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This is Fictional Problems, the podcast where we discuss all things writing,
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in association with Speculative Fiction Ireland.
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On today's episode, we discuss the different aspects of writing intelligent
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characters, such as, can a writer create a character significantly smarter than themselves?
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Or, what does intelligence actually look like on the page?
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Join us to find out. .
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Welcome back to Fictional Problems, a podcast where we discuss all things writing
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with myself, Gary J. Martin.
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And myself, A.R. McNevin.
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A.R. McNevin. Hello! Nice.
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Can we do accents? Is it the heat?
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Let's see if our listener notices. Are they suddenly Scottish?
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No, they're not suddenly Scottish, but we are intelligent individuals,
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incredibly smart people that are...
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Are we? No, we're not. But we're incredibly dumb people, trying at times to
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write smart people. Are we?
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I would say we're both incredibly dumb.
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So on today's episode, we are going to have a little discussion about intelligent
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characters, genius level intellects, masterminds, and that kind of stuff.
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How do you write them when you're that clever? This is true,
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but also simple proficiencies. Yes.
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Competence. Yes, I heard a reference to a term this week, they're competency porn.
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As in watching someone who's just competent at something is a thing now.
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It's like, oh, that's impressive. Yeah, yeah, yeah. I've seen the videos as
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well of people on BMXs doing backflips and surfers doing crazy things.
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I mean more just, there's a difference between, say, someone who is doing woodcraft
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and is doing wood sculpting and someone just putting a chair together. Yeah.
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Both are, well, not devaluing the putting of a chair together,
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but it's an action that's repeated. Yes.
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So I would put it in the competency or proficiency category rather than the expertise. the end.
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Ranging, so I guess our discussion today is ranging from basically everything
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that the writer can't do up to just general expertise level of things.
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You know, how do you write.
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The scientists, the hacker, the politician, even everyone who is,
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as in some politicians are stupid, but there are people who are political operatives,
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who know how to do things rather than just people who are just tweeting about it.
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So, yes. Yeah. So in some ways, it's like right and wrong.
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This is one of the things that came to mind. It's like right and wrong is often
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a matter of timing for characters.
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Sure. So following that premise, you could go, well, you know,
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and in life in general, right and wrong is a matter of time.
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And you can make a decision that is, you know, quite wise and quite intelligent.
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And then due to some other circumstances or the timing of it,
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it didn't work out quite as well as it would have on a different day with different
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things happening. Okay.
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I'm sensing a tangent, but go for it. So the intelligence is there,
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the wisdom is there, the mind is there to make those correct decisions.
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It's just other things made it a complete disaster.
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So there's one thing that was... So I would put that slightly in the...
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Once we get to the point of creating the character and that there is a point
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of their expressions interacting with others. Yes.
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So how do we, it's actually part of it, but I can think it's the next stage
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on. So when I follow, following that line, I started thinking, well,
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A character who is to be written as, or an intelligent character,
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someone you're trying to write as intelligent, quite often in mysteries, the detective.
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Figures it out because the author knows what's happening. So they can give them,
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the answers at the right time, or they can give them an insight, or let them,
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start the deduction of the clue because the author knows where it's going.
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So that character seems quite intuitive or intelligent or bright because,
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no other characters around them are figuring it out, but the author is having,
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that intelligent, intelligent written character figure it out.
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Okay, so that point, I think we may reference for the idea of the Sherlock Holmes,
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of the idea of a character who is just,
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who is, I guess, will be the darling of
Load full transcript
the writer, or as you described,
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someone who has almost access to the script itself. Yes.
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That I don't, so that is a form of intelligence, and that is a form of depicted
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intelligence, so absolutely so. It does fall into our category.
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I would say that it will be a different form even though say the Sherlock Holmes
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and the detectives will rely on certain expertises they are using them as a,
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They're using it almost as the technobabble. All a thing.
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They're going to have the deductive reasoning. So only so many people have this
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blood type, and only so many people have this water. They have the knowledge.
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No, I'm saying that they don't have the knowledge.
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That they are expressing it
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through a vector that they don't have to have the rest of the knowledge.
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It's the multidisciplinary investigator. the Sherlock Holmes,
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they know everything about everything.
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So they express this little nugget here and this little nugget here and this
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little nugget here. So from a writing point of view, it's incredibly easy. Yes.
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Because we don't need to understand the entire phlebotomy or any about blood in general.
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All we need to know is we've looked up and the most common blood type is this, the AB is...
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A bit of research will make your character seem very on the ball.
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So it's absolutely a way to trick intelligence and for the writer to appear
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more intelligent than they are because you are essentially limiting the field,
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down to those particular results.
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You're not saying, I know everything. So like, say, in a... You don't have to answer a test on.
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The full details of why, you know, this person has this blood type or this certain blood-borne disease.
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All you're saying is this one fact is true. And indeed, that fact does not have to be true.
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It just has to be expressed by a character who has previously been demonstrated
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or has been asserted to be the intelligent person in the room.
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And the reason why I was pushing back on the idea of the interaction is that,
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A, the, the, the, someone can be written as intelligent for the audience to react to. Yeah.
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And someone can be written as, as intelligent for, and for the character,
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for the characters to react to.
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And if the character, so you could have an intelligent person and you have the
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characters going, no, that's, that's, that's just, and who's this fool?
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Who let him in the door? Exactly. And it could be a case that the person is
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proved to be right at the end or they are, or they are put down enough that
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they stop referencing. I mean, you know, that's a character journey.
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So you could have the, so that is beyond simple kind of expression of intelligence.
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It is a absolutely valid part of the thing.
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That's what I'm saying. That's why I was, I was kind of like, yeah, yeah, yeah.
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It was like, I mean, I don't know if it's, if it's just a common thing with
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all mystery writing or if it's, if it's something that it was just Arthur Conan
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Doyle, you know, writing the mysteries backwards. Sure.
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So naturally it's like the hindsight is depicted as genius. Exactly,
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yeah, yes. Well, I would say this is the thing that I think we referenced before
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about this quote we saw about how all stories are made up as they go along.
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No, all stories are all stories, asterisks, are mysteries. Yeah.
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As in every story, you don't know how it's going to end. So every story has mystery elements to it.
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And if you are writing an actual plain murder mystery, you know how it ends.
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You know I've talked before about how I know I originally wrote Parliament Crow
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as a as a TV show and I know the last three episodes I know the songs if it ever became a TV show,
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I know the songs that we're playing you have the soundtrack in your head it's
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already been written and that would have been was the music playing as you were
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writing it not in my head well I'm sorry no I,
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didn't I connected the music to say certain well deaths,
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that and certain moments of import because it was the last three, four episodes.
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That was 105 episodes and there was a lot of stuff not addressed.
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I just basically skipped over episodes. So, like I had full episode one,
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full episode two, full season one, full season two, and then parts of season
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three, parts of season four, and then parts of season five.
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And season five was actually probably
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more populated than four or three because I knew where I was going.
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So, this is a major, it's a mystery show.
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Were you writing it backwards? in that regard like where you go here's the conclusion
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now i'll now i'll i'll kind of go back in time in the narrative and plant the
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clues that they're going to find um,
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yes no um in that other than just knowing where you are where you're going to
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end up what did you start writing the end no but i'm well no because because
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it's so vast yeah the way i write it kind of the the part planter part,
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what's your one potter planter yeah is is six of one halves of the other that
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i knew that I would move away,
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and things you also want to forget kind of the ending at the time so you can
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give so you can accidentally give red herrings and write them as authentically as possible,
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So you can expand the world before you actually go, no, these are the correct
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paths that we're going down. Yeah.
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But in any story, the only reason I mention it is that in any story,
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one quote-unquote should, question mark, know the rough idea where you're going to. I'm Ron Bergen?
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Who put the question mark? That one benefits.
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That's the phrase of that. That one benefits from knowing the end of the story.
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If you are writing a mystery in which the butler did it, then on page one,
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you need to know the butler did it. The butler has to be there.
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They have to have a butler. They have to have a butler. Yes, very important.
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If you have a servant-less house, you're going to have a problem.
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Haha, it was me all along. Sorry, who are you? Who the fuck are you?
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I'm the butler. You literally haven't been in any of the previous pages.
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Oh, yes. That's a reference.
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It was in Suicide Squad. It's like, what was his name? The guy who died.
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Milton? Who's Milton? And I was like, who's with us? You're like, Milton?
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Oh, Milton. That guy.
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That guy. So it is easy. That's the thing. Because you're in the writer position,
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you have the God position.
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You can give the truth to, and it doesn't matter if those things are accurate.
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This is the thing that I, one thing I wrote down when I, when you mentioned this topic.
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There's a difference in convincing an expert of a thing. Yeah.
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And the general public of a thing.
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So I can say whatever the feck I want about the, say, blood types and whatever
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the phenotypes and all that jazz are the elements inside blood.
