UDSKRIFT 🔗
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Welcome back, computers, to the Beyond Artless podcast.
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We're kicking off season five with a great guest box.
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We're gonna talk music and teaching arts advocacy.
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We have plenty of laughs and just enough useful information to make this feel somewhat useful.
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Well, the Empire strikes a budget because apparently, even in a galaxy far, far away, someone still has to approve a purchase order.
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So turn up the volume, settle in, and get ready.
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Beyond Artless is back.
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There you go.
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Does that look better?
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No.
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Five years in and we're just starting to figure it out.
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Now there's a little bit of a new buttons, though.
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Yeah, look at that.
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There's a red box.
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Okay.
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This is exciting.
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This is good.
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This is like a whole new box spot for people and chatting.
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Wow.
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Maybe we'll build a bigger one.
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Is there like a little box that says poor content?
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That's your box.
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Oh, that's mine.
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That's right.
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That's right.
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Okay.
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Sorry.
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Okay.
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Oh my gosh, boys, I can't even tell you how much I've missed you both.
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Not seeing you every week.
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Start with lies.
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Okay.
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I want to say the same thing.
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I do.
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I want to say the same thing.
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I won't, but I want to say the same thing.
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Um, okay.
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So let's review everything you did this summer.
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Here we go.
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It's gonna be a four-hour podcast.
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Well, Peter's Peter's summer lasted from like late December until now.
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Yes, that is exactly right.
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It's been an eight-month summer, it's been beautiful.
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Good for you.
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Um I rewrote my conducting book.
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Uh went to Red Lodge in Montana.
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That was amazing as always.
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Taught on our grad program, a bunch of new
Load full transcript
people in the grad program this year, so that was fun.
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And um hanging out with my fam.
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It's been great.
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Relaxing.
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How about you, Philip?
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Uh you did a lot of playing.
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You did a lot of playing.
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Uh I I worked more this summer than I have ever worked in a summer ever.
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Uh six weeks of Broadway, two weeks of teaching at Shell Lake, um, and then uh just a little bit of recovery the last couple of weeks.
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Just sort of bring slowing it down, and then some.
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And then some.
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Uh Christopher, did you get those standards rewritten or where are you?
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Standards are rewritten.
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They're under uh public review right now, public comment, and then uh hopefully get them finalized by I can make a public comment.
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You can.
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You can make a public comment just like this.
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Hey, and then we get to see I'm sure they're amazing.
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With and then we're gonna do it with art and design and dance.
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So it's not over.
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We're just gonna add some more art onto it.
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Yep, it's all good.
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Can't complain.
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It's been a good summer.
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Are your well-being are your committees for art uh and design and dance?
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Are they uh do you have some uh a committee set up yet?
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Where are you?
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Not yet, because that's it's that's open for review, meaning that folks can go and and uh write comments.
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If we should review them, they may not be re you know, might not go up for free write, but we'll see.
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We'll see what happens.
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But um, yeah, the world of DPI is just fine.
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Thank you.
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Thanks for asking.
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I know you were concerned.
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You are I was up nights one time back back in late May, with just one night.
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You're thinking about it.
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And and it wasn't about DPI, it was just in general and no, I was just trying to remember what those uh initials stand for.
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I just dotsprint?
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Is that it?
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Yeah, no, I should go back and listen to some of those podcasts.
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No, I'm excited.
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Season five.
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This it's gotta get better.
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It's gotta get better.
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Um and I'm I'm I'm optimistic.
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Oh, yeah.
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We've had a summer to reflect on the wrongs that we've done on the podcast world.
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And uh now we're gonna write right some of those wrongs and create some new wrongs.
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You know what right would, dear lord, Hobberman take two.
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You know what would write a wrong if we had less banter.
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Ready?
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Here we go.
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We have a guest today.
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Our guest grew up in small town, South Dakota, where the world's largest just grain palace is, not Corn Palace, Grain Palace.
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Didn't know they had Green Palace.
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It's an upgrade.
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Town has eight hundred.
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I feel like Peter's friends are only in sort of the Dakota region.
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I don't have friends.
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Yeah, which is we have uh this this human had nine band directors in eight years of public school.
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Oh wow, one private teacher the whole time.
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One private teacher, right?
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And most people uh aren't as resilient through that, but she's amazing.
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And actually, one of the things she noticed even as a student was those that had that community-minded uh teaching really built a program that was far, you know, stronger.
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So there's lots of good uh teachers in there too.
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Uh has a former student who was a comedian and is very concerned that they're in the act because of this student.
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We'll leave it at that.
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This person took a trip to the Grand Canyon skydiving with their niece, the instructor, which would be awesome.
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Have you ever skydived?
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No, I didn't.
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I would not do that.
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You've done it twice, Phil?
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We gotta ask about that.
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Please don't tell my family.
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Just keep it keep it quiet.
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Was it this year that you did that?
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Or it's not anyway.
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Uh was skydiving with their niece.
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The instructor's name was Dakota, so that felt like a good sign.
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Everything was great.
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Landed, came home, walked in the
door, tripped over a chair in the dark, broke her toe.
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Everyone thought she broke.
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Oh, hilarious.
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Not supposed to laugh.
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Not supposed to laugh.
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That means that's great.
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Oh, okay.
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Uh, undergraduate at Mount Marty College, went off to do uh great teaching, adjunct flute instructor at the University of South Dakota, has taught elementary and adult students in the private studio, great musician and player, taught elementary general music and instrumental music for 18 years in the public schools, both small, rural, and large suburban settings as well.
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Masters from the University of Manitoba, PhD from the University of Minnesota, uh, was the program coordinator uh for undergraduate and graduate music education at the University of Central Arkansas for nine years, and now is my colleague.
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This is one and only Dr.
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Jennifer Hawkinson.
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Oh, we're starting big.
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Yeah, that's a good choice.
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That's a good choice.
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Hey friends.
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Hello.
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Nice to see you all.
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We're gonna actually have to like be better now.
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Just saying it's gonna be.
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I've hung out with two of you at a time in different settings, but this is the first time with the whole trifecta together.
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It doesn't help.
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It's better, it's a worse.
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It's like an exponential error.
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Yeah.
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It's like two of us are dumb.
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Three of us are really stupid.
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You put us all together, it just gets worse.
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There's another story.
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Wait, I forgot to say which we don't obviously talk about, but um, Jen, do you want to tell them about your second marching band parade ever?
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Sure.
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Yeah.
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So we had a homecoming parade in this small rural community, and I'm the only band director.
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So I went through with the junior high band, and then the high school band ends the parade, and we circle up around a big flag in the middle of Main Street downtown and do a pep rally afterward, right?
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For the game.
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So this is homecoming.
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I'm I'm going through with the junior high students.
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I go through with
the high school students.
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Afterward, one of the trumpet players comes up to me and said, Yeah, my trumpet doesn't work, and shows me his trumpet, and the bell is just flattened.
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Everything in front of all the tubing is just flat.
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I'm like, what happened?
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He said, Well, I set my trumpet on the ground.
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That ran over.
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And it got run over by the science teacher.
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The science teacher ran over the trumpet.
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I love it.
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He had pulled backed into the parking spot and apparently accidentally put it in reverse when he got in, and he hopped the curb across the sidewalk and onto the grass.
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So it was sitting right next to our brand new set of tenors.
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So at least those were spared and they didn't turn into two things.
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I mean, better a trumpet.
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I mean, yeah, really.
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That probably didn't matter with the sound either.
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But yeah, no, I get that.
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Middle school.
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That makes sense.
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Logical almost.
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Yeah.
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Gotta love that.
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Wow.
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The things that happen.
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Yeah, right.
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We were actually able to get it fixed, which was astounding.
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It's amazing.
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I love it.
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Okay.
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Skydiving.
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And then you torqued your toe at the Yeah, like I can, and this when you skydive the Grand Canyon, the drop zone's like 16,000 feet.
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So it's one of the taller jump zones in the U.S.
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So it was great.
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My dad was 82nd Airborne.
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So he talked all the time about how jumping out of a plane was like the biggest thrill ever.
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Um, and he would take jumps for guys who are afraid of heights.
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I don't know how you get into the 82nd airborne if you're afraid of heights.
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But anyway, um, people would pay him to wear their flight, their jacket, and jump out of the plane because they didn't look at their faces.
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They just checked their name on the thing and they checked it off the list.
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So we went and did this jump and it was great.
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And like super good, one of the best things I've ever done.
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But yeah, I walked into the laundry room in the dark when I got home and didn't realize that my husband had put a stool there.
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I just drilled straight into it, broke my toe.
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I was in a boot for like weeks.
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It was tore terrible.
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Everybody's like, oh my gosh.
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You know, everyone assumed that this happened on the skydive, but it didn't.
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So how did you skydive twice and your family doesn't know?
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Uh they they do.
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They just don't like to be reminded of it.
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Um, but I was um the first time I don't I I want to say that I did it willingly, but I don't I think that might be a stretch.
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Um, I was with friends and sort of somewhere in between bullied and peer pressured into going.
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Uh and I made it.
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Uh I was strapped to a a guy named Gary with limited dental work.
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And uh we we jumped out of the plane and uh and and and survived.
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Uh and then the second time was uh with the Go ahead.
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I so you thought I should do that again with Gary.
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Yeah, the second time was uh same set of people, but we all went willingly.
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And then that was the end.
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That was the that was the end of it.
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There uh I sometimes when you live in the in Kansas, there's you're looking for things to do.
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And so this is before children.
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This is before like, you know, you you yeah, yes.
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It was, it was, but I did not break anything.
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Uh that would have that's uh sad.
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Yeah.
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Well I didn't either technically.
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Not uh not on the trip.
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It was after I got home.
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So I can do the big things well.
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Right, right.
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Yes, the little things.
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And safely.
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The little things are a struggle, I guess.
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It's better than the alternative, than flipping that around, right?
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Yeah, right.
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Otherwise, that's that's so good, right?
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Um, Peter's one of my favorite things about my new colleague.
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What?
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Well, I was gonna say you're gonna kick us off season five with a really good question.
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Here we go.
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Here it is.
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Build it up.
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I don't really have a let's go, but this is you're gonna start strong.
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Start strong.
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Okay, now I'm sweating.
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Hold on a second here.
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It doesn't take much room to sweat.
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I'm stretching out.
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I gotta stretch out now.
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I gotta get lean them at the side, a little bit of that.
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Chris, get the timer going.
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Set the timer.
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One of my favorite things about teaching with Dr.
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Hawkinson is that not only is she a phenomenal music educator and teacher of teachers, she's also a great band director.
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So my question is, Jen, with all your success in your time in the public schools, why did you leave teaching in the public schools to do what you do now?
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When I was an undergrad, I thought I was gonna get my doctorate someday.
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I just knew I would.
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Right.
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I have no reason to think why I would, why I would even do that because now no one in my family had gone to college.
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So even as an undergrad, I knew I was gonna go and get a couple more degrees eventually.
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And after I'd taught for a while, I kind of decided that I needed, I really wanted to work on my conducting, just not only for myself, but so that I could help my students in their musicianship and be able to do more.
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And I wanted to be better for them.
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So I did my uh master's degree in conducting in Canada with Dale Wanus.
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Um, and I also studied a little bit with Fraser Link later during that time too.
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Um, he's actually the one who helped me get through the degree at the end because Dale had become sick and was not able to help me out through the recital part of that, which I did at home with players that I was playing with in the Dakota Wind Ensemble, which was super good.
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Um and so I did that while I was teaching.
