# Laura Da

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Trevino L. Brings Plenty, Laura Da’, Layli Long Soldier & Heid E. Erdrich

This episode of The Archive Project features a special discussion between contributors to the new anthology, New Poets of Native Nations, with Trevino L. Brings Plenty, Laura Da’, Layli Long Soldier, and editor Heid E. Erdrich. New Poets of Native Nations gathers poets of diverse ages, styles, lang…

Elissa Washuta and Theresa Warburton: Shapes of Native Nonfiction

ABOUT THE BOOK: Just as a basket's purpose determines its materials, weave, and shape, so too is the purpose of the essay related to its material, weave, and shape. Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Us…

Kinklife Featuring Laura Da Blond Pawg

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Mapping – Laura Da’

Laura Da’s poems explore the European-American takeover of the North American continent by examining the mapping and surveying that was an inextricable part of it. Narrative poems delve into the lives of two characters, while lyrical pieces look at the larger consequences. She talks to 2015 Writers…

Jonas Zdanys Open Windows Poems and Translations

My program today features poems by women Native American poets:  Tacey Atsitty, Esther Belin, Diane Burns, Laura Da', Roberta Hill Whiteman, Linda Hogan, Lois Red Elk, and Ofelia Zepeda.

Laura Da’: "The Honest Tongue"

Recorded by Laura Da’ for Poem-a-Day, a series produced by the Academy of American Poets. Published on March 7, 2023. www.poets.org

74. Shapes of Native Nonfiction.

We conceive of the essay as an exquisite vessel, one that evidences the delicate balance of beauty and pain. The ‘exquisite’ character of this vessel invokes simultaneously an exquisite work of art and the exquisite ache of an intense sensation. By bringing to the fore a focus on form, in both th…

Laura Da’: No Easy Thing to See Deeply

Laura Da’ selects poems that report back to us with forthright courage She introduces James Welch speaking with a ringing sense of sovereignty (“In My First Hard Springtime”), Saretta Morgan crossing thresholds of space and perspective (“Consequences upon arrival (i)”), and Lena Khalaf Tuffaha reso…