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And 90% of the population will buy it,
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10% of the population who have some degree of understanding of blood from nurses
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and doctors to, yeah, phlebotomists. I'll say that word again.
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He's like, that guy doesn't even know how platelets work. What the hell?
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Exactly, exactly. What a loser.
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There was a, there was a very bad TV show that did the Iron Fist.
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So I did martial arts for, say, 12, 13 years. And the reason why I say say is
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because the last year and a bit where I didn't take COVID out of it.
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And the, it was Kendo the Japanese fencing and in one scene,
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in Iron Fist he goes to a dojo and there's a lot of people who are clearly extras
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who are using Shinai, the bamboo swords from Kendo.
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And at one point, they are, the two of them are standing there face-to-face,
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it's blocked out for a scene and they're using them, they're holding them like
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they are walking sticks.
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Yeah. So the points are down, their hands are on top and they're literally pressing,
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they would be pressing down.
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This is abhorrent. Oh no. To every fucking person.
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Every person who's ever picked up a Shania was told that while you're in this
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dojo, this is very, very specific.
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You guys are, we're not insane. It's an etiquette thing, isn't it?
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Exactly, 100%. It's called reggae. The whole etiquette thing.
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While you're in the dojo, the whole idea of the sword is the soul of the samurai,
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we don't go that far. Yeah.
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But you will treat, I think it's even, there's some training where you use the
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sword as a kind of, put it up behind your back so you can keep your balance
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so you can straighten your back.
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So you do use it in some ways as a tool. Yeah.
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But there is just a underlying base level,
and I think respect almost isn't
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even too big a word it's just something you don't do,
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like I remember I was in a I was in a grading I was one of the teachers so I
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was one of the guys who wasn't grading that day and there was a lineup of all
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the all the all the swords and all the armor and.
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If you can imagine just a line of sticks yeah and one guy just then went and
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ran down the long line jumping over every stick and I was like you don't do
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it the eyes start twitching And I grabbed him as soon as he got over the last one.
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You have dishonored me. Exactly. No, he has dishonored every step.
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Dishonor isn't too big a word, but it's, I can't think of it as well,
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but it's like, it's just, and I grabbed the guy and I went, what did you just do?
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And he looked back and went, oh Jesus. And unfortunately, no one,
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none of the judges saw him, and he had already passed, it was all grand.
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But he immediately knew, he understood why he shouldn't have done it. He just walked around.
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So when you see it on the TV show, in Iron Fist, with them holding him,
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in admittedly perhaps a cooler looking pose, that the scene set up was like,
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oh yeah, hold it like this, because it looks good.
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You've seen many, many, you've seen Conan the Barbarian, sword down,
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hands over top, look at me, I'm big and strong. It's recognizable,
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yeah. It is a, it's a common, it's a common pose. Yeah.
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And I was like this is the part also and some may disagree is that,
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when you receive a when you buy a Shani from a store you won't go find them
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in Ireland you'll have to buy them from other places so you receive them in
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the post Is it like Olly van der's wands in Harry Potter? They're not,
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these are real and they're important They select their owner or anything that,
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there is plastic wrapping it comes it comes you know it comes wrapped in plastic and,
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there are three threads around the way that basically it's it's it's a bamboo
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that has been bound together
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um and there's three threads and you basically you remove the threads yeah there's
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two two red and one gold you remove the threads okay now because i've heard
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from people that you don't you don't do this you let them fall off i'm.
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So, so every shunai in this room, everyone had all the, had all the red threads.
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So they hadn't taken, it's like not taking off the packing material.
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Yeah. No, that was a diatron. So the reason, the reason, but I noticed it. Yes.
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No one else will. Because of your degree of expertise and knowledge of the particular
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stuff. I have a foundational knowledge, you know, expertise called just as a,
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just a foundational knowledge of that sport, of the use of those particular items, those weapons.
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I have an understanding that no one else will see so,
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should you be so this is the way the question so should you be writing with an eye to,
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to get past me yeah or to get past you in this regard as you know you have your
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own expertise i have i have mine so should you be writing to clear past me or,
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or to clear past you to because you will never see enough,
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That's a very good question.
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Because, like you say, most people won't notice, but I don't know.
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It could be a question of if you want to put forward a degree and a level of
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expertise, or at least demonstrate the research you've put into the topic that
00:17:18.217 --> 00:17:20.830
you're talking about, you do need to kind of clear it.
00:17:21.501 --> 00:17:23.987
It does need to be real unless you're
00:17:23.987 --> 00:17:29.247
you're delving into like you know uh pseudoscience or kind of magic areas,
00:17:29.767 --> 00:17:34.707
that no one can dispute what what you're doing yes because you have invented
00:17:34.707 --> 00:17:41.567
this method and you've invented these things so like in for example in a fantasy world the,
00:17:42.607 --> 00:17:47.897
the nature even as as far down as like the minerals of the rocks or the the
00:17:47.897 --> 00:17:51.255
type of elements that are making up the world might have different,
00:17:52.347 --> 00:17:57.097
or the botany might be slightly different and have a different effect on the
00:17:57.097 --> 00:17:59.620
physiology of the character.
00:18:00.206 --> 00:18:04.487
Sure, but that's an excellent point that I wanted to return to,
00:18:04.487 --> 00:18:07.823
but stay on just on the expertise just for the moment.
00:18:07.934 --> 00:18:11.307
Yeah, I think it definitely needs to have...
00:18:11.767 --> 00:18:15.127
Real world expertise, sorry. Real world expertise has to have that.
00:18:15.127 --> 00:18:19.887
If you want what you're saying to be taken seriously, then I think it does need
00:18:20.187 --> 00:18:22.267
to pass all the gates. Yeah.
00:18:23.423 --> 00:18:29.937
So I would tend to agree, and as a while in my head, slightly disagreeing,
00:18:29.937 --> 00:18:34.057
but yes, so I 100% agree that it's down to the research.
00:18:34.057 --> 00:18:36.867
And this is, I think, a key point on how do you write intelligent characters
00:18:36.867 --> 00:18:39.249
or how do you pass the expert test?
00:18:40.688 --> 00:18:46.178
Is that you do the research into the topic to the point that you get past,
00:18:46.178 --> 00:18:50.131
like, this show is about a martial artist. Yeah.
00:18:50.795 --> 00:18:54.178
And that's the real thing. Yeah, yeah. If it was a show about,
00:18:54.178 --> 00:18:56.893
like, say there's, I think in Ant-Man,
00:18:58.252 --> 00:19:03.709
where there's a scene where, in the first Ant-Man, where Angeline Lilly teaches
00:19:03.860 --> 00:19:08.007
Rud Paul some fighting, some fighting. But it's not a martial art movie.
00:19:08.808 --> 00:19:14.148
And in that scene, again because I'll take liberties I'll take my clear you
00:19:14.148 --> 00:19:17.908
know my clear knowledge I'm looking around the room and it looks like,
00:19:18.408 --> 00:19:22.148
to me that it was they went to a martial arts store and just went just give
00:19:22.148 --> 00:19:23.908
us a bit of everything yeah like I won't there's,
00:19:24.439 --> 00:19:27.486
a we need to learn fight exactly.
00:19:29.024 --> 00:19:35.098
Teach us fight teach us fight yes yes that's yes that's yeah at one point there's
00:19:35.098 --> 00:19:41.268
a poster on the wall of a guy in a for the for the stance of a side profile
00:19:41.268 --> 00:19:43.158
stance of a kendo person.
00:19:43.158 --> 00:19:47.548
And that's what picked out because, yeah, I didn't see, I didn't pick out the
00:19:47.548 --> 00:19:50.810
taekwondo stuff, I didn't pick out the kenpo stuff, I didn't pick out the sholene stuff.
00:19:50.990 --> 00:19:56.371
No, from my own, but I saw that and went, that doesn't fit in here. Yeah.
00:19:56.707 --> 00:20:00.893
And on the wall, there was a bunch of different weapons from different types of martial arts.
00:20:01.988 --> 00:20:05.158
And there was a few shanai thrown in for good measure. And they looked slightly
00:20:05.158 --> 00:20:10.242
worn, as if they say, just give us your old stuff for fight. so,
00:20:11.081 --> 00:20:17.348
I think in that, I would not have had a major problem with it because it's not a focus.
00:20:17.748 --> 00:20:23.428
It's like, we'll just cover the scene in what looks like vaguely Eastern or
00:20:23.808 --> 00:20:28.002
Eastern European, or sorry, Eastern aesthetic. Yes, exactly. Just give it a...
00:20:29.368 --> 00:20:33.110
So that's why I had this small amount of questions. But if the person,
00:20:33.424 --> 00:20:38.798
or if the scene, if the part of the story requires this person to be an expert
00:20:38.798 --> 00:20:43.208
in a thing, then they should know the details around that thing.
