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Hey everybody, it's Brett Benner, and welcome back to another episode of Behind the Stack.
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Today, I am sitting down with author Mary Beth Keane for her new book, Whale Harbor.
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I love this book.
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I love all of Mary Beth's books.
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I think she is so incredibly insightful into the human condition and to the ways that we deal with each other, and this book is no different, focusing on an Irish family of 11 siblings and what happens when a tragedy strikes.
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A little bit about Mary Beth.
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She was awarded a John S.
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Guggenheim Fellowship for Fiction Writing and has received citations from the National Book Foundation, PEN America, and the Hemingway Society.
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She is the author of The Half Moon, The Waking People, Fever, and Ask Again, Yes, which spent eight weeks on the New York Times bestseller list.
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To date, Ask Again, Yes, has been translated into 22 languages.
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So I hope you enjoy this episode of Behind the Stack Okay, now we're gonna launch in, but I wanted to say this beforehand.
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I, I was watching some interviews with you, and I don't know if you've ever gotten this before.
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You give me such Lauren Graham vibes.
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Oh, I've gotten that a lot.
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You know what?
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When I used to teach I mean, 20 years ago when she was in Gilmore.
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Frankie.
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Yeah.
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Yeah.
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People would say that.
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she went to Barnard.
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She went where I went to school.
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She's older than me, so we weren't there at the same time, but I saw her once on campus, and I, like, wanted to tell her, but I didn't.
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Be like,"Hello, I guess we..."
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Hi, I'm your doppelganger.
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Well, now I have gotten it a lot, though.
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Yeah.
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Yeah, no.
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I was like- Good one"Oh my God, Lauren Graham." Yeah, it's, it could be worse.
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I once got,"You, you remind me of Dan Castellaneta." Do you know who Dan Castellaneta is?
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No.
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Dan Castellaneta voices Homer Simpson.
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So just the fact that, like, it's not even a person on camera, he voices Homer Simpson, and I was like,"Wow, thank you so much." All right, here we go.
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Hey, everybody.
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I am thrilled to be sitting down with Mary Beth Keane today for her fantastic new book, Whale Harbor, which is, so good.
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It's so beautiful, and I'm thrilled you're here.
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Thank you for having me.
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I'm excited.
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You know, it's funny'cause when I, when I started to read this book, I, I went into this assumption like, oh, clearly she comes from a massive family, but your immediate family is not very large.
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It's just three girls.
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Yeah, just three of us.
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Yeah, I think, I think our, my parents knew that was an unwieldy amount of kids to have, and they were in the New World.
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You know, they were in America, so you can't be having 11 kids, I think, in the US.
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So I mean, some people do, but no, they weren't interested in that.
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Wow, they were really smart.
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I remember going to high school.
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Yeah.
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There was one girl, and she had 10 siblings, and of course, Catholic and the whole thing, and at the time I was just like,"Wow, you have so many brothers and sisters." And I think now, like, why would anyone want to outnumber themselves in any realm, right?
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Yeah.
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Well, I think part of this comes up in the book, too.
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I think for them in that generation it wasn't Totally something at least the moms always wanted.
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It's just was part of an expectation.
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You know, living under like a Catholic rule in some ways.
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You know, you, you just That was your job.
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You had to have kids.
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So that's different now.
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Yeah.
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So for our listeners or our viewers, do you have a, an elevator pitch of the book?
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So The book is about a family from a rural Irish-speaking village in the west of Ireland who suffers a tragedy, and because of that, they have to separate.
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Some immigrate, some go off to school.
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They just have to deal with the aftermath of this tragedy.
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And in particular, one kid has guilt about one of his younger siblings.
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He immigrates to America.
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His younger sibling, his brother Rian, begs to go with him'cause he doesn't want to be left behind in this like new version of what their family is.
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And the older brother says,"I can't.
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You know, I'm too young.
Load full transcript
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I have to make my way there.
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I just can't.
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But once I establish myself, I'll bring you over." And he leaves, and in the meantime, a little while goes by, and that younger brother runs away, and they don't hear from him again.
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You know, and it becomes sort of the thing that haunts the family as they go through time.
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They establish themselves in, in the US or wherever they end up.
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They have families of their own, but still that lost brother is
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that binds them and is like a sort of grief that never gets addressed, I suppose.
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And so the book is sort of about that.
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All right.
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So location is such a huge thing in the beginning of this, and I'm gonna butcher this name, and so I'm gonna hope you to dive in and correct it for me.
