UDSKRIFT 🔗
WEBVTT
1
00:00:01.149 --> 00:00:10.390
Produced by the iLab at WBUR, Boston. What's something you
2
00:00:10.609 --> 00:00:14.369
dream of doing? Maybe you dream about places you'd like
3
00:00:14.410 --> 00:00:16.800
to visit. Or what sort of job you might have
4
00:00:16.839 --> 00:00:19.699
when you grow up. In today's story, we'll meet a
5
00:00:19.760 --> 00:00:24.500
young man who dreams about making music. Music that makes
6
00:00:24.559 --> 00:00:26.899
the whole world dance.
7
00:00:27.960 --> 00:00:28.760
Woo-hoo!
8
00:00:34.450 --> 00:00:37.710
I'm Rebecca Shear and welcome to Circle Round, where story
9
00:00:37.770 --> 00:00:41.170
time happens all the time. Today our story is called
10
00:00:41.390 --> 00:00:45.299
The Dancing Goats. Versions of this tale originally come from
11
00:00:45.350 --> 00:00:52.719
Spain in southern Europe. Some really great people came together
12
00:00:52.759 --> 00:00:57.000
to bring you our folktale, including Raul Esparza. Grown-ups, you
13
00:00:57.049 --> 00:00:59.890
might recognize Raul from his many starring roles on and
14
00:00:59.929 --> 00:01:03.170
off Broadway, as well as the TV shows BoJack Horseman
15
00:01:03.409 --> 00:01:06.250
and Law & Order SVU. And if you're a kid,
16
00:01:06.709 --> 00:01:10.659
you may know Raul's voice from the movie Ferdinand. So
17
00:01:10.719 --> 00:01:24.189
circle around, everyone, for The Dancing Goats. Once upon a time...
18
00:01:24.409 --> 00:01:28.549
in a very green, very mountainous part of Spain called Galicia,
19
00:01:29.170 --> 00:01:33.620
there was a farm. It was a small farm down
20
00:01:33.640 --> 00:01:37.159
in the valley, and it produced just enough potatoes, apples,
21
00:01:37.260 --> 00:01:40.540
and pears to support the family who lived there, a mother,
22
00:01:40.560 --> 00:01:45.540
a father, and their three sons. The two older brothers,
23
00:01:45.840 --> 00:01:51.769
Santiago and Gonzalo, were extremely competitive. Day in and day out,
24
00:01:52.159 --> 00:01:55.620
Santiago and Gonzalo raced through their farm work. Each one
25
00:01:55.659 --> 00:01:58.879
was determined to plant even more potatoes and pick even
26
00:01:58.939 --> 00:02:02.359
more apples and pears than the other. But the third
27
00:02:02.480 --> 00:02:06.030
and youngest brother, Hugo, he had no desire to compete
28
00:02:06.189 --> 00:02:09.449
on the farm. He longed to do something else.
29
00:02:09.830 --> 00:02:10.830
Play music.
30
00:02:12.210 --> 00:02:16.090
If only I could become a real musician and play
31
00:02:16.159 --> 00:02:19.199
music that makes the whole world get up and dance.
32
00:02:19.800 --> 00:02:22.199
As for what kind of music, Well, one of the
33
00:02:22.240 --> 00:02:26.580
most popular instruments in Galicia was the gaita. The gaita
34
00:02:26.599 --> 00:02:29.680
was essentially a set of bagpipes, with the bag made
35
00:02:29.740 --> 00:02:32.490
from animal hide. In this case, a goat.
36
00:02:33.090 --> 00:02:35.669
Oh, how wonderful it would be to have a gaita
37
00:02:35.729 --> 00:02:38.830
of my own. To climb up into the great green
38
00:02:38.930 --> 00:02:42.129
mountains and let my gaita sing out across the hills
39
00:02:42.469 --> 00:02:43.050
and valleys.
40
00:02:43.530 --> 00:02:46.449
But Hugo knew what was expected of him on the farm.
41
00:02:46.930 --> 00:02:49.930
He also knew his parents were having trouble making ends meet.
