ТРАНСКРИПЦИЯ 🔗
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And we are back on the air. Yeah, it's kind
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of appropriate.
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We're listening to a little jazz Diddy because we have
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the great Sam Goldstein here with us today at the
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k x f M Orange Door Studios. Sam has been
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a longtime resident of Laguna, and without Sam, we would
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have a much diminished arts and cultural scene here because
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back and I think the year of two thousand, hang on,
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there we go, let's get your volume up. You in
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concert with a couple of other people, formed the what
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is it?
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The well the bed tax, but we call it text yes,
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thank you, hi.
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Well. I was trying to think of what I created.
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Yeah, but it's known as the Business Improvement District now
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or how did that change names?
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What is it?
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I wasn't part of that.
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I just.
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It was frustrated that we said we're the city for
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the arts and never gave any money to the arts. Yeah,
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so I had to figure out is there a way
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to make money for the arts? And I came upon
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it in ninety eight and it took me two and
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a half years to get it approved of the city council.
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Wow.
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And this was the idea that ultimately our visitors were
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paying the tab because it's a pass through. The hotels
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charge it. That's added on to their bill. You know
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they have the other everybody knows there's always little add
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ons to your hotel. And this was voted in as
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a one percent bed tax on top of everything else.
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Is that right now? It was a two percent.
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It was one percent for the hotels to promote the hotels,
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which was the Visitors Bureau, and one percent for the arts.
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And by the arts, it was divided up amongst five organizations.
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Three actually of the Playhouse, the museum, the Museum, and
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the College of Art and Design. Okay, then by the
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time we got done with it all, it got diluted
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and we ended up with instead of a third to third,
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we ended up with twenty percent for the three organizations
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that bring people here all the time. And one of
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the council ladies commandeered forty percent to the Arts Commission.
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Was the Arts Commission in existence at that time where
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they are already formed.
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Yes, but they were anti the bed tax.
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They wanted no part of it. Why that's a good question.
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But the chair person.
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Was very vocal and verbal about it. Because I had
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five members or six members on my committee and the
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Arts Commission removed those two members that were on my
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committee and.
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Removed them were also on the Arts Commission.
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On the Arts Commission, they removed them from the Arts
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Commission because the Arts Commission said, you.
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Didn't tell us about those two people. Oh wow.
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So there was very small things crashing going on here.
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But then previously they were relying on funding from the city.
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There was no funding. It wasn't no funding. No.
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So this whole art in public places, which is what
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I believe the Arts Commission is primarily responsible for, pretty
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much did not exist prior to this bed tax.
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That's right.
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Well, I had wonderful allies with Karen Phillipson who was
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part of the Hotel group, and he's Jiles Anderson who
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was the owner operator of a hotel Laguna, and they
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both believe the change was necessary, and they did their best,
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and they got forty eight out of fifty four hotels
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to agree with them for creating the tax on the visitors.
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This is pretty phenomenal.
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I don't know of any other city that generates this
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much income and support for their arts and cultural institutions.
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And so to give our listeners some you know, a
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little bit of context here that one percent, I believe
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is about It fluctuates from year to year, but an
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average of
Load full transcript
around one point five million.
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Anywhere from one and a half to two and a
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half million dollars a year for each one percent amazing.
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So one percent goes to the visitors Bureau. I know
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they've been under a little bit of fire in the
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last couple of years. They've been kind of blamed for
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the over tourism problem we have here.
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I think they're an easy scapegoat.
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I think if we turned off all of our marketing,
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and that includes every individual that posts sunset pictures of Laguna,
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it wouldn't make a bit of difference. This is no secret.
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Well it's Laguna is an interesting place. There's always complaints
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for everything, right, we never find happiness. Happiness is not
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part of Laguna's mo.
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Well, it's funny.
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I mean, I think that people that involve themselves in
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the civic process tend to be full of gripes. You know,
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they tend to think it can be way better. There's
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those also who think that they're protecting Laguna from a
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fate of becoming over commercial and overcrowded, which is a
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tough pill because every resort in the world. Every desirable
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place is suffering the same fate. People like making love
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too much, Sam.
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Well, the.
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People are never satisfied and they always want either more
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or less. And in the case of California, I just
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read in the paper yesterday there's a big movement to
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get rid of the Coastal Commission because of the choke
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hold they have on everything that's going on in this
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day and age.
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So yep.
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And I know they were formed to ensure access to
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the beach for the public and public enjoyment and to
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prevent business from restricting access to the beach, which is
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kind of a noble thing, but they've been given so
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much control. I believe the entire coastline and then a
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mile inland is their purview.
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Yes, it is, and it's created we have. We had
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the hotel Montage created back in two thousand, I guess
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it was, and it took two lawsuits and three referendums
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to finally get the approval to build a hotel that's
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from our just our community, had nothing to do with
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government agencies.
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And yet today we would be upside down financially without
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the Montage.
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Yeah, but we never said there was broad intelligent thinking
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for saying no to anything. You know, we think it's
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it's a badge of honor to be a naysayer, and
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we happen to love it, and there are a lot
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of people who feel very vitriolic about doing it. So
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it's you have my thoughts, which is always what more
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can we do? Not how little can we do? And
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we have the others who say we don't want to
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do anything.
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And we've din't want to do less.
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We've enforced it. By nineteen forty seven seventy four, we
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had Bob Gentry.
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Who is then mayor then the mayor, and.
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He created a city plan. He must have been a
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genius at city plans and paperwork because it's still in effect.
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We're still dealing with the city plan that we had
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in nineteen seventy four, and it's created havoc, impact, no progress, negativity,
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a way of thinking that is second to none. We
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have groups here like Village Laguna that don't want to
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see the thing change and they're living the good life.
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They've done really well to say no to everything, and
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they keep saying it. And it's people like myself and
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Cindy Schopoff and Michael Ray to say enough's enough, and
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we've done what we've had to do in order to
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change the general feeling. But it's not easy because we
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have as many we have a fraction of naysayers. But
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there it seemed to be ever never out of energy
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to be relentless in naysaying.
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Well, Sam, on this radio station, we honor all voices
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and we have an hour that's devoted to
Village Laguna
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to express their views.
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But that said, let's talk about something different.
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Let's talk about something positive, and that is Sam Goldstein,
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because we haven't been positive for years. That's right, but
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you are still at it. And how old are you
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going to be this Thursday ninety one?
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Come on, man, no way, yeah ninety one. That brain
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is as sharp as attack. I know you would disagree
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with that.
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I hear it from you, but you know I want
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the public to hear about you because.
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You have a fascinating story. You were born in la Your.
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Parents your father was a Russian immigrant, didn't speak English,
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struggled in business right Your mother, though, held the family together.
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She was the bastion of success and she.
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Had the foresight to buy scratched together enough money to
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buy a building in down not a downtown in midtown
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mid La, La and had enough rooms that after World
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War Two she turned it into a boarding house.
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Yes, and she went from one to four boarding houses
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in my lifetime with her.
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And she was Donald Brnn of her time.
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Oh absolutely, because I had a sister that wanted to
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be an opera singer and I wanted to be a drummer.
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And she wanted her kids to succeed, and she had
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focus and relentless and she was a driven woman for
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her children and her life and she turned it from
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poverty success and it was a great example for a
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young man growing.
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Ye, I couldn't.
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And she supported your interest in the arts. She totally
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whatever you wanted to do, she just wanted you to.
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Never never thwarted any of it. She was my mother.
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And then some yeah, what about so how did you
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first then encounter music? Do you have a memory of
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where you got inspired to play drums?
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No? I started piano when I was seven, and I
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had to mow the lawn to the piano teacher, who
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was awful, so I didn't have to pay her, but
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it was it was a barter deal.
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And then the piano wasn't happening.
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Well, it was it was good for overall knowledge because
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the arts and the brain are synonymous with good things.
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It brings creative thinking no matter what you do or
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how you do it. But without the arts, we have
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brain dead unity.
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And we're going to get to that.
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When your your great love of the arts, and when
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you hung up your sticks, you continued to sponsor, support, patronize,
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and encourage art wherever you went.
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I absolutely I couldn't live without it. And I got
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introduced to contemporary art at Newport Harbor Art Museum back
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in the WHOA nineteen sixties seventies, and there was a
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young curator by the name of Paul Schimmel who came
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from Texas. He was fifty four years old with the
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youngest curator happening, and he was like a wonderful breeze
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that blew through the museum who had insatiable desires and
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he wanted all the help he could get to make
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it happen. And we aligned ourselves together. I became chairman
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the acquisition committee, changed the dues from one hundred dollars
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a year to one thousand dollars a year, and I
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had fifty members and we started buying art for the
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Museum and now the Newport Harbor Art Museum, which is
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now part of UCI as probably the best contemporary art
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collection in the United States.