00:13:25.360 --> 00:13:38.399
Like I would leave for six weeks and bandcamp is going on and um come back and we'd be in, we'd be in everyday bandcamp charting drill and doing all the things, and it was great.
00:13:38.639 --> 00:13:51.120
And at the point that, and I had been thinking about doing a doctorate for a long time, but I had a really great job, you know, the the the trifecta of things that you don't want to leave.
00:13:51.279 --> 00:13:59.919
You've got great students, you've got great administrative support, and the parents and families are like on your side, like totally.
00:14:00.000 --> 00:14:01.279
It was so beautiful.
00:14:01.519 --> 00:14:05.120
And I thought, man, why do I want to screw this up?
00:14:05.360 --> 00:14:05.679
Right.
00:14:05.919 --> 00:14:08.960
So I'm gonna why would I leave?
00:14:09.120 --> 00:14:11.919
And you and this was before you could get it.
00:14:12.000 --> 00:14:17.519
There's a few programs now where you can get a doctorate with a minimum amount of time on campus.
00:14:17.919 --> 00:14:21.440
Um, and I actually have a couple of friends who did that.
00:14:21.600 --> 00:14:33.039
Um, but I just thought, okay, it really was, I turned 40 and I went, if I'm ever gonna do this, I've got to do it now or just forget that I'm ever gonna do it.
00:14:33.360 --> 00:14:36.639
And um, that was kind of the impetus to do it.
00:14:36.720 --> 00:14:38.480
So I applied at the University of Minnesota.
00:14:38.559 --> 00:14:49.279
It was the only place I would be so mad at students if they did that and applied at one place, but it was close by and my husband didn't have to move, and we could make that work.
00:14:49.519 --> 00:14:50.240
So I did that.
00:14:50.639 --> 00:14:50.960
Yeah.
00:14:52.320 --> 00:14:53.759
And you're good, that's really cool.
00:14:53.919 --> 00:14:58.559
And then um Central Arkansas just did it all.
00:14:58.960 --> 00:14:59.919
Did it all.
00:15:00.240 --> 00:15:00.720
Mm-hmm.
00:15:01.120 --> 00:15:01.600
Yeah.
00:15:01.840 --> 00:15:05.120
Um undergraduate and music ed.
00:15:05.360 --> 00:15:18.720
I was the program coordinator for instrumental music ed and area head for music ed after my I had a colleague that had been there for longer um who hired me, and then she went on to new opportunities.
00:15:18.799 --> 00:15:24.799
And so at that point, then I kind of took those things over and was in charge of graduate music education also.
00:15:25.120 --> 00:15:29.919
So we had a that program was a combo of people who did it in person and some people who did it online.
00:15:30.720 --> 00:15:34.080
And you're back on the box, you're conducting a Concordia now.
00:15:34.240 --> 00:15:39.440
Is that a welcomed thing or something that adds a lot to the table?
00:15:39.679 --> 00:15:40.320
Or both?
00:15:40.559 --> 00:15:44.720
I um I love it.
00:15:44.960 --> 00:15:51.519
Um, and I probably love it more because I didn't do it for a really long time.
00:15:51.679 --> 00:15:56.960
I didn't even get called for gigs when I was in Arkansas because no one knew anything about me.
00:15:57.120 --> 00:15:58.960
I had no conducting responsibility.
00:15:59.120 --> 00:16:04.480
So if you're not sure if the person's can do the thing, you don't hire them to do the thing.
00:16:05.200 --> 00:16:05.519
Right.
00:16:05.840 --> 00:16:11.360
So um I was just starting to get some gigs doing a little bit of that at the end of my time there.
00:16:11.519 --> 00:16:21.440
Um,
but that's probably why, and I tell the students at Concordia this all the time that I don't take our time together for granted at all because I'm so happy to be back doing it.
00:16:21.600 --> 00:16:24.240
It is, it does present a bunch of challenges.
00:16:24.399 --> 00:16:28.159
Um, you know, four concerts in a semester sometimes.
00:16:28.399 --> 00:16:31.919
And you've got to press fast to get all of that done.
00:16:32.159 --> 00:16:35.840
But um, that's the challenge in it that's exciting, right?
00:16:36.000 --> 00:16:40.960
Like the first concert, my first concert on campus, I had nine rehearsals to get that thing done.
00:16:41.200 --> 00:16:49.840
And as I'm telling students who are new in the ensemble, I'm like, hey, we're gonna put together five pieces of repertoire and like seven hymns, and we have nine rehearsals to do it.
00:16:50.000 --> 00:16:52.639
There's all the flip players, a first-year student in the front.
00:16:52.799 --> 00:16:54.399
And she just looked at me like, what?
00:16:54.799 --> 00:16:59.279
She said, after rehearsal that day, she says, that's more music than I ever played in a single concert in my life.
00:16:59.440 --> 00:17:00.720
I'm like, I know it's okay.
00:17:00.799 --> 00:17:01.360
We're gonna get it.
00:17:02.080 --> 00:17:02.879
I said, You got it.
00:17:02.960 --> 00:17:04.400
Welcome to college, it's gonna be fun.
00:17:04.559 --> 00:17:05.839
She's like, Oh my gosh.
00:17:06.000 --> 00:17:07.119
I said, I know you can do it.
00:17:07.279 --> 00:17:08.400
Don't worry, I got you.
00:17:08.559 --> 00:17:09.839
I'll make sure you're ready.
00:17:10.000 --> 00:17:12.480
You know, so it's I enjoy it a lot.
00:17:12.720 --> 00:17:19.440
And honestly, I love um working with the symphonic band students just because they come from all different parts of campus.
00:17:19.519 --> 00:17:21.680
Some of them are music majors, some of them are not.
00:17:21.839 --> 00:17:24.240
I find that to be really awesome as well.
00:17:24.960 --> 00:17:26.000
Share that with Phil.
00:17:26.319 --> 00:17:33.920
Um you you work with uh obviously and have worked with future music educators for quite some time.
00:17:34.079 --> 00:17:43.680
Uh here's my question, and that is when you look at music education today, what is one thing you think that we as a profession are still getting wrong?
00:17:43.920 --> 00:17:44.480
You know what I mean?
00:17:44.559 --> 00:17:47.119
Like what what's the thing that you wish you could change?
00:17:47.279 --> 00:17:49.279
And it could be could be Phil.
00:17:49.440 --> 00:17:54.319
I mean, that you could direct it directly at him, but in general, what do you think?
00:17:54.640 --> 00:17:56.160
I think besides Phil.
00:17:57.599 --> 00:18:10.319
I think the biggest thing that we get wrong, and I say we as the profession writ large, that we got really hung up on how we should advocate for music education a long, long time ago.
00:18:10.559 --> 00:18:16.880
And we are still suffering from that
now because we do not know how to do that well.
00:18:17.279 --> 00:18:22.000
And in teacher education, the teachers that we send out don't know how to do that well.
00:18:22.319 --> 00:18:24.960
Um, this summer, I'm reminded of that again.
00:18:25.039 --> 00:18:38.799
This summer, I was teaching our music psychology class, and we do we start out with just like how the brain processes information and all of the great the ways that music like lights it up and rewires it and all of this.
00:18:38.880 --> 00:18:44.319
And one of the students looked at me and said, So if this is all true, why wouldn't every parent want this for their kids?
00:18:44.640 --> 00:18:47.519
I said, I know, I know, right?
00:18:47.839 --> 00:19:04.559
And I said, but we got stuck in this thing a long time ago about we should should we advocate for music education on the for art's sake, or should we advocate because um brain studies show that the brains of musicians are wired differently?
00:19:04.720 --> 00:19:09.119
You know, we got kind of stuck in this whole this should it be the aesthetic?
00:19:09.279 --> 00:19:12.880
Should it be because there's some correlation with academic achievement?
00:19:13.200 --> 00:19:17.200
Um and I think we still don't know how to figure that out.
00:19:17.680 --> 00:19:18.079
Well said.
00:19:18.559 --> 00:19:19.920
So it was about Phil.
00:19:20.240 --> 00:19:20.799
Phil.
00:19:22.319 --> 00:19:27.440
Um so what the uh uh can you go a little further with that answer, just for me?
00:19:27.599 --> 00:19:32.400
Like what's one or two things you would give a uh a first year teacher heading out of the gate?
00:19:32.480 --> 00:19:38.400
Uh what's one or two ways you could tell them to say, you know, they've got the gig now, they've got a gig, it's in their hand, they're ready to go.
00:19:39.039 --> 00:19:48.240
What's one they one thing they can do when they're in this new community to sort of um ensure their program and the and the safety of their students and the and the uh safety of the program?
00:19:48.559 --> 00:19:50.960
Do a good job first, right?
00:19:51.200 --> 00:19:53.039
Wait, I gotta get a piece of paper.
00:19:53.279 --> 00:19:55.519
Chris, I'm gonna write stuff down this season.
00:19:55.839 --> 00:19:57.119
Do a good job.
00:19:57.440 --> 00:20:10.640
I mean, if you're killing it and you're building great community, um that will naturally bring people to your your cause um immediately, right?
00:20:10.960 --> 00:20:22.799
Um and then also like using the language of you know, letting sharing some of these things with your students and their parents at concerts, right?
00:20:22.960 --> 00:20:29.440
We took we had a long conversation in that class this summer about how we could advocate for our programs.
00:20:29.599 --> 00:20:33.599
I'm like, parents sit at your concert for a long time before the show starts.
00:20:33.759 --> 00:20:40.079
Maybe you should have some things on a slideshow that they can read about the benefits of being in music, you know.
00:20:40.559 --> 00:20:51.680
Um there's a uh neuroscientist by the name of James Zull, who has written extensively these great books about how the brain works and what it means for learning.
00:20:51.759 --> 00:20:54.799
Um, the art of changing the brain is so good.
00:20:54.960 --> 00:21:03.279
Um, and he says there's two things that are that we know move the needle in reorganizing and rewiring the brain.
00:21:03.519 --> 00:21:04.480
Brain plasticity.
00:21:04.559 --> 00:21:07.759
Number one is practice, and number two is emotion.
00:21:08.000 --> 00:21:10.400
Gee, I wonder where we can get that, right?
00:21:10.720 --> 00:21:11.759
Every day.
00:21:12.160 --> 00:21:13.440
Every single day.
00:21:13.599 --> 00:21:19.920
And my master's teacher, um, Dale Wanis, had uh his doctorate was in educational psychology, actually.
00:21:20.559 --> 00:21:25.119
Um and he said something that I thought about, I think about still to this day.
00:21:25.279 --> 00:21:30.559
He said, you want to give students three things every day, and it's from Benjamin Bloom.
00:21:30.640 --> 00:21:32.480
It's the the modes of learning, right?
00:21:32.640 --> 00:21:38.480
Something to think about, something to do kinesthetically, and something to feel.
00:21:38.880 --> 00:21:39.200
Yep.
00:21:42.000 --> 00:21:45.440
All of that, and we but we're not very good at sharing it.
00:21:45.599 --> 00:21:49.839
We don't always have the right words to do that.
00:21:50.880 --> 00:21:51.279
Right.
00:21:51.440 --> 00:21:53.279
This is one of my projects now.
00:21:53.359 --> 00:22:15.519
Um after that class this summer, I'm really thinking about okay, I need to like write an article that can be in these the Journals, right, about this very thing and provide some resources that are really user-friendly and readable for people to read, take, disperse, and use to help advocate for their own program.