42
00:02:50.469 --> 00:02:53.870
So he did his best to lend a hand. The
43
00:02:53.889 --> 00:02:57.650
trouble is, his two older brothers were so fast, there
44
00:02:57.669 --> 00:03:00.789
wasn't much left for Hugo to do. So he spent
45
00:03:00.849 --> 00:03:06.710
most days sitting in the fields, dreaming about music. Eventually,
46
00:03:06.849 --> 00:03:08.590
his parents began to worry.
47
00:03:09.250 --> 00:03:12.930
Oh, darling, it's obvious Hugo has no interest in being
48
00:03:12.990 --> 00:03:16.180
a farmer. Clearly his heart is in his music.
49
00:03:16.659 --> 00:03:20.009
Yes. But how in the world can he support himself
50
00:03:20.110 --> 00:03:23.689
as a musician? He needs to learn a trade that
51
00:03:23.719 --> 00:03:25.750
will put food on the table.
52
00:03:26.259 --> 00:03:29.500
Well, you know my brother has that herd of goats
53
00:03:29.580 --> 00:03:32.860
up in the mountains. He's getting older, and I asked
54
00:03:32.879 --> 00:03:35.400
him if he'd like some help. What if he hires
55
00:03:35.460 --> 00:03:36.840
Hugo as his goat herd?
56
00:03:37.419 --> 00:03:42.319
Marvelous idea, my dear. We'll send the boy off first
57
00:03:42.479 --> 00:03:43.340
thing tomorrow.
58
00:03:43.360 --> 00:03:45.900
The next morning.
59
00:03:46.250 --> 00:03:49.969
Hugo was surprised when his parents shared the news. After all,
60
00:03:50.210 --> 00:03:53.330
what did he know about goats? But after just a
61
00:03:53.409 --> 00:03:57.599
few days working for his uncle, Hugo discovered he enjoyed it.
62
00:03:59.289 --> 00:04:03.289
Here, Blanco. Here, Coco. Pepe, don't think I don't see
63
00:04:03.310 --> 00:04:07.569
you hiding behind that rock. Oh, what a fantastic life.
64
00:04:08.389 --> 00:04:10.409
I get plenty of fresh air, and the goats are
65
00:04:10.430 --> 00:04:13.430
sweet as can be. There's just one thing missing.
66
00:04:14.330 --> 00:04:16.709
And can you guess what that one thing was?
67
00:04:17.389 --> 00:04:17.930
That's right.
68
00:04:18.569 --> 00:04:19.029
Music.
69
00:04:19.509 --> 00:04:21.689
I've been dreaming about playing the gaita up in the
70
00:04:21.740 --> 00:04:23.120
great green mountains forever.
71
00:04:24.240 --> 00:04:26.800
Now I have the mountains, but no gaita.
72
00:04:27.360 --> 00:04:30.980
Then, one day, Hugo met an old woman.
73
00:04:31.319 --> 00:04:31.860
Good afternoon.
74
00:04:32.579 --> 00:04:34.160
What brings you up here to the mountains?
75
00:04:34.500 --> 00:04:35.620
The woman sighed.
76
00:04:35.800 --> 00:04:40.410
Why, thank
Load full transcript
you for asking, young man. I'm afraid I've
77
00:04:40.449 --> 00:04:44.379
lost my way. I've been wandering around for hours now,
78
00:04:45.480 --> 00:04:49.389
and I'm very hungry. Might you have anything for an
79
00:04:49.509 --> 00:04:50.449
old woman to eat?
80
00:04:50.790 --> 00:04:52.769
Hugo rummaged around in his satchel.
81
00:04:53.230 --> 00:04:53.949
Of course I do.
82
00:04:54.389 --> 00:04:55.829
Here, take my bread.
83
00:04:55.850 --> 00:04:57.050
Oh, and cheese.
84
00:04:57.529 --> 00:04:59.410
I tend to pack a lot of snacks during these
85
00:04:59.470 --> 00:05:00.569
long days with the goats.
86
00:05:00.990 --> 00:05:05.100
Thank you, young man. What's your name? Hugo.
87
00:05:05.680 --> 00:05:06.300
Hugo.
88
00:05:07.220 --> 00:05:10.879
Thank you for sharing your food with me. Tell me,
89
00:05:12.089 --> 00:05:15.990
Don't you get lonely up here? Aren't you afraid being
90
00:05:16.050 --> 00:05:18.089
by yourself so much of the time?