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Cuan an Mhil Mór.
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I told you I sound like I said something from Game of Thrones, so
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Well, my dad was an Irish speaker, and I don't know how to pronounce most of these things.
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I know it's the Cuan, and I have not pronounced aloud the full name of the town because they wouldn't either.
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So the two central events of the book are things that actually did happen to my dad.
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That was one reason it was important to me to keep the 11 siblings, to keep the Irish language aspect of it in it.
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But yeah, place is a big thing because it's not only in Ireland, it's like a very specific part of Ireland.
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You know, if you read a different book set in the'60s and it was in Dublin or Cork, it would be a very different, um, setting than this rural part of Connemara.
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It's the western part of Galway, correct?
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Yeah, mm-hmm.
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Yeah.
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You have been over to Ireland a lot, correct?
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Yeah, uh-huh.
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Both of my parents are from Ireland, yeah.
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And did you get to spend, like when you were researching this and go, did you get to spend time over there specifically?
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Yeah, I mean, I go over quite a bit to see my cousins or for, you know, lately it'll be like for a funeral and I'll stay a little bit longer.
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We brought the kids.
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But I did two research trips for this book, like with it in mind, but it's kind of easy because it's just the place where my father's from.
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I didn't name it the place where he's from'cause I didn't
have to wanna match it.
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I didn't wanna have to capture a real place'cause the spirit was more important than, like, where the town hall was.
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Yeah.
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Where was the bus station?
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So I did go, but it was mostly to talk about the way things were in the'60s.
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Like even simple things like, how did you cook?
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How did you-- What kind of roof did you have?
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You know, having like a straw roof seemed, or a thatched roof seemed so insane to me.
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I didn't want it to be too-- My mother has this expression, too diddly diddly Irish.
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Um, and I didn't want that, but at the same time, a lot of people still did have thatched roof.
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I give, I gave this family a slate roof just'cause I didn't wanna deal with it.
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But yeah, I did, I did do a lot of research and also about the language, and how important it is and it was, and how it's changed over time.
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I'm so curious because when you read the premise of the book, and even getting into this idea of 11 siblings, it's almost like a, a-- It's not a trap necessarily, but there's a thing you would think,"Okay, I'm gonna get this book and it's gonna be 700 pages." And by the way, it could've been and I would've been fine with it'cause I was so in, and I love these kind of generational stories.
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But how was it for you in terms of did you know?
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I guess because y- in some ways, you were not necessarily basing, but you were using your father as a springboard, um, to kind of focus in on this one character rather than, you know, you have all these extraneous characters, but it all works.
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I'm just so curious about that thought process.
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Yeah.
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I don't know how it worked, but it did.
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I mean, it had to be a problem.
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So when this event happens- 11 kids is a problem.
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If I had reduced them, like at early drafts, I was like, all right, what if I make it six kids?
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One goes to England, say one goes to the...
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Then you, not only, but you only have four.
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It really had to remain a big problem.
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So 11 just seemed to me the number,'cause it was the number in real life, and it was the number I just wanted to have to deal with.
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I mean, I almost want to include a disclaimer in the beginning.
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I think if I were a shopper, and I'm at my local bookstore, and I pick up a book and it says,"This is about
11 brothers," I'm worried that this feeling of exhaustion will come over a person and be like,"Oh, God, is it gonna include a family tree?" I mean, I, I get this feeling of like, really it's extreme exhaustion when I open and there's either a map or a family tree.
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I'm almost like out immediately.
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But I almost wanna say, you don't have to worry about it.
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They're important, and you will keep track of them, but it's also okay.
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It's just that they're there, and they're different people.
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The one you need to focus on is this one, named Macdara And Rian, who is on his mind for his entire life.
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And then the other ones are also important.
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They're important to Mack, and they're important to me, but you don't have to keep their whole biography in top of mind.
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It's just enough to know that there's a bunch of them, and they love each other, and they're there, but you don't have to keep, you know, who has red hair, who has black hair.
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You don't need to know all that.
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Um, but I can't say that in the beginning.
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You just have to have a little faith.
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Yeah, but it's, and it's truly remarkable that you've stripped it down and it's so streamlined, and yet you still always have the sense of all these people.
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And like you said, you don't necessarily need to know the specifics, and you get specific enough to realize, okay, all of these people are still here, who they are, and their relationships, and as they get older.
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So I think that's a pretty remarkable feat.
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Thanks.
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Um, one of the really interesting characters, but he's so maddening early on, is, uh, Mack's father.
