প্রতিলিপি 🔗
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Hello, everybody.
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Welcome back to the Life is Limitless Podcast.
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We took a little bit of summer hiatus as I was off enjoying some time with family and concentrating, focusing on some other things.
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But I am extremely excited and glad to be back with a brother of mine that it's been a while since we touched base, but he's got a very cool, interesting project coming up just around the corner, and I wanted to let the world know about it as much as we possibly could.
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So today we have Andrew J Naji.
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Brother, it's been a minute.
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Uh, we were just catching up for a few minutes before this.
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We got a lot to uncover here for the next hour and a bit.
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Thank you so much for being with us today.
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No, thank you for having me.
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I'm excited to be here.
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Yeah.
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Well, it's gonna be a good time, buddy.
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I'm looking forward to catching up and get some uh more information about your project out in the world because I know it's gonna be something with a lot of heartfelt intention behind it for sure.
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So Mr.
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Andrew J.
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Najee began acting at age three, built nearly 180 credits across theater, film, and television before retiring from acting at age 27.
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A BFA graduate in acting from the University of Regina.
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He moved into directing in 2011, helming seven short films in the Project Long Night miniseries before adapting into the Tech Noir audio drama he wrote, and has spent over a decade bringing to life, and he is the founder of Noble Story Productions based in Edmonton, Alberta.
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Well, that's it.
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Interview done, you know everything.
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Bye.
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Well I need to know a lot more, brother.
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I need to know a lot more.
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So you know what?
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Instead of me sharing the introduction about the Noble Story Productions, I think a great way to start is just by sharing what it means to you and why you created it.
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So uh Project Long Knight has has grown into something more uh important to me as it went on.
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Um when it first started, it was a cool script idea where I could be the lead actor and really propel my acting forward and and and get my career going.
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Um but along the way through many short stories that maybe we can get it to in this podcast, maybe not, um things changed and it became more about the people involved, more about the community that we were creating.
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And and especially as time has gone on, it's become a lot more prevalent.
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The themes and the the story threads that High had written 15, 20 years ago became a lot more prevalent in our actual world.
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So uh means a lot, in my opinion.
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Yeah, like I said, I there's no doubt in my mind that you have a lot of heartfelt intention to spend that many years on projects of such like this.
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I mean, I know you're a person with great intention that wants to put in a hard work ethic for things that matter to him and everyone else around.
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So it's definitely coming alive.
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So how I seen and caught up with you is that I seen you were on CTV the other day having a short little interview as well.
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You want to explain a little bit more about what you were trying to do there?
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Sure.
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Um, one of the things so the CTV interview, one of the things that I was aiming for is getting the word out that the uh that the audio drama, that podcast, uh is coming out October 3rd.
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Um and the story itself, um just a quick glimpse in that into that CTV.
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I only had three minutes to talk about it, but the story itself was um is about two young men who are fired from a tech company called Armistice.
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Uh, and uh they cause some drama on their way out and f kind of uncover some experiments, some secrets that that company is working on that is going to change the world as they know it.
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Uh, and they begin to uh uh fight in a bit of a covert, clandestine war um against that company because they don't like what's happening.
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And uh and it was just a great way to to reach people that I had never met before uh outside of our own thing, just so they could see what we're working on.
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Because small independent films usually are sorry, in this case an audio drama, independent projects don't get out um easily because we don't have the resources to do so.
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So when that opportunity came up, I took it.
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Yeah, well that's an amazing opportunity for sure to get your word out there, get your work out there.
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Um I'm looking forward to hearing it myself.
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When is that date?
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I know we'll talk about a little bit at the end just to let people understand when that's coming out and exactly and where to find it, but it's just around the corner, correct?
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It
Load full transcript
is, yeah.
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October 3rd uh is the release date for episode one, and then we're gonna release one of the six episodes every consecutive Saturday after that.
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Awesome.
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And so a no without wanting to let people know exactly everything that is in the episodes.
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Um, what are your hopes for your audience to grab from listening and tuning in?
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Well, first and foremost, uh, you know, I would I would like people to enjoy it.
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Um this is a different beast for some people.
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Um, not many people listen to necessarily audio dramas or what were once known as radio plays.
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So we have a lot of actors, 47 actors this time around, oh wow over those six episodes.
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And uh and and and it's basically we designed it with a soundscape that sounds like a movie.
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The only thing that's not there is the picture.
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So uh, you know, sit back and relax and enjoy the show.
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Um that's number one.
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Number two, um I guess at its core, there are two major pieces to the story.
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The first one um is it's answering a question for science fiction, which is how do we get from where we are today into the futures like Star Trek or Blade Runner or Mad Max or The Matrix?
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You know.
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Um because most of those shows go, yeah, some event happened, and they're very vague around the the specifics of that event.
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Um and they never really get into the nitty-gritty of like, oh, how do we get to the point where people accept you know cybernetic augmentation?
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How do we get to the point where society is okay and understands that we need to work together fully?
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Or how do we fall into total dystopia?
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And and and Project Long Knight is trying to answer those questions by the end of its run.
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Okay.
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Not the end of this season, the end of the whole story.
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So this is a longevity thing that you're thinking of as well, too.
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Like, uh, you know, so your first season is gonna have six episodes.
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What is the kind of timeline length that you're hoping for?
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We have a total of five seasons planned.
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Five seasons.
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Okay.
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So again, we're doing season zero here ourselves.
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Um, we're handing that out to everybody for free.
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Um in the hopes that people will uh latch onto it, enjoy our work.
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Uh again, there's been across both productions, there's been 165 people as of today, uh, including myself, that have worked on this project.
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And and if people like what they hear and they're willing to, you know, support us a bit and we can move forward with the next seasons, we're going to.
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Yeah.
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My ideal would be to do uh the next two seasons.
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And if people want to continue after the next two seasons, we can move on to the final two seasons after that.
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Okay.
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I love that.
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It's good to have a um, you know, a timestamp of where you want things to go.
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I love that for sure.
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Well, I'm excited for you, man.
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I'm definitely excited for you.
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And you're you're right when you mention those kind of movies, you know, when I think of it, it's it's hard to know what happens in the middle grounds.
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And so that what you're talking about could be definitely um a bridge for from start to finish to where things are or where things are going with technology and advancements.
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I know there's some folks out there that are a little concerned, a little worried about it.
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I have no idea what my opinion is about it.
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It's definitely, you know, very, very quick changing, that's for sure.
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Absolutely.
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Um yeah.
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And our show addresses a lot of that concern.
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Um, I know I wrote the first script, like I said, 18 years ago.
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Yeah.
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Um, but we really wrote the bulk of it about 15.