91
00:05:18.110 --> 00:05:19.550
Hugo smiled.
92
00:05:19.980 --> 00:05:22.639
Actually, madam, I love the mountains.
93
00:05:22.779 --> 00:05:24.060
I love the goats, too.
94
00:05:25.199 --> 00:05:26.639
I'm not lonely or afraid.
95
00:05:28.300 --> 00:05:34.050
You really do seem happy. But is there nothing you want?
96
00:05:35.029 --> 00:05:37.050
Not even one little thing?
97
00:05:37.589 --> 00:05:39.529
Well, I mean, since you asked.
98
00:05:40.019 --> 00:05:41.939
For as long as I can remember, I've wanted to
99
00:05:42.079 --> 00:05:46.579
own a gaita. I've always dreamt of letting its music
100
00:05:46.860 --> 00:05:51.560
sing out across the hills and valleys, of playing music
101
00:05:51.819 --> 00:05:54.459
that makes the whole world get up and dance.
102
00:05:54.920 --> 00:05:59.259
Well, if it's a gaita you want, it's a gaita
103
00:05:59.319 --> 00:05:59.899
you'll get.
104
00:06:00.459 --> 00:06:03.459
And with that, the old woman reached inside her cloak
105
00:06:03.879 --> 00:06:08.220
and brought out, yes, a gaita. The bag was old
106
00:06:08.279 --> 00:06:11.689
and weathered. But when Hugo began to play, it produced
107
00:06:11.810 --> 00:06:15.550
a deep, rich sound. So deep and rich, in fact,
108
00:06:16.069 --> 00:06:23.899
that something extraordinary happened. What do you think happened when
109
00:06:23.959 --> 00:06:27.480
Hugo started playing the gaita? We'll find out after a
110
00:06:27.519 --> 00:06:41.220
quick break. Gaita Welcome back to Circle Round. I'm Rebecca Shear.
111
00:06:41.660 --> 00:06:53.829
Today our story is called The Dancing Goats. When we
112
00:06:53.870 --> 00:06:57.149
left off, a young man named Hugo had just received
113
00:06:57.250 --> 00:07:00.689
something he'd been wanting for a long time, a gaita,
114
00:07:00.990 --> 00:07:04.670
or Spanish bagpipes. His parents had sent him up to
115
00:07:04.689 --> 00:07:07.949
the mountains to herd goats for his uncle. One day,
116
00:07:08.110 --> 00:07:13.810
a mysterious
old woman appeared and gave Hugo, yes, a gaita. Immediately,
117
00:07:13.829 --> 00:07:18.240
he began to play. And when he did, all of
118
00:07:18.360 --> 00:07:25.579
Hugo's goats began to dance and dance and dance. And
119
00:07:25.620 --> 00:07:29.230
when Hugo stopped playing his music, the goats stopped dancing
120
00:07:29.610 --> 00:07:32.810
and immediately began gobbling up the grass, hungry from all
121
00:07:32.829 --> 00:07:35.970
the jumping and jiving. Hugo was about to thank the
122
00:07:36.029 --> 00:07:38.569
old woman for her gift. But when he looked around.
123
00:07:38.850 --> 00:07:39.610
Thank you so mu.
124
00:07:41.029 --> 00:07:41.889
She was gone.
125
00:07:41.910 --> 00:07:42.550
Huh.
126
00:07:44.470 --> 00:07:48.139
Months went by, and eventually the goat's owner, Hugo's uncle,
127
00:07:48.500 --> 00:07:50.860
decided to pay his herd a visit and see how
128
00:07:50.939 --> 00:07:53.800
Hugo was doing. When he climbed up to the mountain,
129
00:07:54.220 --> 00:07:57.339
he found his nephew lounging beneath a tree, with the
130
00:07:57.379 --> 00:07:59.740
goats splayed out on the grass around him.
131
00:08:00.100 --> 00:08:01.079
Hugo?
132
00:08:01.100 --> 00:08:05.230
What's going on here? It is at nighttime. Why aren't
133
00:08:05.269 --> 00:08:06.389
the goats grazing?
134
00:08:06.769 --> 00:08:07.410
Oh, hello, uncle.
