there's like, they throw a gate open and it's like,
00:36:35.384 --> 00:36:38.284
doink. And he's like, his eyes like cross. He's like, oh, like.
00:36:39.184 --> 00:36:44.824
I hope that happened. I backed it up. His top hat got taller. Yes. Huh? Yeah.
00:36:46.604 --> 00:36:49.364
And it was, there was like, wah, wah, and he's like, oh.
00:36:50.244 --> 00:36:55.784
But it was regardless of if he got hit in the, if he got hit in the goods or not. Yeah.
00:36:55.964 --> 00:36:58.544
Yeah. Yeah. There's still this, like, there's this thing, like,
00:36:58.644 --> 00:37:02.464
did they need the whole scene where Dracula does that tap dance in front of the audience.
00:37:02.684 --> 00:37:06.084
I'm glad they kept it in. I mean, I think it was good. Yeah.
00:37:06.524 --> 00:37:13.924
So we go to, Amina gets to where Arthur had told her to meet him at.
00:37:14.264 --> 00:37:16.724
And it's Dracula's coffin.
00:37:17.244 --> 00:37:23.364
Yeah, I mean, and that's, you know, not to- And then he appears in a doorway from behind her.
00:37:23.544 --> 00:37:28.224
Yeah, I'll save it for the end, but that scene specifically where she goes to
00:37:28.224 --> 00:37:32.024
the place and it's Dracula, yeah but then she,
00:37:32.524 --> 00:37:37.864
when the fellas arrive back at the estate she arrives shortly after and she's
00:37:37.864 --> 00:37:40.704
like I just went for a walk and she's looking smug as hell yeah.
00:37:42.044 --> 00:37:46.204
But she's gotten she's been gotten she's being a little,
00:37:47.044 --> 00:37:53.624
everybody's being cagey do you think that Dracula likes doors because they're
00:37:53.624 --> 00:37:58.004
like coffins you kind of have to like open them up so he's just kind of like
00:37:58.004 --> 00:37:59.324
this is familiar to me Maybe.
00:38:00.204 --> 00:38:02.784
Maybe. Okay. I'm just, you know, putting some theories together.
00:38:02.964 --> 00:38:07.264
But in that case, I wonder why he wouldn't have more of the swinging doors.
00:38:07.624 --> 00:38:10.604
I feel like that would be a great solution to this problem. Yeah.
00:38:10.904 --> 00:38:14.704
Now, Mina does turn around and Dracula is like, he very quickly closes the door
00:38:14.704 --> 00:38:16.364
behind him to try to get her to not see.
00:38:16.644 --> 00:38:20.244
Actually, that makes a lot of sense that you mentioned that because now that
00:38:20.244 --> 00:38:23.104
I think about it, every coffin in the movie has a doorknob. Yeah.
00:38:25.690 --> 00:38:28.970
Absolutely. Yeah. And they're actually the old school, like those iron hinge
00:38:28.970 --> 00:38:32.390
doorknobs. Real creaky. Yeah. Not efficient at all.
00:38:32.950 --> 00:38:39.670
So now we go that Arthur tries to give Mina a crucifix to wear because we're
00:38:39.670 --> 00:38:41.530
getting toward the final pursuit.
00:38:41.810 --> 00:38:45.970
They're locking in where Dracula is. And he's like, Mina, you got to be careful.
00:38:46.210 --> 00:38:50.950
Here's a crucifix. Uh-oh, it burned you. You're turning into a vampire.
00:38:51.370 --> 00:38:54.650
And this is, I think, where we get into the blood transfusion that
00:38:54.650 --> 00:38:57.710
Van Helsing administers and then
00:38:57.710 --> 00:39:00.790
i have when arthur asked gerda to fetch some wine
00:39:00.790 --> 00:39:03.610
she tells him mina forbade her to go down into
00:39:03.610 --> 00:39:07.170
the cellar which this is now the most insane
00:39:07.170 --> 00:39:10.010
scene to me in this film which is
00:39:10.010 --> 00:39:16.110
that the coffins are in the basement of the house of the same house yes and
00:39:16.110 --> 00:39:22.730
ben helsing of arthur homewood's home yes meter cushing looks up like somebody
00:39:22.730 --> 00:39:27.190
lit a fire and he just he he He hauls ass into the basement,
00:39:27.190 --> 00:39:29.170
and there is Dracula's coffin.
00:39:29.710 --> 00:39:31.650
It's crazy. And then when he's in
00:39:31.650 --> 00:39:35.730
the basement, Dracula opens the door and goes, oh, and then he runs out.
00:39:37.530 --> 00:39:42.190
That's a great scene. He's just like, oh, geez. Dracula comes in.
00:39:42.290 --> 00:39:45.250
He's like, oh, crap. You figured it out while I was out.
00:39:45.390 --> 00:39:48.550
And he turns around and he runs away. And this is after he opens the door.
00:39:48.930 --> 00:39:54.090
But then he runs upstairs, Dracula does, and he absconds with Mina and runs
00:39:54.090 --> 00:39:59.370
away. If we ever make t-shirts, we need like a cartoony Dracula in a doorway,
00:39:59.450 --> 00:40:01.630
like with his hand on the knob with the door open.
00:40:01.830 --> 00:40:07.070
And he should be saying something that is clever Dracula related to a door.
00:40:08.070 -->
00:40:13.090
I have one that I can't say that's too profane, but it has to be something cheeky.
00:40:14.357 --> 00:40:20.137
He could just be like, doors are like coffins. Maybe he's opened a door on like
00:40:20.137 --> 00:40:22.177
a stage like at the Chuckle Hut.
00:40:22.457 --> 00:40:25.197
Like that's part of his... It's like his shtick. Yeah, yeah.