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Cahal.
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Cah- Yeah, he-
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Cahal, yeah.
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Like, pretend it's an H.
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Yeah, Cahal.
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He, uh...
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And he goes through an incredible kind of redemptive arc throughout the book, but I'm so curious because in the start of it, he's so absent in a lot of ways and leaves their poor mother with so much of this responsibility of everything.
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And I kept thinking, like, in terms of where he's at, and do you think for him, a lot of it is, like, the undertaking of taking care of this huge family and how he's gonna make it work?
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Yes.
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I mean, I think also as I get older, when you look back and do some calculations, he was young, you know?
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And there are 11 kids.
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Like, you could not get birth control in Ireland until very, very recently, relatively speaking.
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There were just so many kids, and he felt, and he just couldn't cope.
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I think I have a lot of sympathy for people who cope the wrong way, who do what they think is the right thing, but it's actually the wrong thing.
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I mean, he was making a living for his family.
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He was a postman, which my grandfather was a postman in, in real life.
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Um, and he made poutine on the side.
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But the time when a new baby is in a house, I mean, it sounds like you've done The crying, the constant, and then you've got a two-year-old, a four-year-old, a six-year-old, an eight-year-old, all the way up the line.
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I think he just couldn't deal until things settled down.
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And we always heard stories.
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I mean, the thing about being in a big I didn't have, I only had two siblings, but we had a lot of cousins because both my parents emigrated.
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They both had big families, so all of our get-togethers were just my aunts, uncles, and my cousins.
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And we all had small houses, so the kids were just always in the room listening to stories.
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Mm-hmm.
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And you would hear stories kind of like this.
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Um, but I, when, like, someone else would kind of level an indictment against a guy like that, I tried to figure out what, what would maybe shake him awake.
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And when his son leaves, I think he really starts to pay attention to what he's doing, and he, that's when his arc, you mentioned his arc changes a bit when Rian runs away.
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Um- And he has a whole life.
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He- no one has done this before.
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I think he coped very badly when, when the kids were young.
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But then when he had to step up, I think of him as a person who ultimately did.
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You know, he did...
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made some decisions out of desperation that might have been wrongheaded, but I think he tried to correct them, too.
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I think he might be my favorite character.
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A lot of people hate him in the beginning, but I think anyone's who willing, who's willing to acknowledge, like,"I, I did a bunch of things wrong, and now I'm trying to do them right," I don't know, deserves a certain amount of sympathy.
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Yeah.
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You know?
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I think it's fair in the beginning to say
that because it's almost unclear in the beginning, and I think intentionally so.
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You're just kind of like,"Dude, what are you..." And, uh, we're also, we're also coming at it with a very contemporary- Right, exactly view of families and how things should be approached and responsibilities, where you're like, well, child services would be all over this.
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But, uh, you know- Yeah it's just a different thing.
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But, but I do feel like, where he goes to, it, it, it's incredibly moving.
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It's such an interesting thing, too, because I was thinking about this whole place and this idea of, like, kids moving away or being told, like,"You're gonna go to America." There's a quote that I loved so much, and it was talking about Rian and how he is difficult in school and doesn't wanna learn, and his mother-
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Says, she said,"'Cause he's scared.
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He knows he has
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to leave" He's scared because he knows he's gonna have to leave, and that so resonated with me.
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Rian knows that the only reason he has to learn English is'cause he has to leave.
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It's scary to know that from, I think, the moment you're born.
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I mean, my dad talked about that a lot.
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His brothers talked about it, my mother.
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Um, I don't know, it, it must be a weird way to live.
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Um, our family went one year to Newfoundland to this place, it's called Fogo Island.
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It's this very remote part of, of Canada, and on the island there's this hotel.
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It's called the Fogo Island Inn, and it's kind of now world famous, and it's run by this woman named Zita Cobb.
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And Zita Cobb made all her money in tech and kind of got out, but she grew up on this very small fisherman's island, and it feels very much of this feel.
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And what happened is she had all of this money and she wanted to put it back in some ways to the community.
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So she proposed that anyone who wanted to go to university, she would pay and she would cover their costs.
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Kind of amazing.
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And then one day a woman came to her on the island and said,"This is so incredible w- what you're doing, but you're decimating the island effectively.
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You're taking everyone from us, and can't you find a way to- Make it work to keep people here.
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And so she created this hotel, and what they did was, um, all of the furniture was built by craftsmens on the island.
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Wow.
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And all of the, like
the quilts, and the rooms, and everything.