135
00:08:08.040 --> 00:08:10.300
The goats aren't grazing because they're resting.
136
00:08:10.879 --> 00:08:11.579
Resting?
137
00:08:11.600 --> 00:08:13.379
I don't understand.
138
00:08:13.740 --> 00:08:16.800
Ever the honest soul, Hugo told his uncle about the
139
00:08:16.879 --> 00:08:20.800
magic gaita he'd received and how it made the goats dance.
140
00:08:21.399 --> 00:08:24.500
I must see this wondrous sight for myself.
141
00:08:25.250 --> 00:08:26.050
Go ahead, Hugo.
142
00:08:26.610 --> 00:08:27.009
Play.
143
00:08:27.689 --> 00:08:29.029
Are you sure?
144
00:08:29.709 --> 00:08:30.009
Yes.
145
00:08:31.009 --> 00:08:31.470
Play.
146
00:08:32.269 --> 00:08:37.629
So Hugo played, and immediately the goats began to dance.
147
00:08:38.409 --> 00:08:40.350
But they weren't the only ones.
148
00:08:40.990 --> 00:08:41.750
Hugo!
149
00:08:43.509 --> 00:08:44.490
What's happening?
150
00:08:44.789 --> 00:08:48.070
No matter how hard Hugo's uncle tried to stop dancing,
151
00:08:48.409 --> 00:08:52.169
he simply could not. Until the music stopped.
152
00:08:54.990 --> 00:08:55.769
Listen, Hugo.
153
00:08:56.529 --> 00:09:00.639
I don't know what kind of abracadabra hocus pocus you're
154
00:09:00.679 --> 00:09:04.379
trying to pull, but I won't have it. You must
155
00:09:04.480 --> 00:09:08.139
go back to your parents' farm and never come back here.
156
00:09:08.659 --> 00:09:12.070
Hugo was disappointed, but he didn't want to argue with
157
00:09:12.110 --> 00:09:12.470
his uncle.
158
00:09:13.000 --> 00:09:13.659
Okay, uncle.
159
00:09:14.610 --> 00:09:17.330
So Hugo packed up his gaita and went back to
160
00:09:17.370 --> 00:09:20.190
his family. When he told the story of what happened,
161
00:09:20.549 --> 00:09:24.970
his brothers, Santiago and Gonzalo, began begging him to play.
162
00:09:25.389 --> 00:09:27.649
Please, little brother.
163
00:09:28.029 --> 00:09:30.070
Maybe the ants will start dancing.
164
00:09:30.210 --> 00:09:32.889
Maybe the caterpillars will join in, too.
165
00:09:33.409 --> 00:09:34.879
Come on, Hugo.
166
00:09:35.000 --> 00:09:37.580
We want to see your magic bagpipes at work.
167
00:09:38.000 --> 00:09:42.259
But Hugo refused. He felt he'd already caused enough trouble.
168
00:09:42.830 --> 00:09:45.549
He continued carrying his gaito with him everywhere he went,
169
00:09:45.990 --> 00:09:50.090
but he simply would not play. One day, the boy's
170
00:09:50.169 --> 00:09:53.710
father asked Santiago, the oldest brother, to sell a sack
171
00:09:53.730 --> 00:09:57.830
of apples at the market. Halfway there, Santiago came upon
172
00:09:57.970 --> 00:10:01.080
an old woman. He didn't know it, but it was
173
00:10:01.139 --> 00:10:04.220
the same woman who'd given Hugo his magic gaita.
174
00:10:04.600 --> 00:10:08.700
Young man, I wonder, where are you going?
175
00:10:09.159 --> 00:10:12.639
Santiago was annoyed that a white-haired stranger was keeping him
176
00:10:12.700 --> 00:10:13.379
from his errand.
177
00:10:13.799 --> 00:10:19.330
It's none of your business where I'm going. Let me be.
178
00:10:19.740 --> 00:10:22.259
But the old woman would not let him be.
179
00:10:22.639 --> 00:10:25.500
Tell me then, what's in your sack?
180
00:10:25.940 --> 00:10:27.740
Santiago rolled his eyes.
181
00:10:28.200 --> 00:10:33.100
If you must know, my sack is full of rats.