00:40:25.977 --> 00:40:29.917
What's the deal with doors? Yeah, he like... So then they...
00:40:29.917 --> 00:40:35.437
This is also getting into the non-supernatural aspects of Dracula.
00:40:35.697 --> 00:40:40.377
Peter Cushing and Dracula have like a foot race where they're like chasing each other.
00:40:40.477 --> 00:40:47.177
And we're just missing a scene of a hallway of those two running door-to-door like Benny Hill style.
00:40:47.197 --> 00:40:50.057
They run in one and come out down the hallway, yeah. At one point,
00:40:50.997 --> 00:40:54.337
Van Helsing is looking through one doorway and Dracula opens another and bumps,
00:40:54.817 --> 00:40:57.937
Van Helsing in the butt with the door and he jumps up in the air and he turns
00:40:57.937 --> 00:40:59.017
around and chases him back through the door.
00:40:59.857 --> 00:41:04.257
So Van Helsing, what I wrote is, upon hearing this, Van Helsing bolts downstairs
00:41:04.257 --> 00:41:06.637
and finds Dracula's coffin, which is empty.
00:41:06.877 --> 00:41:10.057
Dracula has escaped with Mina. So this is after Dracula's like,
00:41:10.117 --> 00:41:11.317
oh, you caught me! And he runs.
00:41:11.717 --> 00:41:17.837
He gets Mina And then he is like, I'm going to turn her into the vampire bride or whatever.
00:41:18.217 --> 00:41:20.637
And he's headed back to Castle Dracula.
00:41:21.057 --> 00:41:25.037
Yes. And then, so he's tearing out with a horse and buggy.
00:41:25.237 --> 00:41:30.477
And then Arthur and Van Helsing are also in, you know, they're following him.
00:41:30.617 --> 00:41:34.377
And that's another thing about, you know, it's so widely different than the
00:41:34.377 --> 00:41:36.077
original stories that, you know.
00:41:37.204 --> 00:41:43.144
Dracula had to cross an ocean to get to London or Germany.
00:41:43.184 --> 00:41:46.344
Yeah, because they were like Romania, so I think they were- It's like literally
00:41:46.344 --> 00:41:49.124
like 20 miles. Yeah. A horse and buggy.
00:41:49.904 --> 00:41:54.204
And he's trudging along. You know he is. He's walking through like muddy creeks,
00:41:54.344 --> 00:41:57.404
and he's down muddy roads, walking through ruts.
00:41:58.004 --> 00:42:00.884
So Arthur and Van Helsing, they meet to discuss their plan.
00:42:01.084 --> 00:42:04.104
Arthur tries to give Mina Cross- Oh no, we already got to that.
00:42:04.224 --> 00:42:07.424
Yeah. But they discuss their plan. They're going to go stop Dracula.
00:42:07.644 --> 00:42:12.084
Their plan is amazing, which is that Van Helsing is just going to run into Castle
00:42:12.084 --> 00:42:15.024
Dracula and continue chasing Dracula.
00:42:15.664 --> 00:42:19.704
Dracula's plan falls apart here, though, because he gets to Castle Dracula.
00:42:19.864 --> 00:42:24.224
He already has a grave dug, and he throws Mina in the grave,
00:42:24.244 --> 00:42:25.744
and he just starts shelling dirt on her.
00:42:26.084 --> 00:42:29.584
He hasn't said—this hasn't been a thing through the whole movie.
00:42:29.684 --> 00:42:31.104
He's like, this is the only thing I can think of.
00:42:31.724 --> 00:42:35.504
And then they catch up to him. That is very funny. Arthur and Van Helsing catch
00:42:35.504 --> 00:42:37.104
him and he just runs. He's like, ah!
00:42:37.424 --> 00:42:40.024
So here's the crazy thing. It's like an episode of Cops. It is.
00:42:41.644 --> 00:42:45.404
They kick the door open and he's like, he's literally throwing dirt on me in his body.
00:42:45.884 --> 00:42:51.604
The crazy thing is he's got like, Cushing chases him into like the main room
00:42:51.604 --> 00:42:56.744
where Harker and that vampire girl at the beginning were like, where she like bit him.
00:42:56.884 --> 00:43:00.224
And then Christopher Lee showed up. But like Peter Cushing, like he like pushes
00:43:00.224 --> 00:43:04.224
into this room and Dracula's got like a, he's got like a hatch open.
00:43:04.384 --> 00:43:07.204
But he didn't have enough time to get in there. So he closes it.
00:43:07.204 --> 00:43:09.944
It's really falling apart. It's another door. He's just like, ah, crap.
00:43:10.164 --> 00:43:13.364
And then they just get into like a physical altercation.
00:43:14.104 --> 00:43:17.204
Again, not really supernatural aspect.
00:43:18.004 --> 00:43:22.424
Dracula is just like choking and punching. Yeah, but like a nice iconic fight
00:43:22.424 --> 00:43:23.904
between two horror legends.
00:43:24.144 --> 00:43:27.824
You know, they've got like the collar and elbow tie up. They've got illegal chokes, you know.
00:43:28.524 --> 00:43:34.324
At one point, Dracula's basically got Van Helsing choked out.
00:43:35.287 --> 00:43:38.407
And then he's about to, he shows his teeth. He's like, I'm not going to bite.
00:43:38.547 --> 00:43:43.467
He pulls a WWE, like WWF, like old school 80s wrestling, his eyes pop up.
00:43:43.487 --> 00:43:47.807
And then Van Helsing's like, ha, and he like kicks him. Yeah. And then Dracula.
00:43:48.167 --> 00:43:49.967
Yeah. Yeah. At that point, he like kicks him out of the way.