00:20:43.788 --> 00:20:47.408
I think so, yeah.
That there's the facts of the case, and there's the wisdom,
00:20:47.408 --> 00:20:52.490
as you mentioned before, the wisdom around the facts. The, that...
00:20:54.555 --> 00:21:00.355
They have to know what's right and what's wrong in their chosen specialized subject.
00:21:00.355 --> 00:21:06.426
Yeah, so for example, when I'm writing sword fighting and, say,
00:21:06.553 --> 00:21:12.148
armor pieces or the mechanics of a trebuchet or a ballista,
00:21:13.995 --> 00:21:22.445
so I'm looking at real-world examples of, say, what distance and what size of
00:21:22.445 --> 00:21:24.695
shot could a ballista fire?
00:21:25.675 --> 00:21:28.395
What is the maximum weight that this,
00:21:28.965 --> 00:21:33.551
thing could be in order to move it successfully on a military campaign?
00:21:33.888 --> 00:21:38.468
I'm looking at the armor pieces, you know, what areas are exposed on the body
00:21:38.735 --> 00:21:39.995
given a certain type of armor.
00:21:39.995 --> 00:21:43.975
So that's the kind of research I'm doing. Now, I'm not an armor expert,
00:21:43.975 --> 00:21:49.105
but if I kind of hone in on if I have an idea in my head as to what I want to
00:21:49.105 --> 00:21:52.354
happen in the story, then I will retroactively,
00:21:53.015 --> 00:21:57.455
look that up and conduct research to see if it's plausible or not or if I have
00:21:57.455 --> 00:22:00.933
to maybe change the scene a little bit in order to.
00:22:02.015 --> 00:22:08.988
Make it so like that the armor expert or the military combat expert will go yeah alright,
00:22:09.713 --> 00:22:14.975
yeah actually that's fair you make an excellent example but while you were talking
00:22:14.975 --> 00:22:19.705
about it I think you took us in a different direction which is a great one which
00:22:19.705 --> 00:22:23.810
is Not just the expert, but the world itself.
00:22:24.774 --> 00:22:27.145
That's more talking about the author, I suppose, than the character.
00:22:27.145 --> 00:22:32.045
Yes, but the idea that you are going to have a, say, a trebuchet,
00:22:32.045 --> 00:22:37.475
and no one, say, in that war may be the one, the expert on the trebuchet.
00:22:37.475 --> 00:22:43.715
It may be just, it's become so understood that, you know, a level of engineering
00:22:43.715 --> 00:22:47.265
that they can fire these trebuchets, and they can be 5-pound shot,
00:22:47.265 --> 00:22:49.045
10-pound shot, 20-pound shot, for example.
00:22:50.013 --> 00:22:51.708
Don't know if it's 20 pounds. I just think things, you know,
00:22:51.708 --> 00:22:55.028
I said that I don't know if it's 20 pounds is too big and five pounds is too
00:22:55.028 --> 00:22:57.048
small. You know, it's like it would never do anything.
00:22:57.508 --> 00:23:02.708
Yeah. Well, as long as the engineering is consistent with the design and the build, you can scale.
00:23:03.808 --> 00:23:07.717
So, but you're not having a character in body that information.
00:23:07.937 --> 00:23:12.680
You are building it into
the world. So, as you say that, when the,
00:23:13.028 --> 00:23:16.013
when the expert reads this, they can go, yeah.
00:23:16.251 --> 00:23:23.448
Yeah. And indeed, you are, so not just, you are you're putting a character in
00:23:23.448 --> 00:23:25.128
who is intelligent you're putting the world,
00:23:26.288 --> 00:23:29.928
you're making the world more authentic by having that included well I think,
00:23:30.428 --> 00:23:34.638
I think like each of the characters in order to kind of round them out as well
00:23:34.638 --> 00:23:37.464
they certain characters are more,
00:23:38.388 --> 00:23:43.928
have more expertise in certain areas than others so for example the knight Rosalind
00:23:43.928 --> 00:23:49.048
as a knight would know how the placement of armour the strength you know what's
00:23:49.488 --> 00:23:52.528
she has been through it all her life I'm suggesting that in the fighting,
00:23:53.268 --> 00:23:58.027
you're not going to have Rosalind saying I'm doing this now I'm doing that you're
00:23:58.205 --> 00:24:03.336
you're you're putting it in the prose rather than the mouths of the characters yeah that the that,
00:24:04.515 --> 00:24:10.635
by essentially almost by cutting and pasting like listening to that one video
00:24:10.635 --> 00:24:17.635
or doing that research about so in this like all you have to even for to make it the authentic,
00:24:18.315 --> 00:24:19.756
the authenticity of it.
00:24:21.375 --> 00:24:27.095
Comes from this research that you say okay during this battle these Trebuchet where they'd fire
00:24:27.455 --> 00:24:30.955
the shot from this range to this range that they could fire you know and all
00:24:30.955 --> 00:24:36.615
you have to do almost is copy and paste that phrase out i'm putting in i don't but yeah.
00:24:37.875 --> 00:24:44.235
It is it is almost that simple to create a sense of of authenticity and intelligence and,
00:24:44.915 --> 00:24:50.905
in the working because you don't have to have the engineer no say this is what
00:24:50.905 --> 00:24:56.744
we're doing yeah you don't have to have because i guess the the uh you don't have to have.
00:24:57.626 --> 00:25:01.602
The character express all this information no because they have actually that's
00:25:01.602 --> 00:25:03.482
that's that's quite a good point that i
00:25:03.882 --> 00:25:07.512
i wanted to bring up so that brings me to a point that you did that you just
00:25:07.808 --> 00:25:12.818
triggered in my mind is that quite often like even like hyper we call them,
00:25:13.398 --> 00:25:16.900
hyper intelligent characters as they're written so they're supposed to know all the things,
00:25:17.533 --> 00:25:22.442
but you will notice and you notice it with sherlock holmes and you notice it
00:25:22.442 --> 00:25:26.422
with the likes of spock for example like spock is,
00:25:27.274 --> 00:25:31.362
supposed to be this hyper-intelligent, logical character that,
00:25:31.883 --> 00:25:34.797
you know, science officer and all
the rest. Leonard Nimoy's book, sure, okay.
00:25:35.534 --> 00:25:40.612
Yes, specifically. But quite often in... And Zachary Quinton.
00:25:40.612 --> 00:25:43.096
Oh yeah, okay, we'll take it. That is, that's it.
00:25:43.630 --> 00:25:49.692
But there is a... I think it's consistent enough to be a thing where intelligent
00:25:49.692 --> 00:25:54.230
characters are the ones that simplify it for everyone else around them.
00:25:54.909 --> 00:26:00.574
Like Spock does that quite often, he reduces it down to, this means this, Captain.
00:26:00.992 --> 00:26:03.562
You know, he knows, he has the intelligence, he's able to figure out,
00:26:03.562 --> 00:26:09.082
but he kind of, he gets rid of the fat and says, this is what we have to do
00:26:09.082 --> 00:26:12.591
because this is the situation. Okay, but is this a good thing or bad thing?
00:26:12.852 --> 00:26:16.892
So yes, it is an excellent point, I do agree with it.
00:26:19.323 --> 00:26:24.668
In the expression to either the character or the audience that they simplify
00:26:24.668 --> 00:26:26.984
it down, yes. Should they?
00:26:28.208 --> 00:26:32.287
Well, I think it's more believable of an intelligent character to,
00:26:32.531 --> 00:26:35.908
like, if he's surrounded by non-geniuses.
00:26:36.948 --> 00:26:38.208
Genii? Geniuses.
00:26:39.328 --> 00:26:44.256
Like, they would probably go, okay, well, in simple terms, this is what's going on.
00:26:44.436 --> 00:26:49.742
Yes, but I'm not a fan. And I, every time I get to that point in a story,
00:26:49.939 --> 00:26:56.465
every fucking time I get to that point, I don't want, I want to keep it understood. Yeah.
00:26:56.987 --> 00:27:01.566
But I don't, like, one of my most hated adages is, keep it simple, stupid.
00:27:02.450 --> 00:27:07.408
I fucking hate it. And whether it's dealing with people in the real world or,
00:27:08.288 --> 00:27:10.008
my characters on the page. Yeah.
00:27:11.271 --> 00:27:16.275
I want them to have an understanding that I don't have to simplify it.
00:27:16.525 --> 00:27:21.821
Indeed, to reference what I was talking about before, that one of the comments
00:27:21.821 --> 00:27:27.717
I got back from the first of the quantum fantasy books was that it had cliches.
00:27:28.451 --> 00:27:32.511
It was cliched. Right. Yes, because I want to put everything in place that you
00:27:32.511 --> 00:27:36.911
know which versions of things I'm using before I then go along and have the
00:27:36.911 --> 00:27:39.051
conversation later on that you're going to now understand. Yeah.