182
00:10:33.620 --> 00:10:34.960
The woman smiled.
183
00:10:35.799 --> 00:10:40.740
Rats, eh? Well, good luck with your rats then.
184
00:10:41.220 --> 00:10:44.059
When Santiago arrived at the market and opened his sack,
185
00:10:44.559 --> 00:10:46.820
what should he find inside.
186
00:10:46.399 --> 00:10:47.919
But, yes, rats?
187
00:10:48.730 --> 00:10:52.850
One hundred squirming, wriggling rats who instantly began squirming and
188
00:10:52.909 --> 00:10:56.470
wriggling around the ankles of everyone at the market. Santiago
189
00:10:56.509 --> 00:10:58.950
was so embarrassed by the commotion he caused that he
190
00:10:58.990 --> 00:11:02.549
immediately dashed home and told his parents his apples had
191
00:11:02.600 --> 00:11:04.340
been stolen by thieves.
192
00:11:04.820 --> 00:11:10.759
That's terrible, son. You must be shaken up. Gonzalo, your
193
00:11:10.840 --> 00:11:14.100
older brother needs to rest. Why don't you go to
194
00:11:14.120 --> 00:11:17.200
the market with this sack of pears? See what you
195
00:11:17.220 --> 00:11:17.940
can get for it.
196
00:11:18.340 --> 00:11:20.379
It'd be my pleasure, father.
197
00:11:20.940 --> 00:11:24.019
Halfway to the market, Gonzalo also met the old woman,
198
00:11:24.440 --> 00:11:27.179
though of course he had no idea who she was.
199
00:11:27.519 --> 00:11:30.870
Young man, I wonder, where are you going?
200
00:11:31.289 --> 00:11:34.730
Determined to outdo his older brother and sell all his pairs,
201
00:11:35.129 --> 00:11:38.750
Gonzalo was miffed that this random woman was slowing him down.
202
00:11:39.129 --> 00:11:42.120
It's none of your business where I'm going. Let me be.
203
00:11:42.429 --> 00:11:44.960
But the old woman would not let him be.
204
00:11:45.419 --> 00:11:48.360
Tell me then. What's in your sack?
205
00:11:48.840 --> 00:11:50.700
Santiago clenched his jaw.
206
00:11:51.179 --> 00:11:56.200
Nothing's in my sack. Except a flock of birds.
207
00:11:56.639 --> 00:11:58.019
The woman smiled.
208
00:11:58.519 --> 00:11:59.580
Birds, eh?
209
00:12:00.539 --> 00:12:03.009
Well, good luck with your birds, then.
210
00:12:03.529 --> 00:12:06.169
When Gonzalo arrived at the market and opened his sack,
211
00:12:06.629 --> 00:12:10.929
instead of gleaming, glistening pears, can you guess what he saw?
212
00:12:11.509 --> 00:12:12.149
That's right.
213
00:12:12.169 --> 00:12:16.759
A flock of birds there. twittering, tweeting, chirping birds who
214
00:12:16.899 --> 00:12:20.419
instantly began twittering, tweeting, and chirping around the heads of
215
00:12:20.659 --> 00:12:24.960
everyone at the market. Santiago ran home empty-handed and told
216
00:12:25.019 --> 00:12:28.779
his parents that he, too, had been overtaken by thieves.
217
00:12:29.139 --> 00:12:34.240
Well, Gonzalo, Santiago, clearly fortune is not in your favor.
218
00:12:35.000 --> 00:12:37.860
That leaves us with just one more option.
219
00:12:38.279 --> 00:12:40.500
Everyone's eyes turned to Hugo.
220
00:12:40.639 --> 00:12:41.879
Hugo. Hugo.
221
00:12:42.580 --> 00:12:46.450
All I have left is this sack of potatoes. Take
222
00:12:46.490 --> 00:12:48.230
it to market, son, and sell it.
223
00:12:48.629 --> 00:12:50.929
Hugo's older brothers were aghast.
224
00:12:51.250 --> 00:12:53.090
You're sending Hugo?
225
00:12:53.370 --> 00:12:55.750
He's the slowest worker we've ever seen.
226
00:12:56.029 --> 00:12:59.720
He's too busy dragging around those bagpipes.