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The local fishermen would bring fish in and their catch, and everyone that works at the hotel is from the island, and she kind of put it all back in and did this incredible thing.
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But it reminded me so much of that, of this idea of people growing up knowing,"I'm gonna have to, to go from here," because there's just for a better, a, a, a albeit a better life per chance, you know?
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Yeah.
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And there's such a big difference between, I think my generation.
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I have cousins who, you know, work in pharma or work in tech, and they opt to leave.
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You know?
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Yeah.
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They're like,"Well, I'm, I'm gonna go work in, uh, Geneva.
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I'm gonna work in Australia, uh, Madrid, or wherever." I have a cousin in Dubai, but it's so different.
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You can choose to go back whenever you want.
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You know?
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You are living in a, a nice situation.
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You leave for a nice situation.
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You're like,"I'm done.
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I'd like to raise my children in Ireland." You come back home.
00:15:52.325 --> 00:15:56.274
For them, it just, there weren't a lot of choices, so it was different.
00:15:56.787 --> 00:15:57.191
Yeah.
00:15:57.249 --> 00:15:58.604
I loved Rian so much.
00:15:58.615 --> 00:16:01.730
It w- he was, for me, he was one of my favorite characters in the book.
00:16:01.808 --> 00:16:06.875
And again, no spoilers, but just u- ultimately, uh, the whole thing's so satisfying.
00:16:06.890 --> 00:16:16.940
But another character that I loved so much, talking generations, is, is Max's daughter, Mary, who is so amazing and so progressive, went to Catholic school.
00:16:16.943 --> 00:16:22.339
And I honestly, I kept thinking the whole time I was reading this, w- is she the one that's closest to you?
00:16:23.759 --> 00:16:24.077
Yeah.
00:16:24.077 --> 00:16:25.554
I mean, of course, she's...
00:16:25.909 --> 00:16:28.123
I went to 12 years of Catholic school.
00:16:28.125 --> 00:16:42.980
I went to an all-girls Catholic school that I think, I honest to God think I got sent to'cause my mother saw a couple episodes of"90210." And I'm the oldest, and she was like- Mm-hmm absolutely not, you know?
00:16:42.980 --> 00:16:44.429
And I was a little boy crazy.
00:16:44.475 --> 00:16:53.467
Uh, and I was like a fighter, like Mary wa- You know, I was constantly arguing with people, like,"We should be distributing condoms and this and that.
00:16:53.467 --> 00:16:56.360
We should be doing..." And I'd get sent to detention.
00:16:56.716 --> 00:16:58.129
My mother would get a call.
00:16:58.229 --> 00:17:03.227
The weird thing is I did love
that school, and I still have a lot of fondness for the nuns.
00:17:03.817 --> 00:17:03.836
Mm.
00:17:03.836 --> 00:17:09.438
I think that they, some of them, I know they agreed with me, even if they couldn't say it.
00:17:09.652 --> 00:17:14.076
Some of them have since left the convent and gone on to lead, like, secular lives.
00:17:14.153 --> 00:17:21.657
But Mary, I wanted to show, I guess, or in my mind, she's a lot like her grandfather.
00:17:22.345 --> 00:17:25.587
Cathal was also always arguing with people.
00:17:25.588 --> 00:17:32.036
He went to a funeral for a Protestant man that he was friendly with, and the town turned against him.
00:17:32.036 --> 00:17:33.717
I don't know if you remember that scene.
00:17:33.728 --> 00:17:33.923
Mm.
00:17:33.957 --> 00:17:40.855
He was constantly sort of at battle with the way things were, with expectations.
00:17:40.896 --> 00:17:43.046
Rían was kind of the same.
00:17:43.614 --> 00:17:44.602
He was an arguer.
00:17:44.602 --> 00:17:46.290
He wouldn't fall in line.
00:17:46.332 --> 00:17:53.650
And she has that, but for her, it'll turn out a little differently because she's educated and she's in the United States.
00:17:53.704 --> 00:17:58.339
You know, it might have worked out differently for her if she were still in Ireland in the year 2026.
00:17:58.339 --> 00:18:00.665
It's a different place than it was in 1963.
00:18:00.746 --> 00:18:06.432
But it is the same set of traits against a different historical moment.
00:18:07.131 --> 00:18:10.417
I think she will be okay.
00:18:10.463 --> 00:18:17.878
The things that didn't serve Cathal very well are the things that will get her where she wants to be.
00:18:17.894 --> 00:18:18.560
Do you know what I mean?