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So in 2011-ish.
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Um and at that time we had concerns about where technology was going and how fast and everything like that.
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And and it just became I don't want to say prophetic.
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Uh really all we did was go, we had a problem in the script.
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How do we fix this?
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Okay, well, we'll go this route with technology.
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Okay, well, we'll go this route with this thing.
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And and unfortunately or fortunately, uh, we saw the world actually develop similar answers uh to what we had written in our science fiction.
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So 15-ish years ago, your projections for where the script was going, how does it match up to let's say where technology and AI are going right now?
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Um in some cases it's really accurate.
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And and it happened really fast too.
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Like I remember a story.
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We were in the middle of writing a uh we needed a computer virus that could do certain things.
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Yeah.
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Uh I'm not gonna spoil too much about it, but the virus locks a company out of its out of its data.
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Um and we had been going like there's no viruses like this in the world.
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We had done our research on it.
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Uh, and so we created a a virus from our minds going, okay, I want it to do this and this and this and this, and this is how it needs to be implemented.
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And then uh, entertainingly enough, uh a similar virus happened uh about nine months later.
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That was in 2012.
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Nine in the summertime there, and we're like, oh, that's weird.
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We just filmed this.
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Um, you know, so some of it was like scary close.
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Yeah.
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Other things I'm hoping aren't aren't happening and don't happen, but you know, it's science fiction.
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Sometimes it shows up whether we want it to or not.
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Yeah, fair enough.
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And I definitely know um anytime there's some major advancement in times life, you know, of ages, whether it's the industrial age, the you know, uh pitchfork age, whatever it is, you know, there's always a fear of technology and an advancement.
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And um but this is definitely a different time for sure.
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I mean, you have AI doing things that people have worked quite a few years doing as well, too, and things can be done like that, and you know, conversations of where people's jobs and stuff are gonna go, not to get too you know scary or anything like that, but it's definitely uh interesting time to say the least, I would say.
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And I think it's uh yeah, I think it's a perfect fit-in time for your your work to just be around the corner.
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I truly do, actually.
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Um it might have been I'm happy to hear somebody think so.
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No, I'm kidding.
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Yeah, this too.
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I think the thing is that like most good stories, we have a we have a a warning and a lesson written into it uh intrinsically.
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And so I think it's a good time for those to come forward.
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Um yeah.
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I like that, yeah.
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Um that's very creative for sure.
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So in your bio, it says you've been acting since the age of three.
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I did not know that, Andrew, about yourself.
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No, that's a that's a long time, brother.
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It is a long time.
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Uh so it actually it's a funny story.
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Um, so this would have been 1992, so I was almost turning four.
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Okay.
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And I had gone on um a radio station in Saskatoon used to do these uh contests where you could go in and do a skit or do something, and the rest of Saskatoon would vote on who did the best one and they would win movie tickets for the movie coming out.
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Oh yeah.
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And uh as I'm sure you know, I'm a huge Batman fan, so Batman Returns is coming out in June, right a right around the time of my birthday.
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And so my mom woke me up at an unbelievable hour for a three-year-old.
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Um, well, maybe not, you have kids, I have kids, we know it's not necessarily true, but i being pulled from bed, dressed, and taken to a a different location is kind of weird uh for a three-year-old in the morning.
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And uh they put me on the radio station and I had an interview.
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And uh I remember bits of it.
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I remember him going, like, How old are you?
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And I like hold up my fingers.
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He's like, For those of you who can't see, Andrew just held up four fingers.
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You know.
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Um and he asked me a bunch of questions and he finally gets to the part of, Well, what do you want to be when you grow up?
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And I went, I'm gonna be Batman, and my batsuit's gonna come out from under my skin and I'm gonna help people.
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And uh that was kind of the beginning of the acting journey because a little bit later my mom sat me down and we had a conversation, and she said, You can either go this route or you can go into acting, that allows you to be Batman.
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I was like, Well, Batman, I'm gonna take acting.
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So they put me into acting courses, and you know, we moved through that over the few years, and it was a big it was a big journey.
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My first audition, I think, was a year later.
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A year later.
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And since then you've been in and out of doing uh films here in Saskatchewan where you used to live, but now you live in Alberta, of course, so right with your uh family.
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How many years have you lived in Alberta now, out of curiosity?
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Uh well, I've moved around a lot, so um I I would say I'm about fifteen years maybe in and out of Alberta.
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So I I graduated from Airdrie, uh, moved back to Saskatchewan for your university, moved back to Calgary, Airdrie area for a few years, moved back to Saskatchewan, which is when I met you.
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Yeah.
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And now I'm back out there again.
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So about I would say, I would say around the 15 years mark.
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Yeah, okay.
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And so just because I'll be honest, I'm very green, I'm very rookie when it comes to the acting world and what it has to offer, like in Saskatchewan and Alberta, how do those two provinces match up out of curiosity?
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Uh depends on the time frame.
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Uh I was lucky.
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Uh, when I was still working in in Saskatchewan, they still had the the film tax credit, and so we had quite a few um TV shows, reenactment shows, those kind of things being filmed here.
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Uh mostly I worked in Regina area and then I did stage in Saskatoon and and Prince Albert and here.
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Um sorry, here.
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I'm visiting my family in Regina.
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Oh, okay.
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So you are in Saskatchewan.
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I I am currently in re in in in Saskatchewan.
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Uh but the you know, it was good for that, but it's a small pond.
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Um and and so I moved to Alberta and I was in a lot more sh like television and film out there.
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Um, you know, TV shows like Hell on Wheels or uh uh the movie Inception.
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Like I had I had quite a few credits to my name by the time I stepped out of the acting light.
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Yeah.
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Um but I moved around a lot too.
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Like I was in DC for a little while doing shows, I was down in LA doing two shows at one point where I lived there for four months.
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Um just lots.
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And and and and in and in regards to how the industry is, it's similar everywhere.
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The question is uh how much money is put towards the projects.
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That makes sense.
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So you know, out here we did war scenes with 20 people.
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Uh in Alberta we did war scenes with hundreds of people and explosions and all this other stuff because that was what they had the budget for, that kind of a thing.
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Yeah.
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You got to definitely see a big wide um, you know, difference between one
place to another and different budgets, of course.
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That would have definitely been an eye-opening experience of what that industry kind of entails, what probably a lot of people in this world actually don't get to see behind the scenes and different, you know, directors doing different things and uh whatnot.
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Um so was that one of the things that sh dragged you to want to be a director yourself and start putting out your own project projects?
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Um no, not really.
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Um I I I guess I guess we can start a little bit further back.
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I always thought that being an actor was telling stories, which is what I like to do.