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We'll look at that. But hey, you skipped about thirty years.
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Oh is that all now or maybe just I don't know,
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maybe twenty years. But starting in nineteen fifty you became
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a professional drummer.
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Yeah.
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I had already studied, and in nineteen fifty I played
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the first rock and roll jamboree of the Shrine Auditorium
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and I was the only o faide person on the stage.
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Only what O fay?
What's that mean, white guy? Oh,
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old fay?
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Because you were with I'm reading from this bio that
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you produce for me idel Brown.
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Is that how you say it?
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Idle Brown Barnum. He was from a wonderful California family
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and he Idled played HB played seven instruments, and he
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had a mother that was all encompassing like mine, who
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wanted to see her son do nothing but sixty seed.
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So we had an alliance from day one. I don't
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know how we met, but we did.
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I'm curious though, because you said it was the rock
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and roll jamboree and it's hard for me to picture
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a black man playing rock and roll in nineteen nineteen fifty.
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Yeah, the only white guy on the stage.
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You were, Yes, So this was like what kind of
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rock like?
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It was all these you know singers.
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Yeah, yeah, that was it. That was it.
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Yeah, four and five group.
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There was a transition. I'm trying to picture that.
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Music started.
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Yeah, and you were on that.
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I was, I was in it.
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Amazing And and you worked with him for about eight years.
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Yeah, we did. We did everything to I had a
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cousin who was on radio. It was a disc jockey,
251
00:15:06.960 --> 00:15:11.519
Gene Norman. He did a jazz show on KHJ, and
252
00:15:11.679 --> 00:15:15.080
he was a cousin, and for some reason I didn't
253
00:15:15.080 --> 00:15:16.879
know it, but I found out later on, and I
254
00:15:17.000 --> 00:15:20.799
ended up getting the HB. Varnum trio on his five
255
00:15:20.879 --> 00:15:24.600
day a week television show with the bass player that
256
00:15:24.879 --> 00:15:25.879
we used all the time.
257
00:15:26.440 --> 00:15:27.120
So this is.
258
00:15:27.080 --> 00:15:30.440
Interesting because this is the very early days of television.
259
00:15:30.480 --> 00:15:34.200
Oh yes, and so most of these shows, including I
260
00:15:34.279 --> 00:15:37.759
Love Lucy and shows like that, but also variety shows,
261
00:15:38.279 --> 00:15:39.279
how to Live Orchestra.
262
00:15:39.919 --> 00:15:42.759
They certainly did. And that was the a day of
263
00:15:42.919 --> 00:15:46.799
Hollywood and show biz and everything else. And it lasted,
264
00:15:46.879 --> 00:15:50.960
and it lasted. And I started in the industry in
265
00:15:51.080 --> 00:15:56.360
nineteen fifty and I left it in nineteen seventy eight.
266
00:15:57.200 --> 00:16:05.360
And in nineteen seventy and six the Beatles came to town.
267
00:16:06.720 --> 00:16:12.799
All the studio orchestras got removed and fired and the
268
00:16:12.840 --> 00:16:15.679
wrecking Crew. I was part of the Country Western Wrecking
269
00:16:15.759 --> 00:16:18.159
Crew and a little bit of the rock and roll
270
00:16:18.480 --> 00:16:23.320
with Wrecking Crew. And we were no longer gainfully employed
271
00:16:23.360 --> 00:16:25.360
because they were using garage bands.
272
00:16:25.960 --> 00:16:29.960
So I'm trying to So there was this halcyon days
273
00:16:30.200 --> 00:16:33.039
of you know, you're you're busy, You're you're going from
274
00:16:33.080 --> 00:16:36.559
studio to studio. It's got to be exciting. You know,
275
00:16:36.679 --> 00:16:39.679
you're playing in front of live audiences. It's all being filmed.
276
00:16:39.679 --> 00:16:41.480
It's this new breakthrough industry.
277
00:16:41.960 --> 00:16:42.200
It was.
278
00:16:43.480 --> 00:16:46.519
I was in hog Heaven. Yeah, I was living in
279
00:16:46.559 --> 00:16:50.360
the Hills is studio city in a gorgeous house designed
280
00:16:50.399 --> 00:16:51.559
by Rudolph Schindler.
281
00:16:51.879 --> 00:16:52.399
Oh my god.
282
00:16:52.519 --> 00:16:55.240
Well, I bought it two days after we got married,
283
00:16:55.559 --> 00:16:56.720
Pamela and I got married.
284
00:16:56.799 --> 00:17:00.679
Yeah. Swiss or Austrian architect Army Well.
285
00:17:00.720 --> 00:17:07.240
He brought Richard Neutra to this country, and Hegloyd Wright.
286
00:17:07.319 --> 00:17:10.839
They were originally influenced by Bowhouse. They came here studied
287
00:17:10.839 --> 00:17:14.559
the Prairie architecture and came to LA and invented a
288
00:17:14.640 --> 00:17:16.200
new way of doing it.
289
00:17:16.240 --> 00:17:20.559
And he was definitely he's one of the five great
290
00:17:20.640 --> 00:17:23.640
California architects. And to live in one of his house
291
00:17:23.839 --> 00:17:26.920
was the real privilege. And my mother, believe it or not,
292
00:17:27.119 --> 00:17:33.920
in the sixties bought a Schindler house a block from
293
00:17:34.039 --> 00:17:37.359
La County Museum and I grew up in it, so
294
00:17:37.400 --> 00:17:39.640
you already were familiar with you, oh very much. It
295
00:17:39.720 --> 00:17:44.599
was the first cubism he did in Los Angeles. It's
296
00:17:44.640 --> 00:17:47.240
called the Buck House. It's eighth in Genesee, right on
297
00:17:47.279 --> 00:17:52.240
the corner a block from New Lacma and talk about architecture.
298
00:17:52.799 --> 00:17:56.759
And it's now owned by the director of Architecture for
299
00:17:56.799 --> 00:18:00.240
the University of Santa Barbara, which is really wonderful. And
300
00:18:00.319 --> 00:18:03.519
I made it a historical monument, which was
my gift
301
00:18:03.519 --> 00:18:04.359
to the city, so.
302
00:18:04.319 --> 00:18:06.279
It can never be altered, never can be old.
303
00:18:06.359 --> 00:18:09.640
That's awesome, because all too often some philistine comes in by.
304
00:18:09.880 --> 00:18:10.839
That's the end of it.
305
00:18:11.000 --> 00:18:12.160
Yeah, And that's the end of it.
306
00:18:12.359 --> 00:18:15.119
And I drove by it last week when I went
307
00:18:15.160 --> 00:18:18.759
to Lackmo to see the new museum and it's there
308
00:18:19.000 --> 00:18:20.200
just as we left it.
309
00:18:20.200 --> 00:18:23.799
It looks good, wonderful. Yeah, well what a memory. Huh, Oh,
310
00:18:23.839 --> 00:18:24.759
it was wonderful.
311
00:18:24.960 --> 00:18:27.559
So you're living in the hills of Studio City in
312
00:18:27.599 --> 00:18:28.599
a Schindler house.
313
00:18:29.039 --> 00:18:33.319
You're a single guy playing. Oh I was married. Oh yeah, I.
314
00:18:33.279 --> 00:18:36.079
Met my wife in Europe and made her come out
315
00:18:36.079 --> 00:18:39.880
here and she married me in spite of all, and
316
00:18:39.920 --> 00:18:43.440
we moved into the Schindler house for forty thousand dollars.
317
00:18:43.480 --> 00:18:44.119
We paid for it.
318
00:18:44.160 --> 00:18:46.720
We didn't have the money to put pain on the house,
319
00:18:46.759 --> 00:18:50.480
but we moved in. Yeah, and lived there for nineteen years.
320
00:18:50.519 --> 00:18:53.599
And just so because you have quite a story about
321
00:18:53.599 --> 00:18:55.839
how the two of you met, Oh, would you share
322
00:18:55.880 --> 00:18:56.279
that with that?
323
00:18:56.559 --> 00:18:59.839
Yes? I picked her up on this the steps of.
324
00:19:01.000 --> 00:19:04.559
South of Naples, the volcano that destroyed and froze a
325
00:19:04.640 --> 00:19:05.680
city in time.
326
00:19:05.599 --> 00:19:10.240
Right, And she was really angry with all the individuals,
327
00:19:10.839 --> 00:19:13.960
the guides that were backing all these women against the wall,
328
00:19:14.440 --> 00:19:15.599
trying to show them all.