00:27:39.661 --> 00:27:43.801
So I don't have to spend every minute going, well, this person is using witch
00:27:43.801 --> 00:27:46.391
magic, and this person is using hermetic magic, and this person is using fey
00:27:46.391 --> 00:27:48.102
magic, and this person is using quantumancy.
00:27:48.462 --> 00:27:51.231
Oh, I don't understand the difference. I've spent all this time.
00:27:51.231 --> 00:27:52.827
I told you, book one. Yes.
00:27:53.331 --> 00:27:57.221
So when you get to the final battle, and you have everyone falling into place,
00:27:57.221 --> 00:28:02.271
and suddenly it all makes sense, and suddenly this mosaic appears before you, you go, ooh.
00:28:03.688 --> 00:28:08.131
Now I understand why you spent so much time detailing out the bits and pieces.
00:28:08.131 --> 00:28:12.021
Yeah, of course. This is why I have, you know, 13 different hermetic houses.
00:28:12.021 --> 00:28:14.729
This is why everything's broken down into their particular pieces.
00:28:15.385 --> 00:28:17.791
It all makes, hopefully, hopefully.
00:28:18.891 --> 00:28:22.467
There's no wood here to knock on other than my head. Other than my head, absolutely.
00:28:22.711 --> 00:28:27.811
So hopefully that they all kind of come together. So the idea of,
00:28:28.571 --> 00:28:35.511
I'm not sure if it's a quality, it's definitely a common use trope of the simplification aspect.
00:28:36.011 --> 00:28:39.143
So I wouldn't because you don't have to be an expert to simplify something.
00:28:40.327 --> 00:28:44.607
Or to suggest a metaphor that simplifies it, as happens in TNG.
00:28:45.487 --> 00:28:52.715
Yeah, yeah. But like, I think it's probably a more realistic version of an intelligent
00:28:52.947 --> 00:28:58.778
person in those situations to kind of boil it down to what is needed in this situation.
00:28:58.981 --> 00:29:02.527
They might understand the complexities of, you know, what's,
00:29:03.236 --> 00:29:05.757
you know, neutrinos and what's tachyons.
00:29:05.757 --> 00:29:11.277
And they get it and like all the knowledge comes into their head and it's able
00:29:11.277 --> 00:29:14.627
to be filtered rather than I think it might be perhaps,
00:29:15.427 --> 00:29:21.406
a mistake to have you know the character spouting lots of science-y stuff Right
00:29:21.510 --> 00:29:25.507
for example and the reader's kind of going okay are you giving me a lecture
00:29:25.507 --> 00:29:28.207
here or are you moving on with the story do you know what I mean?
00:29:28.207 --> 00:29:32.657
No I get that absolutely I don't think I've said my piece I don't think that
00:29:32.657 --> 00:29:36.258
it's a necessity but I think it's absolutely that has happened.
00:29:37.067 --> 00:29:41.687
But to go back to one thing you mentioned before, or that we all,
00:29:42.067 --> 00:29:43.155
I think we almost ran into.
00:29:45.029 --> 00:29:51.084
One aspect so that aspect of of expressing of how to express an intelligent character.
00:29:52.347 --> 00:29:57.774
Through simplification yeah another way that that's that commonly happens is
00:29:58.192 --> 00:30:02.750
you express it by dumbing down other characters that's a very good point,
00:30:03.586 --> 00:30:09.950
this is an annoyance to me especially if you have say especially in say tv shows
00:30:09.950 --> 00:30:14.163
where you where you spend a lot of time bigging up your core cast. Yeah.
00:30:14.662 --> 00:30:18.920
And then you have
a new character coming in and instead of bigging them up in
00:30:18.920 --> 00:30:25.130
their own way, you reduce the other characters in order to show them how to shine.
00:30:25.430 --> 00:30:31.442
Danger, danger. Exactly. And this is, you essentially, you neg your own characters,
00:30:32.237 --> 00:30:36.840
in order to make another shine. Yeah, so is your character brilliant or is everyone
00:30:36.840 --> 00:30:39.070
else, did their IQs just suddenly drop? Exactly.
00:30:39.470 --> 00:30:42.690
And the thing is, that in itself, that one line I like I was like the,
00:30:43.510 --> 00:30:49.130
IQ suddenly drops sharp follows away the but the idea of,
00:30:49.810 --> 00:30:56.030
of that the person who you the audience or the reader previously relied on as
00:30:56.030 --> 00:30:58.533
the intelligence suddenly being knocked down a peg or two,
00:30:59.196 --> 00:31:03.490
to demonstrate someone else's intelligence no it is that every time I see that
00:31:03.490 --> 00:31:08.124
happens happening whether it be in my own writing or when someone else's it is a,
00:31:08.889 --> 00:31:11.390
it's not I think I can understand it as well,
00:31:12.210 --> 00:31:16.801
I kill my darlings or I diminish I diminish my own darlings.
00:31:18.990 --> 00:31:25.030
No this is a bit worse than that yes it is this is not to do with your this
00:31:25.030 --> 00:31:27.575
is a you haven't found a better way.
00:31:29.833 --> 00:31:35.135
A rising tide lifts all boats to use another another adage that it should be
00:31:35.135 --> 00:31:40.645
the case that the if you have established an intelligent character in a certain field like say science,
00:31:41.705 --> 00:31:45.955
the science person and then another person comes along like the I'll use the
00:31:45.955 --> 00:31:51.385
example from Marvel which causes it's a common enough trope where they are removing the gem in,
00:31:52.204 --> 00:31:56.745
not not the final adventure movie they won beforehand what's it called was it
00:31:56.745 --> 00:31:59.425
not end game Infinity War Affinity War, yes.
00:32:00.205 --> 00:32:04.655
They're looking to remove the gem from Vision's head. Yeah. And this is something
00:32:04.655 --> 00:32:09.125
that has been studied at length by Banner and by Stark.
00:32:09.665 --> 00:32:14.005
And then Ciri comes along and goes, so why don't we just do them all at the
00:32:14.005 --> 00:32:17.724
same time? And I was like, we didn't think about that. It's like, no, they would have.
00:32:18.585 --> 00:32:21.664
Yeah, or they didn't have access to the technology. And that's the thing,
00:32:21.849 --> 00:32:26.115
they didn't express her ability as an understanding of the technology that they
00:32:26.115 --> 00:32:30.105
have access to in Wakanda. Yeah. It was an expression of her being better than them.
00:32:30.866 --> 00:32:34.025
And they could have done that. It's like, you didn't think of that? Are you both?
00:32:35.045 --> 00:32:39.355
Which are multiple degrees and doctorates and genius level intelligence.
00:32:39.355 --> 00:32:42.985
And years of actually study. Yeah. And it's really fucking annoying.
00:32:44.187 --> 00:32:47.665
Especially such a simple premise. Yes. It's like they would have gone through
00:32:47.665 --> 00:32:51.965
the list of every possibility. Yes. If they were tasked with something. Exactly.
00:32:52.325 --> 00:32:56.555
But they could have shown everyone. They could have shown respect for the ones
00:32:56.555 --> 00:33:00.999
who had, you know, absolutely bring someone in with greater insight bring someone I just,
00:33:02.105 --> 00:33:06.685
I just did a training session with some of my staff and one thing I mentioned,
00:33:07.505 --> 00:33:13.075
was that you can come with good ideas new ideas I'm not I don't cleave to my
00:33:13.075 --> 00:33:14.674
thinking this is my solution ha ha ha,
00:33:15.418 --> 00:33:20.323
absolutely come to me with your own ideas, including ideas that we looked at
00:33:20.323 --> 00:33:23.213
before. Yes. Before they came into the team. Have a fresh look.
00:33:24.353 --> 00:33:26.753
You know, because at that time, we may not have had the technology,
00:33:26.753 --> 00:33:31.223
we may not have had the understanding, or that we tried a thing and we didn't work.
00:33:31.572 --> 00:33:33.876
That doesn't mean it can't work in the future. Yeah, of course.
00:33:34.718 --> 00:33:38.758
Them coming along and going, I can see that you looked at this in the past.
00:33:39.426 --> 00:33:42.435
We have a thing that can do it. We can think that we might be able to do it.
00:33:42.435 --> 00:33:48.225
But I think with your intelligence, your previous research, my understanding
00:33:48.225 --> 00:33:52.425
of this technology, we can come together and collaborate.
00:33:52.425 --> 00:33:56.928
And collaborate. And so you're showing respect to the person who went before.
00:33:57.195 --> 00:33:58.727
You're showing respect to their study.
00:33:59.163 --> 00:34:02.460
You're showing them to be intelligent. Yes. And you're showing the new person going.
00:34:02.965 --> 00:34:07.034
Is also intelligent. It's also intelligent, and it's not just saying,
00:34:07.765 --> 00:34:08.945
I'm relying on this technology.