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I love to tell stories, especially ones that have some sort of meaning to them or some sort of lesson in them.
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Um the biggest thing for me that switched me into a director was I was actually sitting uh in it was May long weekend in 2011, and I was at a friend's house, and a couple of friends of mine uh turned to me and basically went, Hey, uh did you ever write a script that you wanted to act in?
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I was in full swing.
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I was like fifteen or sixteen years professionally acting at that point.
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And I said, Well, yeah, I've got this thing that I wrote in university when I was having a bad bout of insomnia, and I wrote it at seven pages long or something like that, and I talked about it, and it ended up being an episode in Project Long Knight.
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It was the s it was the episode that started this whole thing.
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And so we talked about it for a few hours, you know, around the fire and stuff, and I left it was I I left laughing because they're like, Oh yeah, we can do it.
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I was like, You guys don't even know what you like, we need lighting, we need cameras, we need directors, we need stunt people, we need a warehouse with a mezzanine, like where are you gonna find a warehouse with a second or third story balcony that I can step out onto, you know, um, that they're gonna let us film overnight in.
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You know.
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Cra crazy thoughts for me, and I and I I wasn't going to do it.
00:19:36.640 --> 00:19:38.160
I was like, you guys are nuts.
00:19:38.400 --> 00:19:53.440
And then three weeks later I was uh house-sitting my girlfriend's family house because they were away, and I sat down and I wrote a script that uh at the end tied directly into that other script that I wrote a few years earlier.
00:19:53.759 --> 00:20:04.400
And then I took it to the two of my the my two friends here in Katia, the ones that had that conversation with me, and I was like, okay, well, if we're gonna even consider this, these things need rework.
00:20:04.480 --> 00:20:08.559
And I'm expecting to hand them these two scripts and they go, Oh, that's crazy, no.
00:20:08.799 --> 00:20:10.559
Uh but they pushed.
00:20:10.720 --> 00:20:12.799
They said, no, we can do this, we can figure this stuff out.
00:20:12.880 --> 00:20:19.839
Let's do this one first and then do the scary one with the warehouse down the road when we find it, because we need time to find that.
00:20:20.160 --> 00:20:23.119
And people started joining us on this thing.
00:20:23.200 --> 00:20:31.200
We got to about I don't know, ten people maybe by the time October 3rd, 2011 rolled around and we started filming that day.
00:20:31.759 --> 00:20:40.720
And then, you know, a few years later we're done filming all of these cool things, including that really cool warehouse with a mezzanine and everything involved.
00:20:40.799 --> 00:20:46.400
And and what ended up happening to to lead to me picking to be a director was twofold.
00:20:46.640 --> 00:20:57.119
One, I was uh uh suffering from a a bout of ego uh going, oh, I can't let somebody else do this.
00:20:57.599 --> 00:21:13.279
Um and and number two was just there was uh a level of passion that I had unconsciously built towards the product towards the project itself that uh said that I needed to direct.
00:21:13.519 --> 00:21:18.720
Um I have learned since I don't want to direct and act at the same time.
00:21:19.279 --> 00:21:19.920
That makes sense.
00:21:20.000 --> 00:21:21.839
That would be definitely challenging.
00:21:22.799 --> 00:21:23.759
That would be challenging.
00:21:24.000 --> 00:21:30.480
Yeah, no, well, you have to see things from a different angle, obviously, quite physically and literally, yeah.
00:21:30.720 --> 00:21:32.319
And uh the talk about ego.
00:21:32.480 --> 00:21:41.839
I think ego can be one of our best friends when it comes to m more or less nurturing the confidence side of ourselves, but it can also be our worst enemy as well sometimes.
00:21:41.920 --> 00:21:47.119
And I think that was one of the times that it was one of your good friends, your ego there in a good way.
00:21:47.440 --> 00:21:59.680
In a good way, yeah, especially because I was going through I went through a really tough uh relationship separation at the time, and the project was already started by the time.
00:22:00.160 --> 00:22:03.519
That happened and I just dove into it.
00:22:03.680 --> 00:22:10.480
Um not necessarily the healthiest thing, but I believe art comes in three re comes for comes from three places.
00:22:10.720 --> 00:22:10.960
Yeah.
00:22:11.279 --> 00:22:13.759
One of them is a place where you need to heal.
00:22:14.240 --> 00:22:20.960
You need to get that emotion put out for the world to see, whether it's two or three people or a hundred.
00:22:21.200 --> 00:22:21.599
Yeah.
00:22:21.839 --> 00:22:30.720
Um so I poured into the writing, I poured into the directing, I poured into the acting, a lot of raw, truthful emotions.
00:22:31.599 --> 00:22:36.880
Uh and
I was originally I had the blinders on, I couldn't see anything.
00:22:37.119 --> 00:22:37.359
Yeah.
00:22:37.680 --> 00:22:39.680
But like I said earlier, there's a story.
00:22:39.839 --> 00:22:55.119
I I guess I can jump into it now, but um our lead actress at the time, Devin, she uh we had we were finishing up that that second script that I told you about, which was uh which turned into the episode Heritage, our last episode.
00:22:55.839 --> 00:23:05.200
And we had done a couple of filming days, probably four or five filming days that were three or four hours long, like shorter days when it comes to film.
00:23:05.759 --> 00:23:07.279
And we were pushing.
00:23:07.440 --> 00:23:19.440
I um I was really stressed out, I was having uh crisis, an existential crisis around the project and stuff, because uh there was a lot of stress around getting it done.
00:23:19.680 --> 00:23:26.640
And I had decided that I was done, I was quitting uh because I was still in ego mode, I was still this is about me.
00:23:27.200 --> 00:23:29.440
I hadn't learned my lessons yet.
00:23:30.000 --> 00:23:42.960
And we went in on my birthday to finish the last day of filming, so we filmed I think six or seven scenes, which equated to about 13 hours of the day being put to work, uh with like a 10-minute lunch.
00:23:43.200 --> 00:23:43.440
Wow.
00:23:43.839 --> 00:23:46.240
Eat on the drive to the next location kind of thing.
00:23:46.400 --> 00:23:55.039
Yeah, and the cast and crew hadn't experienced that yet, and so it was a long, hard day for them in many ways.
00:23:55.200 --> 00:24:01.839
But we went to a firing range and that was our final scene for the day.
00:24:02.640 --> 00:24:04.559
And we were setting up, everything.
00:24:04.640 --> 00:24:09.599
I turned around, and my lead actress had just like I saw the door closing behind her kind of thing.
00:24:10.000 --> 00:24:14.160
I was like, oh, that's that's something I should go talk about.