00:22:15.759 --> 00:22:23.039
I think we're getting to a spot where that's going to become even more necessary than ever for multiple reasons, right?
00:22:23.279 --> 00:22:28.400
Shrinking enrollments, school budgets being what they are, all of those things.
00:22:28.720 --> 00:22:29.039
Yep.
00:22:29.200 --> 00:22:29.440
Yep.
00:22:29.839 --> 00:22:31.759
Think, do feel smart.
00:22:32.160 --> 00:22:35.119
Tell me more about um music in the brain.
00:22:35.359 --> 00:22:37.839
I know this is part of, I mean, we just talked about this.
00:22:38.559 --> 00:22:42.720
Um, but I know you're using like this new textbook or whatever with everybody.
00:22:43.119 --> 00:22:43.440
Oh.
00:22:43.920 --> 00:22:49.920
Um the reason I I bring that up is also like uh I use the new olding rhythm book, right?
00:22:50.000 --> 00:23:04.319
Which is not the way we we were taught rhythm, but the way people actually how your brain learns rhythm and using that knowledge, how to reset your teaching strategies so that they fit the way our brains work.
00:23:04.640 -->
00:23:08.559
And anyway, we were sharing that conversation the other day and you had some great stuff.
00:23:08.640 --> 00:23:11.599
So since we're on the brain, let's let's get it out there for people.
00:23:12.000 --> 00:23:12.480
Sure.
00:23:12.720 --> 00:23:30.000
Um, so this was one of those moments where I was like, whoa, okay, I don't know if this should I it was just kind of a fun coincidence that the books that Peter uses in his instrumental methods class are the same ones I was using in my instrumental methods class when I was teaching it in my last institution.
00:23:30.160 --> 00:23:40.640
Um and I was just actually having a conversation with one of my former students from there about David Newell's book and teaching rhythm that way because he's trying to do this.
00:23:40.720 --> 00:23:45.279
He's got a class where he's doing some remediation on rhythm with students this next year.
00:23:45.359 --> 00:23:46.400
And I'm like, oh yeah.
00:23:46.559 --> 00:23:48.240
I said, Do you remember the Newell thing?
00:23:48.319 --> 00:23:50.000
You totally need to do that.
00:23:50.160 --> 00:23:52.559
And he's like, Yeah, that's right.
00:23:52.720 --> 00:23:54.559
I forgot about that, right?
00:23:55.200 --> 00:23:58.160
And like, I tell you, it will be it will be amazing.
00:23:58.480 --> 00:24:06.640
Um we this book that I'm using in I teach this general uh secondary education methods course.
00:24:06.880 --> 00:24:16.319
Most of the students in there are music ed majors in the semester that I teach it, but um, it's called the visible, the illustrated guide to visible learning.
00:24:16.480 --> 00:24:19.440
It's by John Hattie and colleagues.
00:24:19.680 --> 00:24:27.839
Um, there's a researchy version of the book, and then there's a version of the book that is like it's illustrated and it's like easy to grasp.
00:24:28.000 --> 00:24:38.720
Um, and they basically did a meta-analysis of thousands and thousands of studies in education to find out what actually works and looked at the effect sizes of these things.
00:24:38.880 --> 00:24:52.240
So, effect size allows you to compare results from lots of different studies that use different statistical techniques and find out what is actually practically significant, meaning, does it actually work?
00:24:52.400 --> 00:24:54.480
And I am above all a pragmatist, right?
00:24:54.640 --> 00:25:05.519
Theory's great, but it's gotta work in the classroom where it's not anything that um, and that's just, you know, I taught for 18 years in K-12 school, so it's gotta work, right?
00:25:05.680 --> 00:25:14.640
Um, and so this book has been really interesting because there's a lot of things that we know work, but the effect sizes are too small to really matter.
00:25:14.880 --> 00:25:29.519
And so this is really drilling down on what are the things that we know about the difference like between practicing and over practicing, for example, having um moments to work on retrieval strategies, right?
00:25:29.759 --> 00:25:35.359
Um being able to move things in the brain from working memory to long-term memory.
00:25:35.519 --> 00:25:37.200
And how do we do that, right?
00:25:37.519 --> 00:25:41.599
But it's consistency and practice over time, right?
00:25:41.759 --> 00:25:45.680
Which is not something that none of our students are doing as much as we want them to, right?
00:25:46.240 --> 00:25:47.680
And figuring that out.
00:25:48.319 --> 00:25:50.559
Stay tuned right after this.
00:25:50.960 --> 00:26:01.839
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00:28:11.839 --> 00:28:14.079
So now I have a meaningful question, I think.
00:28:14.160 --> 00:28:15.279
We'll find out in a second.
00:28:15.759 --> 00:28:31.839
Uh how do you get your average, you know, first year music student to make the leap from band is a fun activity to I want to teach music for real?
00:28:34.559 --> 00:28:38.880
For me, I probably shouldn't be a music teacher.
00:28:39.680 --> 00:28:47.759
Like I've had nine teachers in my band program, and it everything was completely different all the time.
00:28:47.920 --> 00:28:52.000
And I started taking private lessons when I was in seventh grade, so my third year of band.
00:28:52.400 --> 00:29:07.359
Um so I think helping students to get good quickly, but that also means doing things like um maybe not requiring them to read notation while they're trying to learn how to play the instrument, right?
00:29:07.839 --> 00:29:18.079
Um coming from the south where and lots of places where literacy is a problem, and lots of places are working on how to help their kids read.
00:29:18.319 --> 00:29:22.960
Now we're gonna add reading music and in a different symbol language.
00:29:23.119 --> 00:29:26.799
And now they have to do all these things to make the sound at the same time.
00:29:27.039 --> 00:29:37.759
I really think it's more successful for them if we can just do the sound to symbol thing, which we know works, and we know from all the research works, but it's not the way that most of us learn.
00:29:37.839 --> 00:29:41.200
And so it's really, really hard to make that shift over.
00:29:41.359 --> 00:30:02.079
But if you can get a kid sounding pretty good right away and being successful and doing it in a way where you're scaffolding the tasks so they can really just have what David Newell would call the luxury and um Robert Duke would call them the luxury of learning one thing at a time, they can progress so much faster.
00:30:02.400 --> 00:30:10.319
But somewhere along the line, we our learning got a bad rap because we were worried they wouldn't learn how to read music, right?
00:30:10.640 --> 00:30:25.119
So I think the faster you can get them really learning and and feeling good about how they sound and feeding into that loop, that breeds more practice and gets them moving along.
00:30:25.279 --> 00:30:30.799
I've had students who were like, ah, you know, they put in a ton of practice time.
00:30:31.119 --> 00:30:36.640
Um, one of them who went to Concordia actually, and it took a long time for the tone to come.
00:30:36.799 --> 00:30:40.480
And I just kept saying, You're on the track, just keep going.
00:30:40.720 --> 00:30:43.279
Or like, oh, I know it doesn't sound like I want it to.
00:30:43.359 --> 00:30:44.400
I said, but it's going to.
00:30:44.559 --> 00:30:46.480
You're doing all the right things, just keep doing it.
00:30:46.640 --> 00:30:51.839
And then one day she came to her lesson and it was like the switch turned and it was beautiful.
00:30:52.000 --> 00:30:53.759
And I'm like, when did this happen?
00:30:53.920 --> 00:30:58.799
She said, Friday night at 8:30 p.m., you know, or some random whatever time.
00:30:59.039 --> 00:31:00.160
She knew the time.
00:31:00.240 --> 00:31:01.279
She said, I don't know.
00:31:01.440 --> 00:31:02.799
I do not know how this happened.
00:31:02.880 --> 00:31:03.680
I said, I do.
00:31:03.759 --> 00:31:06.960
This is all the time you've been working at this thing.
00:31:07.039 --> 00:31:09.680
And I told you it would be there and now it's there.
00:31:09.839 --> 00:31:14.000
And she went on to be a music teacher for a while, right?
00:31:14.240 --> 00:31:17.519
So I feel like you gotta make it fun first.
00:31:17.680 --> 00:31:19.759
That's what the research says on beginners.
00:31:20.319 --> 00:31:27.119
They don't care how good you are at your instrument, they just want to know that A, you can make it fun and B, you like them.
00:31:27.440 --> 00:31:28.720
That's all they care about.
00:31:28.880 --> 00:31:33.920
If you can do those two things with beginners, that really gets them hooked.
00:31:34.079 --> 00:31:39.200
And then as they get better, the better your musicianship is starts to matter.
00:31:39.440 --> 00:31:39.920
Right.
00:31:40.240 --> 00:31:43.680
Most of my beginning flute players really worry about the shamanade.
00:31:43.839 --> 00:31:49.920
So I don't know if I hey, speaking of beginning flute players, let's talk about that for a moment.
00:31:50.240 --> 00:31:57.359
What are a few tips and tricks for those, you know, because flute is just it's hard, right?
00:31:57.519 --> 00:32:00.960
Every flutes are always a month or two behind.
00:32:01.200 --> 00:32:03.119
And anybody can buzz a trumpet.
00:32:03.440 --> 00:32:05.279
That just tests reality.
00:32:05.519 --> 00:32:13.359
So, like, so like what are some tips and ideas for those to help those folks with beginning flutes?
00:32:13.759 --> 00:32:21.440
Most of the the the A number one thing that I see that is not helping is when the lip plate is sitting on the lip.
00:32:21.759 --> 00:32:23.680
It's just placement of the head joint.
00:32:23.839 --> 00:32:33.200
So if they have it where it's underneath the bottom lip and the back edge of the tone hole is where the lip and the chin meet, that's the right placement, right?
00:32:33.440 --> 00:32:37.279
Um, I think we get too worried about getting to the full instrument.
00:32:37.440 --> 00:32:44.960
And if we can get them making a sound on the head joint and getting an A, then we're good to go, right?
00:32:45.119 --> 00:32:52.559
Then you can play stupid games, cover the end, open it, you know, put your finger in like a slide whistle, all of those sorts of things.
00:32:52.720 --> 00:32:58.720
Um, but a lot of it is just, and looking in a mirror helps a ton too, right?
00:32:58.880 --> 00:33:01.680
So is your aperture lined up with the tone hole?
00:33:02.000 --> 00:33:07.279
A lot of times that's not quite right, or it's too rolled out or too old.
00:33:07.359 --> 00:33:10.319
And it's just a little bit of experimentation on the sweet spot.
00:33:10.400 --> 00:33:19.759
But if you've got it in the right place and they can do it in a mirror, and if you have someone who can do it well and model for them, that helps a ton, right?
00:33:19.920 --> 00:33:20.400
For sure.
00:33:20.559 --> 00:33:22.640
So if you're not a great flute player, that's fine.
00:33:22.720 --> 00:33:26.240
There's someone in your life, you've got a high school student who's got it figured out.
00:33:26.400 --> 00:33:34.000
Do take a video of that thing and have your students watch it and then imitate it in a mirror for sure.
00:33:34.160 --> 00:33:37.519
Um, my best flute tip is completely stupid.
00:33:37.599 --> 00:33:38.400
Would you like it?
00:33:38.960 --> 00:33:39.359
Yes.
00:33:39.519 --> 00:33:39.920
Yes.
00:33:40.160 --> 00:33:42.319
Okay, this is so dumb.
00:33:42.480 --> 00:33:49.119
Um, Patricia George had a session at Midwest one year and I went because I just like, okay, what are the flute tricks?
00:33:49.200 --> 00:33:49.759
I don't know.
00:33:50.000 --> 00:33:55.119
Her trick for kids with braces is like worth a million dollars.
