النص الكامل لحلقة Mike and Nick and Nick and Alice Review: Vince Vaughn’s Time Travel Chaos

00:03:45.689 --> 00:03:48.740 I would love to do. On a weekend. And it goes 00:03:48.740 --> 00:03:52.319 with sleepaway camp that we talked about this 00:03:52.319 --> 00:03:55.419 week. Once again, rest in peace, Jonathan Tierston. 00:03:55.539 --> 00:03:59.479 We lost him this week. But we covered sleepaway 00:03:59.479 --> 00:04:02.180 camp. And we were talking about how it would 00:04:02.180 --> 00:04:05.020 be fun, right, to go to a sleepaway camp. Look 00:04:05.020 --> 00:04:12.379 what I found, Coco. Crystal Lake Tours. primary 00:04:12.379 --> 00:04:16.439 filming location of Friday the 13th Part 1, you 00:04:16.439 --> 00:04:20.620 can go out there and sleep. Look at this. This 00:04:20.620 --> 00:04:23.980 is where they filmed the movie. I want to do 00:04:23.980 --> 00:04:30.980 this. They need to make adult summer sleepaway 00:04:30.980 --> 00:04:34.680 camps. Yeah. I think that's kind of becoming 00:04:34.680 --> 00:04:38.120 a thing. It's like retreats. They make it so 00:04:38.120 --> 00:04:40.259 that it's like summer camp when you're in kids. 00:04:40.439 --> 00:04:42.920 They need to They need to do that here. Look 00:04:42.920 --> 00:04:47.560 at this. June 5th. The first weekend opened up. 00:04:47.839 --> 00:04:52.639 $149 tickets. You can go. You get the tour. Where 00:04:52.639 --> 00:04:55.019 is this? Yeah, where is this? This has got to 00:04:55.019 --> 00:04:57.620 be up in New York somewhere, right? I bet it's 00:04:57.620 --> 00:05:00.540 New England. New Jersey. That's where they filmed 00:05:00.540 --> 00:05:05.899 Friday the 13th. That's where Crystal Lake is. 00:05:06.259 --> 00:05:08.120 But I found this and I was like, you know what? 00:05:08.699 --> 00:05:12.160 That's perfect for... What we've been talking 00:05:12.160 --> 00:05:15.519 about, yes, there is. There's got to be a market 00:05:15.519 --> 00:05:19.019 for adult sleepaway camps that people want to 00:05:19.019 --> 00:05:22.779 do. There's got to be. If not, we should make 00:05:22.779 --> 00:05:26.839 that. We should get us a little camp. I want 00:05:26.839 --> 00:05:29.680 the schedule posted. I want to know, like, when's 00:05:29.680 --> 00:05:32.100 archery so I can be like, all right, plan my 00:05:32.100 --> 00:05:35.040 day around what I want to do. Exactly. Like, 00:05:35.079 --> 00:05:39.629 that would be awesome. Bunking with girls. You 00:05:39.629 --> 00:05:42.069 guys have to stay somewhere else. They have to 00:05:42.069 --> 00:05:44.050 go on the other side. Yeah, it's got to be co 00:05:44.050 --> 00:05:45.750 -ed. And it can't be none of that, you know, 00:05:45.790 --> 00:05:49.189 BS going on. I want people to act like. I want 00:05:49.189 --> 00:05:52.290 counselors to be like, it's lights off, ladies. 00:05:52.490 --> 00:05:56.250 Lights off, ladies. Be quiet. Right. When we 00:05:56.250 --> 00:06:00.129 have the dance to end the thing, it's going to 00:06:00.129 --> 00:06:03.550 be the counselors, hey, two feet apart. Two feet

00:06:03.550 --> 00:06:05.329 apart when, you know, people are dancing together. 00:06:05.389 --> 00:06:07.250 That's how we're going to act. Get balloons. 