00:34:08.945 --> 00:34:14.145
It is, I've had access to this technology, I can now apply it to your thing.
00:34:14.145 --> 00:34:17.295
And it also is saying things like, I like the line about, you know,
00:34:17.295 --> 00:34:23.845
it's in Masterpiece Society, the TNG episode, where they solve it by applying,
00:34:24.325 --> 00:34:25.645
LaForge's visor technology.
00:34:27.065 --> 00:34:31.872
To fixing the, or to changing the tractor beam.
00:34:32.307 --> 00:34:35.326
They do it in pulses rather than in one long beam.
00:34:35.989 --> 00:34:38.495
Necessity is the father of invention or the mother of invention.
00:34:38.495 --> 00:34:39.445
It's a parent of invention.
00:34:40.198 --> 00:34:46.717
So, and that's another example
where you have a scientist who is the best scientist of their generation.
00:34:46.833 --> 00:34:48.877
Yeah. And she is absolutely wonderful at what she does.
00:34:49.564 --> 00:34:53.325
And you have LaForge who is a great engineer and they come together.
00:34:53.705 --> 00:34:57.565
Yeah, it's a collaboration of intelligence. Or like with Hail Mary where you
00:34:57.565 --> 00:35:01.653
have Rocky who is an engineer and Grace who is the scientist.
00:35:02.181 --> 00:35:03.445
And they work together. Yeah.
00:35:04.015 --> 00:35:10.495
And all the, all the jokes between the two of them, that, that is what solidifies that movie for me.
00:35:10.495 --> 00:35:12.935
That was just. Yeah, I really enjoyed that one. It's fantastic.
00:35:12.935 --> 00:35:15.525
Where, where Grace is like, he puts a little puppet show on for me,
00:35:15.865 --> 00:35:19.995
or where, before they go off and to harvest the, the stuff, it's like,
00:35:19.995 --> 00:35:23.957
and Rock is going, do puppet show, do puppet show. And, and, and he goes, so,
00:35:24.671 --> 00:35:30.420
We go into orbit, or we go in alongside them. Great, okay. I didn't think of that, Rocky says.
00:35:30.797 --> 00:35:37.570
I did. Yeah. And it's just, it is a wonderful moment of people working together.
00:35:38.059 --> 00:35:42.470
Both of them are bigged up. Yeah, you're not diminishing anybody's character,
00:35:42.470 --> 00:35:45.730
or previously established character, more importantly. Yeah.
00:35:46.090 --> 00:35:50.650
You're not being inconsistent with the level of intelligence in the room. Yeah.
00:35:51.928 --> 00:35:55.720
You're allowing them to, and expressing their character as well.
00:35:55.720 --> 00:36:00.250
Rocky in that scene, a little bit of a dick, funny, funny, funny dick.
00:36:02.701 --> 00:36:10.698
It's just these wonderful moments of how you express these ideas to one another.
00:36:12.637 --> 00:36:16.724
You'll have you will have perhaps it's not actually it would be the same what
00:36:16.724 --> 00:36:20.943
you said about about simplifying it down Rocky asked him to do a puppet show,
00:36:21.592 --> 00:36:26.474
so that he could find his own way to the answer yeah which is not the so it's
00:36:26.474 --> 00:36:29.665
not so maybe Rocky couldn't because of lack of of,
00:36:30.434 --> 00:36:34.321
their limitations on their language so he couldn't express the full full understanding
00:36:34.604 --> 00:36:39.834
to him so he got him to make him figure it out himself this is still wonderful yeah,
00:36:41.175 --> 00:36:43.368
it's a pretty pretty good movie it's a it's a yeah.
00:36:44.834 --> 00:36:48.274
And and there's other reasons why it's very very good especially the ending
00:36:48.274 --> 00:36:51.914
as I could I could talk about the ending as in just the idea of him being the coward,
00:36:53.171 --> 00:36:57.381
to the to the nth degree as I I almost battled with that idea afterwards going
00:36:57.800 --> 00:37:00.994
he didn't want to
be there yeah he is the hero who really didn't want to be
00:37:00.994 --> 00:37:05.875
there yeah he was hero yeah so really awesome that that part alone could be
00:37:06.137 --> 00:37:08.580
an episode and a half anyway so yeah so
00:37:09.020 --> 00:37:12.509
don't diminish everyone around the intelligent person.
00:37:12.735 --> 00:37:15.674
Exactly. For the sake of their intelligence. Yes, that it is.
00:37:16.254 --> 00:37:19.314
You are, you're diminishing everyone by doing it. Yeah.
00:37:19.634 --> 00:37:23.034
Because you have established that with the audience. The audience that understands
00:37:23.302 --> 00:37:24.666
this is where everyone is.
00:37:26.074 --> 00:37:31.237
And I think when mass media does it, maybe I'm being extreme,
00:37:31.429 --> 00:37:34.994
it devalues the understanding of science.
00:37:34.994 --> 00:37:39.114
It doesn't, like, yes, we had someone in the White House who,
00:37:40.514 --> 00:37:43.904
devalued science during COVID but I always think that the guy that stared at
00:37:43.904 --> 00:37:49.824
the solar eclipse I can't think what his name was but yeah he's still if we
00:37:49.824 --> 00:37:53.314
stop saying it maybe he'll go away oh yeah it's like the opposite of saying,
00:37:54.434 --> 00:37:56.674
bloody Mary in the mirror yeah but,
00:37:58.002 --> 00:38:05.881
those sort of mass media movies did or can have a negative effect on people's,
00:38:06.334 --> 00:38:09.394
accepting of what expertise is So this is.
00:38:11.345 --> 00:38:16.799
Hopefully I won't go into a diatribe with this, but the idea of respect for the experts.
00:38:17.878 --> 00:38:24.025
So when we do depict that expert, it can't be just, or can't be,
00:38:24.565 --> 00:38:27.826
it shouldn't be just the individual pieces.
00:38:28.495 --> 00:38:34.989
Because one has to respect that if that expert reads it, that should it,
00:38:35.369 --> 00:38:37.324
you know, let's go back to that martial arts scene.
00:38:38.864 --> 00:38:45.139
And while I said that, I can understand if the moment isn't about,
00:38:45.139 --> 00:38:49.624
or the movie isn't about martial arts, then sure, you can kind of get past it.
00:38:50.701 --> 00:38:57.289
But should you? Yeah. Should you diminish what is a, for some,
00:38:57.289 --> 00:39:02.389
a lifelong pursuit as just a flippant pursuit?
00:39:03.870 --> 00:39:08.253
Outside of comedy, of course. But if you're doing a drama, a thriller,
00:39:09.413 --> 00:39:17.113
which most science fiction is or fantasy is, then the idea of just having this
00:39:17.113 --> 00:39:18.153
sort of stuff thrown away.
00:39:18.153 --> 00:39:25.283
Yeah, if it's a drama or if it's serious or if those aspects of the martial
00:39:25.283 --> 00:39:28.493
art are even central to the story,
00:39:29.193 --> 00:39:37.313
as in the stories about a kendo fighter, you know or the story or whatever's setting if,
00:39:38.253 --> 00:39:46.173
the more that the focus of the lens is on those things the background kind of mistakes.
00:39:47.553 --> 00:39:52.303
Are starkly contrasted i mean that the story is a way so but if your if your
00:39:52.303 --> 00:39:56.813
story is about that thing then absolutely you have to be the thing but Conversely, if it's not.
00:39:57.590 --> 00:40:02.634
That's the question that I'm raising, that if it's a...
00:40:03.781 --> 00:40:04.994
Like, here's an example.
00:40:06.202 --> 00:40:10.468
It's not possible to do what Bane did in Dark Knight Rises.
00:40:10.921 --> 00:40:15.549
It's not possible to sell everyone's fortune, or say a single person's fortune,
00:40:16.076 --> 00:40:19.053
with a thumbprint or a single signature.
00:40:19.053 --> 00:40:23.363
Nor is it possible to get the entire police force underground.
00:40:23.363 --> 00:40:27.153
Yes. There's a, yes. They go, get everyone down there. What? No. Yes.
00:40:27.953 --> 00:40:30.873
It's the lesser of the three, but still. We still have calls to do.
00:40:30.873 --> 00:40:33.763
There's domestic violence. There's robberies. There's, you know,
00:40:33.763 --> 00:40:37.683
we're, no, we're not sending every police officer underground.
00:40:37.683 --> 00:40:40.660
Yeah. Well, they didn't. There was a bunch still up there, but they went into hiding.
00:40:40.875 --> 00:40:44.503
Yeah. We'll do a systematic search that takes six months and everyone's on overtime,
00:40:44.503 --> 00:40:46.615
but we'll do it with a smaller group of people. Sure.