329
00:19:15.480 --> 00:19:19.680
The highlights of pervy Italian dude, pervy guys.
330
00:19:19.960 --> 00:19:22.319
So when I came over, I said, you look lost,
331
00:19:22.359 --> 00:19:25.359
and she said, who the hell are you? And that's
332
00:19:25.359 --> 00:19:26.640
how you don't speak Italian.
333
00:19:26.680 --> 00:19:28.640
You don't sound Italian, that's right. Yeah.
334
00:19:28.680 --> 00:19:33.400
So eight weeks later she was working for Auto Premeger
335
00:19:33.440 --> 00:19:35.039
and he said, you have to come back to work.
336
00:19:35.279 --> 00:19:38.480
So we had eight weeks together and it was the
337
00:19:38.480 --> 00:19:41.400
best eight weeks I've ever had in my life. And
338
00:19:41.799 --> 00:19:47.599
we ended up in Tel Aviv and she got the
339
00:19:47.680 --> 00:19:50.240
call from Auto and she had to fly back.
340
00:19:50.440 --> 00:19:51.720
She was
in New York at the time.
341
00:19:51.839 --> 00:19:53.920
Yeah, she was in New York. She loved New York.
342
00:19:54.039 --> 00:19:58.599
She was British. And I stayed on in Europe for
343
00:19:58.680 --> 00:20:02.160
six more months because I a year off from my life,
344
00:20:02.240 --> 00:20:04.759
from music and everything else. And I said I wanted
345
00:20:04.759 --> 00:20:05.359
to try.
346
00:20:06.039 --> 00:20:07.440
Rode around on a motorcycle.
347
00:20:07.599 --> 00:20:10.759
Yeah, everything I could find. I loved Europe. I put
348
00:20:10.799 --> 00:20:13.359
it almost one hundred thousand miles on a little VW.
349
00:20:13.920 --> 00:20:17.480
I saw every country that rock rollers shook or shaped.
350
00:20:19.200 --> 00:20:22.319
And I had a magnificent time. But you missed your
351
00:20:23.279 --> 00:20:27.039
I missed everything. It was time after a year ye
352
00:20:27.240 --> 00:20:30.279
come back. And I knocked on Pamela's door when I
353
00:20:30.359 --> 00:20:32.960
came home in New York and she said, what do
354
00:20:33.039 --> 00:20:34.359
you want? And I said, I want to bring you
355
00:20:34.400 --> 00:20:37.640
out to California. She said, well, you don't have a job,
356
00:20:37.759 --> 00:20:39.480
you have no money, you have no place.
357
00:20:39.279 --> 00:20:40.359
To rugby musicians.
358
00:20:40.400 --> 00:20:43.759
Yeah, you're a scumbag. I know composers, but I don't
359
00:20:43.799 --> 00:20:44.440
know musicians.
360
00:20:44.519 --> 00:20:46.640
I know composers. What an elitist?
361
00:20:46.759 --> 00:20:49.400
Oh yeah, she was a terrible elitist. Yeah, but she
362
00:20:49.559 --> 00:20:52.000
was so direct and she used to do all the
363
00:20:53.400 --> 00:20:59.039
publishing rights for authors at the Music Corporation of America
364
00:20:59.200 --> 00:21:02.359
in England. And when she came to New York, they
365
00:21:02.400 --> 00:21:07.200
offered her the job worldwide and she said, well, it
366
00:21:07.319 --> 00:21:09.519
sounds good, but what do I have to do And
367
00:21:09.559 --> 00:21:11.440
they said, well, you have to move back to England.
368
00:21:11.799 --> 00:21:13.599
She said, no, that's not for me.
369
00:21:14.079 --> 00:21:16.359
Yeah. Was Lou Wasserman in charts in those days.
370
00:21:16.400 --> 00:21:17.119
Oh yes, he was.
371
00:21:17.200 --> 00:21:18.880
Yeah, strong guy.
372
00:21:19.039 --> 00:21:21.799
Very strong, and they it was a wonderful company to
373
00:21:21.839 --> 00:21:27.519
work for. But she you know, everybody really appreciated English.
374
00:21:27.319 --> 00:21:29.680
Ladies at that time. They still do.
375
00:21:30.039 --> 00:21:33.200
Yeah, if they had English secretaries, you were special.
376
00:21:33.400 --> 00:21:36.759
Yeah, so sophisticated by your sophistication, I know.
377
00:21:37.039 --> 00:21:41.440
So it's like a network of people that recommend you
378
00:21:41.519 --> 00:21:44.799
to jobs and things like that. They kept recommending you, Pamela,
379
00:21:44.839 --> 00:21:47.960
to different jobs, and finally Auto Premature was looking for
380
00:21:48.000 --> 00:21:51.359
somebody had three hundred people apply for his thing, and
381
00:21:51.640 --> 00:21:54.400
Pamela was the last soul in the door. Nobody was
382
00:21:54.440 --> 00:21:57.640
in there, and he said, come into the office, and
383
00:21:57.880 --> 00:22:01.079
two minutes later he said, can you start to type?
384
00:22:01.839 --> 00:22:04.759
He didn't even ask, he just said, can you start
385
00:22:04.799 --> 00:22:05.559
tomorrow morning.
386
00:22:05.640 --> 00:22:08.200
One of the great things about Auto prematur for those
387
00:22:08.240 --> 00:22:10.720
film buffs, is he allegedly discovered.
388
00:22:10.240 --> 00:22:14.039
Gene Seabring, Yes he did, who was an anonymous Midwestern
389
00:22:14.039 --> 00:22:16.240
girl and he wanted her for was it Exodus or
390
00:22:16.279 --> 00:22:16.559
one of.
391
00:22:16.480 --> 00:22:19.680
Those No, it was advising consent, I think.
392
00:22:19.680 --> 00:22:22.240
Some of some film, and then Jean Luke Godaar, the
393
00:22:22.279 --> 00:22:25.799
French director, saw her with her short bob hair and
394
00:22:26.279 --> 00:22:31.319
cast her in that great noir film Breathless. Had an
395
00:22:31.359 --> 00:22:33.799
interesting life that was cut too short. She ended up
396
00:22:33.960 --> 00:22:38.359
living with the Black Panthers And anyway.
397
00:22:37.640 --> 00:22:42.000
Yeah, well he found a lot of people and made
398
00:22:42.079 --> 00:22:44.880
stars out of them. Yeah, it was great and he was.
399
00:22:46.799 --> 00:22:51.759
He was wonderful for Pamela, our daughter who was born
400
00:22:51.799 --> 00:22:54.400
at the time, and myself. He couldn't have been a
401
00:22:54.519 --> 00:22:58.039
nicer man. And everybody said what a badass he was,
402
00:22:58.079 --> 00:22:59.240
and he was anything but.
403
00:22:59.440 --> 00:23:02.759
Yeah, he was just a lovely, lovely you gotta be
404
00:23:02.799 --> 00:23:05.279
tough to run a film production, to be a director.
405
00:23:05.319 --> 00:23:09.200
You're creating your own city, your own community for several months,
406
00:23:09.319 --> 00:23:13.279
and you know, and every every minute is money spent. Oh, absolutely,
407
00:23:13.400 --> 00:23:15.559
you know that you gotta be somewhat of a oh yeah,
408
00:23:15.839 --> 00:23:16.799
it's yeah.
409
00:23:16.960 --> 00:23:20.440
And I love the music business because I got to
410
00:23:20.480 --> 00:23:22.920
play everywhere in the world basically.
411
00:23:23.200 --> 00:23:27.039
Yeah, And going back to that, you know, your career
412
00:23:27.119 --> 00:23:29.519
took a lot of turns, and you got recruited, you
413
00:23:29.559 --> 00:23:30.440
always got called.
414
00:23:30.920 --> 00:23:33.119
Obviously you could tell you could keep.
415
00:23:32.960 --> 00:23:40.519
Time and fortunately, yeah, and you had guys like uh,
Eddie.
416
00:23:41.240 --> 00:23:45.319
Eddie Fisher, Eddie, Yeah, I worked for him for six years,
417
00:23:45.400 --> 00:23:48.119
Carol Channing hal Channy for six years.
418
00:23:48.279 --> 00:23:50.440
You're in Vegas doing shows.
419
00:23:50.039 --> 00:23:52.359
You're in La Broadway show and.
420
00:23:52.319 --> 00:23:55.880
Then you're simultaneously delving in the country Western and you're
421
00:23:55.880 --> 00:23:57.200
playing with Merle Haggard.
422
00:23:57.640 --> 00:24:01.039
Well, it was kind of interesting because Eddie Fisher got
423
00:24:01.039 --> 00:24:05.960
me into country western music because he was bored and
424
00:24:06.000 --> 00:24:09.079
he wanted to do a country Western album and I start.
