UDSKRIFT 🔗
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Welcome to this
podcast series asking the
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question, Can art save us? I'm
starting the first national and
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international conversation about
courage and curiosity. What do
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these qualities really mean, and
why does it make a big
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difference to our mental,
societal and democratic health?
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I talk to award winning and
diverse artists across the arts
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to explore these qualities in
their lives and work both to
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inspire and for us all to learn.
I'm exploring why we need these
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qualities to help change the
global epidemic of mental
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illness, loneliness,
polarization of our communities
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and even global conflict. If the
arts cultivate courage and
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curiosity, I'm asking the
question, Can art save us? My
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guest today is a ceramicist,
violinist and champion of
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community arts. Jayne Wright is a
West Yorkshire born musician and
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artist now based in the iconic
seaside town of Margate in Kent
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Margate is famous for its art
history. It was home to the
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renowned watercolourist Turner,
considered to be the best loved
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English Romantic artist, and
it's home to Tracey Emin,
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famously known for her
confessional art. Between world
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class artists and the Turner
Contemporary Gallery. Margate
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has a thriving community art
scene, it was a joy to discover
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Tiles of Joy, a community arts
Happiness Project. Jayne is the
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project founder of this trail of
happiness, and over 1000 hand
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crafted tiles have already been
made in workshops. At least 4000
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people have bought one of Jayne's
tiles. This trail of happiness
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is bringing people together from
all walks of life, promoting
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creativity and community spirit.
Jane is elevating fun, joy and
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celebration, all too often, a
deprivation in our daily lives.
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As a ceramicist, Jayne is also
known for her body positive
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Mermaid Army, a collection of
tiles and stoneware sculptures
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of people who wild swim. They
represent stories of nostalgia
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and empowerment. One sculpture
represents Gill Castle, who
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became the first person ever to
swim the channel with a stoma,
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raising awareness of childbirth
injuries. Currently, the mermaid
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sculptures are touring with the
message #wordsmatter, part of
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the campaign, This Ends Now,
raising awareness of male
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violence against women and
girls. Her work consistently
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shows solidarity and support for
the causes she cares about,
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including the Sewing Resistance,
a global textile project. Her
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current exhibition, Long, explores
the cultural significance of
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long hair in relation to
femininity, identity and power.
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Jane's art is about awareness,
advocacy and activism, and I'm
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delighted she can join me today
to tell us more. Hello Jayne and
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welcome
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to Can art save us? Thank you
very much.
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I know you've been incredibly
busy. You're only recently back
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from New Zealand, so thank you
for making this time. I wondered
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if we could start from the point
of view of your interests in
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community arts and whether there
was a particular transition for
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you as an artist when you wanted
to focus on community arts as a
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force for good?
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I think, I think I've always had
an interest in community arts. I
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think it comes from my
background in education. So as a
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design and technology teacher
and a music teacher in secondary
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education, I always feel a need
to share projects and enable
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learning and activities, but
experiences as well. I think
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being a design technology
teacher and a violin teacher, a
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music teacher, I've never
expected the people that I've
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taught to necessarily go on and
be carpenters or metal workers
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or or violinists or playing
orchestras, but it's all about
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having a positive experience at
something. And so I think the
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community art is a direct link
to that. And I think as a
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musician, while I have done solo
work, I always like to be part
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of something. So I like to be
part of a chamber music or an
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orchestra. So I sometimes feel
like whatever I do, I struggle
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to do it on my
Load full transcript
own. Even if it's
like a birthday party, I'd much
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rather share it with somebody
else. So I think that's where my
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love of community art comes
from, and I feel, especially
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after the pandemic, a real
recognition of that social
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isolation is real. There aren't
many opportunities for people to
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meet other people and have those
small or large conversations
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that I think are so important to
us as human beings and to share
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experiences. So I think with
Social isolation comes
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loneliness and unhappiness. And
when I was working with a group
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of women who have arrived in
this country and are trying to
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learn English, they said one of
the hardest things is just
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finding people to actually talk
to, because even if you go get
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your shopping, it can be click
and collect and you may not even
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speak a word to somebody else.
So I think any sort of community
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activity, be it art or sport,
dance, shopping, gardening,
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allotments, all those things are
really important for human
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contact. And so I think that's
where my desire for community
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art comes in is just to sort of
combat social isolation and
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loneliness, which I think a real
sort of problem in our society
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today. Yeah, no, I completely
agree, and it's really
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understanding how relevant arts
and crafts are for social
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connectivity as well as personal
enjoyment. And I was curious,
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Jane, in terms of your own
courage, because it was
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interesting to read, and this is
in relation to the fabulous
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tiles of happiness project that
you only really had the courage
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to do an art project like Tiles
of Happiness, because you had
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moved to Margate, and I wondered
what that move gave you, what
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was that shift that helped you
find the courage?
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I mean, the pandemic was a
horrible thing. I was working in
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London, and it was, it was a
dreadful thing. But there's also
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positivity in that as well. You
know, like changing your
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routines and your daily
activities and your patterns and
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behavior and just having to look
at your life differently, I
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think that's what the pandemic
gave me. It gave me an
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opportunity to look at the fact
that I was just doing not
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Groundhog Day, that wasn't my
life at all, but I'd got into
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routines and doing things and
and wasn't necessarily satisfied
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or challenged or really, you
know, questioning what I was
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doing. And I also have two
amazing daughters who were
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growing up into incredible
independent women with their own
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lives, and I was really
experiencing empty nesting,
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which is another thing that's
real. I think the pandemic gave
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me an opportunity to shift the
focus onto my own life and make
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me look at what I was doing and
what I wanted to achieve. And I
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was, I was looking at, you know,
what was I was doing in this
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part of my life as I turned 50,
what was I actually doing and
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wasn't having a crisis and
thinking, Oh, my God, I've got
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to do something and get a big
car. I didn't have the money to
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do that anyway. I'm not very
materialistic, actually. And I
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just kind of thought, what, what
do I want to achieve? And I felt
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like I'd achieved beyond what I
could ever expected as a
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parent, and, you know, as a
mother of two daughters. But
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what did I want to achieve for
myself? And I started to look at
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where I was living and where
else I could live and and I took
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the opportunity to move out of
London and put myself somewhere
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else, because I was teaching
violin online, and I could do
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that anywhere. And I'd ended up
in London partly because of my
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daughters and their education,
because, you know, you can't
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move children once they get to a
certain age. They hate you
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forever. And I'm from Yorkshire,
so I'd ended up in London, like,
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a massive amount of my life, you
know, over half my life, yeah,
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and so I looked at other places,
and I was drawn to I'd always
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wanted to live by the sea, and
the sea up in Yorkshire is
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beautiful, but it's cold, so I
still had that London
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connection. I mean,
it's
amazing, and getting to London
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in like 90 minutes from here, so
I still had the best of both
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worlds. I had London and I could
live by the sea. And I didn't
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realize when I moved to Margate
what an art scene was going to
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grow. I mean, you're forever,
you know, bumping into art and
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creativity, not just in Margate,
in the whole of Thanet, you
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know, Ramsgate is a fantastic
town, and Folkestone as well.
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Folkstone's got so much going on.
So we're south, you know,
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surrounded by all this bubbling
stuff happening in music and
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arts and theater. Yeah, it's
great. And the LGBTQ plus
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community here in Thanet is
really thriving and injecting so
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much creativity into where we
live. Yeah, it's a great place
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to be, you know, yeah, and I
don't know about the other
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seaside towns, I imagine that
there's things happening there
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too, you know, especially like
places like Blackpool and
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Morecambe getting the New Eden.
And so there's all these things
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that are happening in our
seaside towns. But seaside towns
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are just they're just great
places, aren't they? They're so
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iconic. And yeah, with my tiles
that I make myself, I love
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seeing landmarks that we
become really affectionate
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towards and that become really
important. And I love those sort
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of peculiar things that we
attach ourselves to. And of
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course, it seems to be full of
those. Yeah,
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exactly because Margate and the
Isle of Thanet, as it is known,
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it's packed with heritage.
Unfortunately, you know, there's
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been a significant need for
regeneration over several
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decades, but nevertheless, it's
packed with heritage. I mean,
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Margate was a jewel in the crown
for Victorians. It was high
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status holiday making, certainly
as a child throughout the 70s,
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you know, our summer holidays
couldn't have been any better,
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just for living in Margate or
nearby. And also in terms of
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heritage and world class
artists, Ramsgate was home to
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Vincent van Gogh for a very
short time, you know. So there's
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such significant history there,
and it seems to me that Margate
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helped unlock meaning for you.
In your mind, you know what you
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wanted to do in meaningful ways.
And perhaps that's a good point
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to talk about, the tiles of
Happiness Project. Perhaps you'd
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like to illustrate for the
listeners how the idea came
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about and what's taking place,
what your ambition is for the
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project I
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love that. You call it Tiles of
Happiness. I'm happy with that.
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It's actually Tiles of Joy,
okay,I've read
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both, but both are such winning
titles. This is great.
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We'll go with that as well.