00:43:50.107 --> 00:43:52.427
And then in, I mean, great stunt.
00:43:52.807 --> 00:43:57.167
And I assume it's a stunt performer, but then I have, there's some conflicting information here,
00:43:57.267 --> 00:44:00.187
but Van Helsing runs across the kind of banquet
00:44:00.187 --> 00:44:03.247
table that's in the room and then lunges into the air
00:44:03.247 --> 00:44:06.007
and pulls the tapestry or the I should
00:44:06.007 --> 00:44:08.987
say the window dressing down revealing the sunlight
00:44:08.987 --> 00:44:11.987
and then Christopher Lee is Dracula is
00:44:11.987 --> 00:44:17.047
hit by sunlight and he turns into I said he turns him to ash it looks like a
00:44:17.047 --> 00:44:22.767
makeshift cabbage patch head covered in soot yes and he yeah he just kind of
00:44:22.767 --> 00:44:26.167
like falls apart and I think there's some teeth left over or something if I
00:44:26.167 --> 00:44:31.807
remember right it looks like the same like I have a I have a very fuzzy cat at home.
00:44:31.987 --> 00:44:37.047
And when we vacuum the, the canister gets full of what looked like Christopher Lee.
00:44:37.227 --> 00:44:43.687
He's just very gray and just like, yeah, like a, an evil dust bunny.
00:44:44.487 --> 00:44:47.447
Yeah. The evil Dracula dust bunny in your vacuum.
00:44:48.027 --> 00:44:51.967
Yeah. And so Mino saved Dracula's curse seemingly ends. So she goes back to
00:44:51.967 --> 00:44:55.847
normal and there ends the horror of Dracula.
00:44:56.787 --> 00:44:58.107
Anything you'd like to add?
00:44:59.727 --> 00:45:04.207
I mean, are we doing final thoughts? Well, so we're going to go on to our next
00:45:04.207 --> 00:45:06.647
segment, and then we'll do our likes and dislikes at the end. Okay.
00:45:06.947 --> 00:45:10.427
Then, no, no. Anything you want to add to the plot of the film? Anything we missed?
00:45:10.867 --> 00:45:16.327
No. No, I will say when they were heading, when Dracula was trying to get to
00:45:16.327 --> 00:45:18.487
Castle Dracula to bury Mina.
00:45:18.747 --> 00:45:23.227
Yeah, very strange. That's where they did the whole comic bit with the gatekeeper.
00:45:23.767 --> 00:45:25.207
Yeah. Dracula smashed it there,
00:45:25.387 --> 00:45:30.367
and then it kind of cut to where the gatekeeper had it tied back up.
00:45:30.487 --> 00:45:35.707
Yeah. And immediately, as soon as he got it, the last lashing tied up. That's what it was.
00:45:35.867 --> 00:45:38.067
That's when Arthur. That's why I couldn't tell if it got hit in the goods,
00:45:38.207 --> 00:45:42.747
because it cut back to him, and he was just like, oh, I can't believe this.
00:45:42.987 --> 00:45:44.547
What a weird, that's so strange.
00:45:45.987 --> 00:45:52.207
Yeah, that's it. We'll get into some additional thoughts on the film here in the next segment.
00:45:52.207 --> 00:45:57.427
So we're actually coming up about 44 we have 47 ish minutes so we're gonna take
00:45:57.427 --> 00:46:02.227
a break and then we come back we'll do kind of we have i have kind of a background
00:46:02.227 --> 00:46:06.607
trivia making of segment we'll do and then we'll do our final thoughts and uh
00:46:06.607 --> 00:46:08.527
we'll call it good on this one okay cool uh.
00:46:08.560 --> 00:46:30.320
Music.
00:46:31.425 --> 00:46:36.105
All right. Welcome back to Forgotten Frights. I'm Josh. I'm sitting here with Adam.
00:46:36.665 --> 00:46:40.885
Hey. And today on the podcast, we are reviewing the 1958 horror film,
00:46:41.065 --> 00:46:44.325
The Horror of Dracula, starring Christopher Lee and Peter Cushing.
00:46:44.845 --> 00:46:48.825
I had originally planned on doing kind of a Dracula segment.
00:46:49.845 --> 00:46:54.845
I watched the other, we're covering two movies today, so I watched the other one this morning.
00:46:55.325 --> 00:46:58.485
And didn't have a lot of time, but I do have a bunch of just kind of trivia
00:46:58.485 --> 00:47:02.665
because this movie is very popular and it was kind of responsible for just like
00:47:02.665 --> 00:47:06.025
the Curse of Frankenstein and revitalizing these universal monsters,
00:47:06.785 --> 00:47:07.925
flicks, things like that.
00:47:08.305 --> 00:47:11.945
So yeah, I'm just going to kind of go through some trivia and then I have some
00:47:11.945 --> 00:47:16.025
reviews that we can discuss if you're okay with that. Just kind of like talk about them as we go.
00:47:16.525 --> 00:47:20.125
Usually we make a game of it, but I think we've talked about really we're using
00:47:20.125 --> 00:47:21.885
the game to just facilitate trivia.
00:47:22.145 --> 00:47:24.585
So why not just discuss the trivia and see how that goes?
00:47:25.325 --> 00:47:30.545
So Christopher Lee has only 16 lines in this entire film, and most of them are
00:47:30.545 --> 00:47:34.705
dispensed by the 10-minute mark, so he doesn't really talk for the rest of the film.
00:47:35.425 --> 00:47:40.365
I think that that's a great way to use a monster in a movie. Yeah.
00:47:40.765 --> 00:47:44.945
Don't make him like, don't give him any soliloquies. Yeah. Monologues.
00:47:45.925 --> 00:47:48.285
When I was a boy in Transylvania.