425
00:24:10.279 --> 00:24:15.960
He brought players in, especially a guitar player who took
426
00:24:16.000 --> 00:24:20.119
the time in Trouble to tutor me and how to
427
00:24:20.160 --> 00:24:25.680
play country music on drums. Because it's it's it's a
428
00:24:25.680 --> 00:24:28.640
different way of playing and you have to be open
429
00:24:28.720 --> 00:24:32.839
to it. And he was patient and we did a
430
00:24:32.880 --> 00:24:36.799
lot of dates together. I mean we did everything Cliffy
431
00:24:36.920 --> 00:24:41.039
Stone did and k you know on Channel five. He
432
00:24:41.079 --> 00:24:45.000
was a big producer of country western music.
433
00:24:45.279 --> 00:24:48.240
Was he married to Elizabeth Taylor when you were no.
434
00:24:48.319 --> 00:24:52.200
He had left Elizabeth when I joined Fisher, And that
435
00:24:52.319 --> 00:24:56.160
was I had just gotten back from Europe and the
436
00:24:56.240 --> 00:24:59.359
day I got back, I still had a phone in
437
00:24:59.400 --> 00:25:03.359
my apartment where I in la and it rang and
438
00:25:03.440 --> 00:25:05.640
it was his conductor and he said, hey, you want
439
00:25:05.640 --> 00:25:08.279
to go on the road with Eddie Fisher. He just
440
00:25:08.400 --> 00:25:10.640
left Elizabeth Taylor and he wants he wants to get
441
00:25:10.680 --> 00:25:14.160
out of you again. Yeah. So and that ended up
442
00:25:14.279 --> 00:25:15.519
lasting six years.
443
00:25:15.599 --> 00:25:18.160
And for those of you don't know, he was the
444
00:25:18.200 --> 00:25:22.319
father of Carrie Fisher and married to Debbie Reynolds.
445
00:25:22.000 --> 00:25:29.480
That's right, which I never met. He was fancy free
446
00:25:29.519 --> 00:25:30.559
when we were with him.
447
00:25:30.599 --> 00:25:34.559
If he could score, you know, Elizabeth Taylor and Debbie Reynolds,
448
00:25:34.640 --> 00:25:35.960
he must have been quite the ladies man.
449
00:25:36.240 --> 00:25:40.839
Well, there was somebody new every day. It was hard
450
00:25:40.839 --> 00:25:41.599
to keep up with him.
451
00:25:41.640 --> 00:25:44.519
Yeah, for those of you wondering you're listening to KXFM
452
00:25:44.640 --> 00:25:47.680
Radio here at one O four point seven Laguna Talks,
453
00:25:47.720
--> 00:25:50.599
and we're talking with the great Sam Goldstein here on
454
00:25:50.720 --> 00:25:55.400
his life in Hollywood, and then you transitioned a little bit.
455
00:25:55.400 --> 00:25:56.319
I find this to be.
456
00:25:56.319 --> 00:25:59.000
Quite interesting because you saw the future was turning the
457
00:25:59.079 --> 00:26:02.240
rock and roll. You mentioned the Beatles, and so you
458
00:26:02.319 --> 00:26:04.400
took a gig with the Flying Burrito Brothers.
459
00:26:04.519 --> 00:26:08.359
Yeah. We worked together for a couple of years and
460
00:26:08.599 --> 00:26:10.880
did a lot of dates with him, and I spent
461
00:26:10.960 --> 00:26:14.960
a lot of time with one or two of the
462
00:26:15.039 --> 00:26:17.960
members separately, and we would do weeks at a time
463
00:26:18.160 --> 00:26:20.960
just in a studio, just two people.
464
00:26:21.240 --> 00:26:24.400
Yeah. I mean, Graham Parsons is a legendary figure. Now.
465
00:26:24.519 --> 00:26:26.519
He was, you know, I don't think he ever achieved
466
00:26:26.799 --> 00:26:30.240
great commercial success, but amongst musicians and songwriters, he's a
467
00:26:30.279 --> 00:26:30.880
bit of a god.
468
00:26:31.200 --> 00:26:31.319
Was.
469
00:26:31.359 --> 00:26:34.039
He was a lovely, lovely man. He was an entitled
470
00:26:34.039 --> 00:26:37.440
soul who couldn't quite get his act together, but he
471
00:26:37.559 --> 00:26:38.720
was a lovely dude.
472
00:26:39.039 --> 00:26:41.799
Was. He had a drug problem too, that kind of
473
00:26:41.799 --> 00:26:42.440
held him back.
474
00:26:43.000 --> 00:26:43.559
Unfortunately.
475
00:26:43.599 --> 00:26:46.240
He was famous, but spending He was good friends with
476
00:26:46.319 --> 00:26:49.119
Keith Richards and they spent time in France when they
477
00:26:49.119 --> 00:26:52.720
were recording Exile on Main Street, and he allegedly was
478
00:26:52.759 --> 00:26:56.400
the one that influenced the Stones moving into country western,
479
00:26:56.920 --> 00:26:58.599
which is a lot of their music people and then
480
00:26:58.640 --> 00:27:00.000
their canon as country influence.
481
00:27:00.839 --> 00:27:04.799
It was the whole thing. Me going into country music
482
00:27:04.880 --> 00:27:08.240
with Cliffey Stone started it all. And there was a
483
00:27:08.319 --> 00:27:12.799
cadre of five to six players and we do everything
484
00:27:13.279 --> 00:27:14.000
rhythm section.
485
00:27:14.119 --> 00:27:15.759
It was just wonderful.
486
00:27:15.799 --> 00:27:20.359
Earl Ball who played for the guy who became the
487
00:27:20.440 --> 00:27:28.559
conductor and musical director for Who's the Guy Foldsome City Blues,
488
00:27:29.519 --> 00:27:33.839
Johnny Cash, and he was great, I mean really great,
489
00:27:34.119 --> 00:27:36.319
Ralph Sutton, and a lot.
490
00:27:36.240 --> 00:27:38.920
Of people don't know I think is that California has
491
00:27:39.079 --> 00:27:42.400
a deep, deep history of country western, particularly in Bakersfield.
492
00:27:42.559 --> 00:27:47.640
Oh absolutely, between Buck Owens and Merle Haggard, that's Bakersfield
493
00:27:48.160 --> 00:27:51.440
and that was that was part of the city. And
494
00:27:51.480 --> 00:27:56.200
then the Pallamino on Monday nights or the talent shows.
495
00:27:56.319 --> 00:27:56.839
Amazing.
496
00:27:56.960 --> 00:27:59.759
Oh yeah, my life was totally different from what I
497
00:28:01.079 --> 00:28:02.640
and I loved the change.
498
00:28:04.599 --> 00:28:06.799
But you also saw the writing on the wall. You
499
00:28:06.880 --> 00:28:09.240
were a bit older than these guys, You had young kids.
500
00:28:09.440 --> 00:28:12.039
There was life on the road, a lot of drugs
501
00:28:12.720 --> 00:28:13.960
and rock and roll.
502
00:28:14.359 --> 00:28:14.759
That's it.
503
00:28:14.839 --> 00:28:17.400
And I had a choice. I said, what am I
504
00:28:17.440 --> 00:28:19.960
going to do? Either moved to Ashville, which I didn't
505
00:28:19.960 --> 00:28:20.480
want to do.
506
00:28:21.240 --> 00:28:23.000
That's worse than moving to England.
507
00:28:23.000 --> 00:28:28.319
Probably, but they don't like little Jewish drummers somewhere anyway,
508
00:28:28.440 --> 00:28:32.440
that it doesn't matter. So it was they were going
509
00:28:32.519 --> 00:28:35.160
to bust my kids an hour and a half to Pacoima,
510
00:28:35.319 --> 00:28:38.519
and they didn't speak a foreign language. And it was
511
00:28:39.400 --> 00:28:42.839
there were drugs that were rampant in La. This is
512
00:28:42.880 --> 00:28:45.920
when we moved out here, and my kids were seven
513
00:28:45.960 --> 00:28:46.519
and nine.
514
00:28:47.839 --> 00:28:50.440
So what was the catalyzing event that brought you to Laguna.
515
00:28:51.359 --> 00:28:52.640
We had neighbors.
516
00:28:52.240 --> 00:28:54.240
Across the street in Studio City.