227
00:13:00.029 --> 00:13:01.600
And not even playing them.
228
00:13:03.419 --> 00:13:07.279
With his older brother's laughter ringing in his ears, Hugo
229
00:13:07.340 --> 00:13:11.159
set out with his sack of potatoes. Halfway to the market...
230
00:13:11.200 --> 00:13:14.539
he came upon the old woman. This time she was
231
00:13:14.590 --> 00:13:17.970
wearing a dark veil over her eyes, so Hugo didn't
232
00:13:18.039 --> 00:13:18.669
recognize her.
233
00:13:19.070 --> 00:13:23.049
Young man, I wonder where are you going?
234
00:13:23.450 --> 00:13:25.549
Hugo stopped walking and smiled.
235
00:13:25.850 --> 00:13:27.029
I'm going to the market, madam.
236
00:13:27.350 --> 00:13:29.789
And tell me, what's in your sack?
237
00:13:30.269 --> 00:13:33.029
Oh, just some potatoes. Would you like some?
238
00:13:33.789 --> 00:13:37.889
No, thank you. But I have to ask, what is
239
00:13:37.950 --> 00:13:43.929
that other thing you're carrying? The bag, with all the pipes. Oh, this?
240
00:13:45.549 --> 00:13:50.549
This is my gaita, my bagpipes. Not that I play anymore.
241
00:13:51.250 --> 00:13:52.809
Last time I did, I got into big trouble.
242
00:13:53.169 --> 00:13:54.950
The woman furrowed her brow.
243
00:13:54.970 --> 00:14:00.769
Hmm, that's a shame. I sense that your gaita has
244
00:14:00.830 --> 00:14:05.480
brought you great joy. Why not do what makes you happy?
245
00:14:05.500 --> 00:14:07.759
Hugo hung his head.
246
00:14:07.779 --> 00:14:08.539
I don't know.
247
00:14:09.970 --> 00:14:10.950
Maybe I will play.
248
00:14:12.289 --> 00:14:13.090
When the time is right.
249
00:14:13.710 --> 00:14:18.289
And I hope that time is soon. Till then, good
250
00:14:18.370 --> 00:14:19.610
luck with your potatoes.
251
00:14:20.169 --> 00:14:23.299
And wouldn't you know it, good luck is exactly what
252
00:14:23.379 --> 00:14:26.559
Hugo had. When he got to the market, his sack
253
00:14:26.639 --> 00:14:31.100
was overflowing with potatoes. The more potatoes he sold, the
254
00:14:31.120 --> 00:14:33.679
more potatoes there were in his sack. And the more
255
00:14:33.730 --> 00:14:36.389
potatoes there were in his sack, the more customers he
256
00:14:36.409 --> 00:14:40.340
got all day long. By the time Hugo left the market,
257
00:14:40.740 --> 00:14:45.419
his sack was emptied of potatoes and bursting with gold coins.
258
00:14:46.059 --> 00:14:48.700
His brothers were jealous when they saw his new fortune,
259
00:14:49.120 --> 00:14:51.389
but his parents were overjoyed.
260
00:14:51.889 --> 00:14:53.009
Oh, Hugo.
261
00:14:53.490 --> 00:14:54.889
Well done, son.
262
00:14:55.190 --> 00:14:59.690
We haven't had this much money in years, my boy.
263
00:14:59.710 --> 00:15:03.500
I tell you what. Tomorrow I'll go with you to
264
00:15:03.539 --> 00:15:06.419
the market and we'll use this money to buy all
265
00:15:06.559 --> 00:15:10.730
sorts of good things. Flour for bread, butter for toast.
266
00:15:10.929 --> 00:15:11.909
And eggs.
267
00:15:12.690 --> 00:15:16.590
Do buy us some eggs. Perhaps we can hatch some.
268
00:15:17.169 --> 00:15:19.490
I've always wanted to raise chickens, but we could never
269
00:15:19.570 --> 00:15:20.169
afford them.