00:47:49.905 --> 00:47:53.205
Peter Cushing did the stunt where he leaps over a banister himself.
00:47:53.205 --> 00:47:57.045
Now, I don't remember a banister, and I don't know if they're just saying the
00:47:57.045 --> 00:47:59.565
table, if he did that stunt.
00:47:59.785 --> 00:48:02.725
He could have done it when he was going downstairs to the cellar.
00:48:02.825 --> 00:48:06.625
He could have done it when he was in the fight with Dracula at the very end.
00:48:07.245 --> 00:48:09.905
He could have done it at the tavern, like, oh, my meal's ready.
00:48:10.445 --> 00:48:15.985
Yeah, so if you go back and watch this film, listeners, look for a banister
00:48:15.985 --> 00:48:19.565
and then see if Peter Cushing is jumping it because he did that himself.
00:48:19.565 --> 00:48:24.725
So he insisted on doing so against the studio's concerns that he might injure himself.
00:48:24.925 --> 00:48:31.725
But as we know from a madhouse, according to Vincent Price, Peter Cushing was quite the wiry fellow.
00:48:32.385 --> 00:48:37.125
The cape worn by Sir Christopher Lee was discovered in 2007 in a London costume
00:48:37.125 --> 00:48:39.665
shop during its annual inventory taking.
00:48:39.885 --> 00:48:44.145
It had been missing for 30 years and is believed to be worth around $50,000.
00:48:44.785 --> 00:48:47.365
Lee was contacted to verify its authenticity.
00:48:48.405 --> 00:48:53.205
Wow.
I didn't think, I mean, the cape did not. I mean, that's something about
00:48:53.205 --> 00:48:54.905
like the vampire costume itself.
00:48:55.505 --> 00:48:58.705
I think his costume in the film would make a great Halloween costume.
00:48:59.445 --> 00:49:03.745
That's as far as I got with that idea. Because I feel like he's dressed just
00:49:03.745 --> 00:49:06.805
like a guy in a business suit who's wearing a cape.
00:49:07.822 --> 00:49:11.882
Yeah. You know? Yeah. He looks like a mortician with a cape. Yeah. Yeah.
00:49:12.222 --> 00:49:16.542
So it wasn't like, again, if, you know, and we can't compare it to,
00:49:16.822 --> 00:49:21.602
you know, the 91 version because of, you know, it's just, that's not fair.
00:49:22.302 --> 00:49:26.402
But like the extravagance of like Dracula is this, whatever,
00:49:26.562 --> 00:49:31.642
he's this, not Romanian, Transylvanian prince, Wallachia or whatever that is.
00:49:32.122 --> 00:49:34.922
I'm probably saying that wrong, Wallachia, Wallachia. Yeah. So he's wearing
00:49:34.922 --> 00:49:37.882
like reds and golds and he's very, it's very this.
00:49:38.062 --> 00:49:44.102
And then in this movie, he's like, dress him in your finest mortician suit.
00:49:44.102 --> 00:49:50.722
But I wonder if, you know, because I was raised with the whole Bela Lugosi thing,
00:49:50.842 --> 00:49:55.322
like being like the epitome of vampire and what the vampire should look like.
00:49:55.442 --> 00:50:00.742
And now when I go back and watch Bela Lugosi, you know, he just seems kind of
00:50:00.742 --> 00:50:06.222
like, I don't know, he definitely has a look about him for vampire stuff.
00:50:06.222 --> 00:50:13.202
But like for Christopher Lee, it's like, I feel like he's more raw and like sensual.
00:50:13.562 --> 00:50:17.562
Like, I wonder, I wonder if it was, that was, uh, because every,
00:50:17.722 --> 00:50:21.842
every woman in the movie seems to be like under his control,
00:50:22.062 --> 00:50:24.842
like just, and, and, and it feels like in more of a,
00:50:25.122 --> 00:50:29.782
again, more of a, a sexual way than the Bela Lugosi stuff.
00:50:29.902 --> 00:50:33.822
So I don't know, maybe they, they dressed him down a little bit for that too. I don't know. Yeah.
00:50:34.022 --> 00:50:37.422
And I, yeah, I guess there's more, yeah, there's more of that.
00:50:37.522 --> 00:50:41.682
Cause that's also one of the things, you know, and just kind of like researching
00:50:41.682 --> 00:50:45.522
this film is, you know, the talk about even Christopher Lee's talking about
00:50:45.522 --> 00:50:48.862
the sensual nature of the character. And I just got really more of a.
00:50:49.935 --> 00:50:54.315
And I just got a very like 1950s, very, I don't know, stilted,
00:50:54.395 --> 00:50:56.855
but it's very, I don't know, it's very wooden.
00:50:57.175 --> 00:51:00.635
It's just very kind of wooden performance. And then Christopher Lee in an interview
00:51:00.635 --> 00:51:04.295
was talking about how he was like, I tried to tap into the loneliness of this Dracula.
00:51:04.295 --> 00:51:06.655
And it's like, I mean, you kind of stood there and it's like,
00:51:07.215 --> 00:51:13.035
you know, you're not really, I don't, I didn't get that, you know. So, you know, I'm glad.
00:51:13.195 --> 00:51:15.975
And but also Christopher Lee, in hindsight, he has that wonderful interview
00:51:15.975 --> 00:51:20.255
where the lady keeps calling him a legend of horror films. And he's like, stop calling me that.
00:51:21.115 --> 00:51:24.675
So, you know, he's an unreliable narrator at best.
00:51:25.395 --> 00:51:29.275
On several occasions, Sir Christopher Lee complained about the contact lenses
00:51:29.275 --> 00:51:32.035
he had to wear for the shock scenes.