00:33:55.279 --> 00:34:12.400
It's put masking tape on the tone hole on the lip plate under the tone hole on the bottom, and maybe two or three layers, it moves the head joint slightly away from their mouth because the the braces have moved the lip forward.
00:34:12.639 --> 00:34:19.119
So if you just put some masking tape on it and then you put it on, it will clear tone like nobody's business.
00:34:19.360 --> 00:34:22.239
I have never not had it work with a student.
00:34:22.480 --> 00:34:30.000
And kids who with braces, flute players tend to be like really, you know, they want to be really good at it, kind of thing.
00:34:30.079 --> 00:34:32.239
And the the braces kill them.
00:34:32.480 --> 00:34:35.440
Once they do this, they're like, oh my gosh, this is amazing.
00:34:35.599 --> 00:34:40.960
And then once they figure it out, you have to adjust it every time their braces get adjusted.
00:34:41.199 --> 00:34:44.559
But as they get used to doing it, they get really good at it.
00:34:44.639 --> 00:34:53.519
And so students are like, yeah, I had to sw switch my move my tapes around because my braces got adjusted on Thursday and I think I got it.
00:34:53.760 --> 00:34:54.320
Kind of thing.
00:34:54.719 --> 00:35:03.760
So yeah, that's it's stupid, but you go till it sounds good, and then you go one more and it's gonna sound terrible, and then you peel that last layer off, and that's where you stay.
00:35:03.920 --> 00:35:04.880
Yeah, uh, just to think.
00:35:04.960 --> 00:35:09.119
I mean, Peter, all he really had was a cup mute stuck in the bell, and just no idea.
00:35:09.360 --> 00:35:09.760
No idea.
00:35:10.400 --> 00:35:11.760
I just thought that's what it sounded like.
00:35:11.920 --> 00:35:13.039
It's kind of stuffy.
00:35:13.280 --> 00:35:15.280
I have to share this great story about Jen.
00:35:15.360 --> 00:35:22.559
So she just started Concordia and we had our first um our third concert band was having their first concert in the fall.
00:35:22.880 --> 00:35:28.639
And um and they're they're playing, and I have students do most of the conducting, right?
00:35:28.719 --> 00:35:32.639
So I just hopped out in the audience for the rest of the concert because I was done.
00:35:32.960 --> 00:35:36.400
And there were lots of people on secondary instruments, music educators.
00:35:36.639 --> 00:35:40.960
So we had this bass player who was playing oboe.
00:35:41.599 --> 00:35:44.639
And I had said, you know, oboe might not be the best instruments to play.
00:35:45.199 --> 00:35:46.000
Playing oboe.
00:35:46.079 --> 00:35:46.239
Okay.
00:35:46.719 --> 00:35:47.440
Play oboe.
00:35:47.679 --> 00:35:50.000
And the first rehearsal was horrible.
00:35:50.079 --> 00:35:55.519
They just sounded like, ah, it was just like this shouting thing was going on.
00:35:55.679 --> 00:35:57.920
But I said, I we gotta we gotta switch you off oboe.
00:35:58.000 --> 00:35:58.559
It's not gonna work.
00:35:58.639 --> 00:36:00.960
And he practiced and practiced and practiced.
00:36:01.599 --> 00:36:03.440
Well, then I was like, Oh, you can stay on oboe.
00:36:03.519 --> 00:36:06.079
Well, then he stopped practicing because he could stay on oboe.
00:36:06.159 --> 00:36:10.719
And he slowly regressed back down the hill towards the concert.
00:36:10.960 --> 00:36:15.119
But the student conductor's like, are you gonna play that as a solo or do you want everybody to play?
00:36:15.280 --> 00:36:17.039
And he's like, I can play it as a solo.
00:36:17.840 --> 00:36:21.679
And he goes, if you play it as a solo, I'm gonna make you stand.
00:36:21.920 --> 00:36:22.880
And he was like, Okay.
00:36:23.199 --> 00:36:24.719
So of course they get to the concert.
00:36:24.800 --> 00:36:28.960
I'm sitting next to Jen, and he biffs it.
00:36:29.119 --> 00:36:31.360
I mean, it's like no notes are coming out.
00:36:31.440 --> 00:36:35.599
It's like random shouting, ah, things are coming out.
00:36:35.760 --> 00:36:36.719
It's horrible.
00:36:36.960 --> 00:36:42.000
The we get done, kid stands up, the whole band's just cheering for him.
00:36:42.079 --> 00:36:44.159
They just see the whole semester happen, right?
00:36:44.400 --> 00:36:47.119
Jen looks at me, she goes, What's going on, the oboe?
00:36:47.360 --> 00:36:54.079
So I tell her this story quickly, and she's like, sounds of learning, sounds of learning, and she just started clapping.
00:36:54.400 --> 00:36:56.960
I was like, that one is taught beginning instruments.
00:36:57.039 --> 00:36:57.679
So I loved it.
00:36:57.760 --> 00:36:59.280
It was my favorite moment.
00:36:59.519 --> 00:36:59.920
Yeah.
00:37:00.079 --> 00:37:04.800
And to this day, when I hear that, I'm like, oh my God, first
uh Woodwin Methods oboe day.
00:37:04.880 --> 00:37:06.800
I'm like, oh my God, sounds of learning.
00:37:06.960 --> 00:37:09.920
And I go close all the doors because they leave them open just for me.
00:37:10.239 --> 00:37:14.960
It's one of my favorite sounds because there's so much cognitive dissonance in there.
00:37:15.119 --> 00:37:16.960
They are learning a lot.
00:37:17.199 --> 00:37:21.199
Like on the theory that if you've got cognitive dissonance going on, you're learning the most.
00:37:21.360 --> 00:37:22.719
Yeah, I love it.
00:37:22.800 --> 00:37:23.440
It's great.
00:37:23.840 --> 00:37:24.800
At the concert.
00:37:25.039 --> 00:37:26.239
Anyway, that's my favorite story.
00:37:26.480 --> 00:37:27.119
Sounds of learning.
00:37:27.199 --> 00:37:30.719
This that's my favorite gen time, just right there for the kids all the way through, right?
00:37:30.880 --> 00:37:31.760
Doesn't matter.
00:37:32.079 --> 00:37:33.599
Peter, we've done a poor job here.
00:37:33.760 --> 00:37:38.400
Um, Jim, when um when did music ignite for you as a young person?
00:37:38.719 --> 00:37:45.199
Probably there was there was music in my house, but I was really the only person who pursued an instrument.
00:37:45.360 --> 00:37:46.800
My mom played piano.
00:37:47.039 --> 00:37:49.440
Um, and I just really loved playing.
00:37:49.679 --> 00:37:54.639
Um, my dad, when I said I wanted to play the flute, he said, Well, you know everybody's gonna play the flute.
00:37:54.719 --> 00:37:56.239
I was the only person who played the flute.
00:37:56.320 --> 00:37:57.360
It was amazing.
00:37:57.679 --> 00:38:00.719
Um and I'm like, see, told you.
00:38:02.480 --> 00:38:03.360
Yeah, right.
00:38:03.599 --> 00:38:23.119
Um, and so I don't know, like somewhere in there, like I got, I remember um my mom and I, I would get a bunch, I got a bunch of solos from my teachers at school, and we would go to the piano and she'd play the piano parts and I'd play the flute parts, and we played in keys that we both were terrible at.
00:38:23.360 --> 00:38:28.079
And it was a lot of sounds of learning, and it was amazing and a lot of fun.
00:38:28.320 --> 00:38:35.840
Um, but I think um early, um, I think I must have got a pretty good start.
00:38:36.079 --> 00:38:42.079
And then I remember I got asked to play my solo, my fifth grade solo at the concert.
00:38:42.719 --> 00:38:45.840
And I was like, oh, I must be doing something right here, right?
00:38:46.159 --> 00:38:48.079
And then um flute players.
00:38:48.480 --> 00:38:49.039
Yeah, right.
00:38:49.199 --> 00:38:51.679
100% such a flute player.
00:38:52.239 --> 00:39:02.159
Um, and then yeah, after I started lessons in seventh grade with a band director in the town next door, that's when it really took off because Jan was amazing.
00:39:02.480 --> 00:39:05.119
Jan Crohner, White Lake, South Dakota.
00:39:06.400 --> 00:39:10.719
And that's that's where that all took off.
00:39:10.880 --> 00:39:14.079
And she played in a in a local orchestra.
00:39:14.559 --> 00:39:21.199
Um, and when I was maybe a junior in high school, they had a need for a section player.
00:39:21.599 --> 00:39:22.880
And she asked if I'd be interested.
00:39:22.960 --> 00:39:23.599
And I said yes.
00:39:23.679 --> 00:39:39.440
And I played in that here in Symphony Orchestra for two years, and that really changed my musicianship a lot because I was playing with really players who were better than me, and we were playing classical music of all types, and it was just amazing.
00:39:40.159 --> 00:39:41.199
Who were some other mentors?
00:39:41.280 --> 00:39:44.800
I mean, you mentioned Dale Lanas, of course, at Manitoba and others.
00:39:45.119 --> 00:39:51.199
Who are some other um no pun intended Mount Rushmore figures in your musical journey?
00:39:51.760 --> 00:39:53.519
Um, boo boom.
00:39:53.679 --> 00:39:54.639
Uh, nice job.
00:39:54.800 --> 00:40:03.599
Uh, Terrell Dobbs, Terry Dobbs was my cooperating teacher back in the day, and she teaches at University of Wisconsin now.
00:40:03.840 --> 00:40:07.360
Um, and man, that was a trip.
00:40:07.599 --> 00:40:12.800
One of one of her teaching assignments was a country school outside of Yankton.
00:40:13.039 --> 00:40:26.320
Um, and so we we went out to Utica twice a week to teach at the country school, and we had a general music class with all the students in the same class, K through six, all together at the same time.
00:40:26.719 --> 00:40:27.760
It was amazing.
00:40:27.920 --> 00:40:32.880
And then the students in fifth and sixth grade who started band instruments would do their lessons right after that.
00:40:33.039 --> 00:40:37.360
And then they came into the big city to um in seventh grade.
00:40:37.760 --> 00:40:38.960
So we were doing that.
00:40:39.119 --> 00:40:52.480
She was teaching choir and we were teaching instrumental music lessons all over the school district, mostly in paper closets and just like it was bananas, but I loved it all for sure.
00:40:52.800 --> 00:40:56.000
But I also, so she was huge as a mentor for me.
00:40:56.079 --> 00:41:01.440
And then just the people in my like in the schools around me when I started teaching.
00:41:01.599 --> 00:41:05.679
Like I would just ask questions of everyone who'd taught longer than me.
00:41:06.000 --> 00:41:07.599
And they were so generous.
00:41:07.760 --> 00:41:13.840
There were just and just too many people to name, but everybody was just so generous and helpful, and it was amazing.
00:41:14.159 --> 00:41:20.159
But I think that's a huge, like you said this earlier about uh, you know, do a good job, build community.
00:41:20.320 --> 00:41:22.880
Like those are the easy parts, but those are really hard.
00:41:23.039 --> 00:41:27.199
And um, as you know, uh the young teachers need somebody they can go talk to.
00:41:27.280 --> 00:41:34.000
And I just I feel everyone's so nervous to speak to somebody now, especially to admit that they're struggling with something, and it's a huge
need.
00:41:34.400 --> 00:41:36.239
Uh so those are your mentors.
00:41:36.400 --> 00:41:37.920
You're a mentor for a hundred.