270
00:15:20.669 --> 00:15:23.460
So the next morning, Hugo and his father went off
271
00:15:23.580 --> 00:15:25.879
to the market. By the end of the day, they
272
00:15:25.899 --> 00:15:28.940
had a bounty of goods piled high on a brand
273
00:15:29.019 --> 00:15:32.799
new wheelbarrow. On top was a big basket filled with
274
00:15:32.919 --> 00:15:37.659
plump brown eggs. As they returned home, Hugo's father was
275
00:15:37.759 --> 00:15:41.539
pushing the wheelbarrow and Hugo was holding his gaita. The
276
00:15:41.570 -->
00:15:44.110
young man thought about what the old woman had said
277
00:15:44.370 --> 00:15:45.129
the day before.
278
00:15:45.789 --> 00:15:49.230
I sense that your gaita has brought you great joy.
279
00:15:50.070 --> 00:15:52.250
Why not do what makes you happy?
280
00:15:52.629 --> 00:15:55.389
Before he knew what he was doing, Hugo was lifting
281
00:15:55.450 --> 00:15:58.230
up his gaita, and bringing the mouthpiece to his lips.
282
00:15:58.509 --> 00:16:01.809
Oh no, Hugo! What if the eggs begin to dance?
283
00:16:02.570 --> 00:16:05.289
Put those bagpipes down this instant!
284
00:16:05.649 --> 00:16:09.629
But Hugo did not put his bagpipes down. Instead, he
285
00:16:09.690 --> 00:16:13.980
began to play. And as he did, he felt a
286
00:16:14.100 --> 00:16:18.039
rush of happiness wash over him. Happiness he hadn't felt
287
00:16:18.080 --> 00:16:20.759
since he played his gaita for the goats way up
288
00:16:20.840 --> 00:16:25.460
in the great green mountains. Within moments, though, Father's prediction
289
00:16:25.500 --> 00:16:29.940
had come true. The plump brown eggs were indeed dancing,
290
00:16:30.539 --> 00:16:33.240
hopping and twisting up and down this way and that,
291
00:16:33.580 --> 00:16:34.860
right there in the basket.
292
00:16:35.100 --> 00:16:40.100
Please, Hugo, stop! We don't want the eggs to crack
293
00:16:40.179 --> 00:16:40.539
open and.
294
00:16:40.559 --> 00:16:40.629
Oh!
295
00:16:43.620 --> 00:16:47.620
Now Hugo's father was dancing too, shaking and shimmying right
296
00:16:47.730 --> 00:16:48.350
there in the.
297
00:16:48.350 --> 00:16:49.000
Middle of the road.
298
00:16:49.750 --> 00:16:52.909
But Hugo's heart was so full of joy, he couldn't
299
00:16:52.990 --> 00:16:55.830
stop playing. So that's how he and his father made
300
00:16:55.870 --> 00:16:59.250
their way home, Hugo playing the gaita and his dancing
301
00:16:59.309 --> 00:17:02.649
dad pushing a wheelbarrow full of hopping and twisting eggs.
302
00:17:03.330 --> 00:17:06.069
When they arrived at the farm, Hugo's mother heard the
303
00:17:06.109 --> 00:17:07.650
music and rushed outside.
304
00:17:08.250 --> 00:17:10.599
What in the world is going on, you two?
305
00:17:10.619 --> 00:17:10.680
Oh!
306
00:17:11.910 --> 00:17:15.559
Just as Hugo's mother began to dance, do you know
307
00:17:15.619 --> 00:17:19.119
what happened? All the plump brown eggs jumped out of
308
00:17:19.160 --> 00:17:23.349
their basket, cracked open on the ground, and fluffy yellow
309
00:17:23.490 --> 00:17:27.410
chicks popped out of each and every one. As soon
310
00:17:27.430 --> 00:17:30.109
as the chicks were free from their shells, can you
311
00:17:30.150 --> 00:17:34.410
guess what happened? That's right, they began dancing too.
312
00:17:34.950 --> 00:17:37.509
My chickens! My dream!
313
00:17:37.750 --> 00:17:39.730
Oh, Hugo, thank you!
314
00:17:40.259 --> 00:17:41.650
Woo, woo, woo!
315
00:17:42.319 --> 00:17:43.400
Woo!
316
00:17:43.799 -->
00:17:46.960
From then on, Hugo played his gaita every single day.