00:40:47.073 --> 00:40:52.591
But the, so the idea of being able to sell someone's, sell someone's fortune
00:40:52.852 --> 00:40:55.453
is something that has been repeated. It was done in the Westworld.
00:40:55.813 --> 00:40:58.454
It was done in Dark Knight. It was done in a few different things.
00:40:59.824 --> 00:41:04.655
And it can't be done. So it is a misunderstanding of financial services.
00:41:05.183 --> 00:41:12.255
And indeed, I saw a great takedown of the Westworld a few, well,
00:41:12.255 --> 00:41:16.643
it was from a few years ago. I saw it again recently, where one of the commentators
00:41:17.067 --> 00:41:19.174
has a degree in economics.
00:41:19.365 --> 00:41:21.755
And he's like, yeah, this didn't get past me at all.
00:41:22.458 --> 00:41:27.235
Because on the screen at one point they show a screen where someone has diversified
00:41:27.235 --> 00:41:33.495
has a diversified portfolio across different stocks and properties and asset classes and where where,
00:41:34.035 --> 00:41:38.724
you need to have a market open a market or even a market created
00:41:39.118 --> 00:41:43.655
to sell something yeah it's not authentic where yeah and it's a major plot point
00:41:43.655 --> 00:41:48.715
of that movie and it's completely inauthentic and but it diminishes the understanding
00:41:48.715 --> 00:41:50.075
this is why when people go,
00:41:51.279 --> 00:41:56.149
one of the points that he made, and I think that it's his, he made this point
00:41:56.149 --> 00:41:58.701
back when the show was on,
which was, I don't know, five years ago,
00:41:59.316 --> 00:42:02.019
that personal value, or sorry,
00:42:02.939 --> 00:42:08.499
the Ford's top 500, you know, that racist from South Africa,
00:42:08.499 --> 00:42:09.746
what's his name? Oh yeah, Musk.
00:42:10.779 --> 00:42:15.459
Yeah, if we stop saying these names, perhaps then. Yeah, just every time you say it,
00:42:16.330 --> 00:42:19.699
the racist, transphobe, just ever just list off their.
00:42:21.520 --> 00:42:26.739
Before mention it, it should be part of their names oh okay their official title,
00:42:27.199 --> 00:42:28.386
in the world exactly, but,
00:42:30.039 --> 00:42:35.199
having a wealth of 1.2, being the first trillionaire that's a trillionaire on paper,
00:42:35.960 --> 00:42:39.539
they do not have that liquid assets because in order to, like there was a great
00:42:39.539 --> 00:42:43.899
example a while ago of he had to sell, I think it was 10% of his Tesla stock
00:42:43.899 --> 00:42:48.358
because of tax reasons, but that sale of 10% dropped the value of,
00:42:49.279 --> 00:42:50.419
the stock that he had.
00:42:50.419 --> 00:42:55.966
So, to use simple math as an example, if he had 100 million,
00:42:56.659 --> 00:43:02.858
he sold 10 million to pay the tax, and his resulting value of the stock after that was,
00:43:03.564 --> 00:43:08.660
81 million. Where did the other 9 million go? The value of it dropped because of...
00:43:09.240 --> 00:43:13.200
See, ladies and gentlemen, there is an intelligent person simplifying down a
00:43:13.200 --> 00:43:16.866
situation. Don't agree with him. For me.
00:43:18.062 --> 00:43:20.920
So talking economics and maths, I'm like, okay, I'm going to...
00:43:21.280 --> 00:43:23.397
You need to dumb this down a little bit for me.
00:43:23.840 --> 00:43:26.410
Thank you very much for doing so. And I think you've demonstrated one of our
00:43:26.410 --> 00:43:29.240
previous points. Yes, I do. Unfortunately.
00:43:31.320 --> 00:43:35.850
So someone's saying they're worth X. they're not someone who says oh I'm a millionaire
00:43:35.850 --> 00:43:40.300
really or like one of the Jenner girls I'm a self-made I'm a self-made millionaire
00:43:40.300 --> 00:43:45.740
it's like no you had the Kardashian name behind it you were on Keeping With Kardashian you had,
00:43:46.400 --> 00:43:52.850
some of the most social media active people pushing your brand and it was actually
00:43:52.850 --> 00:43:56.137
Webster's Dictionary that actually snapped back and going no no you're not,
00:43:56.962 --> 00:44:01.650
which was a wonderful moment of these of these stupid actually that brings us
00:44:01.650 --> 00:44:04.100
to another point in relation to, say, scientists,
00:44:04.960 --> 00:44:10.791
in TV shows, movies and in literature is that quite often like,
00:44:11.540 --> 00:44:15.371
real science is very rarely depicted I think.
00:44:15.864 --> 00:44:22.149
It depends on the thing as in hard to say hard to say if I would rely on it let me qualify, so.
00:44:23.124 --> 00:44:30.223
Quite often in, like, say, I know we might be talking about Frankenstein later,
00:44:30.223 --> 00:44:37.640
but in another episode, but, like, science is usually a collaborative effort.
00:44:38.215 --> 00:44:44.953
Sure. that's nice and slow and methodical and working true whereas in movies,
00:44:44.953 --> 00:44:50.033
TV shows and literature the science is explosive and eureka and this discovery
00:44:50.033 --> 00:44:53.128
just happened and I did it all on my own because I'm a genius,
00:44:53.691 --> 00:44:58.333
rather than I'm working in a collective group and it took us five years to get
00:44:58.333 --> 00:44:59.740
this far which isn't very far.
00:45:00.611 --> 00:45:05.373
It's just fiction versus reality. I would have to disagree in that.
00:45:05.913 --> 00:45:08.494
Yes, it can be done. When you're talking about it I think, okay,
00:45:08.836 --> 00:45:13.893
the hacker expert who does a solo, who, who's dancing around the keyboard rather
00:45:13.893 --> 00:45:18.333
than going, looking for that code to look at that comma to remove from his code.
00:45:18.333 --> 00:45:19.457
Or Tony Stark, for example.
00:45:19.671 --> 00:45:24.863
Oh, sure. But even the, I would say more like the Ironhide crap rather than
00:45:24.863 --> 00:45:28.953
Tony Stark, because he, you actually see the montage of him creating the first
00:45:28.953 --> 00:45:32.063
one or every other, every other step after that.
00:45:32.063 --> 00:45:37.369
Indeed, his practices throughout have been pretty well in their definitions.
00:45:38.275 --> 00:45:42.534
In the cave, you get a full montage of, admittedly, it's a montage,
00:45:42.534 --> 00:45:45.670
but still, he goes through the full process of building the suit.
00:45:46.240 --> 00:45:49.944
When he gets back home, he has a 3D model of the suit, and he starts throwing
00:45:49.944 --> 00:45:51.963
bits away and then rebuilds it from scratch.
00:45:52.154 --> 00:45:59.542
This is part of the design process. So it is, I think, that is a good example of an expert at work.
00:45:59.774 --> 00:46:02.704
You don't need, that's why I kind of pushed back, you don't need the group,
00:46:03.004 --> 00:46:06.827
but you can benefit from the group. if it is depending on the topic.
00:46:07.306 --> 00:46:12.824
We just mentioned Hail Mary, where, admittedly, at one point, he's like, am I on this?
00:46:12.824 --> 00:46:15.804
No, we have people around the world doing the same thing, but you're the one
00:46:15.804 --> 00:46:19.694
who's figuring it out. Yeah, you're up front. Yeah, you're the trailblazer.
00:46:19.694 --> 00:46:24.301
We're not leaving the entire fate of the human race to you. Yeah.
00:46:24.940 --> 00:46:27.441
Other people are working on it. Other people are working on it.
00:46:27.743 --> 00:46:30.611
You're the first person who made them breed. So this is great.
00:46:30.763 --> 00:46:32.394
Let us know. Please let us know how you did it.
00:46:32.899 --> 00:46:38.024
So it's, and it is. That's why that was quite realistic. But that's opposite of what you said.
00:46:39.186 --> 00:46:42.904
Well, no, because they had everyone around the world doing slow, methodical work.
00:46:43.344 --> 00:46:46.584
And then there is a breakthrough. But we didn't see that. We saw the one guy
00:46:46.584 --> 00:46:49.291
on his own with his bodyguard working out.
00:46:49.465 --> 00:46:51.968
So the exact opposite of your depiction.
00:46:52.346 --> 00:46:58.039
That you can bring people together. Like a favorite movie of mine is The Core.
00:46:58.347 --> 00:47:00.256
It's a terrible, I'm sorry, it's a B movie.
00:47:01.106 --> 00:47:05.083
It is a wonderful, crappy science fiction movie, which I adore.
00:47:05.883 --> 00:47:09.053
Everyone who wants to list all the problems with it, from the writing to the
00:47:09.053 --> 00:47:11.321
acting, I will absolutely say, yes, you are absolutely right.