00:41:38.239 --> 00:41:39.599
Wait, I gotta I gotta interrupt.
00:41:39.679 --> 00:41:40.400
I want to interrupt.
00:41:40.559 --> 00:41:41.840
Can I interrupt you, Peter?
00:41:42.079 --> 00:41:42.400
Is that okay?
00:41:44.000 --> 00:41:44.159
Yes.
00:41:44.400 --> 00:41:54.639
I just have to point out that my my very first instrumental music teacher was a woman flute teacher who lived two doors down, and she was amazing.
00:41:54.800 --> 00:41:56.239
I mean, this woman could play anything.
00:41:56.320 --> 00:41:57.599
And so she taught me trumbo.
00:41:58.000 --> 00:41:59.119
And that was my first teacher.
00:41:59.199 --> 00:42:13.920
And I the thing I wanted to point out really quickly, Peter, sorry, is that you seem to have a number of um really important female mentors, not not always men or always women, but it sounds like both.
00:42:14.079 --> 00:42:15.679
Um, and that was not the case for me.
00:42:15.760 --> 00:42:20.159
That teacher who was a woman was one of the last ones that I had in my upbringing.
00:42:20.239 --> 00:42:24.639
And it was not an even split, but it sounds like it has been more of an even split for you.
00:42:24.719 --> 00:42:29.199
And I was wondering if that is the case, one or two, if you wanted to comment it on it at all.
00:42:29.679 --> 00:42:37.920
Um I was really no, I no, I was just very lucky that I had a lot of female role models around.
00:42:38.320 --> 00:42:44.559
Um, I remember I the other half, half of my student teaching was with Terry.
00:42:44.719 --> 00:42:51.840
Half of my teaching was my student teaching was with Merle Larson, and we were doing all junior high band um at Yankton Middle School.
00:42:51.920 --> 00:42:53.760
And he was amazing too.
00:42:54.079 --> 00:43:03.760
But I think, and my advisor, my college advisor said, I feel like you got to do some things that other people haven't had the opportunity to do.
00:43:03.920 --> 00:43:06.400
And I had a great relationship with him.
00:43:06.559 --> 00:43:11.039
Um, and he gave me chance, he gave me the opportunity to do lots and lots and lots of things.
00:43:11.199 --> 00:43:12.880
Like I was on the podium a lot.
00:43:13.039 --> 00:43:15.360
It was that was huge for me.
00:43:15.519 --> 00:43:24.880
Um, my first teaching job, the woman who taught elementary music, speaking of amazing women music teachers, uh, she started in that school district when I was born.
00:43:25.280 --> 00:43:27.519
And she had been teaching there that whole time.
00:43:27.679 --> 00:43:30.880
She met someone local, they got married, they had a family.
00:43:30.960 --> 00:43:32.480
I taught her kids.
00:43:32.639 --> 00:43:39.440
Um, and we worked together because she had to travel two days a week to the other elementary school that was in the next town over, right?
00:43:39.599 --> 00:43:48.079
So that's how I ended up teaching elementary general music two days a week, four classes of first grade and four classes of fifth grade every week.
00:43:48.239 --> 00:43:49.679
And it was amazing.
00:43:50.400 --> 00:43:54.239
And so I had like lots of really, really good support.
00:43:54.480 --> 00:43:59.760
Um, but um, because I'd had nine teachers, I didn't really realize.
00:44:00.960 --> 00:44:10.159
Early that like women music teachers were not common because I'd seen a lot of them, right?
00:44:10.480 --> 00:44:18.719
Um, and later on, other people pointed out to me, especially as I got into larger and larger programs, um, that that was rare.
00:44:18.880 --> 00:44:24.079
At the time I was at Sioux Falls, Washington, I was the only woman on staff in a public school in that system.
00:44:25.199 --> 00:44:36.880
So, you know, I do um have appreciated all of the mentors in my life, but it definitely helped having seeing some women who were doing that thing at a high level for sure.
00:44:37.119 --> 00:44:38.719
Thanks for thanks for being willing to share that.
00:44:38.800 --> 00:44:39.440
I appreciate it.
00:44:39.840 --> 00:44:40.000
Yeah.
00:44:40.239 --> 00:44:48.960
I'll I'll jump, I'll add on to that because uh one of her former students, who's also a former student from Concordia, mentioned the same thing when Jen returned.
00:44:49.039 --> 00:44:55.920
She's like, oh my gosh, like it was so powerful for me to realize that here was a woman band director.
00:44:56.000 --> 00:44:58.239
I just didn't know that that was unique.
00:44:58.639 --> 00:45:04.000
I just had this high-powered, amazing teacher in charge doing it, doing the thing.
00:45:04.239 --> 00:45:12.159
And it never dawned on me that other women never saw themselves in that role as being a band director, high school band director, whatever that is.
00:45:12.400 --> 00:45:14.400
And I think it's something we have wrong.
00:45:14.480 --> 00:45:15.760
And I think it's great.
00:45:16.000 --> 00:45:19.199
I don't even remember my oh, well, we're talking about this anyway.
00:45:19.360 --> 00:45:21.280
Um, you see teachers all the time.
00:45:21.440 --> 00:45:30.800
What advice would you give, not just about flute, but what advice to a young teacher that you see at Concordia or anywhere to help them?
00:45:31.920 --> 00:45:39.119
Um ask all the questions all the time of the people around you who are doing the thing and doing it.
00:45:39.360 --> 00:45:44.880
Um, well, the music education community I find to be so generous in so many ways.
00:45:45.119 --> 00:45:47.360
Nobody's keeping the trade secrets for themselves.
00:45:47.519 --> 00:45:52.639
If they find something that's really great or awesome or works, they want to share that with other people, right?
00:45:52.880 --> 00:45:58.800
Um, and a lot of times they're happy to share that so that they can help you avoid something that they already went through, right?
00:45:59.119 --> 00:46:09.599
Um, the one thing that is inevitable that I think all young
teachers need to realize is there are going to be days when it is just hard because it's just the nature of it.
00:46:09.760 --> 00:46:13.920
Um, we are working with humans, and humans are messy.
00:46:14.639 --> 00:46:25.039
And some days with them are gonna be amazing and pinnacle moments and easy and great, and some days are just gonna be challenging and difficult.
00:46:25.280 --> 00:46:34.880
My first week as a first year teacher, I had um 10 kids quit band at my first job because I was gonna make them play every day.
00:46:35.199 --> 00:46:35.599
Yeah.
00:46:36.400 --> 00:46:37.599
For the whole period.
00:46:37.920 --> 00:46:39.280
For the whole class period.
00:46:39.519 --> 00:46:43.679
Mine didn't quit, but they said every day Dan Lidberg would walk in and go, What are we doing today?
00:46:43.760 --> 00:46:45.119
And I was like, We're playing band.
00:46:46.480 --> 00:46:48.079
I had that same question every day too.
00:46:48.159 --> 00:46:48.639
I hated it.
00:46:48.719 --> 00:46:48.960
Yeah.
00:46:49.760 --> 00:46:50.480
I found out later.
00:46:51.840 --> 00:47:02.800
Yeah, I found out later that the students were running around the school during band time, and I got hired for that job because they felt that I'd have the best classroom management.
00:47:03.199 --> 00:47:04.800
It wasn't about my musical skill.
00:47:04.880 --> 00:47:08.800
It was I would they thought I'd be the best at keeping the butts in the seats.
00:47:09.920 --> 00:47:13.039
Which okay, and it and that was hard.
00:47:13.119 --> 00:47:16.639
So, like, that's what I mean about the things that are gonna happen that are hard.
00:47:16.800 --> 00:47:22.000
Um, but if you're doing what's best, this is the advice I got from Terry a million years ago.
00:47:22.239 --> 00:47:25.840
When you make decisions that are best for students, you're always gonna do the right thing.
00:47:26.159 --> 00:47:27.199
That's exactly right.
00:47:28.320 --> 00:47:38.880
Even if it's not the best thing for your band or your show, but it's the best thing for the students, you will you're on the right side of that gauge every time.
00:47:39.199 --> 00:47:40.159
Yep, for sure.
00:47:40.400 --> 00:47:42.559
Just don't let them put their trumpet down.
00:47:42.719 --> 00:47:44.480
Don't set that trumpet down on the grass.
00:47:45.280 --> 00:47:51.679
Yeah, you have no idea how much grief that poor cop that poor child got about that forever.
00:47:52.000 --> 00:47:54.159
I was always like, hey man, where's your trumpet?
00:47:54.320 --> 00:48:00.400
Like, and all the kids in the band were doing it, you know, because that really is that's the power, right?
00:48:00.719 --> 00:48:07.679
My second job, we had a student not show up on time for the first before school band rehearsal for marching band.
00:48:08.000 --> 00:48:10.159
And at the end, I I had everybody come in.
00:48:10.239 --> 00:48:12.880
I'm like, thanks for doing it, and thanks for being here this morning.
00:48:12.960 --> 00:48:14.880
I really appreciate you, blah, blah, blah.
00:48:15.039 --> 00:48:16.239
You, this was amazing.
00:48:16.320 --> 00:48:16.800
It was great.
00:48:16.960 --> 00:48:18.320
I need you all to do me a favor.
00:48:18.400 --> 00:48:23.840
When you see him in the hallway today, the one kid who missed, I need you to say, Hey man, where were you this morning?
00:48:23.920 --> 00:48:24.639
We really missed you.
00:48:24.719 --> 00:48:25.599
Are you okay?
00:48:26.239 --> 00:48:31.760
Yeah, 45 minutes into the school day, he came down to the band room and he's like, that was you, wasn't it?
00:48:32.079 --> 00:48:33.519
I said, What are you talking about?
00:48:34.000 --> 00:48:37.119
Everybody is at is like concerned for my welfare this morning.
00:48:37.360 --> 00:48:38.000
I'm like, how?
00:48:38.239 --> 00:48:39.760
What makes you think it's me?
00:48:40.960 --> 00:48:41.360
That's great.
00:48:41.440 --> 00:48:42.400
He was never late again.
00:48:42.480 --> 00:48:43.360
It was awesome.
00:48:43.840 --> 00:48:45.280
No, no, no.
00:48:45.920 --> 00:48:47.760
This is the power of the hawk.
00:48:48.079 --> 00:48:54.559
Oh, uh, fate, your favorite nickname, Jennifer Hawkinson, is Oh, my last institution.
00:48:54.960 --> 00:48:59.039
Students had to correct themselves all the time because everybody called me Jayhawk.
00:48:59.360 --> 00:49:00.880
And they're like, sorry, Dr.
00:49:01.039 --> 00:49:01.519
Hawkinson.
00:49:01.840 --> 00:49:02.079
Yeah.
00:49:02.159 --> 00:49:05.440
At Concordia, her email is the best ever.
00:49:05.679 --> 00:49:06.960
Jayhawk and one.
00:49:07.679 --> 00:49:09.599
Oh my god, Jayhawk and one.
00:49:10.000 --> 00:49:11.599
She's just like, I love it.
00:49:11.760 --> 00:49:14.239
It's like uh it's like a TV show name.
00:49:14.719 --> 00:49:16.320
Air Force One, Jayhawk and one.
00:49:16.559 --> 00:49:18.239
Yeah, she's Jayhawk and one.
00:49:18.719 --> 00:49:19.920
Oh that's good.
00:49:20.320 --> 00:49:20.800
All right.
00:49:20.960 --> 00:49:22.800
Uh Christopher, any questions?