00:18:18.561 --> 00:18:20.126
But it's the same family traits.
00:18:20.144 --> 00:18:22.249
And I, I thought a lot about echoes.
00:18:22.281 --> 00:18:27.030
I mean, when I was writing this book, I went to visit my grandmother's grave.
00:18:27.140 --> 00:18:28.865
She was Mary Keane.
00:18:29.846 --> 00:18:32.673
A, it just says Mary Keene, aged 47.
00:18:33.035 --> 00:18:37.151
At that moment, I'm Mary Keene, aged 47, looking at it.
00:18:37.221 --> 00:18:51.548
You know, I'm like,"Here we are, just over and over, like, different iterations of the same pool," you know, I guess, and I am not going to have 11 children and die young, you know?
00:18:51.855 --> 00:18:54.958
And I'm sorry that you did.
00:18:54.969 --> 00:19:01.355
You know, it's just something I thought about a lot were these echoes through generations, I guess, and time.
00:19:01.416 --> 00:19:03.317
But I also liked Rian a lot.
00:19:03.586 --> 00:19:04.373
I felt for him.
00:19:04.784 --> 00:19:06.306
My God, so much.
00:19:06.316 --> 00:19:17.530
Something you talk about, too, in this in terms of emotion and the way people convey emotion or, you know, the feelings of, I think you describe it as being sad or having the feeling of sadness.
00:19:17.540 --> 00:19:17.915
Yeah.
00:19:18.275 --> 00:19:18.344
Mm-hmm.
00:19:18.349 --> 00:19:28.141
And that so kind of spoke to me of kind of this, um, removal or stoicism that exists with so many of these people.
00:19:28.154 --> 00:19:32.354
And I feel like for Mack, in a lot of ways, it's really his, his wife that helps-
00:19:34.232 --> 00:19:34.500
Cause she
00:19:34.502 --> 00:19:34.702
understands
00:19:34.730 --> 00:19:35.127
kind of softens.
00:19:35.188 --> 00:19:37.329
She gets it and softens those edges.
00:19:37.682 --> 00:19:37.942
Yeah,
00:19:37.957 --> 00:19:39.403
she gets it.
00:19:39.403 --> 00:19:39.413
Yeah.
00:19:39.413 --> 00:19:39.423
Yeah.
00:19:39.423 --> 00:19:41.990
She gets it, and she's from the same place, which I think helps.
00:19:42.034 --> 00:19:55.445
But I do think a lot, and I've, I mean, I've been thinking about this ever since I was young, like the way that we talk about things, even our sentence construction is so revealing of what we think.
00:19:55.823 --> 00:20:04.436
You know, even at an age where you learn about, um, your sentences, I remember early creative writing workshops, you know, my writing was too passive.
00:20:04.606 --> 00:20:07.548
You know, I, I would remove the subject from the sentence.
00:20:08.032 --> 00:20:16.951
And changing around your grammar, making sentences more direct changes how you look at things, and that's the same with Irish language.
00:20:16.971 --> 00:20:22.704
Once I read about that difference, like I am sad, I am happy in the US.
00:20:23.053 --> 00:20:30.404
If you translate Irish and it says, it really means sadness is upon me today, but it's temporary.
00:20:30.404 --> 00:20:33.496
The implication is it, it's not me.
00:20:33.877 --> 00:20:36.125
The sadness is upon me, but it is not me.
00:20:36.661 --> 00:20:38.402
Same with happiness, though.
00:20:38.407 --> 00:20:41.948
It's such an American thing to think,"Am I happy?
00:20:42.520 --> 00:20:51.006
But am I happy in this career, in this marriage, in this life?" It's like, well, sometimes yes, sometimes no, but that is the way it is.
00:20:51.016 --> 00:20:57.976
So anyone seeking a permanent state of happiness, I always feel like is inevitably gonna be really disappointed.
00:20:58.398 --> 00:20:59.775
It just doesn't work that way.
00:21:00.211 --> 00:21:00.560
Yeah.
00:21:00.771 --> 00:21:06.304
I, I had a shrink once say that to me too, where he said,"Feelings are like clouds.
00:21:06.336 --> 00:21:14.132
They're moving through." It's not that, you know, to say I'm happy or I'm sad, or I'm sad because of this, all of these things pass.
00:21:14.221 --> 00:21:18.671
It's just in this moment, that's what you're feeling, and it is temporary.
00:21:19.126 --> 00:21:19.547
Right.
00:21:19.977 --> 00:21:22.183
In some ways, it's such a, that Irish way.