00:06:07.730 --> 00:06:11.850 Yeah. We knew, yeah. Yeah, but today, Feature 00:06:11.850 --> 00:06:14.670 Friday, we've got to go ahead and get into either 00:06:14.670 --> 00:06:18.250 the worst law firm name ever or one of the craziest 00:06:18.250 --> 00:06:20.569 titles of a film ever, really, with Mike and 00:06:20.569 --> 00:06:22.649 Nick and Nick and Alice. Yeah, it was a bold 00:06:22.649 --> 00:06:26.329 move, I think. Bold choice. Vince Vaughn, James 00:06:26.329 --> 00:06:32.149 Martin, and then you got Isa Gonzalez crushing 00:06:32.149 --> 00:06:34.410 it as well. And without her, this movie, I don't 00:06:34.410 --> 00:06:36.629 think, I think James Martin and Vince Vaughn 00:06:36.629 --> 00:06:40.350 just float off. I think they float off into whatever, 00:06:40.709 --> 00:06:43.629 doing their 90s nostalgia and Gilmore Girls talk, 00:06:43.750 --> 00:06:47.269 and that's the movie. But we got an incredible 00:06:47.269 --> 00:06:49.949 movie here that I was not expecting. Like I said 00:06:49.949 --> 00:06:53.069 in the intro, we get this story time and time 00:06:53.069 --> 00:06:57.709 again. It's the one last job trope. Same old 00:06:57.709 --> 00:06:59.750 thing. But we got time travel. We got all this 00:06:59.750 --> 00:07:03.009 other genre -blending stuff going on in this 00:07:03.009 --> 00:07:05.290 flick. What did you think about this when I told 00:07:05.290 --> 00:07:07.720 you to go watch this movie, Coco? I'm a huge 00:07:07.720 --> 00:07:10.759 fan of time travel movies. Yeah. And I don't 00:07:10.759 --> 00:07:12.759 think I've seen enough, honestly. No. I think 00:07:12.759 --> 00:07:15.000 there's a lot more out there that I haven't seen. 00:07:15.160 --> 00:07:20.720 But I love the dynamic of discussing all of the 00:07:20.720 --> 00:07:23.680 variables. Yeah. And like, you know, because 00:07:23.680 --> 00:07:26.060 some time travel movies, they stick to certain 00:07:26.060 --> 00:07:30.990 rules. Like there's, you can't. um affect the 00:07:30.990 --> 00:07:33.230 future you have to like not you can't run into 00:07:33.230 --> 00:07:35.790 yourself or you know like there's rules and all 00:07:35.790 --> 00:07:37.850 the things but then there's some that kind of 00:07:37.850 --> 00:07:40.529 play with the idea that you can go back and you 00:07:40.529 --> 00:07:43.490 can change things and it will correct itself 00:07:43.490 --> 00:07:47.310 or like there will be some trajectory of destiny 00:07:47.310 --> 00:07:51.730 involved mysticism of like is it is destiny and 00:07:51.730 --> 00:07:55.470 fate written like Do you have a choice? You know, 00:07:55.490 --> 00:07:58.509 all these cool things. Parallel universes. I 00:07:58.509 --> 00:08:01.509 love it. We can get into it. I love time travel 00:08:01.509 --> 00:08:04.269 movies as well. And I can't see enough of them 00:08:04.269 --> 00:08:06.550 either. And I love when people argue about time 00:08:06.550 --> 00:08:08.350 travel movies. They're like, oh, that's not right. 00:08:09.050 --> 00:08:12.350 How do you know? I know. It's like we've got 00:08:12.350 --> 00:08:16.870 this knowledge. Yeah, like what knowledge? People 00:08:16.870 --> 00:08:18.689 argued about time travel. What knowledge do they 00:08:18.689 --> 00:08:21.889 have? Unless they came from the year 2058 or 00:08:21.889 --> 00:08:23.910 something, I'm not talking to them. I'm not listening 00:08:23.910 --> 00:08:26.730 to somebody argue about time travel because we 00:08:26.730 --> 00:08:28.350 don't know. But I love the movies. There are 00:08:28.350 --> 00:08:30.089 videos out there. I don't know if you've seen. 00:08:30.509 --> 00:08:32.549 I forget what it's called, but I ran across some 00:08:32.549 --> 00:08:36.230 pretty creepy YouTube videos of a guy, hairless 00:08:36.230 --> 00:08:39.250 guy, telling you he came from the future and 00:08:39.250 --> 00:08:40.730 all the things that are going to happen. And 00:08:40.730 --> 00:08:42.750 a lot of the stuff he said is happening. So, 00:08:42.769 --> 00:08:46.360 I mean, I'm just saying. It's