00:49:23.119 --> 00:49:26.719
I I don't, but uh I'm my question is for you.
00:49:26.960 --> 00:49:29.599
Have you come prepared for this first episode?
00:49:29.760 --> 00:49:32.079
Have you prepared a speed round?
00:49:32.320 --> 00:49:34.000
I have prepared a speedrun.
00:49:34.239 --> 00:49:34.559
Whoa.
00:49:34.880 --> 00:49:36.639
Oh, tell me that's not.
00:49:36.960 --> 00:49:39.360
So I have, but we could do two.
00:49:39.519 --> 00:49:45.679
And the other thing, do we have like the band boozler or whatever where we get to ask or answer questions from band directors?
00:49:45.840 --> 00:49:45.920
Yes.
00:49:46.079 --> 00:49:47.760
Because if we had someone right in.
00:49:48.239 --> 00:49:50.639
I want I want Jen to stay for that.
00:49:50.719 --> 00:49:52.079
I think we should do that before Jen leaves.
00:49:52.159 --> 00:49:53.119
Jen's got all the time.
00:49:53.280 --> 00:49:53.840
I think that's great.
00:49:54.000 -->
00:49:54.239
That's great.
00:49:54.400 --> 00:49:56.320
Anyway, okay, we actually got two letters.
00:49:56.480 --> 00:50:00.559
One one letter was can you please stop just stop the podcast?
00:50:00.719 --> 00:50:03.119
And then the other one was a band boozler.
00:50:03.360 --> 00:50:04.639
So we're gonna go with the second one.
00:50:06.639 --> 00:50:10.400
You told people Kyle that first letter was rude and that I don't like it.
00:50:10.559 --> 00:50:11.039
Oh no.
00:50:11.119 --> 00:50:11.760
Okay, here we go.
00:50:11.840 --> 00:50:13.039
Just these these are quick.
00:50:13.199 --> 00:50:13.840
Um Okay.
00:50:14.079 --> 00:50:16.079
Corn Palace or Mount Rushmore?
00:50:16.400 --> 00:50:17.599
Mount Rushmore.
00:50:17.920 --> 00:50:22.000
Um, East or West River, which side of the Missouri River has the better scenery?
00:50:22.079 --> 00:50:23.599
These are all about South Dakota, by the way.
00:50:24.079 --> 00:50:33.119
If you're born in East and raised in East River, you have to say East River, but I think the scenery is better in the in West River, though I do find the prairie to be beautiful.
00:50:33.519 --> 00:50:35.119
Um, worse driving conditions.
00:50:35.280 --> 00:50:39.760
Blinding blizzard in the prairie or 80 mile an hour straight line winds in the summer?
00:50:40.079 --> 00:50:42.079
Blizzard in the prairie, for sure.
00:50:42.400 --> 00:50:46.400
Sturges rally, avoid the area completely or join in on the chaos.
00:50:46.639 --> 00:50:47.679
Join in on the chaos.
00:50:47.840 --> 00:50:48.480
Yeah, I knew that was.
00:50:56.239 --> 00:50:56.719
Yes.
00:50:57.119 --> 00:51:05.360
Um worst winter month in South Dakota, the January deep freeze or the March fake spring that ends with tons of snowstorms?
00:51:05.840 --> 00:51:07.599
January deep freeze.
00:51:08.079 --> 00:51:10.000
At least in March, you know it's short-lived.
00:51:10.239 --> 00:51:10.880
That's true, right?
00:51:10.960 --> 00:51:11.440
It's gonna melt.
00:51:11.679 --> 00:51:16.719
And then the last one is the bison or the ring-necked pheasant, which is your favorite state icon.
00:51:17.519 --> 00:51:19.039
Ring-necked pheasant.
00:51:20.000 --> 00:51:21.360
All right, Chris, what did you get?
00:51:21.440 --> 00:51:22.480
What do you got?
00:51:23.599 --> 00:51:24.559
Bamboozler.
00:51:25.599 --> 00:51:26.559
Bamboozler.
00:51:27.199 --> 00:51:39.360
All right, it says here, uh, dear gentlemen, uh, and I use that term loosely, marching band camp has started, but school doesn't begin until after Labor Day.
00:51:39.440 --> 00:51:41.599
We're rehearsing several hours a day.
00:51:41.760 --> 00:51:47.920
The students are working hard and we're making great progress, but I'm already wondering if we're losing balance.
00:51:48.079 --> 00:51:57.679
Between marching band summer jobs, family vacations, other activities, sports, and just having time to be a kid, there's a lot of competing, uh there's a lot competing for our students' time.
00:51:57.920 --> 00:52:03.440
At the same time, we know that the more time we have together, the better the ensemble can become.
00:52:03.760 --> 00:52:12.719
How do you find the balance between building a successful high-level marching band program and allowing students to have a life outside of marching band?
00:52:12.800 --> 00:52:18.400
And at what point does the pursuit of excellence begin to come at a too high of a cost?
00:52:18.639 --> 00:52:21.360
And how do you know when you've crossed that line?
00:52:21.840 --> 00:52:24.960
If it's excellent, it can be worth it.
00:52:25.280 --> 00:52:30.559
But if you're exhausted, imagine what the students are like, right?
00:52:31.280 --> 00:52:44.960
And so uh it's really hard, and especially because DCI and uh all the alums have really jacked up the competitive marching band scene to be something that's all encompassing.
00:52:45.199 --> 00:52:52.719
It's hard to have less time because if you're not starting to learn your show in June and July, you're not so I don't know if I have an answer.
00:52:52.880 --> 00:52:57.280
God knows if you look at my life, I'm not a shining example of balance.
00:52:57.760 --> 00:53:04.000
So I don't have much more than that, but make it excellent and try to be as efficient as you can.
00:53:04.320 --> 00:53:04.960
Jen?
00:53:05.760 --> 00:53:11.199
Um I taught in a school district that had some really amazing marching bands.
00:53:11.519 --> 00:53:17.840
Um and I would always tell the students that I will do everything you want to do.
00:53:18.000 --> 00:53:20.320
So bands are starting to have night practices.
00:53:20.480 --> 00:53:21.360
Should we do that?
00:53:21.519 --> 00:53:23.760
I asked the students, they were like, no.
00:53:24.320 --> 00:53:33.039
Um and that giving them some voice certainly helped a hundred percent, right?
00:53:33.440 --> 00:53:39.920
But also getting them to buy into it's not about the hours you practice, it's about the quality of the practice time.
00:53:40.400 --> 00:53:53.440
And if we can make that really dialed in and productive, we can get done in less time um what we need to to really do well.
00:53:53.840 --> 00:54:04.639
Um, and so that was a big, that was a big shift, um, particularly at my last school, um, to help them to feel like they would get that done.
00:54:04.719 --> 00:54:11.199
And then, you know, just like making games out of like charting drill, because it is the most boring thing ever.
00:54:11.440 --> 00:54:19.679
Um, and I I say that as somebody, I'm like, the lot the by the time we got the last set on, I'm like, yes, now we can start working on the show.
00:54:19.840 --> 00:54:21.039
Now you know where you're going.
00:54:21.119 --> 00:54:22.880
Now we actually can get some things done.
00:54:22.960 --> 00:54:26.880
It's like we really can't do anything with music until you all have it memorized, right?
00:54:26.960 --> 00:54:30.960
Like we can do some things, but that's where it really accelerates.
00:54:31.039 -->
00:54:35.440
And so students were like, they knew the number of days that we charted, what the record was.
00:54:35.679 --> 00:54:37.440
Can we break the record this year?
00:54:37.599 --> 00:54:39.440
Can we come in under, right?
00:54:39.679 --> 00:54:42.159
So they were running the mathematical calculation.
00:54:42.320 --> 00:54:48.000
There were, I had a group once who would um count their dots in different languages.
00:54:48.159 --> 00:54:50.559
It sounds like like the UN out there.
00:54:50.719 --> 00:55:01.679
We've got Russian and Spanish and Chinese, and they're all learning, and some of them were going home and learning to count to 16 because that was pretty much the end.
00:55:01.760 --> 00:55:02.800
We didn't have very many of those.
00:55:02.880 --> 00:55:04.320
They just needed the first eight, right?
00:55:04.480 --> 00:55:10.239
They were learning one to eight in a new language so they could whip that out the next day at practice, you know?
00:55:10.400 --> 00:55:15.840
Like, so yeah, it is it's challenging for sure, especially when you're feeling that pressure.
00:55:16.239 --> 00:55:17.920
I love giving the students voice, though.
00:55:18.000 --> 00:55:18.719
I think that's great.
00:55:19.119 --> 00:55:20.000
Absolutely.
00:55:20.320 --> 00:55:22.480
Because they'll tell you what they want to.
00:55:22.960 --> 00:55:26.000
Well, when I think balance, I think Phil, Phil, go ahead.
00:55:26.320 --> 00:55:28.639
I am not an authority on this question.
00:55:28.800 --> 00:55:46.320
Um, I've said this about other bamboozlers uh that we've gotten in the past that someone who is asking this question is already aware of trying to create a balance of a proper balance for their students in in the regards that the question was pertaining to.
00:55:46.559 --> 00:55:53.840
Um it is the teacher that is unaware of what that balance is that is the problem.
00:55:54.480 --> 00:56:14.000
And um I don't know what the solution is to that particular problem, other than um uh just being aware of what your colleagues are doing around in your district, in your region, in your state, just trying to keep uh an eyeball on how many rehearsals people are having, how much time are they spending on what and the other?
00:56:14.239 --> 00:56:15.920
Ask your friends what they're doing.
00:56:16.159 --> 00:56:21.599
Ask your colleagues how much time are you spending doing this and and make sure you're in line with what they're doing.
00:56:21.760 --> 00:56:23.920
That is more important than any trophy.
00:56:24.239 --> 00:56:26.400
But but I wanna I want to win.
00:56:26.800 --> 00:56:29.920
Well, it'd be your first time and play the trumpet.
00:56:30.480 --> 00:56:32.400
You good people, I miss you all.
00:56:32.559 --> 00:56:33.840
That's nice.
00:56:34.480 --> 00:56:37.440
Well, um, coldest performance, Chris.
00:56:37.599 --> 00:56:40.639
Was the coldest time you've ever played your tuba outside?
00:56:40.960 --> 00:56:44.239
Oh, that was with the UW Screaming Eagles.
00:56:44.400 --> 00:56:47.599
Uh and uh brother Tim will remember this.
00:56:47.760 --> 00:56:49.519
Um, very, very cold, I think.
00:56:49.599 --> 00:56:52.639
But yeah, it was minus at least 15.
00:56:52.719 --> 00:56:53.760
It was ridiculous.
00:56:53.840 --> 00:56:56.400
So Phillip?
00:56:56.719 --> 00:56:58.480
I marched in the snow once in high school.
00:56:58.559 --> 00:56:59.280
I remember that.
00:56:59.519 --> 00:57:00.320
But that's it.
00:57:00.639 --> 00:57:02.320
You know, just the light flurry.
00:57:02.800 --> 00:57:13.199
University of Montana wasn't directing, I was uh working on the directing, but uh we started playing, and then about 15 seconds in everything froze.
00:57:13.280 --> 00:57:17.519
So we were just singing and and uh marching around, singing away.
00:57:17.760 --> 00:57:18.400
It was cold.
00:57:18.800 --> 00:57:19.599
Very cold.
00:57:20.320 --> 00:57:20.960
You jumped.
00:57:21.760 --> 00:57:24.800
Multiple, multiple blizzards.