Tiles of Joy was, Well, what
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happened was the the Mermaid
Army was part of the Power of
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Women Fringe Festival. Power of
Women is this great festival in
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Thanet, the Mermaid Army was part
of the fringe. And so that was
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2022, and then the year later,
they did an open call out for an
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ambitious community arts project.
So along they trundled to the
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meeting, as you do, and said,
Oh, I've got an idea, what about
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making a big collage, sort of
like patchwork quilt, if you
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like, of ceramic tiles to
celebrate women. Because the
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actual POWs theme that year in
2023 was joy. So we did this
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workshop, and it was to
celebrate women, and it was at
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Margate caves, the amazing
Margate caves.
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Incredible even more
history. Yeah, I couldn't
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believe it. I
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really panicked that people
weren't going to come, and my
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friends still teased me about it
today, because 86 people turned
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up to make tiles, and it was
mad, but the cave staff were
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incredible. They just kept
letting people come in, and we
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made all these tiles. But what
was even more amazing was it
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wasn't just women that came to
make tiles to celebrate women.
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It was dads and it was partners
and it was sons and brothers,
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and it was amazing. And then
that's
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so significant, isn't it? Yes
away.
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You know, I
had to look at the
fact that it didn't need to be a
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gendered project. It could just
be Tiles of Joy.
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And so it started there,
and it just it just got bigger
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and bigger and bigger. And I
just really felt like I was just
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sort of steering the project as
best as I could. I didn't have
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any funding other than little
bits of funding here and there,
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and I was paying for it by
selling my own tiles. So when I
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made my own tiles, I was
offsetting the costs by putting
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my tiles that I was selling in
with the community art tiles. So
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that's how I was making it work.
Wow. And as it got like 1000
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tiles, I couldn't really sustain
that, but also I couldn't pay I
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had to go at tiling myself, and
wasn't very good. It's actually
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harder than you think, because I
had to create these
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installations. The idea was
always to have a constellation
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of tiles, and it had temporary
displays in in amazing places.
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So 161 Northdown Road, there's
an amazing little gallery there.
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That's where the first display
of the tiles was, and then
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Margate caves did a display, and
it went from two boards to four
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boards to six boards, and each
board had 96 tiles on them. We
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were doing workshops in the
street in Cliftonville, and
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people would just come and make
tiles. It was great. It was
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amazing. It was mad.
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You've really evidenced an
appetite, a willingness and a
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need, haven't you, that
people want to be able to
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participate and also respond to
something positive. I think it's
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incredibly significant that you
could highlight, you know, men,
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boys, granddads, dads, sons all
wanted to join in. Because,
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unfortunately, there is an issue
where men, and particularly
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regarding mental health, there
can be such an exclusion from
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where they feel they can
participate. Or open up or do
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those healthy things that just
help with social activities and
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connection. Yeah, I
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was very honored that one of the
workshops that we did, a man
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actually took the time to come
to me quietly and say how much
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it meant to him because he was
trying to recover from a drink
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problem he'd lost, in his words,
his family and his job, and he
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found it really difficult
finding places to socialize or
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meet other people, and being
able to come to one of those
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workshops was a stepping stone
for him, and he went on to
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actually find a night school
class to do pottery, to meet
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other people. He said how
difficult it was. His background
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had been in laboring and things,
but also in rugby. So all his
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activities seemed to be alcohol
linked socially. So he found it
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very, very difficult to meet
people in a different setting.
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And he said, as a man, it was
particularly difficult as well.
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So this was a real stepping
stone, and I felt so honored to
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have been part of that, you
know, and for him to take the
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time to tell me as well. Yeah,
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which was brave of him, because
it's opening up emotionally and
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personally,
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there's been a few instances
like that where, you know, we've
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done drop in workshops in
places like Dreamland, and dads
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will sort of drop their kids
off, and they'll go, Oh no, it's
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not, not my kind of thing. Their
mum will do it with them. And
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then the children look at their
dad and go, Oh, come on, dad.
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And, you know, with a little bit
of encouragement, you know, dads
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go on to do some of the best
tiles.
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Yeah, I mean, these are gold
dust stories, particularly the
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example of the man brave enough
to open up about his recovery
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from alcoholism and still
finding the courage to take part
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in new things. Because actually,
would you agree, in general,
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that it does sometimes take
courage for somebody to take
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part in something new. So a
community arts workshop, let's
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make tiles from the outside,
that just seems very fun. And
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why not? But actually, that can
be a huge step to take for
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somebody, because it's not about
art in terms of, I must
be
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artistic, I must be especially
talented. It's really what
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you're highlighting, isn't it?
It's about the joy, the fun and
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the connectivity. Yeah.
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There's two
things there to take from that.
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I think, you know, getting
people over a threshold of a
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workshop is one of the hardest
things. You know, to sign up is
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difficult enough, and then to
actually get into somewhere new
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and be put into that position.
And, you know, social anxiety.
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Lots of people struggle with
social anxiety, and I know I
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experienced it after the
pandemic. I remember walking
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down more getting thinking, Oh,
I'm not sure I want the pandemic
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to really end. You know, I quite
like not having to go out, you
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know, quite like being a bit
inclusive. So I think that's
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definitely something that's
still a hangover for a lot
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of people. And I think another
thing that has been said to me
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more than once through this
project is how rarely we are
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asked what makes us happy or
what brings us joy, and more
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rarely are we given the
opportunity to express it in any
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way. And so it's been really
quite something to give people
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200 grams of clay and get them
to turn it into a tile and just
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say, Look, you just have to put
on there whatever makes you
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happy or brings you joy. No one
can tell you it's wrong, even if
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it's just playing with the clay
and that's made you happy.
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That's actually enough. So it's
been a really accessible project
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for people. We've also
encouraged people to do
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something that they might not
have done normally. So we got
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invited to Seasalter yesterday,
to the Christian Center there to
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00:18:55,900 --> 00:19:01,380
they had a special gathering of
churches, and I'm not quite sure
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what I signed myself and my my
helpers up to my assistants up
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to we turned up three of us
yesterday, and we made 100 tiles
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in two hours with the most
incredible group of people that
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00:19:16,980 --> 00:19:20,660
the generosity of their spirit
and their creativity and the
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stories they shared with us was
something else. But even in that
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00:19:24,320 --> 00:19:26,900
environment where you've got
this wonderful community, this
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00:19:26,900 --> 00:19:31,400
religious community of people
supporting each other, there was
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00:19:31,400 --> 00:19:35,120
people who were reluctant and
but it didn't take much. It
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didn't take much to go. Oh,
just, you know, give it a go. It
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doesn't matter if it doesn't
work, and sure enough, they will
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do it, you know, even if they
just write on a tile piece that
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feels some joy. And I think just
giving having the opportunity is
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so rare.
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00:19:51,280 --> 00:19:55,600
Yeah, yeah, absolutely, it's a
terrible, terrible deprivation.
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In fact, spaces that help
communities connect to help
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00:20:01,080 --> 00:20:05,400
social cohesion, to help mental
health, and like you say,
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simply, help happiness and joy.
I think that statement you made
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is particularly powerful that
people are rarely asked what
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00:20:15,180 --> 00:20:19,380
makes them happy, and even more,
rarely are they asked to
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00:20:19,380 --> 00:20:23,480
document it. It's something
we're almost forgetting to think
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about or to assert. I wondered,
Jane, what kind of statements of
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00:20:28,700 --> 00:20:32,900
joy are you seeing appear on
these tiles? I imagine there's
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such a range. We do
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have repeats.
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00:20:37,280 --> 00:20:40,900
I actually jokingly said, right,
that's no more rainbows. No more
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rainbows. We have lots of
sunsets. We have lots of birds.
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Obviously, we live near the sea,
so the sea makes people happy.
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But then we have, like,
mountains, and we have
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countries. My favorite ones are
always when somebody does their
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mum, it's just amazing. My mum
makes me happy. Family appears a
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lot. Bicycles at Christmas.
Obviously, Santa was big. The
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00:21:06,660 --> 00:21:10,260
sun storms now storms years ago,
when we've had a couple of
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storms, and I like a storm, we
did two workshops at Dreamland,
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00:21:13,860 --> 00:21:16,560
which were Dreamland themes. So
they were beautiful because they
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were lots of memories, and yeah,
and romance, lots of love
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00:21:20,180 --> 00:21:24,380
hearts. Yeah, love makes people
really happy. So, yeah,
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00:21:24,380 --> 00:21:27,380
occasionally we get the odd one
that no one's done before. We've
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00:21:27,380 --> 00:21:29,900
had two
dragons, which is quite
interesting, but we've had
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00:21:29,900 --> 00:21:35,900
snakes, which is cool,
skateboarding, football. We've
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00:21:35,900 --> 00:21:39,920
got a few teams in there that
bring people joy. No one's done
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Margate FC yet, which is a bit
disappointing.