517
00:28:54.240 --> 00:28:58.039
The Earl and Jane Hamner, he wrote The Waltons and
518
00:28:58.640 --> 00:29:02.880
Falk and Crest and everything, and they were our dearest
519
00:29:02.920 --> 00:29:08.759
friends for forty years. And they had a house out here,
520
00:29:09.680 --> 00:29:12.640
maybe two and they would invite us to come and
521
00:29:12.680 --> 00:29:15.680
spend five days or a week out here in the summer,
522
00:29:16.519 --> 00:29:21.240
in which we did. And we when they wouldn't take
523
00:29:21.319 --> 00:29:26.119
my son in private school in La they take my daughter,
524
00:29:26.160 --> 00:29:28.000
but they wouldn't take my son, we said, well, we
525
00:29:28.119 --> 00:29:31.000
got one choice. To do because we can't go to
526
00:29:31.079 --> 00:29:34.440
the west side of La because it's better than Tijuana
527
00:29:34.880 --> 00:29:38.440
for drugs. So let's try Laguna. So we moved out
528
00:29:38.440 --> 00:29:42.920
here to Lago. Your neighbors, yeah, they did, but we
529
00:29:42.960 --> 00:29:47.000
rented a house from someone who we knew in
Studio
530
00:29:47.119 --> 00:29:51.839
City who was a producer at NBC. So it was
531
00:29:52.799 --> 00:29:55.799
very show busy, you know, Studio City was very show busy,
532
00:29:56.200 --> 00:29:59.000
and so we moved out here and.
533
00:29:59.359 --> 00:30:01.839
You were just trying ever read there or so let's
534
00:30:01.839 --> 00:30:03.480
give it a try, and Pamelan.
535
00:30:03.200 --> 00:30:03.759
That was it.
536
00:30:03.960 --> 00:30:07.279
You just tried it and we stayed. And when September
537
00:30:07.319 --> 00:30:11.359
came on around with the kids in school and that
538
00:30:11.599 --> 00:30:17.279
it was Aliso Elementary before it closed. Jeffrey my son
539
00:30:17.480 --> 00:30:22.200
was in the graduating last graduating class of Elisa Amazing.
540
00:30:22.640 --> 00:30:24.720
So this was late seventies, you said.
541
00:30:24.799 --> 00:30:26.440
Yeah, it was nineteen seventy eight.
542
00:30:26.680 --> 00:30:28.720
Yeah, And what were you doing with your time at
543
00:30:28.720 --> 00:30:31.480
that point because you had retired from drumming, right.
544
00:30:31.559 --> 00:30:37.240
Yeah, yeah, when when the music business, the recording business
545
00:30:37.279 --> 00:30:42.559
for Sam disappeared my account and said, don't worry, Sam,
546
00:30:43.039 --> 00:30:45.000
You'll be okay. And I said, well, I don't know
547
00:30:45.039 --> 00:30:48.240
anything except music. He said, not to worry. He said,
548
00:30:48.279 --> 00:30:49.599
you can add and subtract.
549
00:30:49.640 --> 00:30:50.119
I said, what the.
550
00:30:50.079 --> 00:30:51.920
Hell does that have to do with making a living.
551
00:30:52.279 --> 00:30:55.519
He said, it's real estate, which is so pressy.
552
00:30:55.559 --> 00:30:57.880
And for him to say something like that, because people
553
00:30:58.039 --> 00:31:03.480
forget music education is real education. It teaches people to
554
00:31:03.640 --> 00:31:06.880
count and to you really have to understand.
555
00:31:06.440 --> 00:31:09.279
Mass, and you have to think, and you have to think.
556
00:31:09.240 --> 00:31:11.440
And you have to listen, and you have to pay attention,
557
00:31:11.880 --> 00:31:14.400
and you have to be aware. It makes all your
558
00:31:15.319 --> 00:31:20.680
It's like it took me nineteen years to bring orchestra
559
00:31:21.680 --> 00:31:26.400
to Laguna Beach. I went through nine superintendents and nobody,
560
00:31:26.720 --> 00:31:31.839
nobody wanted to bring music into this school system. Nine
561
00:31:31.880 --> 00:31:37.200
superintendents later, finally made it happen. And the first check
562
00:31:37.240 --> 00:31:43.559
that rolled in the door was school Power. They wrote
563
00:31:43.559 --> 00:31:46.599
a check for seventy thousand dollars done to write the program.
564
00:31:46.680 --> 00:31:49.400
Wow, talk about a miracle. A miracle.
565
00:31:49.559 --> 00:31:53.599
So this is an interesting story because you ventured into
566
00:31:53.599 --> 00:31:55.680
real estate. You bought your first building, I think you
567
00:31:55.720 --> 00:31:58.440
told me in Burbank with a loan from a friend.
568
00:31:58.960 --> 00:32:00.799
Did so well, you paid him back in a year.
569
00:32:01.720 --> 00:32:06.559
It was a good time. That was nineteen seventy eight.
570
00:32:06.799 --> 00:32:10.799
Seventy eight. The getting was good. It was so wonderful.
571
00:32:10.880 --> 00:32:15.279
He went back to England. Lovely guy. He had five children.
572
00:32:15.400 --> 00:32:17.440
He said he wanted to live the life of an
573
00:32:17.440 --> 00:32:20.960
English gentleman. And he gave me a check for twenty
574
00:32:20.960 --> 00:32:23.880
five thousand dollars and I matched it, and that's how
575
00:32:23.960 --> 00:32:27.119
I started. And I gave him a lot of money
576
00:32:27.160 --> 00:32:28.680
back in a year and a half.
577
00:32:28.960 --> 00:32:33.319
And you didn't need partners anymore.
578
00:32:33.640 --> 00:32:37.640
I didn't need anything anymore except myself to be able
579
00:32:37.680 --> 00:32:42.079
to think clearly. Yeah, and it was built up. Yes,
580
00:32:42.119 --> 00:32:46.079
it was a miracle. All in commercial real estate, nothing residential.
581
00:32:47.039 --> 00:32:52.519
It was a different time, different rules, different regulations, and
582
00:32:53.279 --> 00:32:57.640
it was like an act of God that made me successful.
583
00:32:57.799 --> 00:33:01.319
Well, I think your mom gets some credit to Oh. Absolutely,
584
00:33:01.319 --> 00:33:03.200
everybody talks you something about numbers.
585
00:33:03.359 --> 00:33:05.279
Yes, everybody did. Music did.
586
00:33:05.400 --> 00:33:07.000
And I find that.
587
00:33:08.440 --> 00:33:13.279
It's like telling the school district you don't have to
588
00:33:13.319 --> 00:33:17.640
be a professional to enjoy what music brings you. It
589
00:33:17.640 --> 00:33:21.599
brings you imagination and creativity, and it gets you to
590
00:33:21.839 --> 00:33:26.240
think beyond your own capabilities, which is in this day
591
00:33:26.279 --> 00:33:27.240
and age.
592
00:33:27.359 --> 00:33:30.440
I can't think of anything else that man has created
593
00:33:31.119 --> 00:33:32.440
that surpasses music.
594
00:33:33.279 --> 00:33:35.960
I agree with you it's it just it makes you
595
00:33:36.039 --> 00:33:37.880
think outside the box.
596
00:33:37.880 --> 00:33:40.160
And the feeling that you get from it, the piece
597
00:33:40.359 --> 00:33:42.200
that you get from it, and of course when you
598
00:33:42.240 --> 00:33:45.279
play it, when you're locked into a groove, it's meditative.
599
00:33:45.359 --> 00:33:47.920
It's the high of highs.
600
00:33:47.960 --> 00:33:50.279
It's the high of highs. But you were able to
601
00:33:50.279 --> 00:33:53.119
walk away from it because you reluctantly. But that's the
602
00:33:53.160 --> 00:33:54.000
only thing I could do.
603
00:33:54.240 --> 00:33:56.759
Yeah, and then so
you come down the laguna and
604
00:33:56.839 --> 00:33:58.440
most of your portfolios in.
605
00:33:58.559 --> 00:34:02.559
LA and in La and I took my showbiz with me.
606
00:34:02.759 --> 00:34:06.519
I bought property across the street from CBS and Studio City,
607
00:34:07.039 --> 00:34:11.079
eleven properties, and they were residential and I turned them
608
00:34:11.280 --> 00:34:16.840
all into office buildings two story and I got rid
609
00:34:16.880 --> 00:34:20.800
of the apartment feel of it and I rented it
610
00:34:21.039 --> 00:34:25.079
to the motion picture industry for short term production office space.
611
00:34:25.400 --> 00:34:26.239
Talk about a need.
612
00:34:26.840 --> 00:34:30.000
Thirty eight years I did that, and in two thousand
613
00:34:30.000 --> 00:34:33.360
and five I sold the eleven properties.
614
00:34:33.599 --> 00:34:36.440
That was probably a good timing too. Now that AI's
615
00:34:36.480 --> 00:34:38.519
come along, it's going to shrink the industry.