true. It is true. 00:08:46.460 --> 00:08:47.960 There is some weird stuff going on. I mean, we 00:08:47.960 --> 00:08:51.379 got our own government putting out the UFO videos, 00:08:51.659 --> 00:08:54.700 UAP videos today. So who knows? Time travel could 00:08:54.700 --> 00:08:57.820 be possible. Yeah. I think people will be massively 00:08:57.820 --> 00:09:00.059 disappointed when they see what the government 00:09:00.059 --> 00:09:03.120 is releasing on UFOs. Yeah. Yeah. They're going 00:09:03.120 --> 00:09:05.240 to have to drip feed this or give us something 00:09:05.240 --> 00:09:09.159 good. But this movie, it starts off kind of normal, 00:09:09.240 --> 00:09:11.419 you know, and then they kill somebody. Like, 00:09:11.460 --> 00:09:15.600 it's wild. And Vince Vaughn is the sultan of 00:09:15.600 --> 00:09:19.960 fast talk. Like I said, James Mardsen, a man 00:09:19.960 --> 00:09:22.580 who's been unfairly handsome for three decades 00:09:22.580 --> 00:09:25.620 straight. Am I correct? He's like Paul Rudd. 00:09:25.620 --> 00:09:30.419 Yeah. Yeah. Yeah. I thought this movie, though, 00:09:30.500 --> 00:09:32.559 it was a lot. You got to watch it multiple times. 00:09:32.740 --> 00:09:35.639 It's a multiple watch flick because you're going 00:09:35.639 --> 00:09:38.539 to see something different. Yeah. Anything come 00:09:38.539 --> 00:09:41.159 on the second watch for you that you didn't? 00:09:41.419 --> 00:09:44.019 Catching the first or that you were like, oh, 00:09:44.240 --> 00:09:48.120 I would have missed that. You know, the one thing 00:09:48.120 --> 00:09:50.659 that really stood out to me was that one last 00:09:50.659 --> 00:09:54.700 job trope. That's what stood out to me. It was 00:09:54.700 --> 00:10:01.360

like, OK, one last job. But in real life is are 00:10:01.360 --> 00:10:03.639 we attracted to that because we're all trying 00:10:03.639 --> 00:10:07.179 to find the exit ramp to our nine to five? You 00:10:07.179 --> 00:10:09.279 know, like, is that what? So I started looking 00:10:09.279 --> 00:10:11.419 at it and reflecting on real life stuff and thinking 00:10:11.419 --> 00:10:15.000 about it. And that's where I kind of landed on. 00:10:15.200 --> 00:10:18.879 So what about you, though? Yeah. You know, I 00:10:18.879 --> 00:10:21.500 remember going through the D .A .R .E. program. 00:10:23.080 --> 00:10:26.460 Stick with me for a second. Hold on. I'm getting 00:10:26.460 --> 00:10:28.440 to something here. We remember, you know, we 00:10:28.440 --> 00:10:30.100 all did the D .A .R .E. program. They did talk 00:10:30.100 --> 00:10:34.200 about gangs. Yeah. And I remember being extremely 00:10:34.200 --> 00:10:40.129 terrified. Not that. I was really susceptible 00:10:40.129 --> 00:10:43.730 to being invited to a gang. Yeah. Demographic, 00:10:43.850 --> 00:10:47.129 gender, all the things. But I remember being 00:10:47.129 --> 00:10:49.350 like, I don't want to get involved in anything 00:10:49.350 --> 00:10:51.950 I can't get out of. Right? Because they made 00:10:51.950 --> 00:10:55.590 it, you feel like. Yeah. Get yourself into these 00:10:55.590 --> 00:10:59.169 gang related things and there's no getting out. 00:10:59.509 --> 00:11:02.929 Like, the only way out is death or jail, you 00:11:02.929 --> 00:11:06.879 know, prison. You just, it terrified me. More 00:11:06.879 --> 00:11:10.139 than it should have. I was like, I can't say 00:11:10.139 --> 00:11:12.340 yes to anything that I can't get myself out of. 00:11:12.360 --> 00:11:14.419 Like, there's not an exit plan or, you know, 00:11:14.419 --> 00:11:19.299 a way out. But that's why this trope, you know, 00:11:19.320 --> 00:11:21.320 James Martin playing this character where he's 00:11:21.320 --> 00:11:23.659 like, I'm retiring. I'm going to be done. I was 00:11:23.659 --> 00:11:28.080 like, you can't do that. Yeah. You decide to 00:11:28.080 --> 00:11:31.440 be done. They're going to suck you back in. And 00:11:31.440 --> 00:11:34.700 I was right. Pegged in for the ride. You know? 00:11:35.559 --> 00:11:39.919 The movie, though, it really never stops. It's 00:11:39.919 --> 00:11:42.399 like you're hooked the entire time watching this 00:11:42.399 --> 00:11:46.000 thing. What is it, about two hours long, too? 00:11:46.460 --> 00:11:50.740 But it was highly entertaining. One of those 00:11:50.740 --> 00:11:53.820 that happens all in one night? Yeah. Right? So 00:11:53.820 --> 00:11:55.299 there's all this activity going on, but you're 00:11:55.299 --> 00:11:58.720 like, oh, my gosh. The sun hasn't even come up 00:11:58.720 --> 00:12:01.539 yet. Exactly. So it's one of these that just, 00:12:01.679 --> 00:12:05.059 yeah, it takes over. I don't want to give away 00:12:05.059 --> 00:12:06.740 too many of the scenes because they are wild. 00:12:06.820 --> 00:12:09.980 They are crazy. And I remember the one where 00:12:09.980 --> 00:12:12.340 they're just in the house and they're basically 00:12:12.340 --> 00:12:16.500 finding out what's going on. And it's pure chaos. 00:12:16.639 --> 00:12:19.100 This whole movie was pure chaos. In the opening 00:12:19.100 --> 00:12:22.779 scene, there's a nice little nod to some other 00:12:22.779 --> 00:12:24.940 shows. And they make lots of references in this 00:12:24.940 --> 00:12:29.440 movie to other stuff with some of it being very, 00:12:29.519 --> 00:12:33.220 very clear. Gilmore Girls, they crushed that. 00:12:34.590 --> 00:12:36.909 So funny. Did you catch this one? The opening 00:12:36.909 --> 00:12:39.809 sequence with the numbers? 4, 8, 15, 16, 23, 00:12:39.950 --> 00:12:43.210 42? No. It says it on the chalkboard, do not 00:12:43.210 --> 00:12:45.129 use. You know what those numbers are, right? 00:12:45.230 --> 00:12:49.049 That's from Lost. Yes. The famous numbers from 00:12:49.049 --> 00:12:52.179 Lost. crossovers here. I was just impressed that 00:12:52.179 --> 00:12:54.279 they were like, oh, they're using a Disney song. 00:12:54.820 --> 00:12:57.200 Ben Schwartz played Simon and he's singing a 00:12:57.200 --> 00:12:59.379 Disney song and I'm going, oh, this is the cross. 00:12:59.440 --> 00:13:02.100 This is when you get Disney rights to everything 00:13:02.100 --> 00:13:05.980 and you can use it in a rated R movie. Yeah. 00:13:06.179 --> 00:13:11.860 There was another little Keith David. You know, 00:13:11.879 --> 00:13:15.759 Keith David here in the movie. Sosa. Apple has 00:13:15.759 --> 00:13:18.159 this, I don't know if it's written, unwritten 00:13:18.159 --> 00:13:23.009 rule where If a bad guy in a movie uses a phone, 00:13:23.110 --> 00:13:25.990 it can't be an iPhone. Keith Davis, the bad guy, 00:13:26.049 --> 00:13:27.830 uses an iPhone in this movie. So how'd they get 00:13:27.830 --> 00:13:29.309 away with that? Like there's a lot of these little 00:13:29.309 --> 00:13:31.669 – and that's one that a lot of people don't even 00:13:31.669 --> 00:13:33.950 know about. Like that's how – You didn't know 00:13:33.950 --> 00:13:37.690 about that. You knew about that one? No, I didn't. 00:13:37.769 --> 00:13:42.710 I'm intrigued. I want to know how they got away 00:13:42.710 --> 00:13:46.590 with that and who else noticed that. Yeah, I 00:13:46.590 --> 00:13:49.350 picked up on that because that's not – common 00:13:49.350 --> 00:13:53.850 to see the villain or the so -called bad guy 00:13:53.850 --> 00:13:56.070 whatever you want to call him in a movie or a 00:13:56.070 --> 00:13:58.409 tv show use an iphone go look go see if you can 00:13:58.409 --> 00:14:00.330 find anybody doing that what what what scenes 00:14:00.330 --> 00:14:03.789 stood out to you no matter what happens you got 00:14:03.789 --> 00:14:05.450 to chloroform the guy who opens the door right