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Well, I think being a kid from
Margate, I would surely have to
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come up with a mod or a Vespa,
because for listeners who aren't
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00:21:50,620 --> 00:21:54,640
familiar with this iconic
seaside town, bank holiday
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00:21:54,640 --> 00:21:59,680
Mondays could not have been more
distinct, because every mod in
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00:21:59,680 --> 00:22:03,420
the world would descend on
Margate or Ramsgate or Broadstairs
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00:22:03,420 --> 00:22:08,040
and it's one of my most
fond and nostalgic childhood
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00:22:08,040 --> 00:22:12,780
memories. Yeah, it's creating a
lovely story, isn't it? It's a
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00:22:12,780 --> 00:22:16,380
beautiful story. The trail is a
story as well as statements of
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00:22:16,380 --> 00:22:18,720
what makes people happy. Yeah. I
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mean, we had a lady yesterday
who was visibly impaired, and
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she's like, I think I can't do
this. And I have actually been
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00:22:26,540 --> 00:22:29,720
working with Kent Association
for the Blind to adapt this
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00:22:29,720 --> 00:22:34,640
project. And she I was like, No,
you'll be fine. You'll be fine.
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Just just make marks. Clay loves
you making marks. And she
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00:22:38,600 --> 00:22:41,080
started off really tentative,
and but about the end she'd made
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00:22:41,080 --> 00:22:44,680
this beautiful tile, that it's
got to be so beautiful to feel.
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00:22:44,680 --> 00:22:46,900
And so I think that's another
thing, you know, just sort of
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the other senses. I've had a
lovely message from Mencap.
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There's a group of adults who
walk past one of the tile
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installations in Margate, and
they always stop to feel the
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00:22:58,600 --> 00:23:03,660
tiles. How amazing is that?
Yeah? And inclusive the tiles,
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00:23:04,020 --> 00:23:07,500
yeah, and discuss them, and they
see a different tile every day.
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Yeah, that's just really lovely.
Yeah,
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it's wonderful. And, and of
course, it's so inclusive, and
355
00:23:13,380 --> 00:23:16,980
so much to your credit,
including your own generosity,
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00:23:16,980 --> 00:23:20,780
to have found a way to
personally fund this project at
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00:23:20,780 --> 00:23:25,280
the same time whilst pursuing
funding. And obviously a big
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00:23:25,280 --> 00:23:30,320
shout out to benefactors
everywhere. Jane, I'm interested
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00:23:30,320 --> 00:23:35,060
now that you live in Margate,
you've got this fabulous project
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00:23:35,120 --> 00:23:41,080
underway, you're obviously going
to be very aware of Margate as a
361
00:23:41,080 --> 00:23:46,180
significant arts destination now
in the UK. In fact, the founder
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00:23:46,180 --> 00:23:50,380
of Freeze Art Fair, he's now the
new chair of Turner Contemporary
363
00:23:50,860 --> 00:23:55,600
stated, Margate is now one of the
UK's most important art
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00:23:55,600 --> 00:23:59,740
destinations. What's your
experience of that balance
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00:23:59,740 --> 00:24:07,380
between significance as an art
destination and regeneration and
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00:24:07,560 --> 00:24:12,180
connecting with local people and
not just an international
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00:24:12,180 --> 00:24:13,680
visitor footprint.
368
00:24:14,880 --> 00:24:19,980
Oh, gosh. Well, I do believe
that arts do regenerate areas in
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00:24:19,980 --> 00:24:24,080
a positive way. I'm from
Bradford. So this year, Bradford
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00:24:24,080 --> 00:24:31,400
is the Cultural City 2025 and
when a city or a town embraces
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00:24:31,460 --> 00:24:37,100
its creative population, and it
has a knock on effect, it brings
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other people to the towns. I
think every town, you know,
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every school should be an art
school, and every town should
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00:24:45,040 --> 00:24:49,000
have a gallery. It's just really
important to
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00:24:50,500 --> 00:24:53,440
offer that creativity, and I
think
376
00:24:54,700 --> 00:24:58,120
it's up to artists and
creatives, and it's not just
377
00:24:58,120 --> 00:25:01,440
art, it's not just visual art,
it's. Dance, and it's theater
378
00:25:01,800 --> 00:25:04,800
and it's sport as well, all
these things that bring people
379
00:25:04,800 --> 00:25:10,020
together, because it's not just
one size fits all. You know that
380
00:25:10,200 --> 00:25:15,960
we have to have a variety of
ideas and things going on in all
381
00:25:15,960 --> 00:25:19,860
our towns and all our cities.
They're quite soulless. They've
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00:25:19,860 --> 00:25:23,900
become car parks. A lot of our
towns and cities, people quite
383
00:25:23,900 --> 00:25:27,080
often go from one car park to
another. I'm sort of wary of
384
00:25:27,080 --> 00:25:30,140
regeneration in some ways,
because it can actually exclude
385
00:25:30,140 --> 00:25:33,740
people as well. It can make
towns and cities too expensive
386
00:25:33,740 --> 00:25:36,800
to live in, and there, therefore
the people who were involved in
387
00:25:36,800 --> 00:25:39,860
regenerating things can't afford
to live there sometimes and have
388
00:25:39,860 --> 00:25:43,480
to move so it's, it's quite a
complicated one for me to
389
00:25:43,480 --> 00:25:47,200
answer, because there's, there's
pros and cons to regeneration. I
390
00:25:47,200 --> 00:25:51,100
think regeneration is often seen
now as quite a negative thing,
391
00:25:51,280 --> 00:25:56,320
but it's how we manage that.
It's how we put life back into
392
00:25:56,320 --> 00:26:00,360
our towns
and cities. Because I
think before we really relied on
393
00:26:00,360 --> 00:26:03,660
high streets and retail. You
know, we need to, we need to
394
00:26:03,660 --> 00:26:08,220
look at how we can reuse our
high streets and repopulate them
395
00:26:08,820 --> 00:26:12,480
in our towns, and make sure that
people can afford to still live
396
00:26:12,480 --> 00:26:15,660
in those towns that become
popular, in those cities that
397
00:26:15,660 --> 00:26:18,540
become popular, and if I
couldn't afford to go buy
398
00:26:18,540 --> 00:26:22,160
somewhere in Bradford, yeah, you
know, after it being City or
399
00:26:22,160 --> 00:26:25,760
Culture, there's something amiss
there, if that happens, yeah,
400
00:26:25,820 --> 00:26:29,180
that's right. And it is. This is
a significant issue, isn't it,
401
00:26:29,180 --> 00:26:33,020
in terms of how these plans are
rolled out. And of course, the
402
00:26:33,020 --> 00:26:36,920
Turner Contemporary Art Gallery
in Margate is of huge
403
00:26:36,920 --> 00:26:43,600
significance. Was a major, major
addition to the town and as a
404
00:26:43,600 --> 00:26:48,040
catalyst for the regeneration of
the town, the Turner
405
00:26:48,040 --> 00:26:51,280
Contemporary Art Gallery has
also been supportive of your
406
00:26:51,280 --> 00:26:54,820
work. Could you tell us about
the pop up you had with the
407
00:26:54,880 --> 00:26:56,140
Mermaid Army?
408
00:26:56,200 --> 00:27:00,180
Yeah, it was amazing. It was an
amazing opportunity that
409
00:27:00,180 --> 00:27:03,960
happened through a wonderful
woman who works for Kent
410
00:27:03,960 --> 00:27:09,000
Association for the Blind, Mandy
Bodemeaid. She actually
411
00:27:09,060 --> 00:27:12,960
said she came to see the Mermaid
Army when it was exhibited at
412
00:27:12,960 --> 00:27:16,080
Lidos Stores as part of the
Power Thanet Fringe Festival.
413
00:27:16,620 --> 00:27:18,960
And she came, and she was like,
this should have been in the
414
00:27:18,960 --> 00:27:21,980
Turner Open. And I was like, Well,
I wasn't actually living here,
415
00:27:21,980 --> 00:27:25,160
but she encouraged me to get in
touch with Turner. I did it,
416
00:27:25,160 --> 00:27:30,440
and it was amazing. They offered
me the space in the retail
417
00:27:30,440 --> 00:27:36,080
section, so right by the doors
to set up the Mermaid Army and
418
00:27:36,080 --> 00:27:39,560
to be there for 10 days talking
to the public. I was exhausted
419
00:27:39,560 --> 00:27:43,960
after every day, and I have such
a such a respect for the people
420
00:27:44,020 --> 00:27:47,380
who work on the ground at Turner
and in the shop. They are
421
00:27:47,380 --> 00:27:52,540
incredible. It is exhausting.
Yeah, yeah. People really do
422
00:27:52,540 --> 00:27:55,360
want to engage and talk. And
what an honor that people do
423
00:27:55,360 --> 00:27:59,860
want to do that. So yeah, the
Mermaid Army was in Turner
424
00:27:59,860 --> 00:28:07,620
Contemporary for two weeks in
November 2022 I think
it already
425
00:28:07,860 --> 00:28:12,300
been to Bridlington as part of
the Art Waves Festival, and it
426
00:28:12,300 --> 00:28:16,920
been to Western Super Mare, and
then it ended up in Turner in
427
00:28:16,920 --> 00:28:20,900
the November. And it's just been
amazing. It was amazing. Still
428
00:28:20,900 --> 00:28:25,280
amazing to me, that people have
really connected with this
429
00:28:25,280 --> 00:28:28,700
project. Want to talk about it.