00:24:14.400 --> 00:24:28.240
And I uh I followed her out, her her boyfriend at the time came with me and we sat and we found her and she was having a breakdown, she she was crying, and you know, I don't want to hurt you, you're my best friend.
00:24:28.480 --> 00:24:38.880
Because at the time I was playing Kale, which was the main character, it is the main character, and her character has some beef with me, and she's like, I don't want to kill you, I don't want to shoot you, that kind of thing.
00:24:39.200 --> 00:24:41.039
She was shooting at pictures of me.
00:24:41.440 --> 00:24:57.119
Um and she was having a hard time separating the acting from real life, which is something that happens a lot um with acting because it is a very raw emotional state that you're in when you're when you're performing at those levels.
00:24:57.440 --> 00:24:57.920
Yeah.
00:24:58.160 --> 00:25:04.319
I've heard that before, to be honest, that a lot of actors try and do that actually, so like they are their character, right?
00:25:04.559 --> 00:25:04.799
Yeah.
00:25:04.960 --> 00:25:08.319
Well, it's and not necessarily that they are their character, even just the emotions.
00:25:08.559 --> 00:25:08.960
Oh, yeah.
00:25:09.359 --> 00:25:12.799
We can separate, like again, I've I've done acting for a very long time.
00:25:13.119 --> 00:25:22.319
You can tell this is me and this is Bob in the script, but the emotions are real, they're very strong.
00:25:22.559 --> 00:25:31.039
Um, one of the things that you learn very early in acting school is you're acting truthfully under imaginary circumstances.
00:25:32.000 --> 00:25:34.880
And so people get that wrong.
00:25:34.960 --> 00:25:43.759
Uh that's a whole different set of stories, but it's it they're trying to be as real and as true as they can while imagining they are someone else.
00:25:43.920 --> 00:25:46.000
They're may playing make belief, you know.
00:25:46.640 --> 00:25:50.960
Um, but on a much, much more intense level than make belief usually gets.
00:25:51.279 --> 00:25:51.599
Yeah.
00:25:52.319 --> 00:25:55.519
But uh yeah, I found her and I said, you know what, here's what we're gonna do.
00:25:55.839 --> 00:25:58.720
And and I'm freaking out in my head, going, I'm leaving tomorrow.
00:25:58.799 --> 00:26:00.319
I'm I'm moving away.
00:26:00.480 --> 00:26:08.559
I'm so sick of this show, I'm so sick of fighting and stress and this mental load that I'm under with the breakup and everything else.
00:26:08.799 --> 00:26:15.039
And I'm just thinking of myself, but I I sat there, I pulled myself out of out of it long enough to go, you know what, okay, here.
00:26:15.839 --> 00:26:18.559
I'm gonna get everybody to pack up the non-essential stuff.
00:26:18.720 --> 00:26:28.319
We're gonna strip the the set down to the bare basics of what we need for the shots, and then we're gonna wait for you or give you what half an hour sound good?
00:26:28.720 --> 00:26:33.039
She nodded, and I said, Okay, well then I'll be back in a half an hour and we can figure it out.
00:26:33.119 --> 00:26:36.880
And if you say no, we're not doing it today, that's fine.
00:26:37.279 --> 00:26:44.079
We will book another day, I will find another day that works with the firing range, everybody else can find another day, and no one's gonna judge you.
00:26:44.240 --> 00:26:46.240
Like this is not we're your friends.
00:26:46.480 --> 00:26:49.440
All of us were friends by that point in time, for sure.
00:26:50.079 --> 00:27:00.640
And so I went out, I got everybody set up, we took everything that we didn't need down, kept the basics up there, kept the camera set up and ready to roll, sounded, all that stuff was set.
00:27:00.880 --> 00:27:06.400
And uh we had we we all went outside because it was dark in in the shooting range, it's an indoor shooting range.
00:27:06.799 --> 00:27:08.880
And so we were standing outside.
00:27:09.440 --> 00:27:12.000
Some of the casts were having cigarettes because they're smokers.
00:27:12.160 --> 00:27:14.000
Or sorry, not cast,
some of the crew.
00:27:14.240 --> 00:27:16.720
And uh and she came outside, she's like, I'm ready.
00:27:16.880 --> 00:27:20.079
Just very soft voice, and she's like, I'm ready.
00:27:20.400 --> 00:27:22.400
And so I said, Alright, let's go.
00:27:22.480 --> 00:27:24.720
Everyone put out their cigarettes, we went inside.
00:27:24.880 --> 00:27:30.480
Um, you know, we we did the shoot in 20 minutes or so, and it was amazing.
00:27:30.640 --> 00:27:41.599
The the raw emotion that she had expunged just really brought that scene more depth than there would have been necessarily before.
00:27:41.680 --> 00:27:43.759
I can't say that, but that's what it felt like.
00:27:43.920 --> 00:27:44.160
Yeah.
00:27:44.559 --> 00:27:46.640
So we wrapped it all up and we were out of there.
00:27:46.880 --> 00:27:47.279
Yeah.
00:27:47.519 --> 00:27:52.880
And we were going, and and I I had this feeling, I was like, I need to ask.
00:27:53.119 --> 00:27:56.400
I need to ask a question here, and I'm not sure what it is.
00:27:56.799 --> 00:28:07.279
So I was standing outside, people were getting in the cars and driving away, and Devin and her boyfriend came out, and I said, you know, why'd you come back?
00:28:07.839 --> 00:28:10.880
You know, you didn't have to, no one would have blamed you.
00:28:12.319 --> 00:28:14.400
But why'd you step back onto the set?
00:28:16.640 --> 00:28:33.039
And she she looked at me and I can remember it, like red red rimmed eyes, everything, because she had been crying for so long, like it was still there, and she said, Well, because of you You've done all of this stuff for us.
00:28:33.200 --> 00:28:42.799
You've worked so hard to make this production and keep this community together and cohesive, and and we're all becoming friends because of what you're doing.
00:28:43.039 --> 00:28:44.799
I didn't want to let you down.
00:28:45.599 --> 00:28:48.640
And I I won't lie to you, I I was hit.
00:28:48.799 --> 00:28:53.519
I was I I I cried on the drive home because I'm alone.
00:28:54.160 --> 00:28:55.839
And I'm like, what the heck is this?
00:28:56.000 --> 00:29:14.799
Because I'm I'm fighting with this egotistical part of myself that wants it to be about me, and this part of myself that knows that it hasn't been about me for a long time, and that this just revealed it from me, pulled me out of my depression long enough to to recognize it.
00:29:14.960 --> 00:29:20.319
And I sat there and I had a really long reflection most of the night.