616
00:34:38.880 --> 00:34:41.679
Well, it was a good time and a bad time.
617
00:34:41.960 --> 00:34:44.639
Two thousand and five was economic chaos.
618
00:34:44.920 --> 00:34:46.719
M was that dot com bubble?
619
00:34:47.039 --> 00:34:49.920
Well, I don't know what bubble, but money was gone
620
00:34:50.039 --> 00:34:52.480
bye bye. Yeah, and you couldn't borrow it, beg it
621
00:34:52.599 --> 00:34:56.840
or steal it. So it was good and bad. But
622
00:34:57.039 --> 00:34:59.800
somebody wrote me a check and I said, well, better
623
00:35:00.079 --> 00:35:03.039
out than ever. Yeah, yeah, so that's what I did.
624
00:35:03.119 --> 00:35:04.119
Then I came out here and.
625
00:35:04.519 --> 00:35:06.159
Bought the Heisler Building.
626
00:35:06.239 --> 00:35:08.679
Well, I was going to say, you were very, very
627
00:35:08.719 --> 00:35:13.559
savvy real estate guy until you decided to come to Laguna.
628
00:35:13.920 --> 00:35:16.880
So well, I already lived here, but I was it
629
00:35:16.920 --> 00:35:20.239
was a catch twenty two. Yeah, and in two thousand
630
00:35:20.280 --> 00:35:22.800
and five there wasn't a lot to buy and I
631
00:35:22.840 --> 00:35:27.440
had a very short window for an exchange. So it
632
00:35:27.440 --> 00:35:28.079
it was well.
633
00:35:28.119 --> 00:35:31.079
I said that jokingly, because you know, we all know famously.
634
00:35:31.280 --> 00:35:33.840
I'm sure the City of Burbank and Studio City were
635
00:35:34.039 --> 00:35:38.679
far easier cities to get entitlements and permits on than Laguna.
636
00:35:38.960 --> 00:35:44.000
I'm not sure, but all I know is it was
637
00:35:44.079 --> 00:35:46.719
a good year and it was a bad year.
638
00:35:46.840 --> 00:35:49.280
Yeah, but the so people know.
639
00:35:49.360 --> 00:35:52.079
The Heisler Building, of course, is a historic building on
640
00:35:52.159 --> 00:35:55.960
the corner of Coast Highway and Lee Laguna Avenue, and
641
00:35:56.639 --> 00:36:00.280
it's one of our really, it's one of our iconic holdings,
642
00:36:00.360 --> 00:36:04.840
right across from the hotel Laguna. It was interesting, but
643
00:36:04.920 --> 00:36:08.440
it was in need of a lot of improvements, and
644
00:36:08.480 --> 00:36:11.840
I had is that something you had historically done or
645
00:36:11.880 --> 00:36:13.760
you just usually buy them and rent them.
646
00:36:14.639 --> 00:36:17.159
I would fix them up, clean them up. But I
647
00:36:17.360 --> 00:36:20.239
didn't have to go to the city and get on
648
00:36:20.320 --> 00:36:22.239
my hands and knees to make change.
649
00:36:22.880 --> 00:36:24.360
Laguna was a different thing.
650
00:36:24.599 --> 00:36:30.559
I had to appear before the Historic Committee thirty six
651
00:36:30.679 --> 00:36:32.599
times leading a case.
652
00:36:33.320 --> 00:36:36.119
And you did a magnificent job with it. What could
653
00:36:36.119 --> 00:36:37.519
they possibly think was.
654
00:36:37.920 --> 00:36:39.360
Any any changes?
655
00:36:40.559 --> 00:36:43.760
But you didn't do anything to change the original character
656
00:36:43.760 --> 00:36:45.440
of the We did.
657
00:36:46.199 --> 00:36:50.039
We made it more French than what it was. It
658
00:36:50.119 --> 00:36:55.679
was kind of a bastardized, dilapidated, leaking, it was a
659
00:36:56.000 --> 00:36:57.079
it was a mess.
660
00:36:57.400 --> 00:36:59.639
Well, if you had to call it a certain style,
661
00:36:59.760 --> 00:37:05.840
what architectural teardown? But in the spirit of was it French?
662
00:37:06.519 --> 00:37:10.800
French? Normandy? Okay? And what was it used for originally? Well,
663
00:37:10.800 --> 00:37:14.920
that's an interesting question. There must have been a guy
664
00:37:14.960 --> 00:37:16.239
named Heisler who built.
665
00:37:16.000 --> 00:37:20.559
It, well something like that, but it was it got we.
666
00:37:20.440 --> 00:37:24.000
Have to ask Anne Christoph. Of course it was Heisler Park.
667
00:37:24.079 --> 00:37:26.119
I mean he's probably well.
668
00:37:26.639 --> 00:37:29.320
It had it had an interesting history.
669
00:37:29.800 --> 00:37:35.320
What year was it built? Roughly twenties probably huh.
670
00:37:35.920 --> 00:37:38.159
And it was an abused building.
671
00:37:39.320 --> 00:37:41.199
And when you say abused.
672
00:37:41.119 --> 00:37:44.039
By tenants and owners.
673
00:37:43.679 --> 00:37:47.199
Has had some residential units at one time, could have.
674
00:37:47.360 --> 00:37:50.119
But you know, there was a brewery in the back
675
00:37:50.239 --> 00:37:55.440
on top of the off the alley, and the young
676
00:37:55.480 --> 00:38:01.679
man that owned it removed all the the brewing equipment,
677
00:38:01.960 --> 00:38:04.920
put them on trucks and went down to Tijuana or
678
00:38:05.000 --> 00:38:08.400
Mexico to create a brewery down there. And it was
679
00:38:08.440 --> 00:38:12.400
a lovely guy. And the Mexican government just destroyed him.
680
00:38:12.440 --> 00:38:14.599
I mean it was really there. He's said, is he
681
00:38:14.679 --> 00:38:15.920
the guy who bought it from?
682
00:38:16.079 --> 00:38:18.760
No, he was just a tenant. And the two people
683
00:38:19.360 --> 00:38:21.840
I bought it from a lawyer who was one of
684
00:38:21.880 --> 00:38:26.400
the owners, and one other guy. I can't think of
685
00:38:26.440 --> 00:38:32.199
who the hell it was, but it was the manager
686
00:38:33.000 --> 00:38:37.599
was a bad guy. He was taking the tax money
687
00:38:37.599 --> 00:38:41.960
from his employees and sticking it in his pocket. He
688
00:38:42.119 --> 00:38:45.199
ended up at Stockton Federal Prison.
689
00:38:45.920 --> 00:38:50.119
Sounds like the lenders to me. The mom group, we
690
00:38:50.960 --> 00:38:54.400
get our share of shysters around. Well, that's nature of
691
00:38:54.400 --> 00:38:54.679
the game.
692
00:38:55.000 --> 00:38:59.800
Well, when you put out big dollars, you get big crooks.
693
00:38:59.480 --> 00:39:00.440
Big Crook. Yeah.
694
00:39:02.239 --> 00:39:04.679
So okay, So aside from the hives of building, you
695
00:39:04.760 --> 00:39:07.679
got all these real estate holdings. They're kind of passive income.
696
00:39:07.760 --> 00:39:10.440
I shouldn't say passive A note. You got always you know,
697
00:39:10.440 --> 00:39:13.159
there's always money and time to invest. But you had
698
00:39:13.199 --> 00:39:16.400
time on your hands and you decided to bring more
699
00:39:16.519 --> 00:39:18.280
art and culture to Laguna Beach.
700
00:39:19.039 --> 00:39:23.519
Well, I just got tired of we can't say we're
701
00:39:23.519 --> 00:39:25.960
the city of the arts and do nothing about it.
702
00:39:26.159 --> 00:39:27.039
Well, that's interesting.
703
00:39:27.119 --> 00:39:30.920
The show before mine was George Duban with Art Matters,
704
00:39:30.960 --> 00:39:33.519
and he was saying the same thing today.
705
00:39:33.599 --> 00:39:35.800
It was I went to the museum.
706
00:39:35.840 --> 00:39:38.880
They wanted me to join the board. Were you collecting art?
707
00:39:38.880 --> 00:39:40.719
At this point, I.
708
00:39:40.719 --> 00:39:47.159
Was involved with the Newport Harbor.
709
00:39:47.320 --> 00:39:48.960
Okay, so you had a nice house.
710
00:39:51.239 --> 00:39:51.440
Yeah.
711
00:39:51.519 --> 00:39:53.440
We were grabblers.