430
00:28:28,700 --> 00:28:32,480
Do you think people are
responding to the importance of
431
00:28:32,480 --> 00:28:36,080
memory sharing? Memory sharing
achievements, offering
432
00:28:36,080 --> 00:28:37,100
inspiration. There's
433
00:28:37,100 --> 00:28:40,900
a number of themes. I think that
the main, the main feedback I
434
00:28:40,900 --> 00:28:44,980
got from men and women and non
binary. So it's a very gender
435
00:28:44,980 --> 00:28:47,980
inclusive project, and I think
that's really important. But the
436
00:28:47,980 --> 00:28:55,840
main feedback I got from people
was that older people are very
437
00:28:55,840 --> 00:29:02,400
rarely represented in art in
such a positive way and and such
438
00:29:02,400 --> 00:29:07,560
an active way, I did sketches
using photographs and videos
439
00:29:07,560 --> 00:29:12,720
that people sent me or or that
they'd taken themselves. And I
440
00:29:12,720 --> 00:29:15,960
did that deliberately, because
people were showing me how they
441
00:29:15,960 --> 00:29:20,540
wanted to be seen. So by using
people's photographs and
442
00:29:20,540 --> 00:29:24,140
sometimes videos and making
collages and then making my
443
00:29:24,140 --> 00:29:29,240
sketches. From that, I was using
how people wanted to be seen,
444
00:29:29,240 --> 00:29:33,020
and I think that made a
difference. It wasn't just how I
445
00:29:33,020 --> 00:29:37,580
saw them, it's how they saw
themselves. And people were
446
00:29:37,580 --> 00:29:40,840
people were incredibly generous.
They'd send me all sorts of
447
00:29:40,840 --> 00:29:45,820
photographs, naked photographs,
sometimes, and photographs very,
448
00:29:45,820 --> 00:29:48,880
you know, very generous, honest
photographs in swimsuits.
449
00:29:49,240 --> 00:29:51,520
Yeah, which is quite courageous,
isn't it? When you would
450
00:29:51,520 --> 00:29:55,060
normally, or quite often, you
would feel very exposed, yeah.
451
00:29:55,240 --> 00:29:58,540
So it was, yeah, it was a real
honor. So the Mermaid Army was
452
00:29:58,540 --> 00:30:02,760
made up of men and women
and non binary and drag queens
453
00:30:02,820 --> 00:30:06,060
of how they wanted to be seen.
And that was that was quite
454
00:30:06,060 --> 00:30:09,540
something. And I think that
really came across. So that was
455
00:30:09,540 --> 00:30:13,680
something that resonated with
people. I think men, comments
456
00:30:13,680 --> 00:30:17,460
that I got from men were really
interesting, because alongside
457
00:30:17,460 --> 00:30:21,800
the Mermaid Army, I did
a series of plaques using my
458
00:30:21,800 --> 00:30:26,180
sketches where I invited people
to comment, to make comments
459
00:30:26,660 --> 00:30:30,860
about things that had been said
about their bodies, because the
460
00:30:30,860 --> 00:30:33,980
Mermaid Army started from
somebody being called Chunky
461
00:30:34,040 --> 00:30:38,360
when they were training to swim
the channel. So a friend of
462
00:30:38,360 --> 00:30:42,640
mine, who was in Felixstowe,
somebody came up to her and
463
00:30:42,640 --> 00:30:45,340
said, Oh, you you don't look
like somebody who'd swim the
464
00:30:45,340 --> 00:30:49,840
channel. You're quite chunky.
And she wrote about this, and I
465
00:30:49,840 --> 00:30:52,780
was like, What a nerve. And I
didn't really know how to
466
00:30:52,780 --> 00:30:56,260
respond other than to sculpt
her. So I did. I sculpted her,
467
00:30:56,680 --> 00:30:59,260
and that's how it kind of
started, and then I ended up
468
00:30:59,260 --> 00:31:03,840
sculpting other swimmers, and I
had these plaques. Every time I
469
00:31:03,840 --> 00:31:07,380
exhibited the Mermaid Army, I
had these plaques and invited
470
00:31:07,380 --> 00:31:09,480
people to write and share
comments that have been made
471
00:31:09,480 --> 00:31:14,040
about their bodies. And, you
know, men were really, really
472
00:31:14,040 --> 00:31:17,580
interested in when they sort of
discussed the mermaid army with
473
00:31:17,580 --> 00:31:20,420
me, because they quite often
said, you know, it's not, it's
474
00:31:20,420 --> 00:31:23,540
not often us that make these
negative comments. Quite often.
475
00:31:23,720 --> 00:31:26,600
You know, women are often the
worse about commenting on other
476
00:31:26,600 --> 00:31:31,640
women or other people's bodies,
and that was a hard one to take
477
00:31:31,640 --> 00:31:33,440
but, you know. But
478
00:31:33,440 --> 00:31:36,440
women are pressurized all the
time, aren't they? There are
479
00:31:36,440 --> 00:31:40,720
these unobtainable images the
digital world has created
480
00:31:40,720 --> 00:31:45,040
completely false expectations of
what we could or apparently
481
00:31:45,040 --> 00:31:51,640
should look like, and there is
very much a need for women to
482
00:31:51,640 --> 00:31:57,640
feel more empowered to be who
they are and to set their own
483
00:31:57,700 --> 00:31:59,200
identity. Yeah, well,
484
00:31:59,560 --> 00:32:01,860
somebody, somebody, somebody
made a really good comment,
485
00:32:01,860 --> 00:32:04,860
which was something that really
stuck with me. We've all got a
486
00:32:04,860 --> 00:32:09,420
bit of body dysmorphia, and
where does that come from? We're
487
00:32:09,420 --> 00:32:12,420
not born with that. So these are
all learned behaviors. So I
488
00:32:12,420 --> 00:32:17,460
think what the Mermaid Army did was
give people an opportunity to
489
00:32:17,880 --> 00:32:21,740
talk about that and engage about
that in a way that perhaps, you
490
00:32:21,740 --> 00:32:25,700
know, I think because all my
work as a narrative behind it,
491
00:32:25,940 --> 00:32:29,300
that I that people can find for
themselves, and they've all got
492
00:32:29,300 --> 00:32:31,700
their own narratives and their
own stories and their own
493
00:32:31,700 --> 00:32:34,700
memories and their own feelings
and emotions that they then can
494
00:32:35,060 --> 00:32:37,460
express. I think it allows that
to happen.
495
00:32:37,940 --> 00:32:43,480
I wondered, actually, if you
would like to expand a little on
496
00:32:43,480 --> 00:32:49,000
Gill Castle, because creating
one of your mermaid sculptures,
497
00:32:49,000 --> 00:32:54,100
and in relation to Gill being
the first person ever to swim
498
00:32:54,100 --> 00:32:59,020
the channel with a stoma, and
raising significant awareness of
499
00:32:59,020 --> 00:33:03,600
childbirth injuries, what that
impact was like for her, that
500
00:33:03,600 --> 00:33:08,820
you also wanted to support that
achievement in a very visible
501
00:33:08,820 --> 00:33:09,780
way. Yeah,
502
00:33:09,840 --> 00:33:15,180
oh, Gill's amazing. I'd put the
sculptures on Instagram. I can't
503
00:33:15,180 --> 00:33:18,060
remember who it was now, if this
person's listening, please get
504
00:33:18,060 --> 00:33:22,280
back in touch with me, because I
I'd love to thank them, but they
505
00:33:22,280 --> 00:33:25,940
sent me a message. You must get
in touch with Gill Castle. I
506
00:33:25,940 --> 00:33:29,060
didn't know who Gill Castle was,
so I did. I got in touch with
507
00:33:29,060 --> 00:33:31,820
her, and I explained to her what
I was doing, and would she?
508
00:33:31,880 --> 00:33:36,200
Would she let me sculpt her? And
she goes, yeah. So she sent me
509
00:33:36,200 --> 00:33:40,120
all these pictures, and we we
like quite kindred spirits, as
510
00:33:40,120 --> 00:33:43,240
it turns out, and we got, you
know, we were sharing messages.
511
00:33:43,240 --> 00:33:46,120
I've never met this woman, you
know, we're both northerners,
512
00:33:46,360 --> 00:33:48,940
but she had, she'd actually been
a policeman in Bradford, so we
513
00:33:48,940 --> 00:33:51,700
had all this shared history as
well. So it was just incredible.
514
00:33:51,700 --> 00:33:54,400
So we were, we were sharing all
this information, and I did this
515
00:33:54,400 --> 00:33:58,300
sculpture of her. And one of the
most amazing things was all the
516
00:33:58,300 --> 00:34:02,040
messages we shared. When it came
to me sculpting the stoma bag,
517
00:34:02,040 --> 00:34:05,100
because I'd never seen a stoma
bag in my life, and so I didn't
518
00:34:05,100 --> 00:34:07,560
know quite what I was doing and
where it should go. And we had
519
00:34:07,560 --> 00:34:11,760
all these amazing conversations.