00:29:20.480 --> 00:29:31.839
The next day, day after my birthday, we had uh like a fire like a barbecue fire kind of scenario where it was kind of like a congratulations, we wrapped this episode.
00:29:32.000 --> 00:29:32.400
Yeah.
00:29:32.720 --> 00:29:37.200
And and I had asked my parents to drive out from Saskatchewan to come get me.
00:29:37.359 --> 00:29:43.759
I was leaving and I didn't message them because I was gonna tell everybody I'm done and I'm out of here at this thing.
00:29:43.839 -->
00:29:46.319
And I had a change of heart.
00:29:46.559 --> 00:29:52.559
I knew I had a responsibility now that was there before.
00:29:52.640 --> 00:29:54.960
I just didn't know what it was to continue.
00:29:56.160 --> 00:29:58.400
And uh it was it really changed me.
00:29:58.720 --> 00:30:13.680
Um I ended up staying, um and we pushed through through uh four at that time there was five episodes, so we pushed through five more episodes, four sorry, four more episodes um all the way through into twenty fourteen.
00:30:13.839 --> 00:30:15.920
And then I came out to Saskatchewan.
00:30:16.880 --> 00:30:20.880
But we had we had completed the the the production side of it.
00:30:21.039 --> 00:30:21.759
It was great.
00:30:21.920 --> 00:30:35.440
And and and I I can't thank enough Devin or any of the other casting crew for the many, many things that they taught me on that project about not just not just the story in them, but about me.
00:30:35.759 --> 00:30:36.400
Yeah.
00:30:37.119 --> 00:30:38.960
That's a beautiful story, my man.
00:30:39.119 --> 00:30:41.359
That's a really powerful story.
00:30:41.680 --> 00:30:42.559
I love that.
00:30:42.799 --> 00:30:45.279
I love how it all wrapped up in the end.
00:30:45.680 --> 00:30:51.440
Yeah, you know, reflection going through those kind of highs and lows and moments of life.
00:30:51.680 --> 00:30:57.039
I think that's where some of the ultimate art is created, for sure.
00:30:57.359 --> 00:31:06.720
And you really hit uh some heartstrings when you said, you know, when you're going through some tough stuff, you can deal with it in a few different ways, and art's one of them.
00:31:06.880 --> 00:31:08.640
And that is so true.
00:31:08.880 --> 00:31:16.880
I've definitely seen a lot of people go through some tough times and help themselves out by discovering an art form.
00:31:17.200 --> 00:31:27.200
And I'll be honest, I'm one of them myself, you know, and it's such a beautiful outlet compared to the alternative, you know, to not have anything.
00:31:27.519 --> 00:31:28.319
Absolutely.
00:31:28.480 --> 00:31:29.680
It's hard.
00:31:29.920 --> 00:31:36.480
Um and I've seen it a lot in recent years where people have nothing for themselves.
00:31:36.720 --> 00:31:37.359
Yeah.
00:31:38.000 --> 00:31:47.119
And uh to be honest, even after that project, uh that version of the project, the filming, uh, when I came out to Saskatchewan, I didn't have anything either.
00:31:47.440 --> 00:31:48.240
I just worked.
00:31:48.400 --> 00:31:52.559
And I worked and I worked and I worked and I pushed myself.
00:31:53.279 --> 00:31:55.039
And uh and it was another lesson.
00:31:55.119 --> 00:32:04.160
It was funny, it's a lesson I had already learned, but I had to learn it again, where it's like you need to do something for your soul, if you will.
00:32:04.720 --> 00:32:12.079
You need to do something not to be productive, but to be true to what's going on inside you.
00:32:12.160 --> 00:32:18.559
And sometimes that's a
an old hobby, sometimes that's an art, sometimes that's just going fishing.
00:32:18.799 --> 00:32:19.279
You know.
00:32:19.519 --> 00:32:19.920
Yep.
00:32:20.319 --> 00:32:22.480
You need to take care of yourself that way.
00:32:22.640 --> 00:32:27.200
And and we forget that in this day and age very often, I think.
00:32:27.920 --> 00:32:29.359
Amen to that, brother.
00:32:29.599 --> 00:32:30.480
My goodness.
00:32:30.640 --> 00:32:34.480
It's funny I sent you some show notes for those who are listening.
00:32:34.640 --> 00:32:41.599
I haven't even looked at my little document that I pulled up for show notes just to keep uh an idea going here and there uh for flow.
00:32:41.839 --> 00:32:45.359
But um that's that's exactly what needed to happen.
00:32:45.519 --> 00:32:52.559
That's what needed to be said because this podcast is, you know, I want to be able to share people's beautiful art and creative work.
00:32:52.720 --> 00:32:56.240
I want to share their empowerment, their strength that they have to offer this world.
00:32:56.400 --> 00:33:01.119
And I want to share with people beautiful messages like you just shared right there.
00:33:01.440 --> 00:33:12.640
Man, if I could clip that, which I'm going to, that is what needs to be heard because it brings people into a little bit more of your story, a little bit more of your understanding and just who you are.
00:33:12.720 --> 00:33:18.000
And it's somebody I've appreciated since the day we met years ago now, which is crazy.
00:33:18.160 --> 00:33:18.799
It's crazy.
00:33:18.880 --> 00:33:19.599
We're getting older.
00:33:22.240 --> 00:33:23.519
It's wild, brother.
00:33:23.599 --> 00:33:28.400
It's wild, but um, that's the life journey that we're on, which is pretty cool.
00:33:28.720 --> 00:33:32.559
Now to kind of take a little bit of a you know, a different path.
00:33:32.720 --> 00:33:37.200
I want to talk a little bit more about your journey, your your story.
00:33:37.599 --> 00:33:41.920
You were telling me that um there's some things that arose.
00:33:42.079 --> 00:33:53.119
So I was asking you basically what are some of the challenges that you've had to face in order to try and get on the other side of getting this project long night out and continue with your productions and everything.
00:33:53.359 --> 00:33:59.759
Uh, you shared a little bit just before we're on camera here, and I'd like to know a little bit more about it.
00:33:59.920 --> 00:34:02.079
So if are you comfortable sharing?
00:34:02.400 --> 00:34:03.599
Yeah, absolutely.
00:34:03.759 --> 00:34:16.400
Um, so there's been a few, because we like I said, we had done two versions of this show, Project Long Knight and mini-series, uh, which we're now re referring to as Legacy, um, which was the filming.
00:34:16.639 --> 00:34:21.119
Um, and so we we never got that one uh cut together and stuff.
00:34:21.199 --> 00:34:33.440
There were things that happened, um, things out of our control where we lost some of the footage, um we've we didn't have the resources to get an editor in to edit the show.