00:57:25.280 --> 00:57:31.039
Um pouring rain once at a gig uh at KU.
00:57:31.599 --> 00:57:32.639
We had driven.
00:57:32.800 --> 00:57:34.960
It was that was crazy.
00:57:35.119 --> 00:57:47.920
It turned out to be one of the best um events that we ever did because the KU folks were so kind and um helped us work out the thing where the parent buses couldn't leave because their drivers had to rest and that kind of thing.
00:57:48.000 --> 00:57:56.639
But um, in the first small town I taught in, they were gonna do a living nativity right after Thanksgiving to kick off the holiday season.
00:57:56.880 --> 00:57:57.679
Oh my god.
00:57:58.320 --> 00:58:03.119
With band outdoors in the city park with live animals.
00:58:03.280 --> 00:58:04.800
This was a living nativity, friends.
00:58:05.039 --> 00:58:06.000
Oh my god.
00:58:06.639 --> 00:58:10.159
Wow, yes.
00:58:10.480 --> 00:58:11.679
Scaring the animals.
00:58:11.840 --> 00:58:12.960
I love this.
00:58:13.840 --> 00:58:23.679
So yeah, we we had small groups who played some things, but you know, like instruments were freezing up after they played two notes, and it was just the way it was.
00:58:24.000 --> 00:58:25.599
But it was no.
00:58:26.239 --> 00:58:27.039
Sorry.
00:58:28.719 --> 00:58:32.639
How many animals were scared when the wind instruments started playing for the city?
00:58:32.800 --> 00:58:36.559
And like, you know, we we're gonna have to take the instruments over there if the animals are here.
00:58:36.639 --> 00:58:36.719
Right.
00:58:37.119 --> 00:58:38.400
Right, the turn camel.
00:58:38.719 --> 00:58:40.400
I love it that it was even gonna happen.
00:58:40.480 --> 00:58:40.960
This is magical.
00:58:41.360 --> 00:58:45.920
And people have like costumes on over their winter coats and stuff.
00:58:46.000 --> 00:58:46.719
It was amazing.
00:58:47.039 --> 00:58:48.559
See, music education.
00:58:48.719 --> 00:58:49.360
Where else?
00:58:49.519 --> 00:58:50.559
I mean, nowhere.
00:58:50.960 -->
00:58:51.360
Save in the world.
00:58:51.599 --> 00:58:54.000
I don't I don't think this just is beautiful.
00:58:54.320 --> 00:58:56.639
Not a we this we're not encouraging this.
00:58:56.800 --> 00:58:57.840
This is not encouraged.
00:58:58.159 --> 00:58:58.559
That's beautiful.
00:58:59.199 --> 00:59:01.199
It was the only time they did it, it was that once.
00:59:01.440 --> 00:59:02.000
Thank God.
00:59:02.159 --> 00:59:02.800
Yeah.
00:59:03.199 --> 00:59:05.440
Well, everybody has a dumb idea once in a while.
00:59:05.679 --> 00:59:06.559
Me especially.
00:59:06.719 --> 00:59:08.239
I got lots of dumb ideas.
00:59:08.480 --> 00:59:11.599
Uh, but having Jen on this podcast was not one of the dumb ideas.
00:59:11.760 --> 00:59:13.199
It was one of the brilliant ones.
00:59:13.440 --> 00:59:14.800
Jennifer, thanks for being here.
00:59:14.880 --> 00:59:16.239
And I get to see you at 10 a.m.
00:59:16.320 --> 00:59:17.199
tomorrow on a meeting.
00:59:17.360 --> 00:59:18.000
Yeah, that'll be fun.
00:59:18.559 --> 00:59:18.960
Exciting.
00:59:19.440 --> 00:59:20.000
Super fun.
00:59:20.480 --> 00:59:21.440
Everybody loves a meeting.
00:59:21.679 --> 00:59:21.840
What?
00:59:22.159 --> 00:59:22.800
Yep, please.
00:59:22.960 --> 00:59:23.440
More of them.
00:59:23.679 --> 00:59:24.880
Thank you for joining us, Jen.
00:59:24.960 --> 00:59:33.440
I'm looking forward to yet another great year with you leading all of our wonderful teachers and graduate students and the symphonic band.
00:59:33.519 --> 00:59:34.159
Woot woot.
00:59:34.320 --> 00:59:34.480
See?
00:59:35.280 --> 00:59:41.440
Educators should be uh have some ensemble or studio as part of what they do.
00:59:41.519 --> 00:59:46.079
I think that's a huge part of great teachers of teachers.
00:59:46.480 --> 00:59:52.800
You can also take this podcast performance and put it at the very bottom of your resume where no one will see it.
00:59:53.440 --> 00:59:55.440
Yeah, thanks for a great conversation, everybody.
00:59:55.599 --> 00:59:56.159
Yeah, you back.
00:59:56.400 --> 00:59:56.559
Thank you.
00:59:57.280 --> 00:59:58.239
Okay, bye.
00:59:58.719 --> 00:59:59.679
No, we're starting off.
01:00:00.159 --> 01:00:03.360
Happy birthday to you.
01:00:09.360 --> 01:00:15.360
Happy birthday to coach.
01:00:16.719 --> 01:00:21.679
Happy birthday to you.
01:00:23.280 --> 01:00:24.559
And many more.
01:00:25.440 --> 01:00:26.159
Great to see you.
01:00:26.480 --> 01:00:29.360
Too bad this is gonna air January 5th, but that's fine.
01:00:29.519 --> 01:00:31.119
Happy birthday, brother.
01:00:31.440 --> 01:00:32.960
Great to see you all.
01:00:35.840 --> 01:00:37.760
Oh great to see you too.
01:00:37.840 --> 01:00:38.320
I've missed you.
01:00:38.800 --> 01:00:39.599
More than your brother.
01:00:40.159 --> 01:00:42.880
Summer was uh your 45th birthday.
01:00:43.280 --> 01:00:44.320
Good to all of you.
01:00:44.559 --> 01:00:45.679
Summer's been great.
01:00:45.920 --> 01:00:46.719
Summer's been great.
01:00:46.960 --> 01:00:47.119
Good.
01:00:47.840 --> 01:00:49.760
Christopher survives a tornado.
01:00:50.079 --> 01:00:51.280
Survives a tornado.
01:00:52.239 --> 01:00:53.280
We had to put Louie down.
01:00:53.440 --> 01:00:54.480
My Louis, not your Louis.
01:00:54.639 --> 01:00:55.440
Yeah, I heard.
01:00:55.760 --> 01:00:56.400
So sorry.
01:00:56.559 --> 01:00:56.960
So sorry.
01:00:57.920 --> 01:01:01.679
Still a spot over there that smells like Louis where Ellie stuck his head under the bed, though.
01:01:01.840 --> 01:01:02.320
It's still there.
01:01:02.400 --> 01:01:03.440
I know I checked today.
01:01:06.000 --> 01:01:06.559
Is that okay?
01:01:06.719 --> 01:01:07.039
Not okay?
01:01:07.360 --> 01:01:07.840
That is okay.
01:01:08.320 --> 01:01:09.360
That is way okay.
01:01:09.760 --> 01:01:10.000
Yeah.
01:01:11.360 --> 01:01:12.639
Our dog just threw up under the bed.
01:01:12.719 --> 01:01:14.079
That's a doll he did.
01:01:15.039 --> 01:01:16.480
That happens every day.
01:01:16.800 --> 01:01:17.679
Well, not under the bed.
01:01:17.920 --> 01:01:19.360
Your dog throws up every day.
01:01:19.599 --> 01:01:21.119
Just in new unique places.
01:01:21.440 --> 01:01:21.599
Yeah.
01:01:21.840 --> 01:01:25.119
And then defends it when you try to clean it up, he does.
01:01:25.280 --> 01:01:25.519
Yeah.
01:01:25.679 --> 01:01:27.599
Yeah, it's a treasure, you know.
01:01:28.159 --> 01:01:29.360
He's a treasure.
01:01:32.320 --> 01:01:34.000
How was your summer, Tim?
01:01:34.480 --> 01:01:34.880
Great.
01:01:35.039 --> 01:01:41.840
I got to play with my brother and my nephew in a little in a little event here in Winona.
01:01:42.400 --> 01:01:42.719
Yep.
01:01:44.239 --> 01:01:48.880
Fine and a fine tuba player from uh studying at the University of Miami.
01:01:49.039 --> 01:01:51.119
So that was just uh Oh yeah.
01:01:51.360 --> 01:01:52.880
Yeah, it was very special.
01:01:53.039 --> 01:01:56.639
So that was a basically Tim and I didn't play.
01:01:56.719 --> 01:01:58.400
We just listened to the two college kids play.
01:01:58.639 --> 01:02:03.199
So Miles and the skids in Miami are in the Winona summer band shell band.
01:02:03.760 --> 01:02:04.000
Yeah.
01:02:04.719 --> 01:02:06.400
There were four there was four.
01:02:06.559 --> 01:02:10.559
There were four of us back there, and it was a little out of control.
01:02:10.639 --> 01:02:13.440
So Chris and I just started just to listen to them.
01:02:13.920 --> 01:02:16.880
And we're kind of looking at each other like, hey, did you hear that?
01:02:17.039 --> 01:02:18.639
And yeah, it was it was a lot of fun.
01:02:18.719 --> 01:02:19.360
It was a good time.
01:02:19.519 --> 01:02:21.519
There was no written octave being played.
01:02:21.679 --> 01:02:24.239
It was either up an octave, down three octaves.
01:02:24.639 --> 01:02:25.119
Yeah.
01:02:26.400 --> 01:02:33.760
At least there was a real foundation in hopefully in tune for the Winona band to not be in tune on top of that.
01:02:34.000 --> 01:02:34.960
Well, I don't know.
01:02:36.719 --> 01:02:38.239
It was the summer.
01:02:38.480 --> 01:02:40.639
People I think people had a good time.
01:02:40.719 --> 01:02:42.000
Did you have a good time, Chris?
01:02:42.239 --> 01:02:42.960
It was a good time.
01:02:43.039 --> 01:02:48.880
We did Crown Imperial, it was the first piece, and uh, I just gotta say, we ripped the crap out of that thing.
01:02:50.639 --> 01:02:52.480
Teamajor six tuplets.
01:02:53.920 --> 01:02:55.760
Chris is the band was accompanying us.
01:02:56.559 --> 01:02:57.280
I'm gonna play this.
01:02:58.000 --> 01:02:59.199
Yeah, I said I'm playing this one.
01:02:59.360 --> 01:03:01.679
Yeah, I practiced that one, but yeah.
01:03:01.920 --> 01:03:02.960
It can handle the rest.
01:03:04.639 --> 01:03:09.840
I think it was uh 90, 98 degrees in the band show at the start of the concert.
01:03:10.639 --> 01:03:11.920
No, it was hotter than that.
01:03:12.079 --> 01:03:19.199
They put the temp on the plaque, the metal plaque on the back that's mounted, and I think that was at 108 warmth.
01:03:19.360 --> 01:03:19.760
Yeah.
01:03:20.000 --> 01:03:20.639
It was warm.
01:03:20.880 --> 01:03:23.119
Unrelenting for us people in the back.
01:03:23.360 --> 01:03:26.800
You know, nobody thinks of us poor tuba players.
01:03:27.119 --> 01:03:27.840
No, we don't.
01:03:28.000 --> 01:03:28.480
That's right.
01:03:29.440 --> 01:03:33.920
The work that we do to carry ensembles across this globe.