00:21:22.536 --> 00:21:34.184
It's really such a healthier way to look at it, rather than like wallowing in this one existence, whether it's extreme happiness or extreme sadness,'cause yes,
inevitably it's gonna change and life is gonna come crashing in like it does.
00:21:34.433 --> 00:21:51.635
You know, we were talking in the beginning about kids before we started, and there's this moment when one of the characters is leaving for school, and Lily says to Mack about how parents feel when we leave, like no one ever thinks about the parents, and that so resonated to me.
00:21:51.660 --> 00:22:00.265
And I don't know about you, but I thought about that when I dropped my kids off at college the first time and coming home, and it was really strange standing at the airport and seeing all these parents waiting to go back.
00:22:00.709 --> 00:22:05.193
It was the dads who really seemed devastated much more than the moms.
00:22:05.359 --> 00:22:12.105
Certainly, there were some moms who were upset, but I remember seeing one dad who was trying to talk about it at the airport and started to choke up.
00:22:12.480 --> 00:22:12.500
Yeah.
00:22:12.500 --> 00:22:16.730
And he was so overcome with the emotion- Right of this happening.
00:22:17.116 --> 00:22:21.988
But I remember thinking afterwards, there really needs to be some kind of manual put out for parents as they
00:22:22.444 --> 00:22:23.310
as
00:22:23.310 --> 00:22:33.803
they give their kids over and, and they go to college or go to school or, or into life because- We're just not equipped for it or ready for it, and it's so much more overwhelming than you think.
00:22:33.817 --> 00:22:35.064
It's funny that you say that.
00:22:35.089 --> 00:22:42.545
I have noticed it's like a lot of the dads in my world, it's not that they didn't see it coming, you know intellectually.
00:22:42.545 --> 00:22:47.724
It's kind of like they say that when a woman is pregnant, you know, and your partner, they...
00:22:48.130 --> 00:22:51.326
I don't know, I don't wanna ma- make any men out there angry.
00:22:51.710 --> 00:22:55.767
But, uh, the books do say a lot of times men don't really...
00:22:55.883 --> 00:23:00.371
It doesn't click that you've had a child until the, you're holding your baby and-
00:23:00.381 --> 00:23:00.596
Yeah
00:23:00.596 --> 00:23:01.068
getting up.
00:23:01.070 --> 00:23:07.443
And then women sort of become mother when you've, you know, that baby, you know it's in there.
00:23:07.702 --> 00:23:10.936
You feel sick, you feel your body change, you know that it's happening.
00:23:11.313 --> 00:23:14.154
I've thought about that with the men.
00:23:14.656 --> 00:23:15.011
I don't know.
00:23:15.019 --> 00:23:16.174
Women, we knew.
00:23:16.672 --> 00:23:16.990
I don't know.
00:23:16.992 --> 00:23:18.164
I knew I was dropping him off.
00:23:18.167 --> 00:23:19.028
I knew this was happening.
00:23:19.028 --> 00:23:19.779
You could see it.
00:23:20.141 --> 00:23:24.936
But my husband and some others, it, it seems like they were taken by surprise almost.
00:23:24.951 --> 00:23:25.115
Yeah.
00:23:25.115 --> 00:23:26.577
It's like, well, you saw this coming.
00:23:27.054 --> 00:23:27.278
Yeah.
00:23:27.286 --> 00:23:27.626
You know?
00:23:27.743 --> 00:23:30.297
18 years you saw this coming, and here we are.
00:23:30.578 --> 00:23:31.295
I mean, I don't know.
00:23:31.296 --> 00:23:48.092
I, I'm not articulating it very well, but I think if there's one thing I'm good at, when the kids are absolutely bonkers in the backseat, you know those years where, you know, little Johnny in carpool spills his Gatorade in your new car, and then there's a fishing pole that scrapes the whole, you know, you're...
00:23:48.342 --> 00:23:49.231
And it's just chaos.
00:23:49.256 --> 00:23:55.181
I remember looking in the rear view and thinking One day there'll be no one in this car-
00:23:55.643 --> 00:23:55.823
Yeah
00:23:55.823 --> 00:24:01.852
with me, and I would rather this- Yeah absolute bers chaos.
00:24:02.388 --> 00:24:11.751
I heard a kid once from my third row say, I guess one of them got a cell phone before all the others, got an iPhone, and I heard him say,"Okay.
00:24:11.791 --> 00:24:13.530
Type in, what should we look for?
