Listen Score
LS 57
Global Rank
TOP 0.5%

ABOUT THIS PODCAST 🔗

Hosts:
Update frequency:
every 10 hours
Average audio length:
89 minutes
Guest interviews
Has sponsors
English
United States
1596 episodes
since March 7, 2011
episodic
explicit content

AUDIENCE OF THIS PODCAST 🔗

~39.51% of listeners are from United States.
🇺🇸
US
39.51%
🇮🇪
IE
30.48%
🇰🇪
KE
5.08%
🇬🇧
GB
4.80%
🇨🇦
CA
2.46%
🇩🇪
DE
2.06%
🇸🇬
SG
1.83%
🇷🇴
RO
1.28%
🇫🇷
FR
0.95%
🇦🇺
AU
0.90%
🇳🇱
NL
0.85%
🇮🇹
IT
0.72%
🇮🇳
IN
0.67%
🇸🇪
SE
0.67%
🇯🇵
JP
0.67%
🇨🇿
CZ
0.60%
🇪🇸
ES
0.52%
🇧🇷
BR
0.47%
🇹🇼
TW
0.35%
🇵🇹
PT
0.30%
🇦🇷
AR
0.25%
🇪🇬
EG
0.25%
🇲🇽
MX
0.22%
🇭🇺
HU
0.20%
🇦🇹
AT
0.20%
🇩🇰
DK
0.20%
🇧🇪
BE
0.17%
🇭🇷
HR
0.17%
🇪🇪
EE
0.17%
🇰🇷
KR
0.17%
🇨🇭
CH
0.15%
🇹🇭
TH
0.15%
🇺🇦
UA
0.12%
🇷🇺
RU
0.12%
🇳🇴
NO
0.10%
🇵🇱
PL
0.10%
🇮🇱
IL
0.10%
🇵🇰
PK
0.10%
🇳🇿
NZ
0.10%
🇮🇩
ID
0.10%
🇧🇩
BD
0.10%
Others
1.59%
* Data source: directly measured on Listen Notes. real-time

LATEST EPISODE 🔗

A country star who walked away from the spotlight, a mystery that won't stay buried, and songs that each have a job to do: Heartland (2026) is a Netflix thriller with a country heart.Mike talks with writer-director Shana Feste ahead of the film's November 13 Netflix release. Feste explains why she …

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Search past episodes of The Projection Booth.

PREVIOUS EPISODES

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Strip a soldier's letter of its name, date and salutation, and the sentiments barely change: scared kids who want to be home. That idea drives Behind the Lines (2024), a new documentary in which actors, letter in hand, read wartime letters and emails from World War III to Iraq and Afghanistan, set …
Three people, one conversation, ninety minutes: that was the stage play Sheepwell. Now it's a feature film, and it's heading to the Austin Film Festival as a fresh voice in a very crowded field.This Special Report brings Mike White together with Sheepwell (2026) co-writer and producer Danielle DeMa…
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What happens when a filmmaker can't make the movie of her own life? Janaé Rachel Ballot tried to write a biopic about herself, ran into dissociative episodes and flashbacks, and started shooting without a script instead. The result is Dissociated Me (2026), a comedy about trauma that she calls an a…
Film history may be heading toward its own ending, and David Thomson wants to look at the whole thing while there is still something to see. The critic and historian behind Rosebud joins Mike White for a Projection Booth Special Report on his new book, A Sudden Flicker of Light, a revisionist histo…
Kier-La Janisse wanted to be a film programmer. Instead she became a publisher and a filmmaker, because the festival that gave her a website in 2011 handed it over when it stopped reaching Quebec audiences. She turned that domain into Spectacular Optical, a book imprint that started in 2014 with Ki…
A world drawn in cross-hatched lines: water, ships and faces all look like Victorian engravings come to life. Czechtember 2026 opens with Karel Zeman's Invention for Destruction (1958), released in America as The Fabulous World of Jules Verne, as Mike welcomes back Jonathan Owen and Professor Earl …
A birthday party, a rented house and a person you only thought you knew: I See the Demon (2025) turns a breach of trust into sci-fi horror.This is a Special Report on a new voice and a festival film. First-time feature director Jacob Lees joins Mike to talk about the movie that premiered at Cineque…
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