And then she came, when she was
520
00:34:11,760 --> 00:34:14,940
training, she came down, and she
stayed with us here. She came
521
00:34:14,940 --> 00:34:18,900
and stayed with me here. And
when she turned up at my door, I
522
00:34:18,900 --> 00:34:22,400
was like, Oh, my God, you're
smaller than me. I'm only five
523
00:34:22,400 --> 00:34:25,220
three, then she was smaller than
me. And I don't know why, I'd
524
00:34:25,220 --> 00:34:28,400
expected this huge, gigantic
woman,
525
00:34:28,940 --> 00:34:32,660
like, really, and and to take on
the channel. Perhaps you do
526
00:34:32,660 --> 00:34:36,740
imagine someone, yeah, you know,
with huge strength. Yeah,
527
00:34:36,800 --> 00:34:39,560
and I'd made her one of the
tallest sculptures in the
528
00:34:39,560 --> 00:34:42,460
Mermaid Army, and she's actually
probably the shortest person,
529
00:34:43,720 --> 00:34:48,280
fabulous. So it was because the
all the sculptures are actually
530
00:34:48,280 --> 00:34:51,400
about 40 centimeters, the
original Mermaid Army, not the
531
00:34:51,400 --> 00:34:54,280
Summer Swimmers. That's another
selection of swimmers. But
532
00:34:54,280 --> 00:34:57,160
they're all about 40
centimeters. They're all they're
533
00:34:57,160 --> 00:35:00,300
all the same sort of size, just
looking at different
534
00:35:00,300 --> 00:35:03,900
shapes, because all body shapes
are beautiful. Oh, my goodness,
535
00:35:03,900 --> 00:35:07,920
we did laugh. And so it was
amazing, because from the
536
00:35:07,920 --> 00:35:12,540
Mermaid Army, the merchandise
that I made, I was asked to make
537
00:35:12,540 --> 00:35:16,320
posters or postcards. Well, it
was suggested, and I thought,
538
00:35:16,320 --> 00:35:19,560
Oh, I don't want to make posters
or postcard. So I use in my
539
00:35:19,560 --> 00:35:26,480
sketches. I made tiles, and I
made a tile of her, which we
540
00:35:26,480 --> 00:35:31,100
sold. And, yeah, that went
towards raising awareness and
541
00:35:31,100 --> 00:35:36,020
raising some funds as well,
towards the work that she does,
542
00:35:36,020 --> 00:35:38,840
the amazing work she does,
helping women in Kenya and the
543
00:35:38,840 --> 00:35:39,440
UK.
544
00:35:39,920 --> 00:35:43,300
Yeah, it's fantastic. It's a
lovely union, isn't it?
545
00:35:43,780 --> 00:35:49,420
Oh, amazing, yeah, supportive. I
actually saw her off on her
546
00:35:49,420 --> 00:35:54,340
swim. We actually did the video
of her leaving. Oh, wow. It was
547
00:35:54,460 --> 00:35:59,380
the most amazing thing. Yeah, I
didn't want you to go. I was
548
00:35:59,380 --> 00:36:00,660
kind of like you don't have to go!
549
00:36:03,660 --> 00:36:07,860
Yes a big, a big shout out to
Gill, because it's tremendous
550
00:36:07,860 --> 00:36:11,760
courage, and it's very, very
purposeful what she's doing in
551
00:36:11,760 --> 00:36:16,020
her own right. And I love the
union between you both how art
552
00:36:16,260 --> 00:36:20,540
is helping to add visibility to
such important and and
553
00:36:20,540 --> 00:36:24,320
courageous work. It's a lovely
union. And of course, you
554
00:36:24,320 --> 00:36:29,000
continue to show solidarity and
support. And I think,
555
00:36:29,180 --> 00:36:34,220
currently with your mermaid
tour, you're also supporting the
556
00:36:34,280 --> 00:36:38,360
campaign. This Ends Now. Would
you like to share something on
557
00:36:38,360 --> 00:36:39,260
that? All these
558
00:36:39,260 --> 00:36:42,160
things tend to happen by
accident, you know? So my friend
559
00:36:42,160 --> 00:36:47,140
Sam, who's amazing on Instagram,
she sent me a link. She said,
560
00:36:47,140 --> 00:36:50,020
Oh, you've got to do this, Jane,
you've got to apply for this.
561
00:36:50,560 --> 00:36:55,300
And it's the campaign This Ends
Now, which I urge people to look
562
00:36:55,300 --> 00:36:58,480
at on Instagram. It's an
extraordinary campaign. And
563
00:36:58,480 --> 00:37:02,520
linked to that was an exhibition
called Words Matter in Newport
564
00:37:02,580 --> 00:37:10,140
in Wales. So I I submitted the
plaques from the Mermaid Army as
565
00:37:10,140 --> 00:37:15,300
something that might be nice for
the exhibition, because all the
566
00:37:15,300 --> 00:37:17,880
words that had been written on
the plaques, and also I had
567
00:37:17,880 --> 00:37:21,860
plaques that still needed to be
to be written on, didn't really
568
00:37:21,860 --> 00:37:24,320
think too much of it. Sent the
submission in, and they were
569
00:37:24,320 --> 00:37:27,860
like, Oh, that would be great.
Yeah, please. So I posted them
570
00:37:27,860 --> 00:37:32,600
to Newport. This was probably
about a year ago, I think yes,
571
00:37:32,600 --> 00:37:35,600
it would have been last
International Women's Day, and
572
00:37:35,600 --> 00:37:41,200
it was so well received that it
has gone on to do a tour of
573
00:37:41,200 --> 00:37:46,000
police stations working with the
police as to how crimes are
574
00:37:46,000 --> 00:37:51,340
reported in the press and how
words are used by the police can
575
00:37:51,340 --> 00:37:55,120
make a difference. Incredible,
incredible to be part of this, I
576
00:37:55,120 --> 00:37:59,080
told myself, and then I got an
email last night that there's
577
00:37:59,080 --> 00:38:02,760
actually going to be an
exhibition in Pontypridd museum
578
00:38:03,360 --> 00:38:09,120
from February 25 to April the
4th of the group exhibition
579
00:38:09,180 --> 00:38:15,420
of all the pieces of work that
deal with how women are reported
580
00:38:15,420 --> 00:38:18,420
and how words are used with
regards women and violence
581
00:38:18,420 --> 00:38:22,760
towards women in an exhibition.
And I'm just like, blown away
582
00:38:22,760 --> 00:38:26,120
that, yeah, that was a great
achievement. Yeah, it's a great
583
00:38:26,120 --> 00:38:26,960
achievement.
584
00:38:26,960 --> 00:38:32,420
Is still going and making a
difference, and that the plaques
585
00:38:32,420 --> 00:38:36,680
are actually part of that. Yes,
just it's mind blowing. So, yes,
586
00:38:36,740 --> 00:38:40,180
it's amazing, because I think
the premise behind my work has
587
00:38:40,180 --> 00:38:45,400
never been to actually
sell work
or make money out of my work.
588
00:38:45,400 --> 00:38:49,120
I've been very fortunate that I
have sold a lot of tiles that
589
00:38:49,120 --> 00:38:52,660
have helped do projects like
this and the community art
590
00:38:52,660 --> 00:38:55,960
project, but it was never what
was behind it. It's always been
591
00:38:56,920 --> 00:38:59,740
connections with other people.
I've always had a bit of my own
592
00:38:59,740 --> 00:39:02,820
sort of mantra that with
creativity, one thing leads to
593
00:39:02,820 --> 00:39:08,100
another if you allow it. And so
that's kind of how it how it
594
00:39:08,100 --> 00:39:09,060
goes, Really,
595
00:39:09,240 --> 00:39:12,720
yeah, yeah. And I think that's
really interesting, just to
596
00:39:12,720 --> 00:39:17,640
touch briefly, if you like, on
the sewing resistance. Because
597
00:39:17,940 --> 00:39:22,940
what interested me about that
was how you came to be part of
598
00:39:22,940 --> 00:39:29,360
the sewing resistance. But also
I saw you refer to the example
599
00:39:29,420 --> 00:39:35,720
of how quilting and patchworking
and textiles have, of course,
600
00:39:35,960 --> 00:39:40,040
been a very significant form of
voice for women, and
601
00:39:40,040 --> 00:39:45,280
particularly an example from
Chilean women and how they used
602
00:39:45,280 --> 00:39:49,720
it to create messages. And this
was during Pinochet's very cool
603
00:39:49,720 --> 00:39:54,340
dictatorship, which was between
'73 and 1990 I wondered if you
604
00:39:54,340 --> 00:39:59,080
would just like to touch on
that, because I love how what
605
00:39:59,080 --> 00:40:03,840
you can do currently can have
such a long history that
606
00:40:03,840 --> 00:40:06,780
continues to connect with women?