00:51:32.195 --> 00:51:38.695
This is IMDb trivia, so I don't, the language is by users, so I'm not sure what that means exactly.
00:51:38.915 --> 00:51:43.115
But not only were they quite painful, but he couldn't see a thing.
00:51:43.435 --> 00:51:48.975
Wow. So, because I do remember the bloodshot lenses that he was wearing.
00:51:48.975 --> 00:51:51.775
They were like that made his eyes red while he was like
00:51:51.775 --> 00:51:54.615
when he came into that window on the top of the stairs
00:51:54.615 --> 00:51:57.375
or whatever right there's there's a couple of scenes where
00:51:57.375 --> 00:52:00.015
they're just very close up on christopher lee's face and they're just
00:52:00.015 --> 00:52:02.775
both very two or three of them but they're
00:52:02.775 --> 00:52:05.875
just very iconic like i've i've seen those
00:52:05.875 --> 00:52:08.755
still photos many many times in different
00:52:08.755 --> 00:52:12.095
books and things like that you have him like grimacing yeah yeah
00:52:12.095 --> 00:52:14.715
just very close up on christopher i'll do a few more here because then i have
00:52:14.715 --> 00:52:17.575
a couple of reviews i want to read this is the first time that peter cushing and
00:52:17.575 --> 00:52:20.815
sir christopher lee are top billed in any theatrical film the
00:52:20.815 --> 00:52:25.115
last would be the satanic rights of dracula 1973
00:52:25.115 --> 00:52:28.215
and then then we're pushing on toward
00:52:28.215 --> 00:52:31.595
madhouse with peter cushing and vincent price
00:52:31.595 --> 00:52:34.335
kind of being because that i think that was the only
00:52:34.335 --> 00:52:37.095
film those two were top building i think we talked about that
00:52:37.095 --> 00:52:42.075
before yeah and lastly we have the opening scene of dracula's coffin without
00:52:42.075 --> 00:52:45.755
the blood it was knotted to in young frankenstein i kind of thought that looked
00:52:45.755 --> 00:52:51.515
familiar i don't know if that's absolutely true but i would assume so i think
00:52:51.515 --> 00:52:55.315
that makes sense because this movie does open up with a pretty cool like iconic.
00:52:55.815 --> 00:53:00.255
There's like the you know we've got whatever that is
a plaque or like uh it
00:53:00.255 --> 00:53:03.915
says dracula and the blood dripping on the coffin and pretty you know pretty
00:53:03.915 --> 00:53:09.335
cool and that i mean that is how young frankenstein opens as well but whether
00:53:09.335 --> 00:53:13.715
that's actually intentional i don't know but both definitely share kind of some visual elements there.
00:53:14.925 --> 00:53:18.785
All right, and let me get to, I just got a couple of reviews I want to go through.
00:53:19.345 --> 00:53:22.765
There's one from Variety from 1958.
00:53:23.385 --> 00:53:26.265
I'm just going to read a paragraph out of here. It says,
00:53:26.465 --> 00:53:31.345
Universal, which was aboard the Spine Chill bandwagon with Frankenstein and
00:53:31.345 --> 00:53:37.925
Dracula as early as 1931, has another fright picture in Horror of Dracula that
00:53:37.925 --> 00:53:40.985
should pay off handsomely at the box office,
00:53:41.125 --> 00:53:43.625
despite the non-name cast.
00:53:44.545 --> 00:53:49.305
Interesting, right? A British-made film. It's being packaged as a horror special
00:53:49.305 --> 00:53:53.545
with... Can't read that part because it's really blurry, but it's also paired
00:53:53.545 --> 00:53:55.605
with the film The Thing That Couldn't Die.
00:53:56.385 --> 00:54:01.225
There's gore aplenty in this import, turned out by Michael Carreras' Hammer
00:54:01.225 --> 00:54:04.785
Film Production, specializing in raw heads and bloody bones.
00:54:05.085 --> 00:54:08.365
The product that Hammer is also shilling or selling.
00:54:08.585 --> 00:54:12.605
This is coupled with Curse of Frankenstein, which mopped up at the wicket.
00:54:12.605 --> 00:54:17.585
I would assume the box office must be English, as was the curse of Dracula to
00:54:17.585 --> 00:54:23.165
is in color, a factor that tends to heighten the exploitation values inherent in the film.
00:54:23.525 --> 00:54:26.085
A couple of things I want to point out is just non-name cast.
00:54:26.225 --> 00:54:29.125
I think it's interesting to say, you know, Peter Cushing and Christopher Lee,
00:54:29.145 --> 00:54:31.625
who would become the icons of the horror genre.
00:54:31.825 --> 00:54:36.165
And then the other thing is the exploitation in this film, which maybe it's
00:54:36.165 --> 00:54:37.905
the exploitation of women.
00:54:38.445 --> 00:54:41.925
I mean, again, I think it's 58, but it's.
00:54:41.925 --> 00:54:46.185
But we're looking at something so far past, you know, where it's like,
00:54:46.505 --> 00:54:49.385
again, I think the fact that, you know,
00:54:49.645 --> 00:54:56.085
and don't, I haven't seen the original Dracula Universal film in a long time,
00:54:56.085 --> 00:55:01.885
but I feel like the women in that movie were in peril and these women were all
00:55:01.885 --> 00:55:04.245
in their bedclothes and they were all like,
00:55:04.705 --> 00:55:07.445
yeah, I'm with this. I'm opening the window for you. Right.
00:55:07.645 --> 00:55:11.465
So I think that
that's, you know, that's probably what they're speaking to.
00:55:11.925 --> 00:55:15.625
I have a IMDb one-star review. Would you like to hear it?
00:55:16.385 --> 00:55:19.125
Yeah. Okay. It says, the story sucks.