712
00:39:53.480 --> 00:39:59.280
We were art educators and art buyers and holders. And
713
00:40:00.639 --> 00:40:03.400
what they offered me at the museum here was not
714
00:40:03.599 --> 00:40:07.320
something for my brain or my soul. And so we
715
00:40:07.400 --> 00:40:11.840
gravitated at Newport Beach and we spent many, many many
716
00:40:11.920 --> 00:40:16.719
years there, met wonderful people, got totally engaged with it,
717
00:40:17.159 --> 00:40:22.639
and the curator, Paul Schimmel, became my best friend because
718
00:40:22.679 --> 00:40:27.400
we created a partnership at the museum, I took control
719
00:40:27.480 --> 00:40:33.519
of the acquisition committee and he was chief curator and
720
00:40:34.800 --> 00:40:39.239
he needed money to buy art for the permanent collection,
721
00:40:40.000 --> 00:40:43.960
and I was his supply source because I created an
722
00:40:44.039 --> 00:40:47.239
annual vent card they called the Art of Dining, and
723
00:40:47.320 --> 00:40:52.000
I did it with Jokim Splechelle Oh famous, a very
724
00:40:52.000 --> 00:40:58.119
famous chef and a partner of his. Michelle Rochard was
725
00:40:58.159 --> 00:41:01.760
another great chef, and two two of us created this
726
00:41:01.840 --> 00:41:05.480
event for eight years at the Four Seasons near the
727
00:41:05.519 --> 00:41:08.679
Newport Harbor Art Museum, and we'd have a sit down
728
00:41:08.760 --> 00:41:12.400
dinner for three to four hundred people every year, with
729
00:41:12.519 --> 00:41:15.320
all these chefs coming in to cook the dinner eight
730
00:41:15.400 --> 00:41:20.000
courses and Mondhabi giving the wine. And out of that event,
731
00:41:20.320 --> 00:41:25.760
I would take half the proceeds and give it to
732
00:41:25.840 --> 00:41:30.079
Paul Schimmel for the collection, and the other half would
733
00:41:30.079 --> 00:41:34.000
go to the operating committee of the museum. Which went
734
00:41:34.039 --> 00:41:37.639
on for eight years that I did it, and it
735
00:41:37.800 --> 00:41:44.199
raised a lot of money for everybody, and it was
736
00:41:44.320 --> 00:41:50.719
really good until the end when I wanted to take
737
00:41:51.119 --> 00:41:53.800
the half of the money that the art part of
738
00:41:53.840 --> 00:41:57.079
it received and buy a piece of art which was
739
00:41:57.119 --> 00:42:01.199
about one hundred and twenty thousand dollars and I had
740
00:42:01.280 --> 00:42:06.000
some kickback from the board of trustees. Pushback. They said,
741
00:42:06.039 --> 00:42:08.599
we need the money so we can pay for the
742
00:42:08.679 --> 00:42:12.760
lights and insurance. I said, that's not my job. The
743
00:42:12.760 --> 00:42:16.639
board was forty five strong. I said, all you have
744
00:42:16.679 --> 00:42:19.960
to do is say, hey, ladies and gentlemen, it's time
745
00:42:20.000 --> 00:42:24.639
to write a check. And that's what happened. But it didn't.
746
00:42:24.760 --> 00:42:32.400
It didn't happen nicely and smoothly because people that sit
747
00:42:32.480 --> 00:42:37.079
on board sometimes don't realize their responsibility. That you know,
748
00:42:37.159 --> 00:42:40.280
their institutions and they need to be nurtured, just like
749
00:42:40.360 --> 00:42:46.320
everything else. It's called hard learning education, the hard way.
750
00:42:46.599 --> 00:42:52.480
It's you know, it was kind of sad more than
751
00:42:52.519 --> 00:42:56.079
anything else. But the people that were on the board
752
00:42:56.280 --> 00:43:00.960
and the people we met there were just spectacular.
753
00:43:01.079 -->
00:43:04.199
Yeah, and it's been saidden and you you would have a.
754
00:43:04.199 --> 00:43:06.440
View on this, a viewpoint that you know, we're a
755
00:43:06.559 --> 00:43:12.320
very affluent community, but with a museum that many would
756
00:43:12.320 --> 00:43:15.760
say the endowment does not match the demographics of this town,
757
00:43:15.800 --> 00:43:18.679
that they don't have enough money to be world class.
758
00:43:19.480 --> 00:43:22.760
Well, and that's why I was so busy with the
759
00:43:22.800 --> 00:43:26.800
bed tax here is that they needed every Yeah, the
760
00:43:26.840 --> 00:43:36.000
Playhouse of College and the museum needed annual money just
761
00:43:36.039 --> 00:43:39.880
have And after we did it back in two thousand,
762
00:43:41.199 --> 00:43:44.480
I got so much kickback from the community at large
763
00:43:44.599 --> 00:43:47.559
saying why did anything go to the College of Art
764
00:43:47.599 --> 00:43:53.440
and Design. And I couldn't understand or fathom that kind
765
00:43:53.519 --> 00:43:57.280
of thinking that they, you know, and I was on
766
00:43:57.360 --> 00:44:00.960
the Chamber of Commerce and members city on the Common
767
00:44:01.239 --> 00:44:05.039
Chamber of Comment every month would come to me and say,
768
00:44:05.079 --> 00:44:07.880
you young, yeah, and you shouldn't do that. You know,
769
00:44:08.000 --> 00:44:11.599
you're the bad guy. And I said, oh Jesus Christ,
770
00:44:12.199 --> 00:44:13.960
it's hard to keep the Indians happy.
771
00:44:14.360 --> 00:44:14.559
Yeah.
772
00:44:14.639 --> 00:44:16.199
Yeah.
773
00:44:16.280 --> 00:44:19.840
And then apart from this effort, you also were involved
774
00:44:19.840 --> 00:44:20.639
with Laguna Live.
775
00:44:21.599 --> 00:44:28.920
Laguna Live. Yes, I ciddy brew it. She came to
776
00:44:28.960 --> 00:44:32.239
me in two thousand and said, you and I have
777
00:44:32.360 --> 00:44:35.960
to start Laguna Lagunalive. I said, are you out of
778
00:44:36.000 --> 00:44:38.599
your mind? I said, you know how much effort it
779
00:44:38.639 --> 00:44:41.519
takes to do something like it? He said, I don't care.
780
00:44:41.639 --> 00:44:43.159
I'm going to do it. I'm going to do it,
781
00:44:43.239 --> 00:44:47.159
I said. And the original idea was what to bring bring.
782
00:44:46.920 --> 00:44:48.119
Live music to town?
783
00:44:48.280 --> 00:44:53.000
Yeah. What were the venues at that point, probably.
784
00:44:52.639 --> 00:44:58.119
On the street. There was the place in the Canyon
785
00:44:58.880 --> 00:45:01.760
which was seven seven degrees.
786
00:45:01.559 --> 00:45:04.000
Okay, that was about it.
787
00:45:04.239 --> 00:45:08.039
And and you got was was the Billy Childs show
788
00:45:08.159 --> 00:45:09.199
part of Laguna line.
789
00:45:09.159 --> 00:45:11.920
No, that was part of my stint to being on
790
00:45:11.960 --> 00:45:15.239
the board of PBS. Okay, I was on their board
791
00:45:15.239 --> 00:45:15.840
for
eight years.
792
00:45:15.880 --> 00:45:18.760
So you brought the great jazz pianist Billy Childs to Laguna.
793
00:45:18.880 --> 00:45:22.119
He played a concert at Laguna High School Artist Theater.
794
00:45:22.119 --> 00:45:23.239
And it was filmed.
795
00:45:23.280 --> 00:45:25.719
They were filmed. I got it filmed with the help
796
00:45:25.760 --> 00:45:29.159
of the Montage. They were gracious and lovely, and I
797
00:45:29.280 --> 00:45:36.599
used the college here in Orange County, Chapman, and I
798
00:45:36.719 --> 00:45:39.920
used their film crew at Chapman Perfect to film it.
799
00:45:40.679 --> 00:45:49.880
And it was my first endeavor into television and I
800
00:45:49.960 --> 00:45:54.480
produced it, made it happen. Got the Calder Quartet with
801
00:45:54.760 --> 00:45:58.239
Billy Childs, who was an incredible pianist. And you can
802
00:45:58.280 --> 00:46:01.840
still bring it up if you want to look BBS.
803
00:46:02.119 --> 00:46:05.519
So it's uh, it will go down in his It's
804
00:46:05.559 --> 00:46:08.360
the only television show that's ever been produced in this town.
805
00:46:08.320 --> 00:46:12.840
Except for that MTV BS. You know MTV Oh Yeah,
806
00:46:12.880 --> 00:46:15.519
that was yeah, that was that's not me.