00:34:33.599 --> 00:34:37.280
Uh I ended up trying to learn and doing a bunch of editing myself.
00:34:37.440 --> 00:34:44.800
I got through rough cuts, but I I couldn't colorize, I couldn't do uh a bunch of the things that got us to that point.
00:34:44.960 --> 00:34:50.719
And so when this version came around, some of the hurdles that came up were similar.
00:34:50.880 --> 00:34:59.039
Um we managed to lock in an editor and and Dana, who is our Dana Keem, who is our editor, is amazing.
00:34:59.280 --> 00:35:10.880
Um I I really hope everyone can when they listen to it appreciate and and give appreciation to her for building the soundscapes because she really did make it sound like a movie.
00:35:10.960 --> 00:35:15.679
Like you can hear whatever you need to hear in that scene to help you understand it.
00:35:16.079 --> 00:35:24.559
Footsteps, fights, um uh uh sound effects in the background, like a light, you know, chairs moving, those kind of things.
00:35:24.639 --> 00:35:27.119
She really built that soundscape out wonderfully.
00:35:27.599 --> 00:35:34.159
But some of our hurdles was rebuilding the team and finding the right people for it.
00:35:34.639 --> 00:35:40.800
Not everybody could come back, but most of them expressed uh a want to return.
00:35:40.960 --> 00:35:46.559
But because of when we were recording this new version, they weren't able to make it back.
00:35:47.039 --> 00:36:03.119
Um and then through the couple years here, um a few of us had some medical issues, uh, myself included, or I was bedridden for nearly seven months uh over this last winter.
00:36:03.760 --> 00:36:13.920
And uh and I I'm just getting back on my feet health-wise, but uh I wasn't gonna let uh the show slip away again.
00:36:14.079 --> 00:36:31.760
I I have we added forty forty-three or forty-seven more people somewhere in there, brand new people who had never been part of the show originally uh this time around, and I really wasn't going to let people sit in the dark for another ten years because my health was there.
00:36:31.840 --> 00:36:48.480
So we managed to get to a point where the team was able to work and do a lot of the work while I was unavailable, so that when I came back, it was mostly there, and and I can't give enough credit to those people for the work that they gave us.
00:36:48.960 --> 00:36:56.000
Yeah, like you were saying, uh your friend there before you guys finished the last scene of your your um production.
00:36:56.400 --> 00:37:03.199
You know, she was saying, Well, you, you created this community, so now it's a little bit bigger of a community, right?
00:37:03.280 --> 00:37:05.840
So a little bit more stuff on your shoulders for sure.
00:37:05.920 --> 00:37:16.159
And I could see how that would also be um not pressure, but you know, a desire to fulfill that community as well, too, even while you're bedridden.
00:37:16.480 --> 00:37:18.400
Yeah, I see it as
a responsibility.
00:37:18.559 --> 00:37:18.880
Yeah.
00:37:19.039 --> 00:37:27.679
Um, they put their trust and life into the project and into me pushing it across that finish line for them.
00:37:27.920 --> 00:37:28.239
Yeah.
00:37:28.400 --> 00:37:39.280
And while I didn't do it alone, uh it's definitely one of those things where it it weighed very heavily on me the first time around.
00:37:39.519 --> 00:37:43.440
Um there was a lot of guilt involved in not getting it completed.
00:37:44.639 --> 00:37:52.239
And I saw this version as a as a way to show everyone the work that they did and and get it there.
00:37:52.320 --> 00:37:59.760
And and the thing that's great about it is that the community isn't just the 165 people that worked on the show.
00:38:00.079 --> 00:38:03.199
It's the friends of those people, the family of those people.
00:38:03.760 --> 00:38:12.320
And and there's a responsibility that I've taken on to at the very least get it out for them.
00:38:12.559 --> 00:38:12.880
Yeah.
00:38:13.199 --> 00:38:21.920
You know, if we can have more people join the join the cause, join the rally behind the Project Long Night Flag so that we can keep it going, that'd be even better.
00:38:22.159 --> 00:38:26.159
But it's really important to me that they get to see.
00:38:26.400 --> 00:38:27.440
Because I've been watching it.
00:38:27.519 --> 00:38:36.000
I've been watching the sh the the the footage, I knew the story, I could see it all, even though it wasn't cut together, I knew what it looked like, I knew what it sounded like, and it was amazing.
00:38:36.480 --> 00:38:38.960
And I just wanted to get that out for them.
00:38:39.360 --> 00:38:39.920
Yeah.
00:38:40.239 --> 00:38:52.639
Well, each one of those individuals has a family tree or has a friend tree, you know, and that's another five, ten, twenty, thirty people, forty people, whatever it is, right?
00:38:52.800 --> 00:39:00.320
So one person is an absolute ripple effect in their own family trees, in their own friend circles, whatever it is.
00:39:00.639 --> 00:39:19.840
And so that's a lot of people that could possibly be affected in a positive way, in a good way, you know, have art come to expression, to come to fruition, and to see somebody who they care about deeply be a part of something that they love and enjoy themselves and love being a part of, of course.
00:39:20.159 --> 00:39:22.000
And it's building a community.
00:39:22.159 --> 00:39:28.960
And one of the toughest things that this world, you know, forgets sometimes is that community is important.
00:39:29.280 --> 00:39:33.679
I definitely have needed to find my own community in different places at times.
00:39:33.760 --> 00:39:52.000
We found each other in a different community before, of course, and uh, you know, we know which one that is, but um yeah, I think a human being needs a community, they need connection because without connection, that is a big missing piece of the human experience.
00:39:52.320 --> 00:39:53.039
Absolutely.
00:39:53.280 --> 00:39:53.679
Yeah.
00:39:53.920 --> 00:39:56.480
And we have a responsibility to those people.
00:39:56.719 --> 00:39:57.039
Yeah.
00:39:57.280 --> 00:40:18.559
You know, it varies depending on how connected you are with them, but there's a responsibility from person to person that needs to be respected because I mean everyone everyone's probably experienced some sort of disappointment.
00:40:19.199 --> 00:40:24.000
Uh everybody's experienced some sort of betrayal, I I would imagine.
00:40:24.320 --> 00:40:25.360
And they suck.
00:40:26.000 --> 00:40:36.079
But the responsibility for the rest of us who didn't do that is to show that we do we can and do better.
00:40:36.320 --> 00:40:36.800
Yeah.
00:40:37.039 --> 00:40:41.280
And I and I think that, you know, it's important.
00:40:41.440 --> 00:40:50.400
It's important in every age of of humanity, you know, to to keep that hope going because it doesn't look good if we let it slide.
00:40:50.719 --> 00:40:51.360
Yeah.