00:55:20.925 --> 00:55:24.045
The acting is crap. Best part of the movie is the cinematography,
00:55:24.245 --> 00:55:26.405
sets, and music. The story and acting sucks.
00:55:27.225 --> 00:55:32.245
He says it again? Or she? The Lee's acting is the worst. His opening dialogue
00:55:32.245 --> 00:55:35.005
about categorizing his books for his library is nonsense.
00:55:35.165 --> 00:55:38.465
I agree with that. I think the librarian angle is kind of stupid.
00:55:39.445 --> 00:55:42.885
Dracula with a British accent. real disappointment he
00:55:42.885 --> 00:55:45.545
looks good in the dracula costume but once he
00:55:45.545 --> 00:55:48.565
opens his mouth not to bit i think he means bite to
00:55:48.565 --> 00:55:53.685
speak it's laughter time peter cushing is good but nothing could save this movie
00:55:53.685 --> 00:55:58.145
please stop being blinded by the love of dracula and the costumes the set the
00:55:58.145 --> 00:56:02.005
sets costume cinematography music are very good but the story is just painful
00:56:02.005 --> 00:56:06.305
the dialogue and accents embarrassing c rating for a b movie,
00:56:07.445 --> 00:56:10.865
He still gave it a passing grade. So this is weird. It's a one-star review,
00:56:10.885 --> 00:56:14.205
but then at the very end, he says, C rating for a B movie, three stars.
00:56:14.825 --> 00:56:18.485
He gives it three stars, even though he had a word in it. Three stars out of four.
00:56:19.685 --> 00:56:23.385
I guess. I don't know. I'm not sure. But yeah, so I mean, we can get into our
00:56:23.385 --> 00:56:26.305
final thoughts, likes and dislikes. We're just coming up on the hour mark,
00:56:26.345 --> 00:56:27.505
or we're just over the hour mark.
00:56:27.685 --> 00:56:31.665
I actually have, I'll go into my likes and dislikes momentarily,
00:56:31.745 --> 00:56:36.385
but there were some actors that were put together in this movie that made me
00:56:36.385 --> 00:56:37.925
think of another movie. Mm-hmm.
00:56:38.785 --> 00:56:43.825
There's an amicus anthology movie by the name of Dr. Terror's House of Horrors. Okay.
00:56:44.245 --> 00:56:49.285
So the anthology, the through-line story takes place on a train, and Dr.
00:56:49.525 --> 00:56:53.265
Terror is a tarot card reader, and he's played by Peter Cushing.
00:56:53.465 --> 00:56:57.105
And he kind of, he flips a card and then another story starts.
00:56:57.205 --> 00:57:01.565
Oh, okay. Very Tales from the Crypt-y kind of. Well, one of the passengers on
00:57:01.565 --> 00:57:04.285
the train is Christopher Lee.
00:57:04.645 --> 00:57:08.525
Interesting. And so when he flips the card for Christopher Lee, it tells his story.
00:57:08.985 --> 00:57:12.365
And his story has to do about this art critic.
00:57:12.565 --> 00:57:17.965
Christopher Lee is this real snobby, real, he's a real jerk, this art critic. Yeah.
00:57:18.245 --> 00:57:22.245
And Michael Goh is the artist. Interesting. And that was Arthur?
00:57:22.965 --> 00:57:27.965
Arthur, correct. Yeah, okay. And he went on to play Alfred in the Batman movies, 1989.
00:57:28.365 --> 00:57:31.745
Oh, okay. Interesting. But, so yeah, so there's just a through line where Michael
00:57:31.745 --> 00:57:34.705
Goh, Christopher Lee, and Peter Cushing were all in that movie.
00:57:34.705 --> 00:57:38.885
And I believe, I don't know how far, I want to say like eight years later is
00:57:38.885 --> 00:57:39.625
when that movie was made.
00:57:39.765 --> 00:57:43.185
So we need to cover that movie for sure. It's one of my favorites.
00:57:43.425 --> 00:57:48.305
And then B, was the tarot card a Dracula opening a door? You know.
00:57:50.845 --> 00:57:51.565
It was.
00:57:53.565 --> 00:57:57.425
It was a Frankenstein opening a door for some reason. You have the knob of tens.
00:57:57.965 --> 00:58:00.825
The knob of tens. What an ugly way.
00:58:00.985 --> 00:58:05.925
Just an ugly collection of words. it was uh it was a frankenstein opening a
00:58:05.925 --> 00:58:10.865
door like that's confusing that ain't me what did you uh what did you like about
00:58:10.865 --> 00:58:15.245
this film adam i liked the basically everything the guy said no,
00:58:16.085 --> 00:58:21.225
i did like the set design a lot i like the music i like the atmosphere i like
00:58:21.225 --> 00:58:26.005
you know it's hard not to appreciate this movie for what it stands for so i
00:58:26.005 --> 00:58:29.225
mean i'm probably looking at it through rose-colored glasses in that regard.
00:58:29.665 --> 00:58:31.325
I really like all the actors in the movie.
00:58:32.345 --> 00:58:36.865
Going into it, watching it as the story of Dracula, there were a few parts where
00:58:36.865 --> 00:58:41.445
I just like, earlier we were talking about the Mina character going to,
00:58:41.585 --> 00:58:45.045
you know, the guy comes with a telegram, Arthur wants you to come to this place,
00:58:45.165 --> 00:58:46.785
she goes there, it's Dracula. Yeah.