317
00:17:47.579 --> 00:17:51.559
And whenever he played, the chicks danced, as with the goats.
318
00:17:51.920 --> 00:17:55.279
The chicks became fat and happy and grew up into
319
00:17:55.400 --> 00:17:59.779
fat and happy chickens, chickens who laid the plumpest, brownest eggs,
320
00:18:00.299 --> 00:18:04.450
which in turn hatched into fluffy yellow chicks. When Hugo
321
00:18:04.490 --> 00:18:08.390
played his gaita, not even his brothers, Santiago and Gonzalo,
322
00:18:08.450 --> 00:18:12.630
could resist the urge to dance. And with all that dancing,
323
00:18:13.069 --> 00:18:16.109
the two of them became happier and kinder than they'd
324
00:18:16.309 --> 00:18:20.809
ever been. Instead of racing around, obsessing about outdoing one another,
325
00:18:21.380 --> 00:18:25.160
They took their time planting potatoes and picking apples and pears,
326
00:18:25.759 --> 00:18:29.460
laughing and singing all the while. And Hugo did his
327
00:18:29.529 --> 00:18:31.150
share of laughing and singing, too.
328
00:18:31.829 --> 00:18:33.569
After all, he'd achieved his.
329
00:18:33.509 --> 00:18:37.710
Dream of becoming a real musician and playing music that
330
00:18:37.769 --> 00:18:38.329
makes the.
331
00:18:38.289 --> 00:18:41.430
Whole world get up and dance.
332
00:18:49.980 --> 00:18:50.539
The End.
333
00:18:57.940 --> 00:19:01.779
Now it's your turn. Think about music that makes you
334
00:19:01.880 --> 00:19:05.500
get up and dance. Maybe it's a specific song or
335
00:19:05.539 --> 00:19:08.299
a bunch of songs by a particular composer or musician.
336
00:19:08.819 --> 00:19:12.339
Perhaps it's a certain style or genre. Whatever it is,
337
00:19:12.740 --> 00:19:15.519
when you're done playing this podcast, find a way to
338
00:19:15.619 --> 00:19:19.119
play some of that music. Put on a recording, bang
339
00:19:19.140 --> 00:19:22.750
it out on the piano, or use your voice and sing. Then,
340
00:19:23.049 --> 00:19:37.420
invite whoever's with you to get up and dance. This
341
00:19:37.480 --> 00:19:41.000
week's story, The Dancing Goats, was adapted by me, Rebecca Shear,
342
00:19:41.309 --> 00:19:45.490
and edited by Circle Round's executive producer, Jessica Alpert. Original
343
00:19:45.529 --> 00:19:48.829
music and sound design is by Eric Shimalonis. Our artist
344
00:19:48.890 --> 00:19:42.529
is Sabina Han. Special thanks to this week's actors. John Bell,
345
00:19:42.589 --> 00:19:45.769
Evan Casey, Carol Fisher, Adam Mastriani, Tracy Lynn Oliveira, Maurice
346
00:19:45.789 --> 00:19:48.430
Emanuel Parent, and Raul Esparza. If you're in Chicago this April.
347
00:20:08.009 --> 00:20:11.190
You can see the four-time Tony Award nominee and Law
348
00:20:11.250 --> 00:20:15.539
& Order SVU alum starring in Hamlet at Chicago Shakespeare Theater.
349
00:20:20.220 --> 00:20:23.960
The featured instrument in today's story was the gaita. You
350
00:20:24.000 --> 00:20:26.599
can read about these Spanish bagpipes and see a picture
351
00:20:26.839 --> 00:20:33.339
on our website, wbur.org slash circleround. Never want to miss
352
00:20:33.359 --> 00:20:36.390
an episode of Circle Round? Why not subscribe? We're on
353
00:20:36.470 --> 00:20:39.900
Apple Podcasts, Stitcher, or wherever you get your podcasts. And
354
00:20:39.940 --> 00:20:42.759
please write us a review. It helps other people find
355
00:20:42.779 --> 00:20:46.940
the show. Circle Round is a production of WBUR, Boston's
356
00:20:47.029 --> 00:20:53.630
NPR news station. I'm Rebecca Shear. Thanks for circling round
357
00:20:53.650 --> 00:20:53.930
with us.