00:24:13.807 --> 00:24:18.021
Search up Kate Upton bikini." And I was like,"No.
00:24:18.916 --> 00:24:19.871
No." I pull over.
00:24:19.884 --> 00:24:25.836
You know, I'm like, what a wild bunch of years, but so funny- No and so fun.
00:24:26.101 --> 00:24:31.270
And it's such a cliche, and you say it to people, and you say, like, every new parent, and everybody used to say it to us, too,
00:24:31.315 --> 00:24:32.217
um- At least we'll see their...
00:24:32.220 --> 00:24:37.311
I mean, I feel like the people who were left behind in immigration, they didn't know if they would see their kids again.
00:24:37.313 --> 00:24:40.365
You know, they would just look forward to a letter once in a while.
00:24:40.442 --> 00:24:40.458
Yeah.
00:24:40.458 --> 00:24:41.923
Maybe a visit every 10 years.
00:24:41.934 --> 00:24:43.952
It's expensive to go back and forth.
00:24:44.550 --> 00:24:52.028
And again, like what we were talking about, it just at the start of this with, with the phrasing of the emotion thing, you did what you had to do, and I think there was a...
00:24:52.204 --> 00:24:58.153
I look at, like, my parents' generation, and I do believe it was a heartier stock than we are now.
00:24:58.452 --> 00:25:05.519
I think it was a, you know, certainly we have words and language to describe our emotions in a much better way.
00:25:05.519 --> 00:25:11.829
We have things that we can kind of articulate that I don't know that people were necessarily able to articulate.
00:25:12.212 --> 00:25:23.125
Even I remember just going to a therapist in my college and telling my parents I was going to a therapist, and I remember my father saying,"Well, what are you doing that for?" He's like,"You talk to your friends.
00:25:23.125 --> 00:25:27.362
I don't even understand that." And that was just that generation.
00:25:27.371 --> 00:25:28.242
They just...
00:25:28.747 --> 00:25:31.900
They all probably could have used it, but- Oh, yeah
you know.
00:25:32.009 --> 00:25:32.733
Completely.
00:25:32.964 --> 00:25:35.147
Is there a significance of the whale for you?
00:25:35.365 --> 00:25:37.743
The whale, there's a whale that takes a big part in this book.
00:25:37.757 --> 00:25:44.739
The whale, for me, was something like it needed- Something to tie together all these parts, I guess
00:25:44.739 --> 00:25:44.749
Hmm
00:25:45.115 --> 00:25:47.454
I knew I wanted to cover a long period of time.
00:25:47.465 --> 00:25:51.076
We have a place on Martha's Vineyard, and we were walking on the beach.
00:25:51.579 --> 00:25:56.673
It was, like, after Thanksgiving, so off-season, and we came across this thing.
00:25:56.979 --> 00:26:02.814
This is in real life, so as I'm drafting the book and struggling with it, we came across this whale vertebra.
00:26:02.826 --> 00:26:07.163
I actually used Google, like, you know the thing that you identify the image and it tells you?
00:26:07.163 --> 00:26:07.503
Yeah, yeah.
00:26:08.900 --> 00:26:13.990
And I think that started me cooking a little bit, and like, how long has this been float...
00:26:13.990 --> 00:26:15.861
You know, I guess it got pushed up in a storm.
00:26:15.875 --> 00:26:24.105
But then I started looking on the Internet and, you know, how long does the body remain with flesh?
00:26:24.105 --> 00:26:27.423
How long does a skeleton remain?
00:26:27.458 --> 00:26:30.990
And they can be there a long, long, long time.
00:26:31.035 --> 00:26:45.590
And so I started thinking about, like, how can I link th- this early moment when the kind of, like, inciting event happens to the rest of their lives, and it just became a way to do that, I guess.
00:26:45.596 --> 00:26:45.615
Hmm.
00:26:45.621 --> 00:26:55.042
I didn't mean it to be I've read since then some, like, symbolic analysis that certainly was not in my head.
00:26:55.057 --> 00:26:57.642
You know, it just was a thing that happened.
00:26:57.957 --> 00:27:03.641
You know, the book opens, it's with Rian and Mack, and they've hiked up a mountain, and that's the day the whale washes up.
00:27:04.702 --> 00:27:07.085
Otherwise, like, why are they up there that day?
00:27:07.098 --> 00:27:13.948
And so I did see that a whale washed up, but I didn't imagine that that same whale might still be there.
00:27:14.079 --> 00:27:16.903
And it, it's not there in the same way that it was on that day.