Yeah,
607
00:40:06,780 --> 00:40:11,280
when I found those Chilean,
Chilean patchworks in Tate
608
00:40:11,280 --> 00:40:14,160
Modern actually, that's where I
found them, when I when I
609
00:40:14,160 --> 00:40:19,440
learned about them, I started to
research knitting and resistance
610
00:40:19,440 --> 00:40:23,120
and so sewing and resistance and
the fact that it was a real
611
00:40:23,120 --> 00:40:25,940
thing, you know, like people
used to use knitting as, almost
612
00:40:25,940 --> 00:40:31,460
like a code, a coding system.
These women risked their lives
613
00:40:31,460 --> 00:40:35,000
knitting passing on messages
using stitches and things and
614
00:40:35,000 --> 00:40:38,780
patterns were used. Knitting
patterns had had messages in
615
00:40:38,780 --> 00:40:42,460
them and things. I was, like,
blown away that textiles could
616
00:40:42,460 --> 00:40:47,980
be so powerful. And around the
world, I just turned 50, and I
617
00:40:47,980 --> 00:40:51,640
bought, for the first time ever,
I actually bought a sewing
618
00:40:51,640 --> 00:40:56,920
magazine I'd had aborted on
numerous occasions, sewing I'd
619
00:40:56,920 --> 00:40:59,620
sort of like, Oh, I'm going to
be a sewer. I'd got patterns
620
00:40:59,620 --> 00:41:02,040
like, with my children, my poor
children, had to wear these
621
00:41:02,040 --> 00:41:06,540
things that I made. And I made
all their Builder Bear clothes.
622
00:41:06,600 --> 00:41:10,440
So I kept having these attempts
at sewing and kept aborting them
623
00:41:10,560 --> 00:41:14,640
because they were dreadful. But
then in 2020, I got this sewing
624
00:41:14,880 --> 00:41:18,600
magazine, and it had Sew over 50
in it. And I thought, oh, maybe
625
00:41:18,600 --> 00:41:22,460
I'll have another go at sewing.
And and I did, and I sort of
626
00:41:22,460 --> 00:41:26,540
joined so over 50 which is this
movement on Instagram. It's
627
00:41:26,540 --> 00:41:28,700
brilliant, actually, it's a
brilliant community on
628
00:41:28,700 --> 00:41:32,960
Instagram. And I met some
fantastic people around the
629
00:41:32,960 --> 00:41:37,340
world, some of them who I've
met. I recently met Judith, who
630
00:41:37,340 --> 00:41:41,260
I'd who I'd been sewing with in
who's in New Zealand, I met her
631
00:41:41,260 --> 00:41:44,560
for the first time, actually,
just a couple of weeks ago in
632
00:41:44,560 --> 00:41:48,520
Dunedin. So imagine that.
Imagine, imagine meeting
633
00:41:48,520 --> 00:41:51,580
somebody who you've been sewing
with online, and then you go
634
00:41:51,580 --> 00:41:53,500
meet them in real life. Yeah,
635
00:41:53,560 --> 00:41:56,920
another example of the the
wonderful connections that are
636
00:41:56,920 --> 00:41:59,260
made through arts and crafts,
yeah. And
637
00:41:59,260 --> 00:42:02,400
also, you know, the internet.
The internet's not all bad. It's
638
00:42:02,400 --> 00:42:06,120
a great way of connecting
people. So we, you know, made
639
00:42:06,120 --> 00:42:10,260
friends with two fantastic
women, Tina in Australia and
640
00:42:10,260 --> 00:42:13,920
Christine in Holland. Christine
actually got me into a Dutch
641
00:42:13,920 --> 00:42:17,400
museum by making one of the
national skirts, which, wow,
642
00:42:17,400 --> 00:42:20,480
which is incredible, absolutely
incredible. I've actually, I'm
643
00:42:20,480 --> 00:42:23,120
actually in a Dutch Museum,
which is extraordinary. Yes,
644
00:42:23,120 --> 00:42:29,300
fantastic. And so Vintage Tina
and Stein Makes, that's their
645
00:42:29,300 --> 00:42:32,900
Instagram names. We just for fun
because we it was the pandemic
646
00:42:32,900 --> 00:42:36,680
and we had nothing else to do.
We started the Sewing Resistance
647
00:42:36,740 --> 00:42:40,820
as just a fun thing, and we did
these quite silly, fun things.
648
00:42:40,820 --> 00:42:43,480
And it was a way of kind of
bringing people together, I
649
00:42:43,480 --> 00:42:48,580
think. And, yeah, it's just
incredible that I think the
650
00:42:48,580 --> 00:42:51,460
sewing embarking on the sewing
and the Sew Over 50 in the
651
00:42:51,460 --> 00:42:55,540
community and and the people
that I met through sewing around
652
00:42:55,540 --> 00:42:59,680
the world started
me off
actually, I think building my
653
00:42:59,680 --> 00:43:04,560
confidence to actually explore
my own art and creativity,
654
00:43:04,680 --> 00:43:07,620
because I'd been doing ceramics
since my eldest daughter was
655
00:43:07,620 --> 00:43:12,060
born. So Millie was born in 1998
and so for 26 years, I've been
656
00:43:12,060 --> 00:43:15,900
doing ceramics, but it was my
girls and some friends and these
657
00:43:15,900 --> 00:43:20,340
experiences that sort of
encouraged me to have a go at
658
00:43:20,340 --> 00:43:24,440
just going out there and
exhibiting work and, heaven
659
00:43:24,440 --> 00:43:27,980
forbid, maybe even trying to
sell it. I wouldn't have had the
660
00:43:27,980 --> 00:43:31,760
confidence before. So they all
kind of built up. And the sewing
661
00:43:31,760 --> 00:43:36,380
resistance and the silly things
that I did with friends online,
662
00:43:36,740 --> 00:43:40,180
we did all sorts of crazy,
crazy, silly things. But this
663
00:43:40,180 --> 00:43:43,420
is a lovely result of, if you
like healthy curiosity, isn't it
664
00:43:43,420 --> 00:43:46,060
being prepared to try something
new? And
665
00:43:46,120 --> 00:43:49,840
I'll just quickly, it was just
fun. That was the thing, you
666
00:43:49,840 --> 00:43:50,140
know, yeah,
667
00:43:50,140 --> 00:43:53,020
again, it goes back to the
importance, doesn't it, of fun
668
00:43:53,020 --> 00:43:58,240
and joy and celebration? Yeah.
I'll just quickly interject for
669
00:43:58,240 --> 00:44:03,540
the listeners, because we were
referencing the significance of
670
00:44:03,540 --> 00:44:07,980
Chilean women in the past and
their textiles to convey
671
00:44:08,340 --> 00:44:12,840
messages of human rights
violations during the Pinochet
672
00:44:12,840 --> 00:44:16,740
regime. That in this same
season, season eight, I've also
673
00:44:16,740 --> 00:44:21,980
interviewed Professor Erica
Verber, who is the biographer of
674
00:44:22,700 --> 00:44:28,160
Violeta Parra who is Chile's
most famous woman artist and
675
00:44:28,160 --> 00:44:34,280
activist. Prior to her death in
1967 she was responsible for not
676
00:44:34,280 --> 00:44:40,220
only protest songs, all sorts of
artwork, painting, tapestries,
677
00:44:40,220 --> 00:44:45,340
ceramics, but equally, using
textiles and art to convey
678
00:44:45,340 --> 00:44:48,640
truth, to give voice. So I just
thought I'd make that
679
00:44:48,640 --> 00:44:52,000
connection, if listeners would
like to explore that Chilean
680
00:44:52,360 --> 00:44:54,520
history in further depth.
681
00:44:55,720 --> 00:44:59,500
Ravelry was a great one. Ravelry
the Pussy Hat Movement and
682
00:44:59,500 --> 00:45:02,940
things like. That all these
things are just so so fantastic.
683
00:45:02,940 --> 00:45:08,280
It's such a great way to protest
and join together and organize
684
00:45:08,280 --> 00:45:13,140
groups of people. It, yeah, it's
quite incredible. The I, I'm
685
00:45:13,200 --> 00:45:16,740
just trying to remember some of
the things that that people
686
00:45:16,740 --> 00:45:19,260
submitted to the Sewing
Resistance. There was fantastic
687
00:45:19,260 --> 00:45:23,540
things about bees and women's
rights, and people put together
688
00:45:23,540 --> 00:45:26,840
these amazing things, but they
did it through patchworks on
689
00:45:26,840 --> 00:45:30,500
their clothes. And, oh, it's
just great. It was really fun.
690
00:45:30,560 --> 00:45:34,280
It was really fun, and and it
just brought people together.
691
00:45:34,280 --> 00:45:36,680
And, yeah, it was really
empowering, actually. And I
692
00:45:36,680 --> 00:45:40,780
think it one of these things. I
know one of my friends from that
693
00:45:40,780 --> 00:45:45,700
has gone on to dye her own wool.