00:47:11.860 --> 00:47:14.763
I still fucking love it. I actually went back and watched it again,
00:47:14.763 --> 00:47:16.247
just one of them last weekend, weekend, four.
00:47:17.043 --> 00:47:22.418
I still have a fondness for it. Don't know why, it's just in my soul somewhere.
00:47:22.952 --> 00:47:27.123
Yeah. And that was a group of people coming together. But it still had the head
00:47:27.123 --> 00:47:29.683
point. It had, Brazl invented the ship.
00:47:30.363 --> 00:47:34.933
They have all these different people who are the head points of where they can't
00:47:34.933 --> 00:47:38.357
they the experts all the other experts come in and they turn,
00:47:39.009 --> 00:47:45.063
his idea for a a a ship to travel through the earth into reality yeah and that
00:47:45.063 --> 00:47:48.893
requires money that requires resources requires other talent to come along and
00:47:48.893 --> 00:47:50.263
work together and indeed one
00:47:50.263 --> 00:47:53.370
of the lines is like yes there's a there's a thousand problems ahead of us
00:47:53.765 --> 00:47:59.503
we can work together and it is a it is a montage collaborative but it's focused those characters,
00:48:00.243 --> 00:48:03.303
as the head points, which is great.
00:48:05.923 --> 00:48:10.529
So I would push back on the idea that science is required to be a collaborative effort.
00:48:11.699 --> 00:48:17.951
But I will say that the body of science, the respect of that... Real world science.
00:48:18.119 --> 00:48:24.376
Yes, for the vast majority, but in, say, the core and in science fiction,
00:48:24.643 --> 00:48:30.356
you do stretch out into the area of kind of real world science is also well,
00:48:31.503 --> 00:48:37.923
it mightn't be the ideal fit for your science fiction extravaganza,
00:48:38.643 --> 00:48:42.863
where it becomes more science fiction rather than science fiction yeah yeah
00:48:42.863 --> 00:48:45.833
exactly and that is and the thing is you don't and that's the point where you
00:48:45.833 --> 00:48:47.597
don't where you go beyond explanations,
00:48:48.452 --> 00:48:52.577
And that's where, you know, you end up in, where you can do,
00:48:52.577 --> 00:48:55.537
as long as you're expressing it as a fiction, sure. But then,
00:48:55.537 --> 00:48:59.437
like, you kind of get into the area of pseudoscience.
00:49:00.597 --> 00:49:07.677
If you're depicting your bakery as reality, then that's a different problem altogether.
00:49:08.357 --> 00:49:12.457
Well, I suppose, like, I know we were talking about, like, time travel in a,
00:49:13.397 --> 00:49:18.127
previous hour. So surely there is science to a point in the real world.
00:49:18.127 --> 00:49:21.319
And then like your fiction will take the leap.
00:49:21.992 --> 00:49:26.147
Oh, sure. Yeah. To, to, to make impossible things possible. And that's all part
00:49:26.147 --> 00:49:28.442
of the entertainment. It's all part of the story.
00:49:28.715 --> 00:49:32.639
And indeed there, uh, no, no physicist is going to sit there and go,
00:49:33.296 --> 00:49:37.893
no, I don't know. If time travel is impossible, I'm not reading this book. No, no, they might.
00:49:38.737 --> 00:49:45.197
No, no, no, no. someone who has spent their career working on,
00:49:45.897 --> 00:49:50.680
say, neutrino research or simply on causality,
00:49:51.533 --> 00:49:54.147
they may have spent all their lives working on it thinking, yes,
00:49:54.147 --> 00:49:55.897
it is impossible to travel back in time.
00:49:55.897 --> 00:49:59.097
Future, further in time, sure. But what's been said is set.
00:50:00.037 --> 00:50:02.074
You could have someone who is an.
00:50:04.397 --> 00:50:06.397
Expert in the philosophy of science and go, no, can't happen.
00:50:08.477 --> 00:50:10.937
And they could choose their reading material based on that. Yeah,
00:50:11.277 --> 00:50:15.977
true. So there's no reason for someone to go, my expertise means I'm never going
00:50:15.977 --> 00:50:18.657
to pick up this book. And they're missing out on watching Back to the Future
00:50:18.657 --> 00:50:20.917
if that's the case. And that's sad for them.
00:50:22.197 --> 00:50:25.157
It is sad for them, but then they get to miss out on every other really fucking
00:50:25.157 --> 00:50:27.557
bad time travel movie out there. Which is good for them.
00:50:29.217 --> 00:50:30.777
So jumping into.
00:50:33.857 --> 00:50:39.097
The supernatural and the fiction part of the science and the magic that you
00:50:39.097 --> 00:50:40.585
mentioned before. Yeah. The...
00:50:41.972 --> 00:50:45.739
So to return to our original point about expressing the expertise,
00:50:46.790 --> 00:50:54.801
it is the point where it is, because it's so easy, it is the, how can I say this?
00:50:55.707 --> 00:50:57.297
When you are building your world,
00:50:57.297 --> 00:51:01.959
when you're building your magic into place, you are your own expert.
00:51:02.731 --> 00:51:08.617
Yes. so that but that means that you can apply that knowledge base to whomever
00:51:08.617 -->
00:51:13.037
you want in your fantasy or in your science fiction yeah that makes them an
00:51:13.037 --> 00:51:17.423
expert so but you can write an expert doesn't necessarily have to look.
00:51:18.932 --> 00:51:23.137
Like i was gonna say uh sorry i was an expert doesn't necessarily have to be
00:51:23.137 --> 00:51:28.324
intelligent that's not true but and like intelligence doesn't necessarily have to be expertise.
00:51:29.094 --> 00:51:32.757
No, but, so, okay, well, so, well, get back to that one second,
00:51:32.757 --> 00:51:37.207
but the, the magic aspects of it. Yeah.
00:51:37.822 --> 00:51:44.022
If we want to depict expert intelligence, then you are setting yourself up for an easy way to do so.
00:51:44.283 --> 00:51:46.498
Sure. Because you are the one who is- It'll cheat.
00:51:47.084 --> 00:51:50.507
It is, but it also means that you have to be more, it's just another reason
00:51:50.507 --> 00:51:54.857
where you have to be more, I would almost say rigid, or, you know,
00:51:54.857 --> 00:51:58.095
it's your world building. Yeah. So you're making decisions about your world.
00:51:58.478 --> 00:52:02.017
So I'm not depicting, you have to be rigid on a certain thing.
00:52:02.017 --> 00:52:04.707
Yeah. But when you do a certain thing, you have to be rigid on it. Yes.
00:52:05.067 --> 00:52:09.247
Consistency. Yes, exactly. When you decide X, Y, and Z, you can't suddenly decide
00:52:09.247 --> 00:52:11.916
it's now X. That's A, Y, C. Yeah.
00:52:12.926 --> 00:52:15.904
That you're just jumping around the letters. Yeah.
00:52:16.887 --> 00:52:25.097
So that is the easiest way to express. So to return to your point about intelligence and expertise.
00:52:25.097 --> 00:52:33.427
Yeah. How else, so, how else do you depict intelligence outside of an expertise on the thing?
00:52:33.602 --> 00:52:37.402
Yeah, so, someone mightn't be necessarily, like, like.
00:52:39.726 --> 00:52:44.281
Knowledgeable about like quantum mechanics or physics or something like that but they might,
00:52:44.774 --> 00:52:48.436
have a degree either of emotional intelligence that they're able to read patterns
00:52:48.436 --> 00:52:53.496
that they can they can they they have certain instincts that set them aside
00:52:53.496 --> 00:52:57.069
from some some other characters it mightn't be in it like what we call a traditional,
00:52:57.545 --> 00:53:03.046
you know genius level hyper intelligence in in terms of like book learning sure
00:53:03.046 --> 00:53:05.786
uh but they they could have that uh,
00:53:07.166 --> 00:53:11.226
something and that sets them aside in relation to how they interact with people
00:53:11.226 --> 00:53:16.943
or just, like I said, emotional intelligence is a good example there because.
00:53:18.466 --> 00:53:19.486
How they interact with the other
00:53:19.486 --> 00:53:25.894
characters can seem like they might be extremely empathetic or wisdom.
00:53:26.498 --> 00:53:29.255
As we learned from Dungeons and Dragons, wisdom is not intelligence.
00:53:29.685 --> 00:53:35.501
So you might... I would say wisdom is the aura around intelligence rather than...
00:53:35.705 --> 00:53:40.802
Because I recently did a debate where we're talking about the difference between knowledge and wisdom.
00:53:41.726 --> 00:53:50.226
And it helped ratify my own idea that wisdom is the shadow around knowledge.
00:53:50.226 --> 00:53:52.162
It's kind of an assessment of the knowledge that you have.
00:53:52.506 --> 00:53:57.027
No, no. I would say that wisdom can become knowledge. But it is a...