01:03:34.079 --> 01:03:35.760
You know, last year was the year of the tuba.
01:03:36.159 --> 01:03:37.599
Is it the year of the flute this year?
01:03:37.679 --> 01:03:39.119
Is that no is that what I'm hearing?
01:03:39.679 --> 01:03:39.920
No.
01:03:40.719 --> 01:03:41.679
Music educator, I don't know.
01:03:42.000 --> 01:03:44.320
I think advocacy is going to be a big thing this year, though.
01:03:44.559 --> 01:03:48.800
We had a lot of great um response from Sam Kinjonis and others.
01:03:48.960 --> 01:03:55.039
In fact, I've had like three or four different people tell me they've bought the book and read it because of the podcast, which is like a whole new layer.
01:03:55.119 --> 01:03:56.480
First of all, they listened to the podcast.
01:03:56.719 --> 01:04:02.159
And then second, they actually bought a book from it, and then third told me this is these are this is D.
01:04:02.800 --> 01:04:13.679
But anyway, um, and I just think this is something like you asked Jen, like, how do we really advocate, do a good job, and then get out there and share it with your brethren.
01:04:13.760 --> 01:04:16.239
And then you gotta go outside that school as well.
01:04:16.480 --> 01:04:18.320
Anyway, I think it's the year of advocacy.
01:04:18.480 --> 01:04:20.320
So otherwise, Joe's gonna say something.
01:04:20.639 --> 01:04:29.599
Oh no, I was just I, you know, you've had a whole summer here to sort of uh distill your thoughts about uh the podcast and the direction that it's headed.
01:04:29.760 --> 01:04:36.480
And I'm wondering, you know, out of these the lengthy deliberations that you've had over the course of the summer, you know, what's the outcome?
01:04:36.639 --> 01:04:43.119
Do you have a bulleted sort of like list of suggestions, you know, about things that we need to follow through on, you know, here for uh season.
01:04:43.440 --> 01:04:53.039
I first of all, when I was asked when I was asked today, you know, Chris sent me a text and said, Happy birthday podcast starts at eight.
01:04:53.760 --> 01:04:56.239
I was just happy to be asked back.
01:04:56.400 --> 01:05:02.079
I thought maybe my role is you reward.
01:05:02.559 --> 01:05:03.679
You're a gift for us.
01:05:04.079 --> 01:05:06.800
You your your addition to the podcast is amazing.
01:05:06.880 --> 01:05:11.199
You you're better than the t-shirt that I've gotten the last two years, Chris.
01:05:11.679 --> 01:05:12.639
Yeah, that's true.
01:05:13.119 --> 01:05:16.239
Yeah, you know, so you had to pay shipping, whatever.
01:05:16.320 --> 01:05:17.199
Get over it.
01:05:19.119 --> 01:05:20.400
No, you just no family.
01:05:21.599 --> 01:05:24.000
I love the advocacy thing, Peter.
01:05:24.239 --> 01:05:24.800
I love that.
01:05:24.960 --> 01:05:26.159
I think that's a great idea.
01:05:26.239 --> 01:05:33.519
I think I I I too, though, have heard people that said, I listened to the podcast.
01:05:33.760 --> 01:05:35.199
I really like those guys.
01:05:35.360 --> 01:05:38.320
And I was like, well, come on, like, come on, they're not here.
01:05:38.559 --> 01:05:40.639
You don't have to say nice things.
01:05:40.800 --> 01:05:44.559
Yeah, they're and and they do, they say nice things about you.
01:05:44.800 --> 01:05:46.800
They they like to listen to this.
01:05:47.119 --> 01:05:47.679
So weird.
01:05:47.920 --> 01:05:48.559
That's not true.
01:05:48.800 --> 01:05:53.119
Well, actually, it's really it I first of all, I love to hang with my friends.
01:05:53.199 --> 01:05:54.239
Let's just be honest, right?
01:05:54.320 --> 01:05:56.639
Like, this is one of the reasons we started.
01:05:56.880 --> 01:05:59.760
But unfortunately, I mean, it's a question.
01:06:00.079 --> 01:06:00.400
Acquaintance.
01:06:00.559 --> 01:06:00.960
Acquaintance.
01:06:01.119 --> 01:06:01.199
Yeah.
01:06:01.280 --> 01:06:01.599
Just sort of.
01:06:01.920 --> 01:06:02.559
In a different state.
01:06:02.880 --> 01:06:05.599
Person I've been surrounded by for a very long time.
01:06:06.559 --> 01:06:12.000
But I I would say Phil said it with the Wisconsin WMEA event.
01:06:12.079 --> 01:06:18.800
He just said it's like our love letter to all you teachers out there working hard every day to teach our the next generation of kids.
01:06:18.880 --> 01:06:20.480
And it's absolutely true.
01:06:20.639 --> 01:06:24.559
And um anyway, you said the bandbooser was a huge hit.
01:06:24.719 --> 01:06:25.840
I totally agree.
01:06:26.000 --> 01:06:29.119
Uh when you I felt we were just a little
stilted tonight.
01:06:29.199 --> 01:06:29.440
I don't know.
01:06:29.519 --> 01:06:35.599
I didn't feel like I had my best night, but we're getting, we're just we're you know, stretching out, getting into the opening night.
01:06:36.000 --> 01:06:43.039
On my way home after having my my steak for supper, I was thinking that Phil was gonna ask me this question.
01:06:43.360 --> 01:06:44.159
Of course I was.
01:06:44.320 --> 01:06:46.480
And Phil, I've I've prepared a response.
01:06:46.559 --> 01:06:47.440
So here we are.
01:06:47.519 --> 01:06:48.480
Um good.
01:06:48.880 --> 01:06:58.159
I um without sharing too many of the details, but a a really good friend of mine um who I work with uh lost his dad today.
01:06:58.480 --> 01:07:18.800
And um and and it had been a kind of a a long stretch of time here where um things had continued in his health just deteriorated, and I I think fortunate for my friend, he was able to have a a long goodbye.
01:07:19.360 --> 01:07:25.440
Um but between that and I I played golf with some people that I don't see very often this morning.
01:07:25.920 --> 01:07:41.760
Uh and I've been like as I've gotten older, increasingly surrounded by people who have retired and who've said things like not necessarily by the by the word, but have said, you know, I I kind of miss it.
01:07:41.840 --> 01:07:45.360
I'm I miss what I used to do all the time.
01:07:46.079 --> 01:08:10.000
And I I I guess I challenge all of us and even the three or four commute commuters that are out there listening, that maybe there's some things that have become routine in our lives or that have been that get taken for granted that to not do that and to find time to take a deep breath and say, now wait a second, I get to do this.
01:08:10.559 --> 01:08:15.760
Um and and this is something that I should cherish.
01:08:16.079 --> 01:08:16.960
Just like these.
01:08:17.119 --> 01:08:34.640
Like, you know, again, as as as much as as as fun as this is, like what you have created, there this will be archived for times that will come forward that um I think is pretty special.
01:08:34.800 --> 01:08:44.159
And you know, we we just hired a a new teacher here in in Winona, and she was one of them that mentioned how much she enjoys listening to this podcast.
01:08:44.239 --> 01:08:53.199
So shout out to Cassidy if you're uh if you listen to this first episode, which I'm sure we will do in our first you know staff meeting.
01:08:57.359 --> 01:09:17.680
Just when he was getting serious, and I felt like we were reveless, and he's like, it's that you know, like you know, it's kind of my some of my feelings that I had after I after I stopped coaching basketball is these these things that feel sometimes infinite or the the hamster wheel, they are finite.
01:09:17.840 --> 01:09:19.920
They do they do stop.
01:09:20.319 --> 01:09:22.800
You know, we're not gonna be doing this forever.
01:09:23.039 --> 01:09:32.319
And I think we need to take the time to enjoy this um because it it is a gift, and it is it's special that this could happen.
01:09:32.479 --> 01:09:52.079
Because you know what, if if I would have said to you at Interlockin, um, the two of you who were there, that you know, 30 years later you'd be doing this, you know, Chris would just say, Phil who, and you would look at me like I don't know who you are, get the hell out of my face kind of thing.
01:09:53.359 --> 01:09:54.560
So I don't know.
01:09:54.640 --> 01:10:07.279
I I just I I I think this is a gift, and I think we sometimes need to to be more I just more observant of that than I guess I have been in the past number of years.
01:10:07.439 --> 01:10:12.399
So this might be a good time then to mention that we're broke and this is the final show.
01:10:14.560 --> 01:10:16.319
Short run season.
01:10:16.560 --> 01:10:18.079
Short fifth season.
01:10:18.800 --> 01:10:20.720
Can I borrow 20 bucks?
01:10:22.159 --> 01:10:22.960
It's been a good run.
01:10:24.239 --> 01:10:25.840
I still gotta pay the shirts off.
01:10:26.000 --> 01:10:27.520
I mean, I haven't.
01:10:28.159 --> 01:10:29.760
I'll see you guys in Midwest.
01:10:29.840 --> 01:10:31.439
I still hope we get that booth.
01:10:31.920 --> 01:10:32.399
Oh yeah.
01:10:32.479 --> 01:10:33.760
The booth is still there, though.
01:10:33.920 --> 01:10:34.720
We're good.
01:10:35.359 --> 01:10:35.920
We're good.
01:10:36.079 --> 01:10:37.840
No, uh, you're the best.
01:10:38.079 --> 01:10:38.399
That was good.
01:10:38.479 --> 01:10:39.359
Yep, that was good stuff.
01:10:39.520 --> 01:10:40.239
Well said, Tim.
01:10:40.399 --> 01:10:40.880
Well said.
01:10:41.039 --> 01:10:41.439
How many?
01:10:41.520 --> 01:10:44.079
Uh what what'll be the total number of episodes this season, Chris?
01:10:44.159 --> 01:10:45.840
Um 38.
01:10:46.399 --> 01:10:46.960
38.
01:10:47.279 --> 01:10:50.479
Woo! Computer, get ready.
01:10:50.560 --> 01:10:52.640
It's gonna be a long season.
01:10:54.159 --> 01:10:55.039
38.
01:10:56.239 --> 01:10:57.279
38 of them.
01:10:57.520 --> 01:11:00.239
Oh 39, actually, I think.
01:11:00.479 --> 01:11:04.399
Well, but remember, 32 of them are episodes from the Midwest conference.
01:11:04.479 --> 01:11:04.720
Yeah.
01:11:04.880 --> 01:11:05.439
That's right.
01:11:05.840 --> 01:11:07.520
We're only gonna do seven live.
01:11:07.840 --> 01:11:08.479
Yeah.
01:11:08.800 --> 01:11:10.319
Oh, wait, that's 39.
01:11:10.399 --> 01:11:12.159
I can't add 39, yeah.
01:11:12.399 --> 01:11:12.720
Yeah.
01:11:12.960 --> 01:11:13.199
Over.
01:11:13.600 --> 01:11:18.399
Did you know your eyebrows keep getting longer as you get older?
01:11:18.640 --> 01:11:19.039
Yeah.
01:11:19.119 --> 01:11:19.439
Yeah.
01:11:19.680 --> 01:11:20.000
Yeah.
01:11:24.159 --> 01:11:28.000
Beyond Artless is sponsored by Beyond the Notes Music Festival.
01:11:28.159 --> 01:11:34.880
Our mission is to create and provide profound learning and social experiences through music that go beyond the notes.
01:11:35.039 --> 01:11:38.880
Visit BTN MusicFestival dot com to learn more.