Then she she sells it in markets
694
00:45:45,700 --> 00:45:49,420
now, you know, in up north and
and another woman changed her
695
00:45:49,420 --> 00:45:53,380
job. It's just fantastic. You
know, I think we gave each other
696
00:45:53,380 --> 00:45:57,700
that confidence. And, you know,
we had each other's backs to,
697
00:45:57,700 --> 00:46:00,540
kind of like, encourage each
other to do different things and
698
00:46:00,900 --> 00:46:04,260
and inspired each other. You
know that you could do things,
699
00:46:04,560 --> 00:46:10,200
yeah, yeah. And it's new
pathways and owning your own and
700
00:46:10,200 --> 00:46:14,880
developing your own identity, a
bit like the man you mentioned,
701
00:46:14,880 --> 00:46:18,660
who was recovering from
alcoholism, who from a tile
702
00:46:18,660 --> 00:46:21,440
workshop, went on to do a
pottery. Course, these are all
703
00:46:21,440 --> 00:46:26,180
significant pathways for change,
and actually in terms of
704
00:46:26,360 --> 00:46:31,940
identity and empowerment, this
is a good time to mention your
705
00:46:31,940 --> 00:46:35,780
current exhibition, which is at
the Liminal Gallery in Margate
706
00:46:36,140 --> 00:46:40,420
called Long and I understand
you're exploring through
707
00:46:40,420 --> 00:46:44,440
ceramics, the cultural
significance of long hair in
708
00:46:44,440 --> 00:46:48,340
relation to femininity, identity
and power. I wondered if you'd
709
00:46:48,340 --> 00:46:51,280
like to share a little on that
with the listeners. Yeah,
710
00:46:52,000 --> 00:46:56,140
it's I'm still pinching myself
from yesterday of how many
711
00:46:56,140 --> 00:47:01,860
people came to look at this
little installation and shared
712
00:47:01,860 --> 00:47:07,260
their own stories with me and
their own experiences. It was
713
00:47:07,560 --> 00:47:11,640
quite something. So the
installation is inspired by a
714
00:47:11,640 --> 00:47:15,360
photograph that I inherited from
my grandma. It's my maternal
715
00:47:15,360 --> 00:47:19,140
family. So it's my great
grandma, Emily, and the stories
716
00:47:19,200 --> 00:47:22,760
that my grandma, my grandma,
Phyllis used to tell me when I
717
00:47:22,760 --> 00:47:26,540
was a teenager. So I'm
from
Bronte country. I think that's
718
00:47:26,540 --> 00:47:27,560
quite important.
719
00:47:27,560 --> 00:47:28,880
I'm from the grim north.
720
00:47:30,140 --> 00:47:32,900
I think you said you were born
in a snowstorm where birds
721
00:47:34,160 --> 00:47:37,280
fly backwards. Yes, born on the
Moors in a snowstorm. March the
722
00:47:37,280 --> 00:47:41,080
first. It's true. It's actually
true. I can't believe my mum
723
00:47:41,080 --> 00:47:45,820
told me that, but it is true.
And my Nana Phyllis used to tell
724
00:47:45,820 --> 00:47:49,060
me these stories. She, you know,
she had these photographs.
725
00:47:49,060 --> 00:47:51,760
Unfortunately, I don't have all
the photographs. I inherited,
726
00:47:51,760 --> 00:47:55,120
about a dozen that she said I
had to look after, but she used
727
00:47:55,120 --> 00:47:58,540
to get this tin of photos out.
And my nan had been a chorus
728
00:47:58,540 --> 00:48:01,740
girl, and she'd but she'd burnt
most of the photographs when my
729
00:48:01,740 --> 00:48:06,540
granddad died, but she had these
photos that she kept. And as
730
00:48:06,540 --> 00:48:11,760
people died, she'd cut their
faces out. And it apparently is
731
00:48:11,760 --> 00:48:14,160
quite a thing. You know it was,
it was respectful, because you
732
00:48:14,160 --> 00:48:17,700
were letting their spirit rest.
That was her philosophy. How
733
00:48:17,700 --> 00:48:20,720
interesting. Yeah. So she had
these, like photographs with
734
00:48:20,720 --> 00:48:24,020
faces cut out, and she used to
tell me all the stories behind
735
00:48:24,020 --> 00:48:26,900
the photograph. Now, as a
teenager, I was little Gothic
736
00:48:26,900 --> 00:48:30,260
teenager in Leeds, Bradford, you
know, was into the cure and the
737
00:48:30,260 --> 00:48:34,280
cult, but I still, still
struggled with my Nana's Gothic
738
00:48:34,280 --> 00:48:39,200
stories. She'd tell me all these
stories, and it'd be the same
739
00:48:39,200 --> 00:48:42,940
story and over and over again.
And I adored my Grandma. She was
740
00:48:42,940 --> 00:48:46,660
so funny. But then, but then,
she had these photographs of her
741
00:48:46,660 --> 00:48:49,600
mother, of my great grandma,
Emily. And, you know, she used
742
00:48:49,600 --> 00:48:54,100
to have this incredible long
hair, and she had a photograph
743
00:48:54,100 --> 00:48:57,400
of her with her hair long, and a
photograph with her hair up. And
744
00:48:57,400 --> 00:48:59,920
she'd tell me, you know, about,
you know, oh, she wouldn't get
745
00:48:59,920 --> 00:49:04,320
it cut, and it killed her, you
know, it killed her. And, and
746
00:49:04,320 --> 00:49:07,080
she'd say things like, she got
new money, she got pneumonia
747
00:49:07,080 --> 00:49:09,960
more than once, because I'd be
plaiting her hair in front of
748
00:49:09,960 --> 00:49:12,960
the fire, and she'd go out with
it wet. And, and I remember
749
00:49:12,960 --> 00:49:16,740
thinking, Oh, nanny is, you
know, so dramatic. And then I
750
00:49:16,740 --> 00:49:19,680
got these photos out, and I was
showing my own children them.
751
00:49:19,680 --> 00:49:23,420
And I just, I don't know. I
just, I think, I don't know how
752
00:49:23,420 --> 00:49:26,780
your phone does this, but it
starts feeding you information.
753
00:49:27,200 --> 00:49:30,980
And there's an amazing Instagram
account called History with Amy.
754
00:49:30,980 --> 00:49:33,980
It's fantastic. If you haven't
seen it, have a look at it. And
755
00:49:33,980 --> 00:49:38,060
she did this thing about
Victorian women and long hair. I
756
00:49:38,600 --> 00:49:40,840
was like, Oh, my God, that's out
the photograph of my great
757
00:49:40,840 --> 00:49:44,800
grandma, Emily, and it turns out
that they did get these terrible
758
00:49:44,800 --> 00:49:49,060
headaches. They did die. And I
started doing a bit of research,
759
00:49:49,060 --> 00:49:53,080
and the chances are that my
grandma, you know, while being
760
00:49:53,080 --> 00:49:56,020
probably a little bit dramatic,
was actually there was some
761
00:49:56,020 --> 00:49:59,620
truth in that, you know, she did
have terrible headaches. She did
762
00:49:59,620 --> 00:50:03,900
get. Pneumonia and things and
and who knows whether her hair
763
00:50:03,900 --> 00:50:07,680
did kill her or not, but she did
die young. And then I found out
764
00:50:07,680 --> 00:50:10,620
things like Empress Elizabeth of
Austria, who has the most
765
00:50:10,620 --> 00:50:14,760
amazing quote, which is, "I'm a
slave to my hair." And she used
766
00:50:14,760 --> 00:50:18,420
to get her hair combed, and if,
if hairs came out, the
767
00:50:18,420 --> 00:50:22,040
attendants had to put it into a
ceramic bowl for her to examine.
768
00:50:22,520 --> 00:50:29,540
Oh, wow. And this was time of my
great grandma, Emily. It's
769
00:50:29,540 --> 00:50:32,780
exactly the same time, yeah. And
these, there's a number of these
770
00:50:32,780 --> 00:50:37,040
photographs. I found a few of
them now, and they're very
771
00:50:37,040 --> 00:50:39,740
intimate. So these photographs
were taken and they were
772
00:50:39,740 --> 00:50:42,340
intimate photographs. They
weren't for public display. They
773
00:50:43,660 --> 00:50:47,980
were very private. And you know
my grandma, when she when she
774
00:50:47,980 --> 00:50:50,800
turned into a teenager, my great
grandma would have had to have
775
00:50:50,800 --> 00:50:55,900
her hair up and it would have
had to been covered. And I just
776
00:50:55,900 --> 00:50:59,860
by looking at my own heritage
and my own culture, I kind of
777
00:50:59,860 --> 00:51:03,600
can see parallels with other
cultures now, where women are
778
00:51:03,840 --> 00:51:08,100
expected to have their hair up
or covered, and we seem so far
779
00:51:08,100 --> 00:51:11,820
removed from that, but we're not
really, because it is in our in
780
00:51:11,820 --> 00:51:16,200
our own ancestry, our own
grandparents. So so it's been
781
00:51:16,200 --> 00:51:18,660
really interesting to look at
that. With this particular
782
00:51:18,660 --> 00:51:21,620
installation. I'm only looking
at my own heritage and my own,
783
00:51:21,620 --> 00:51:25,820
my own culture and my own, my
own sort of ancestry, my own
784
00:51:25,820 --> 00:51:30,260
grandparents. But everybody's
got a relationship with hair in
785
00:51:30,260 --> 00:51:33,800
some way, and so having the
mirror there, you can see
786
00:51:33,800 --> 00:51:36,080
yourself, and you can start
questioning your own
787
00:51:36,320 --> 00:51:40,660
experiences, your own history,
with your own hair, but also our
788
00:51:40,660 --> 00:51:44,080
own prejudices as well. And one
of the I've been really
789
00:51:44,080 --> 00:51:50,140
fortunate to have four living,
long haired people who who are
790
00:51:50,140 --> 00:51:54,520
my Muses and models in this
exhibition. And they've all
791
00:51:54,520 --> 00:51:58,660
they've been amazing, amazing
women, and they've all provided
792
00:51:58,660 --> 00:52:03,720
me with great quotes and great
stories. And one of the stories
793
00:52:03,780 --> 00:52:08,340
is that somebody actually, this
particular person, was there in
794
00:52:08,340 --> 00:52:13,080
the room with their long hair.