00:58:47.217 --> 00:58:50.477
There's nothing to subvert your expectations like
00:58:50.477 --> 00:58:53.397
you know the whole time that's what it's going to be and
00:58:53.397 --> 00:58:56.837
this movie kind of just is that it's like there's no
00:58:56.837 --> 00:59:01.997
mystique where it's like i guess the the craziest twist was that the the caskets
00:59:01.997 --> 00:59:05.257
were in the basement that's that was insane to me and i and at first i was like
00:59:05.257 --> 00:59:09.977
i thought it was that was such a laughably bad idea in hindsight that's like
00:59:09.977 --> 00:59:15.457
the best part of the movie it's like so like i i looked like Peter Cushing in that moment.
00:59:15.577 --> 00:59:18.697
Literally, we both did the same expression and I shot out of my chair.
00:59:19.037 --> 00:59:19.757
I checked my own basement.
00:59:22.757 --> 00:59:27.597
But continue. But no, essentially, yeah, I mean, I guess I liked it for the
00:59:27.597 --> 00:59:32.457
actors, you know, the iconic actors in the movie, the set design,
00:59:32.597 --> 00:59:33.717
the sound, the atmosphere.
00:59:33.977 --> 00:59:36.157
And then, you know, just, I guess the fact that it was just,
00:59:36.277 --> 00:59:39.277
it was very, you knew where it was going the entire time.
00:59:39.457 --> 00:59:42.657
It was, you know, it was a bit plotting, like Curse of Frankenstein. Yeah.
00:59:42.657 --> 00:59:45.497
Yeah and i think that's i've always got and i'm just just
00:59:45.497 --> 00:59:48.317
because we're always working on format i always break it like i
00:59:48.317 --> 00:59:51.217
break it up into like likes and dislikes but i suppose we could just like at the
00:59:51.217 --> 00:59:54.057
end of the podcast just do like a just lump likes
00:59:54.057 --> 00:59:57.797
and dislikes and then i mean that makes sense right so just
00:59:57.797 --> 01:00:00.977
getting into likes and dislikes peter cushing and christopher lee are amazing pair
01:00:00.977 --> 01:00:03.717
as much as i thought i didn't think
01:00:03.717 --> 01:00:06.617
much of it at this point i can see why audiences were like whoa
01:00:06.617 --> 01:00:09.777
very cool 58 we've got color it's like
01:00:09.777 --> 01:00:12.997
a sensual version of dracula you've also
01:00:12.997 --> 01:00:16.577
got i mean you have peter cushing and christopher
01:00:16.577 --> 01:00:19.497
lee on the screen so i mean i just i
01:00:19.497 --> 01:00:23.757
get it you know it's and it shows there like they're the the way they interact
01:00:23.757 --> 01:00:27.257
that last fight even though it's kind of like hokey and 50s it's still like
01:00:27.257 --> 01:00:31.777
okay this is engaging they're throwing themselves into it it's not like which
01:00:31.777 --> 01:00:35.837
actually i i'm good i'm talking about this because there's another movie that
01:00:35.837 --> 01:00:38.877
we need to review on here or discuss,
01:00:39.717 --> 01:00:41.257
Kronos Captain Kronos.
01:00:42.842 --> 01:00:49.902
And when we review that, just remember, if we can, the final fight in this film
01:00:49.902 --> 01:00:54.622
seems like it's on the same set as the final fight in Captain Kronos.
01:00:54.742 --> 01:00:58.822
Vampire is a vampire slayer. Vampire hunter. Vampire hunter.
01:00:59.622 --> 01:01:03.982
And they but why Captain Kronos is so amazing, too. But there's also there's
01:01:03.982 --> 01:01:07.262
so as soon as I saw it in this movie, I was like, this is like Captain Kronos.
01:01:07.622 --> 01:01:13.302
So regardless, I like I like what's going on there. I like the Christopher Lee
01:01:13.302 --> 01:01:14.502
and Peter Cushing of it all.
01:01:15.102 --> 01:01:18.182
With that said, as far as dislikes, this story is kind of confusing.
01:01:18.482 --> 01:01:23.842
I think just having the source material,
probably watching it in hindsight is
01:01:23.842 --> 01:01:28.442
not a great idea unless you have like the Wicca opened on it and you're following
01:01:28.442 --> 01:01:31.542
along because there's just unnecessary changes that are like,
01:01:31.622 --> 01:01:34.382
why would they? It is more so it makes you think like, why would they do that?
01:01:35.702 --> 01:01:38.802
Which you don't want that from the audience while they're watching the movie.
01:01:39.302 --> 01:01:42.982
I didn't think Christopher Lee is really that imposing as Dracula, which we discussed.
01:01:43.302 --> 01:01:47.842
He's opening doors. He's running around. He's constantly being like, he's befuddled.
01:01:48.002 --> 01:01:52.582
And he's constantly like, Peter Cushing is like catching him in the active stuff.
01:01:52.722 --> 01:01:55.922
He's not like capable of being Dracula.
01:01:56.282 --> 01:02:00.002
It's like if you go out and you're throwing something away outside of your house
01:02:00.002 --> 01:02:02.822
and a raccoon is getting in your trash, he's going to be like,
01:02:02.902 --> 01:02:04.002
oh shit. And he's going to run.
01:02:04.442 --> 01:02:06.802
That's what, you know, you're trying to bury a woman. He's like,
01:02:06.862 --> 01:02:10.882
oh, no. He seems like a serial killer dressed like Dracula.
01:02:12.307 --> 01:02:15.467
You know, it's just like he loves to murder, but then it's just like,
01:02:15.687 --> 01:02:19.267
and the cops are Arthur and Peter Fishing and they're like, oh,
01:02:19.287 --> 01:02:21.907
the murder is in the basement now. And they're like, okay, go down there quick, quick.
01:02:22.367 --> 01:02:26.107
But yeah. So, you know, other than that, but again, with that being said,
01:02:26.127 --> 01:02:32.147
I think we should, we should, we should continue exploring Hammer films.