00:53:58.227 --> 00:54:05.586
Whether it is the innate or it's the suggestion of knowledge to come.
00:54:05.586 --> 00:54:10.820
You mentioned the idea of being right in the moment you didn't have the knowledge,
00:54:11.360 --> 00:54:14.576
of being right, so like I say the first caveman to light a fire,
00:54:15.636 --> 00:54:22.766
They didn't have the knowledge of that, but they had a vagary understanding.
00:54:22.766 --> 00:54:28.626
So I'd say they were wise about the world enough to make a supposition.
00:54:29.348 --> 00:54:32.686
They create fire. Wait, hey! And they then refine that process.
00:54:32.686 --> 00:54:33.857
That process is now creating fire.
00:54:34.519 --> 00:54:38.186
That's knowledge. Knowledge already existed. That process always...
00:54:40.010 --> 00:54:43.017
X plus Y equals... That process always existed.
00:54:43.557 --> 00:54:48.906
But so they just got there through a process and that process was was wisdom
00:54:48.906 --> 00:54:55.506
because wisdom in my mind and this may be an entirely different topic is a is separate from is holy,
00:54:55.966 --> 00:55:01.066
it's not separate from knowledge but it is a there is a kind of it's tied to it definitely yes,
00:55:01.846 --> 00:55:07.636
like it is tied to it is it is from knowledge you're making suppositions and
00:55:07.636 --> 00:55:13.546
that so suppositions are considered i would say our wisdom but so yeah so even
00:55:13.546 --> 00:55:16.156
if you look at it that way that the intelligence is the,
00:55:16.748 --> 00:55:21.306
acquisition of knowledge and the retention of the knowledge and the understanding
00:55:21.306 --> 00:55:29.246
of the facts of a thing as in just you know what what a machine does how it does it,
00:55:29.966 --> 00:55:35.086
the the science that's applied to it that is the intelligence that you you can,
00:55:35.861 --> 00:55:42.286
gain and access anytime you want in order to explain things but the wisdom perhaps
00:55:42.286 --> 00:55:49.266
is being able to see the purpose of the machine being able to see what uses it could go to,
00:55:50.826 --> 00:55:56.246
being able to yeah but maybe a machine is is is the wrong thing it's the difference
00:55:56.246 --> 00:56:03.052
between you know knowing which path to take and knowing why that path might be better.
00:56:04.673 --> 00:56:09.653
No, I'm saying that wrong. Okay, but scrap all this. I'm just talking nonsense.
00:56:09.653 --> 00:56:12.573
Because in your phrase, you said knowing which path is better.
00:56:13.255 --> 00:56:16.291
Yeah, that's the knowledge. Knowing being knowledge. Yeah, yeah, yeah. So it is.
00:56:17.993 --> 00:56:23.123
To use your analogy before we kind of jump off, or go back to what you were
00:56:23.123 --> 00:56:24.895
mentioning earlier, I would say that,
00:56:25.873 --> 00:56:33.783
the knowledge is about, say, farce paths, and wisdom is which of all the knowledge
00:56:33.783 --> 00:56:36.512
we're applying to a new subject. It's judgment, then, is it?
00:56:36.976 --> 00:56:39.953
Judgment, essentially, yes. So you don't know that this is the best path,
00:56:39.953 --> 00:56:43.490
but based on all the knowledge you have beforehand, you're making the,
00:56:44.163 --> 00:56:49.203
well, not just an educated guess, but that is a wise statement because you're
00:56:49.203 --> 00:56:51.437
basing it on knowledge that has gone before.
00:56:52.486 --> 00:56:55.662
So it is and that may be wrong as a wise statement,
00:56:56.593 --> 00:56:59.313
as you mentioned before the idea of you could make a statement and think you're
00:56:59.313 --> 00:57:03.673
correct but ultimately be wrong or you could be wrong based on different things
00:57:03.673 --> 00:57:08.131
different criteria that could change but to go back to your idea of how to depict,
00:57:08.782 --> 00:57:13.772
people who are intelligent that are not experts there are seven different forms of intelligence,
00:57:14.436 --> 00:57:19.150
almost all of them involve some form of knowledge base though the only one that doesn't,
00:57:19.825 --> 00:57:26.849
is emotional intelligence so of the six other types so and indeed one and indeed in,
00:57:27.530 --> 00:57:29.093
I would say that from a writing point of view,
00:57:30.331 --> 00:57:38.013
your expression of someone going having an intuit reaction to someone or being.
00:57:39.573 --> 00:57:47.213
Empathetic you need to express that in almost science or not science but in
00:57:47.213 --> 00:57:50.693
a knowledge based way because if you just have someone going,
00:57:51.913 --> 00:57:55.750
they know me really how and then they become supernatural,
00:57:57.033 --> 00:58:00.303
and especially if you're if you're not wanting to make them supernatural how
00:58:00.303 --> 00:58:05.873
do you do so you do so by using by using psychology using you know by other
00:58:05.873 --> 00:58:11.413
knowledge sets that suddenly become your depiction by which they are expressed yeah that,
00:58:12.273 --> 00:58:16.970
if for example like a character like thorn he does have a particular kind of
00:58:17.260 --> 00:58:23.333
instinctual kind of awareness of situations at times like when he's hunting
00:58:23.333 --> 00:58:25.750
or when he's he's relying on his,
00:58:26.733 --> 00:58:33.778
like his experience and his judgment rather than what he knows is like ahead of him or he's able to.
00:58:35.153 --> 00:58:41.313
He's able
to rely on not only his his knowledge that he's gained in experience
00:58:41.510 --> 00:58:45.823
but also his wisdom of when things have gone terribly wrong in the past but
00:58:45.823 --> 00:58:47.576
that's knowledge as well. That's what I'm saying, that,
00:58:48.639 --> 00:58:53.758
Thornton, he's what, 50 years old? Yeah, close. Sorry? Or older. Oh, yeah.
00:58:54.463 --> 00:58:57.476
I thought, okay. But he's lived a long time. He's gone through several wars.
00:58:57.685 --> 00:59:02.393
He was a slave for a time. All these, he has different careers. Yeah.
00:59:02.753 --> 00:59:03.988
These are all knowledges. These
00:59:03.988 --> 00:59:06.637
are all knowledge sets, skill sets that he has adopted over the while.
00:59:06.881 --> 00:59:12.955
So when hunting, that is an application of a skill. Thus, it is knowledge.
00:59:14.263 --> 00:59:18.019
And where the wisdom comes in is he is in a different situation.
00:59:18.941 --> 00:59:24.691
Like say when when x attacks yeah they he goes okay i understand what i need to do,
00:59:25.355 --> 00:59:31.752
when i am involved in a fight whether that is in a forest or in a castle a castle
00:59:32.019 --> 00:59:35.788
i understand there is different things yeah i can rely on different aspects
00:59:35.788 --> 00:59:39.287
the ground will be slippy in this there won't be slippy there or,
00:59:39.985 --> 00:59:45.308
you know the the and indeed the idea of say the ground is slipping in a forest
00:59:45.308 --> 00:59:47.998
but halfway through a fight in the castle the,
00:59:48.718 --> 00:59:53.118
stone um floor is now slipped with blood so the knowledge of the far of the
00:59:53.118 --> 00:59:56.678
forest fight is it forward become it comes in so it's not just a,
00:59:57.498 --> 01:00:02.848
it is the wisdom is in maybe connecting things but that's the that's again that
01:00:02.848 --> 01:00:04.468
the penumbra around these two aspects,
01:00:05.496 --> 01:00:11.958
i would say that the the empathy is a different set completely as a different type of character,
01:00:13.044 --> 01:00:19.938
that they tend to be depicted differently than someone who is being depicted as a as intelligent as,
01:00:21.338 --> 01:00:25.436
while it is a form of intelligence I don't think that the empathy character
01:00:25.791 --> 01:00:29.285
is depicted as as intelligence as their primary stat.
01:00:31.277 --> 01:00:35.800
Yes, indeed. I mean, I have to go off and learn a lot more and hope to retain
01:00:35.800 --> 01:00:38.990
that intelligence, knowledge, wisdom, all that stuff to write better.
01:00:39.454 --> 01:00:43.890
And I hope, I hope this has helped individuals that want to write intelligent
01:00:43.890 --> 01:00:46.164
characters and kind of go at it themselves.
01:00:46.980 --> 01:00:49.583
But for now, we are going to call a halt.
01:00:50.460 --> 01:00:54.349
We are going to put down the, put down the, the.
01:00:55.179 --> 01:00:58.260
And just bring this to an end. Just bring it to an end. Stop rabbiting on.
01:00:58.260 --> 01:01:01.535
Come on, bring it to an end. As I said, my brain is gone.
01:01:03.860 --> 01:01:09.378
This has been Fictional Problems with Gary J. Martin and A.R. McNabbin.