And a person actually had the
795
00:52:13,140 --> 00:52:17,040
audacity to say another woman
came in bit disheveled, and he
796
00:52:17,040 --> 00:52:21,020
actually said, "You can always
tell how mad a woman is by how
797
00:52:21,020 --> 00:52:29,060
long her hair is." Wow. And how,
like, you know, people will, you
798
00:52:29,060 --> 00:52:31,940
know, describe them as, oh, that
person with the long hair, or
799
00:52:32,780 --> 00:52:36,020
one of the models is actually a
redhead, so she brings a whole
800
00:52:36,020 --> 00:52:37,700
new sort of, like story.
801
00:52:38,660 --> 00:52:44,020
Yeah, so many preconceived ideas
and prejudices. Yeah, and,
802
00:52:44,020 --> 00:52:47,500
you know, and women are guilty
too of judging men by whether
803
00:52:47,500 --> 00:52:51,280
they do or don't have hair. So
that's another great angle to
804
00:52:51,280 --> 00:52:54,580
the whole installation. My
narrative in it is actually
805
00:52:54,580 --> 00:52:58,540
quite small. You know, the
mirror provides a much bigger
806
00:52:58,540 --> 00:53:02,700
narrative, which people bring to
it with their own stories and
807
00:53:02,700 --> 00:53:06,660
their own ideas and and then,
yeah, you know, their own
808
00:53:06,660 --> 00:53:10,980
experiences. Yeah, it's
relatability, which I think all
809
00:53:10,980 --> 00:53:15,840
of your work is, is so good at
offering. And a big shout out to
810
00:53:15,840 --> 00:53:20,840
the Liminal Gallery in Margate
for supporting local artists so
811
00:53:20,900 --> 00:53:25,400
positively, yeah, it's an
amazing, amazing space. We're so
812
00:53:25,400 --> 00:53:29,660
fortunate to have Liminal
Gallery and, yeah, amazingly
813
00:53:29,660 --> 00:53:34,820
curated by Louise Fitzjohn, who
runs that, that gallery, in that
814
00:53:34,820 --> 00:53:38,300
gallery space and the online
space and the podcast. She's so
815
00:53:38,300 --> 00:53:41,980
encouraging and so incredible
and so professional. Yeah, to
816
00:53:41,980 --> 00:53:46,240
have this opportunity, I
literally am kind of like just
817
00:53:46,240 --> 00:53:47,560
checking I'm really alive.
818
00:53:49,420 --> 00:53:52,720
It's really positive, it's
really exciting. And so Jane,
819
00:53:52,720 --> 00:53:57,280
because, because we've crept
over time, I should move to the
820
00:53:57,280 --> 00:54:01,860
last question, which I ask
everybody, which is the series
821
00:54:01,860 --> 00:54:05,040
question, Can art save us?
822
00:54:06,060 --> 00:54:12,060
Yeah, definitely, definitely, I
think it does, you know,
823
00:54:12,840 --> 00:54:18,420
the arts. So, art, music, drama,
theater, literature, yeah, they
824
00:54:18,420 --> 00:54:23,180
can even, you know, reading a
book can save you. Being
825
00:54:23,180 --> 00:54:27,140
involved in in any sort of art
projects, arts projects, going
826
00:54:27,140 --> 00:54:32,000
to the theater, so many things
can save you. You know how they
827
00:54:32,000 --> 00:54:36,800
save you is up to you, really.
They can save you in lots of
828
00:54:36,800 --> 00:54:39,500
ways. They can make you rethink
something.
829
00:54:39,920 --> 00:54:43,660
And I think as your work
illustrates it, can save you
830
00:54:43,900 --> 00:54:47,620
simply through the power of
connection and social
831
00:54:47,620 --> 00:54:48,460
connection.
832
00:54:48,700 --> 00:54:53,140
And I know that art saved me on
more than one occasion,
833
00:54:53,200 --> 00:54:56,020
sometimes just looking at
something, reading something,
834
00:54:56,200 --> 00:54:59,560
watching something the telly,
binge watching the telly, can
835
00:54:59,560 --> 00:55:03,600
save you. You, and that's art.
You know, so many things can
836
00:55:03,600 --> 00:55:08,760
save you. Graphic Art can save
you. You know, advertising,
837
00:55:08,880 --> 00:55:13,680
there's so many, art is such a big
thing. And community arts just
838
00:55:13,680 --> 00:55:16,920
one little bit of it. But yeah,
listening to it, listening to a
839
00:55:16,920 --> 00:55:19,140
piece of music that changes your
mind.
840
00:55:19,860 --> 00:55:23,480
It's about the relationship,
isn't it, how we respond to any
841
00:55:23,480 --> 00:55:24,980
of the art forms? Yeah,
842
00:55:25,220 --> 00:55:28,820
yeah. I always joke with some of
the young people that I've sort
843
00:55:28,820 --> 00:55:32,900
of taught and been lucky enough
to watch grow up and things, and
844
00:55:32,900 --> 00:55:36,200
I've said one of the best dates
you can have, honestly, is go to
845
00:55:36,200 --> 00:55:38,840
an art gallery with somebody,
because you'll you'll definitely
846
00:55:38,840 --> 00:55:41,420
know whether it you know that
somebody you want to spend time
847
00:55:41,420 --> 00:55:45,580
with or not. And I think it's
been able to have a conversation
848
00:55:45,580 --> 00:55:48,940
about something, whether you
agree or disagree, what your
849
00:55:48,940 --> 00:55:52,120
opinions are, what you might
feel or think about something.
850
00:55:52,600 --> 00:55:56,440
And the arts can do that. Music
can do that. Reading can do
851
00:55:56,440 --> 00:55:59,500
that. Telly can do that. You
know, opening up those
852
00:55:59,500 --> 00:56:02,940
conversations where you can
learn more about each other and
853
00:56:02,940 --> 00:56:07,140
learn more about yourself. All
that, I think, saves us.
854
00:56:07,260 --> 00:56:11,280
But all of the examples are so
positive because it is just
855
00:56:11,280 --> 00:56:16,200
about opening up dialog and
understanding and relatability
856
00:56:16,200 --> 00:56:19,380
and sharing. So I think
everything you touched on really
857
00:56:19,380 --> 00:56:23,480
highlights those values. It's
been so useful to talk to you
858
00:56:23,480 --> 00:56:27,980
about all of these projects.
Jayne, I know we're over time, so
859
00:56:27,980 --> 00:56:30,500
I can't thank you enough for
fitting this in, particularly
860
00:56:30,500 --> 00:56:32,660
when you've had a particularly
hectic time. Yeah,
861
00:56:32,660 --> 00:56:36,440
I hope I've made sense. I'm kind
of a bit blurry, still waking up.
862
00:56:36,440 --> 00:56:36,680
No,
863
00:56:36,680 --> 00:56:39,620
not at all, not at all.
It's been really interesting to
864
00:56:39,620 --> 00:56:45,100
talk this through. So sending
lots of love to Margate, where I
865
00:56:45,100 --> 00:56:50,080
grew up as a kid. Yes come
back soon. Yeah, no, I continue
866
00:56:50,080 --> 00:56:55,900
to visit. I still have family.
and friends there. And you know
867
00:56:55,960 --> 00:56:59,620
all the luck in the world as
your projects continue, and
868
00:56:59,620 --> 00:57:03,780
particularly the Tiles of Joy,
which will continue throughout
869
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this year and also to the
listeners, thank you, of course,
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00:57:07,440 --> 00:57:11,280
for joining us. Please remember
to share this free to listen
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00:57:11,280 --> 00:57:15,360
series wherever you can, or any
of the episodes you like to help
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00:57:15,360 --> 00:57:19,140
make the arts all of ours. Thank
you again, Jayne. I really
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00:57:19,140 --> 00:57:20,720
appreciate your time. Thank
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00:57:20,720 --> 00:57:23,240
you, thank you for your time and
thank you for everybody who's
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00:57:23,240 --> 00:57:23,840
listened.