01:02:32.787 --> 01:02:38.847
And we should, I think we should make it a point to continue exploring the Frankenstein.
01:02:39.647 --> 01:02:45.247
What do you, whatever you want to call that? not anthology, but the Frankenstein saga.
01:02:45.527 --> 01:02:48.647
The Frankenstein cinematic universe? Yes.
01:02:48.887 --> 01:02:57.327
The F-C-U and the DCU, which the Dracula cinematic universe.
01:02:57.387 --> 01:02:57.967
Yeah, I know what you mean.
01:02:58.067 --> 01:03:03.347
Right up until we get to the point where it's Frankenstein's brother and the...
01:03:05.487 --> 01:03:08.487
The vampire's kiss. The vampire's kiss, yes.
01:03:08.887 --> 01:03:11.767
So, but I think we should just, and we don't have to do it. You know,
01:03:11.927 --> 01:03:14.127
we don't have to do this sequentially, but I think as we're doing,
01:03:14.567 --> 01:03:16.887
oh, I mean, we should do it sequentially, but we don't have to do it.
01:03:17.027 --> 01:03:19.187
We could just, as we go through a hammer picture, it's like,
01:03:19.447 --> 01:03:20.707
okay, well, what's the next hammer picture?
01:03:20.887 --> 01:03:23.407
Let's just do the next Frankenstein. Let's do the next Dracula.
01:03:23.547 --> 01:03:28.847
Yeah, I had no idea that they kept anything from the prior film. So that's.
01:03:29.087 --> 01:03:31.947
There's something, I swear I read that in one of the movies,
01:03:32.267 --> 01:03:35.567
like Frankenstein's trapped in ice. Even if it's not, we're going to have to
01:03:35.567 --> 01:03:36.587
try to piece them together.
01:03:37.207 --> 01:03:41.287
And yeah, I think the vat of acid from the Curse of Frankenstein makes a comeback.
01:03:41.727 --> 01:03:47.187
Yeah. I think the hole that he, that Dracula dug to put Nina in, that makes a comeback.
01:03:47.507 --> 01:03:51.687
It still has some dirt in it. So they really, they're pressed for time to try
01:03:51.687 --> 01:03:53.227
to stop him. Easter eggs.
01:03:53.427 --> 01:03:55.607
Yeah. They're like, oh, acid vats. Yeah.
01:03:57.138 --> 01:04:01.818
Okay, again, if we can get a t-shirt that says Acid Vat from The Curse of Frankenstein,
01:04:01.938 --> 01:04:04.778
it would be great. Okay, anything you want to add, Adam, before we close out?
01:04:06.838 --> 01:04:09.758
The only thing I can think of is that in The Curse of Frankenstein,
01:04:09.758 --> 01:04:11.558
I'm thinking nothing actually happened.
01:04:11.678 --> 01:04:15.898
He was just so huffed up on those acid fumes that he dreamed all of that stuff.
01:04:15.998 --> 01:04:20.138
That's actually a good point. So in the sequel, he just wakes up.
01:04:21.218 --> 01:04:25.038
It's like in a snow globe, like in Hill Street Blues. And then the Frankenstein
01:04:25.038 --> 01:04:26.118
movie plays out in the sequel.
01:04:27.198 --> 01:04:32.318
Wait what's going on nothing never mind okay so yeah we're just we'll close
01:04:32.318 --> 01:04:36.058
out here and i thought i guess you gotta remember i need to cut this part but
01:04:36.058 --> 01:04:39.218
no yeah so uh yeah just listen to us wherever you listen to podcasts if you
01:04:39.218 --> 01:04:42.898
want to catch us on podbean or we're on itunes spotify,
01:04:43.378 --> 01:04:46.378
apple music follow us there if you
01:04:46.378 --> 01:04:49.238
want to send me hate mail i did i have an email at
01:04:49.238 --> 01:04:52.278
forgottenfrights at gmail.com you could also send nice
01:04:52.278 --> 01:04:55.058
emails or ask questions or clarifications if you
01:04:55.058 --> 01:04:58.078
have trivia on some of these movies that we've covered that we
01:04:58.078 --> 01:05:01.358
just completely botched and you want to clarify stuff send it
01:05:01.358 --> 01:05:04.298
our way i'll read it on the podcast i don't care i mean
01:05:04.298 --> 01:05:07.298
i do care but i i mean i'll i will read it adam cares
01:05:07.298 --> 01:05:10.018
too yeah and it was saying elsewhere it was saying
01:05:10.018 --> 01:05:12.938
oh yeah where it turns out it's a snow that's right yes i
01:05:12.938 --> 01:05:15.678
was thinking of when they wake up the guy the girl wakes up
01:05:15.678 --> 01:05:20.058
and the guy's in the shower but that's dallas dallas or then there's also not
01:05:20.058 --> 01:05:23.598
the carol burnett show but who wakes up there's another one where they know
01:05:23.598 --> 01:05:26.338
it's oh bob newhart bob newhart he wakes up he's like i just had the craziest
01:05:26.338 --> 01:05:31.698
wow and then roseanne where she's like she's like writing a book at the end
01:05:31.698 --> 01:05:34.878
they all finished they all shows eventually end,
01:05:35.778 --> 01:05:40.158
on a dream or a snow globe yep yep sorry sorry about all the spoilers yeah sorry
01:05:40.158 --> 01:05:43.438
about the spoilers guys and uh yeah sorry we ended the podcast this way so anyway
01:05:43.438 --> 01:05:49.358
yeah we will uh this is it i'm done talking goodbye oh wait couldn't.
01:05:49.520 --> 01:06:16.305
Music.