00:27:16.903 --> 00:27:18.569
It's in parts, it's in this and that.
00:27:19.178 --> 00:27:25.220
But also the fact that some of them remember it and some of them don't.
00:27:25.326 --> 00:27:33.846
We have things like that, like things that were huge in my childhood that I'll say to my sister,"Oh my gosh, do you remember the day Mr.
00:27:34.324 --> 00:27:37.538
Murphy, you know, shouted at..." And they're like,"What?
00:27:38.368 --> 00:27:40.593
That never happened." I'm like, how could this not have been...
00:27:40.595 --> 00:27:43.510
I think of it once a week my entire life, you know?
00:27:43.757 --> 00:27:53.050
And the fact for Mack that some of his brothers don't really remember it being such a significant thing, to me speaks of this is exactly what memory is.
00:27:53.240 --> 00:27:53.459
Mm.
00:27:53.522 --> 00:27:54.771
We think it's objective.
00:27:54.796 --> 00:27:55.678
This thing happened.
00:27:55.678 --> 00:27:56.946
This is what a big deal it was.
00:27:56.951 --> 00:28:06.105
And to someone who's standing right next to you, they're thinking about what they're gonna have for lunch or the person they have a crush on, and they're not thinking about this at all.
00:28:06.131 --> 00:28:12.602
And so every version, you know, I thought about that a lot also with when their father gets remarried.
00:28:12.653 --> 00:28:17.679
You know, to Mack, who is my main character, he only looks at that stepmother one way.
00:28:17.829 --> 00:28:17.935
Yeah.
00:28:17.992 --> 00:28:23.314
And it kind of takes him by surprise that some of his brothers don't see her that way, and they're both right.
00:28:23.405 --> 00:28:23.729
You know?
00:28:23.792 --> 00:28:27.699
She was really, really cold to some of them.
00:28:28.086 --> 00:28:31.825
Who knows if that's the way sh- that's how you deal with children.
00:28:31.829 --> 00:28:37.170
You know, maybe she got trained in that, you know, old school way that just really wasn't appropriate.
00:28:37.561 --> 00:28:41.231
But some of the other kids thought, you know,"That's our mother.
00:28:41.556 --> 00:28:46.886
She raised us, and she loved us," and that was a shock to Mack, too, but it's all true, and it's all right.
00:28:47.554 --> 00:28:49.635
Six versions of the same event, and they're all true.
00:28:49.961 --> 00:28:50.298
Yeah.
00:28:50.820 --> 00:28:55.732
So I wanted-- I think the whale also tried to do some of that work.
00:28:55.780 --> 00:28:59.549
And also the na- Mack is so connected to the natural world.
00:28:59.722 --> 00:29:07.184
You know, I, I like to think of him even in the Bronx, um- The busy Bronx of the 1970s.
00:29:08.111 --> 00:29:13.556
He's worried about a cat, you know, and whether it's gonna overheat in the weather.
00:29:13.570 --> 00:29:16.691
This is July 1977 when New York had a big blackout.
00:29:17.167 --> 00:29:22.877
Or he's thinking about, you know, he's, he's noticing, he's working with horses in the middle of this big bustling city.
00:29:23.346 --> 00:29:33.223
So the whale became important, but I try not to think too heavily on anything like a symbol'cause then it's just creates really bad, clunky writing.
00:29:34.039 --> 00:29:35.852
So I just wrote it, and it seemed to work.
00:29:36.257 --> 00:29:36.891
Totally works.
00:29:37.174 --> 00:29:39.285
Well, Mary Beth, this was great.
00:29:39.301 --> 00:29:40.865
The book is really wonderful.
00:29:40.878 --> 00:29:42.215
Please everyone go out and get it.
00:29:42.226 --> 00:29:45.094
Buy independent if you can, but please get the book.
00:29:45.115 --> 00:29:46.915
It's just really fantastic., Thank
00:29:46.915 --> 00:29:47.039
you.
00:29:47.051 --> 00:29:48.144
Thank you so much for having me
00:29:49.063 --> 00:29:50.183
Thank you again, Mary Beth.
00:29:50.955 --> 00:29:58.430
If you've liked this episode or other episodes of Behind the Stack, please consider liking and subscribing so that you never miss an episode.
00:29:58.852 --> 00:30:08.560
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00:30:09.001 --> 00:30:13.907
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00:30:14.273 --> 00:30:23.270
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00:30:23.449 --> 00:30:26.163
And as always, thank you for listening