00:40:51.920 --> 00:40:55.840
Yeah, and sometimes those experiences definitely help shape us for what's next.
00:40:56.079 --> 00:41:02.719
I know I'm definitely, you know, I'm not the same friend that I was 15 years ago with my friends back in the day.
00:41:02.880 --> 00:41:11.519
I'm a I would like to say a better friend now with all those experiences, because I've had experiences happen to me and I want to be better with it.
00:41:11.599 --> 00:41:14.239
Uh, but sometimes we make mistakes as well, too, right?
00:41:14.400 --> 00:41:14.960
Plain and simple.
00:41:15.039 --> 00:41:23.280
And when we're younger, um not as knowledged and seasoned, we have more mistakes to make sometimes as well.
00:41:23.599 --> 00:41:24.079
Exactly.
00:41:24.239 --> 00:41:25.280
And it's a lesson, right?
00:41:25.440 --> 00:41:27.920
Yeah, all that we can hope is that we do better next time.
00:41:28.159 --> 00:41:28.639
Yeah.
00:41:28.880 --> 00:41:30.639
Yeah, plain and simple, brother.
00:41:30.800 --> 00:41:32.079
I appreciate that.
00:41:32.400 --> 00:41:32.719
Okay.
00:41:33.199 --> 00:41:59.599
Now I would love for people who are interested in the work that you do to be able to find you, to be able to listen to you, to be able to, if they are in the Edmonton, Alberta area, or if you're doing filming or producing in other places, how do they get a part of the project or ask if they can help and assist in any short uh big way or small way?
00:41:59.840 --> 00:42:02.079
How would people get a hold of you?
00:42:03.119 --> 00:42:07.280
Well, the easiest way would be to go onto our social media right now.
00:42:07.599 --> 00:42:11.360
Um so we've we've got Instagram, TikTok, and Facebook.
00:42:11.599 --> 00:42:16.480
Um it's Noble Story Productions, is the is the page.
00:42:16.719 --> 00:42:21.840
Um and on uh Instagram, it's noble.story.
00:42:22.320 --> 00:42:23.679
So those would be the easiest ones.
00:42:23.760 --> 00:42:29.360
If you if you message
us there or if you follow and like and stuff, a comment in there, we will respond to you.
00:42:29.440 --> 00:42:36.159
It's myself and and one of the ladies who's helping me with the marketing at the moment, uh, Sarah.
00:42:37.280 --> 00:42:42.559
And uh we also are on YouTube, Noble Story Productions again.
00:42:42.639 --> 00:42:50.400
If you look up Project Colon Long Night, night is in nighttime, that uh that'll take you to our trailer.
00:42:50.960 --> 00:42:52.960
Um it's the one with the waveform.
00:42:53.039 --> 00:42:55.119
There's an old trailer from forever ago.
00:42:55.199 --> 00:42:55.920
Please don't watch it.
00:42:56.000 --> 00:42:57.760
It it wasn't edited.
00:42:58.159 --> 00:42:59.760
It was all raw footage at the time.
00:43:00.079 --> 00:43:01.119
One of those lessons, eh?
00:43:01.440 --> 00:43:02.320
One of those lessons.
00:43:02.400 --> 00:43:02.960
Uh yeah.
00:43:03.519 --> 00:43:04.480
It's what it is.
00:43:04.639 --> 00:43:07.280
I I left it up there because it's a it's a fun relic.
00:43:07.920 --> 00:43:08.480
It is, man.
00:43:08.880 --> 00:43:12.639
And you know, some of the biggest movies, some of the biggest podcasts, whatever.
00:43:12.800 --> 00:43:18.719
You go to episode one, they are different than what episode a thousand is if people last that long.
00:43:19.119 --> 00:43:24.559
They didn't fall into they didn't they didn't fall into their stride yet, especially older ones.
00:43:24.719 --> 00:43:29.119
I love stuff from the 90s where it's like, oh, I remember this being a lot better.
00:43:29.199 --> 00:43:34.159
You get a little bit into season one, season two, you're like, okay, okay, I'm starting to see what I remember.
00:43:34.320 --> 00:43:34.960
You know.
00:43:35.199 --> 00:43:38.320
Um another place that you can find us is on Patreon.
00:43:38.559 --> 00:43:42.800
If you feel you want to help more on a monetary fashion.
00:43:42.880 --> 00:43:48.800
Um, I don't know if I said this earlier or not, but everybody worked for free to get this production made.
00:43:49.199 --> 00:43:49.679
That's incredible.
00:43:50.719 --> 00:43:51.599
That's incredible.
00:43:51.920 --> 00:43:59.519
So the the first goal of the Patreon is to back pay everyone to get some money back into their pockets as a thank you.
00:44:00.239 --> 00:44:08.079
Um and then after we've done that to then be able to pay them to come in beforehand for the following seasons.
00:44:08.400 --> 00:44:10.559
And so to fund those things would be amazing.
00:44:11.199 --> 00:44:13.119
Um Yeah.
00:44:13.920 --> 00:44:20.719
And and I'm not taking a cut uh I I don't know if I've said that before on any of the interviews, but my cut is absolute last.
00:44:21.199 --> 00:44:28.239
Everybody gets fully paid, the seasons get made, and I'll take a cut at the end of the work because it's not about me anymore.
00:44:28.559 --> 00:44:34.079
It's about making sure everybody else is getting respected for what they're for what they're bringing to the
table.
00:44:35.039 --> 00:44:36.159
I love that brother.
00:44:36.400 --> 00:44:39.920
That's uh that's a leader right there, man.
00:44:40.639 --> 00:44:41.599
I I try.
00:44:41.840 --> 00:44:53.519
It was one of that was also one of the lessons is that what a leader is and that I could be one was definitely a major one that I I learned in in the production, the first production.
00:44:53.840 --> 00:45:02.320
And then carrying over the things that I learned after running a business and stuff like that, and going back to the production in this current form.
00:45:02.639 --> 00:45:06.719
Taking those lessons and hopefully doing a better job than I did the first time.
00:45:07.039 --> 00:45:09.679
Like we said, we're we're just learning in this life.
00:45:09.760 --> 00:45:14.719
I'm st I'm still learning, and I will be until the day my my time on this planet's done too.
00:45:15.039 --> 00:45:18.639
So we're all in the same boat, but I appreciate that.
00:45:18.800 --> 00:45:21.440
I I appreciate your leadership traits, brother.
00:45:21.679 --> 00:45:22.320
I do.
00:45:23.760 --> 00:45:30.400
Well, I'll make sure to do my best to put the links um where people can find you guys for sure.
00:45:30.480 --> 00:45:37.840
But now if people are just listening in their car or whatever, driving somewhere, they can hear it from your own voice where to find you.