807
00:46:15.679 --> 00:46:17.480
That's that was something else.
808
00:46:17.519 --> 00:46:20.840
Well, Sam, what a what a story? And I'm just curious.
809
00:46:20.400 --> 00:46:23.719
Now in terms of your view looking forward, because you're
810
00:46:23.760 --> 00:46:25.239
not a backwards looking guy.
811
00:46:25.280 --> 00:46:27.519
You're not looking in the rear view. You're looking ahead.
812
00:46:28.400 --> 00:46:30.280
And what what do we need.
813
00:46:30.159 --> 00:46:34.760
In this town to retain or even sustain us as
814
00:46:34.800 --> 00:46:37.239
a true arts and culture community.
815
00:46:37.639 --> 00:46:40.559
Well, I'm sitting in a radio station that's alive and
816
00:46:40.639 --> 00:46:46.239
well and hey, yes, yeah, and it's got imagination and creativity.
817
00:46:46.719 --> 00:46:50.679
And I haven't been involved with any I haven't volunteered
818
00:46:51.800 --> 00:46:55.599
for an organization for quite a while. I've resigned from
819
00:46:55.719 --> 00:46:58.840
quite a few, but I haven't signed on for it.
820
00:46:58.880 --> 00:47:02.440
And I'm ninety one years old, and I don't do
821
00:47:02.519 --> 00:47:05.559
it lightly. But I said I would be more than
822
00:47:05.639 --> 00:47:08.719
happy to be a board member here and endorse it
823
00:47:08.760 --> 00:47:14.320
because it's the most creative thing that I've encountered in alone.
824
00:47:14.679 --> 00:47:18.000
Long long, Well, you're very much a mention, and I
825
00:47:18.000 --> 00:47:21.280
appreciate you, and you know what, I hope that we
826
00:47:21.360 --> 00:47:23.639
can live up to your expectations joining us.
827
00:47:23.679 --> 00:47:26.760
You've already done it. You don't have an All you're
828
00:47:26.760 --> 00:47:31.559
building on is imagination and creativity, and it's something that
829
00:47:31.599 --> 00:47:33.679
doesn't stop if it's there to begin with.
830
00:47:33.880 --> 00:47:37.159
It's not a role we feel like sky's the limits.
831
00:47:37.719 --> 00:47:40.400
The radio is our is our sort of trojan horse
832
00:47:40.480 --> 00:47:44.519
and gives us currency. We're doing something unique that is
833
00:47:44.679 --> 00:47:47.840
not very common anymore, and radio has struggled to survive.
834
00:47:47.920 --> 00:47:51.159
And we see our mission as unifying this town with
835
00:47:51.320 --> 00:47:54.800
all of our disparate voices, bring people together as a hub,
836
00:47:55.320 --> 00:47:57.679
and then expanding from there because there's a lot of
837
00:47:57.719 --> 00:47:59.480
talent in this town and we want.
838
00:47:59.239 --> 00:48:10.000
To perfect it's. Podcasts are the new way to promote thoughts, wishes, dreams,
839
00:48:10.079 --> 00:48:13.760
all that stuff. I own two television stations in Hawaii,
840
00:48:14.280 --> 00:48:18.599
ABC and Fox, and they're just facilities and they're just
841
00:48:18.719 --> 00:48:19.840
broadcasting whatever.
842
00:48:19.880 --> 00:48:20.440
They're broad it.
843
00:48:21.360 --> 00:48:29.239
But podcasts are the new communication in the world. It's
844
00:48:29.400 --> 00:48:32.920
twenty it's twenty first century, not twentieth century.
845
00:48:33.039 --> 00:48:35.920
And it's crowdsourced. Anybody can produce it. You know, you
846
00:48:35.920 --> 00:48:36.719
don't have to go through.
847
00:48:36.760 --> 00:48:40.320
Everybody's got an idea, and everybody's got negativity, and everybody's
848
00:48:40.360 --> 00:48:45.719
got positivity, and everybody's got something to say. And it's
849
00:48:45.760 --> 00:48:49.239
a great vehicle. And the more you got to say,
850
00:48:50.039 --> 00:48:54.239
it's fun. And so for this station to get great
851
00:48:54.360 --> 00:49:00.159
podcasters lined up to bring their friends and talent to
852
00:49:00.239 --> 00:49:02.960
the airways is to me is a miracle.
853
00:49:03.000 --> 00:49:05.360
It's a miracle. And you know you've got something special
854
00:49:05.360 --> 00:49:06.880
when people don't do it for money.
855
00:49:07.440 --> 00:49:10.679
There's not a nickel in it. It's like, tell me
856
00:49:10.719 --> 00:49:13.280
about you, Tell me what the hell you're doing, Show
857
00:49:13.360 --> 00:49:14.079
me what you got.
858
00:49:14.199 --> 00:49:16.480
Yeah, you know, the most interesting thing in the world
859
00:49:16.480 --> 00:49:19.440
to me is two people talking and just yep. And
860
00:49:19.519 --> 00:49:24.519
the human condition is never ending source of material. And
861
00:49:24.719 --> 00:49:26.920
you know, I think within a five mile radius of
862
00:49:27.000 --> 00:49:29.599
right here, we've got enough stories to tell for a lifetime.
863
00:49:29.719 --> 00:49:45.800
Oh, this town is full of nostalgia, hypocrisy, yeah, good, bad, history, arrogance, everything.
864
00:49:45.880 --> 00:49:47.760
Everything's a microcosm of the world.
865
00:49:48.079 --> 00:49:52.199
Yeah, well it's of a wealthy world. Yeah it was.
866
00:49:52.360 --> 00:49:54.119
This is a fall.
867
00:49:53.920 --> 00:49:56.360
Small yeah town town.
868
00:49:56.559 --> 00:49:59.199
I mean, but I was up in La twice in
869
00:49:59.239 --> 00:50:01.119
the last week, and boy oh boy, I mean, I
870
00:50:01.159 --> 00:50:03.559
love the stimulation up there, but I couldn't see where
871
00:50:03.559 --> 00:50:06.320
I live in there anymore. It's just a mess. And
872
00:50:06.400 --> 00:50:09.960
here we still have this beautiful ocean breeze. Or you know,
873
00:50:10.039 --> 00:50:13.320
we complain about our traffic. It doesn't compare to anywhere
874
00:50:13.360 --> 00:50:14.760
else we you know, it's it's.
875
00:50:14.719 --> 00:50:15.639
How good do you want it?
876
00:50:15.800 --> 00:50:18.519
How good do you want it, and well, Sam, you're
877
00:50:18.519 --> 00:50:20.039
one of those people that makes it better.
878
00:50:20.719 --> 00:50:25.519
Well, I try because I don't accept what I'm given.
879
00:50:25.840 --> 00:50:28.320
I've never have in my life and I never will.
880
00:50:30.039 --> 00:50:34.679
There you go, Sam Goldstein, will happy happy birthday this Thursday.
881
00:50:35.079 --> 00:50:37.440
Another trip around the sun and I and I hope
882
00:50:37.440 --> 00:50:41.000
next year you'll be back here on the station, sharper
883
00:50:41.000 --> 00:50:44.039
than ever. And the only miracle and you, the only
884
00:50:44.079 --> 00:50:46.119
thing you'll say is my God, I can't believe. I
885
00:50:46.159 --> 00:50:48.159
remember when this radio station was little.
886
00:50:48.960 --> 00:50:51.840
You've never been little. And since you took it over,
887
00:50:52.639 --> 00:50:57.480
that's a miracle. That's a real change of everything. As
888
00:50:57.480 --> 00:51:02.480
far as I'm concerned, I've been so excited about getting
889
00:51:02.519 --> 00:51:06.079
involved with anything in a long time, and I've been
890
00:51:06.119 --> 00:51:10.039
on a lot of boards and a lot of nonprofit stuff,
891
00:51:10.639 --> 00:51:13.039
and this, to me is the most exciting thing I
892
00:51:13.079 --> 00:51:16.760
could even imagine in my nineties.
893
00:51:16.960 --> 00:51:18.920
Wow, Thank you so much, Sam.
894
00:51:19.000 --> 00:51:22.360
You heard it here first everybody at KXFM Radio. The
895
00:51:22.360 --> 00:51:25.639
great Sam Goldstein, our newest board member who's going to
896
00:51:25.719 --> 00:51:29.559
drive us into the twenty first century. Amen, beyond amen.
897
00:51:29.800 --> 00:51:32.400
Thank you Sam. Great to see you and come back soon.
898
00:51:32.679 --> 00:51:33.079
I will