00:45:38.000 --> 00:45:57.039
And so I think that's a great opportunity for people who are just simply listening, you know, on the road to keep that, you know, what you shared with everyone in their back of their mind for whenever they stop safely and pull over and get wherever they're going and search you guys up and maybe connect with you guys more in the future.
00:45:57.280 --> 00:45:58.639
I'm excited, yeah.
00:45:58.960 --> 00:46:01.599
I'm sorry, I was just gonna say we we welcome the interaction.
00:46:01.840 --> 00:46:04.239
Yeah, even just watching the show helps, honestly.
00:46:04.960 --> 00:46:13.360
Yeah, which is it's your art, and you know, I know for a fact there's gonna be a lot of people that enjoy it.
00:46:13.840 --> 00:46:15.679
I know for a fact, yeah.
00:46:15.840 --> 00:46:28.079
And I'm gonna tune in a little bit myself when I'm on the road here and there, and I'm going to uh sit back and be entertained when I'm driving six, eight hours, twelve hours, wherever I'm going once in a while too.
00:46:28.159 --> 00:46:36.880
And I'm I'm gonna make sure to uh share the word out there more after this podcast is out and you know, see where things can keep going for you guys too.
00:46:37.119 --> 00:46:37.920
I appreciate that.
00:46:38.000 --> 00:46:38.639
Thank you so much.
00:46:38.880 --> 00:46:40.159
No worries, brother.
00:46:40.400 --> 00:46:40.719
Okay.
00:46:41.039 --> 00:46:47.679
Well, I want to thank each and every single person for listening to this podcast, whether it's just a few or whether it's a thousand.
00:46:47.920 --> 00:46:56.000
But, you know, I've taken a little bit of a hiatus for the last little while, of course, doing family things, work thins over the last few months here.
00:46:56.079 --> 00:47:08.079
Um, but it's pretty amazing to keep seeing the hours and hours getting viewed on uh YouTube and you know the downloads being downloaded on Spotify podcasts, you know, um platforms and stuff.
00:47:08.239 --> 00:47:12.880
And I haven't we haven't put out another episode in a while, so it's pretty cool to see that growing.
00:47:13.119 --> 00:47:21.599
So I want to thank each and every single person for you know supporting the show in that way as well, too, because it's a form of art, form of connection.
00:47:21.760 --> 00:47:27.199
And I want to thank my brother Andrew Nadji for helping us connect together today.
00:47:27.360 --> 00:47:30.880
It's been uh privilege, it's been nice catching up with you, brother.
00:47:31.119 --> 00:47:36.000
Um it's it's nice to see your face, it's been a long time since I've seen your actual face.
00:47:36.159 --> 00:47:43.199
So thank you very much again uh for having us for having me here to talk about the story and to connect.
00:47:43.280 --> 00:47:48.639
I again, like you said, it's been a long time and I'm I'm happy to to do the reconnect.
00:47:48.960 --> 00:47:50.079
Right on, brother.
00:47:50.239 --> 00:47:59.119
And so if anybody is interested getting hold of um these guys, and you can't find the link for whatever reason, just send me a message.
00:47:59.199 --> 00:48:02.480
I'll try my best to connect you guys too, if anyone's interested.
00:48:02.800 --> 00:48:08.079
Andrew, anything else you'd love to uh touch base on before we chime out?
00:48:11.360 --> 00:48:13.360
There's uh one more story I'd like to leave on.
00:48:13.760 --> 00:48:14.079
Perfect.
00:48:14.400 --> 00:48:16.800
It's another lesson from Project Long Knight.
00:48:17.039 --> 00:48:17.199
Yeah.
00:48:17.519 --> 00:48:22.079
We were going in to film one of the last days of of the shoot.
00:48:23.199 --> 00:48:30.800
And uh my hairdresser for set came up to me and was like, our actor Tom.
00:48:31.519 --> 00:48:34.400
Tom Smith, I should specify there's like five toms on the show.
00:48:34.800 --> 00:48:38.159
Uh my my actor Tom Smith has very bushy eyebrows.
00:48:38.639 --> 00:48:40.159
And she says, I would I just want to fix him.
00:48:40.320 --> 00:48:42.480
I was like, do what you're gonna do.
00:48:43.519 --> 00:48:46.480
And so she goes up and she messes with his hair and grabs the thing.
00:48:46.639 --> 00:48:51.920
Oh, there's this one hair that I just wanna just wanna clip and get rid of it and clean it up and and that way you look great on film.
00:48:52.000 --> 00:48:53.280
And Tom goes, okay.
00:48:53.519 --> 00:48:56.880
So she puts her hand under his hair and goes, just close your eyes and believe.
00:48:57.119 --> 00:49:06.639
And he kind of like looks at her in fear, hand drops, buzzes across, and cleans up these bushy eyebrows to a nice, gorgeous looking length.
00:49:07.360 --> 00:49:09.280
Didn't shave them all off, just trimmed them down.
00:49:09.519 --> 00:49:10.000
Oh, okay.
00:49:10.400 --> 00:49:11.920
But everybody heard this.
00:49:12.159 --> 00:49:12.480
Yeah.
00:49:12.800 --> 00:49:20.719
And she took her hand away and he's like, Oh my goodness! Like, just like losing it because he doesn't know that she didn't just shave off his eyebrows.
00:49:20.960 --> 00:49:21.119
Yeah.
00:49:21.440 --> 00:49:29.760
Um and I and that line, close your eyes and believe, is applicable everywhere.
00:49:30.800 --> 00:49:31.199
Yep.
00:49:31.920 --> 00:49:37.440
You might not know what's coming, but if you close your eyes and believe, something good will come from it.
00:49:37.840 --> 00:49:38.400
Yeah.
00:49:40.719 --> 00:49:46.719
Well, folks, I think that is the best way to end this podcast.
00:49:46.960 --> 00:49:50.239
Um great, great message, Andrew.
00:49:50.400 --> 00:49:54.880
I think a lot of people can benefit a lot from that clip itself right there, too.
00:49:55.039 --> 00:49:56.320
So thank you, brother.
00:49:56.559 --> 00:49:58.800
And thank you, everyone who's going to be tuning in.
00:49:59.039 --> 00:50:06.719
Really appreciate uh every single person for giving us two of the most precious resources another human being can give to another human being.
00:50:06.880 --> 00:50:08.960
That's your time and energy.
00:50:09.199 --> 00:50:17.679
And please go check out my brother Andrew, his crew, and all the beautiful work they're going to be releasing and has released and be entertained.
00:50:18.559 --> 00:50:19.360
So thanks everybody.