00:14:05.450 --> 00:14:08.710 so this is like the instructions he goes to the 00:14:08.710 --> 00:14:11.929 door and it's nick at the door right because 00:14:11.929 --> 00:14:15.990 we find out later that's present now yeah my 00:14:15.990 --> 00:14:18.799 question is Would you be able to follow through 00:14:18.799 --> 00:14:21.320 with the instructions if something that weird 00:14:21.320 --> 00:14:24.639 happened? I don't know. Because you see him kind 00:14:24.639 --> 00:14:27.019 of hesitate, and then he's like going for it. 00:14:27.379 --> 00:14:29.580 I don't know if I would go through with it. I 00:14:29.580 --> 00:14:32.039 would be like, what are you doing here? I thought 00:14:32.039 --> 00:14:35.299 you were in the car. You'd probably, I don't 00:14:35.299 --> 00:14:37.919 know. You would probably have to give me a little 00:14:37.919 --> 00:14:41.019 more information up front, and I'd probably be 00:14:41.019 --> 00:14:42.980 more okay with it. If you told me I was going 00:14:42.980 --> 00:14:45.539 to go up there and see another version of you, 00:14:45.639 --> 00:14:50.009 then. I'm going to be like, uh, all right. Appreciate 00:14:50.009 --> 00:14:52.250 you letting me know. So I wasn't shocked when 00:14:52.250 --> 00:14:54.409 I got up, you know, kind of like kind of one 00:14:54.409 --> 00:14:57.769 of them things, but yeah, I, I don't know if 00:14:57.769 --> 00:15:00.230 I could follow through. I don't know. Yeah. Cause 00:15:00.230 --> 00:15:03.649 I think that if, if you told me and I'm not an 00:15:03.649 --> 00:15:05.529 assassin, so what do I know? But like, if it 00:15:05.529 --> 00:15:08.350 was a job I had to do and they were like, the 00:15:08.350 --> 00:15:10.509 guy who answers the door is going to look exactly 00:15:10.509 --> 00:15:14.840 like me. Just know that. Yeah. I'll explain that 00:15:14.840 --> 00:15:17.559 later, but I want you to just do this thing, 00:15:17.679 --> 00:15:19.740 right? Then I'm like, okay, I know what to expect. 00:15:19.960 --> 00:15:21.899 I know what I'm going in there for. But if he 00:15:21.899 --> 00:15:24.919 answers the door like it happens in this movie, 00:15:24.980 --> 00:15:29.080 my thought was I don't think I would still go 00:15:29.080 --> 00:15:31.039 through with it. I think I would probably hesitate 00:15:31.039 --> 00:15:34.700 and go, wait, why are you in the house? I got 00:15:34.700 --> 00:15:38.340 your car. What's going on? I'd be all kinds of 00:15:38.340 --> 00:15:42.519 confused. Yeah, honestly. Real answer? No, I 00:15:42.519 --> 00:15:44.320 couldn't follow through because I'd be so confused 00:15:44.320 --> 00:15:47.059 at what was going on that I wouldn't know probably 00:15:47.059 --> 00:15:51.379 how to act. It's not every day you walk into 00:15:51.379 --> 00:15:54.240 that type of situation. I like the scene, the 00:15:54.240 --> 00:15:58.539 after, after, after party. Sosa's son, Jimmy 00:15:58.539 --> 00:16:02.679 boy, celebrating getting out of

jail. Four parties 00:16:02.679 --> 00:16:07.019 deep into a bender. And the three leads plus 00:16:07.019 --> 00:16:09.870 the... Yeah, future Nick decide to stop running 00:16:09.870 --> 00:16:13.190 and just liquidate the problem. Neon -soaked 00:16:13.190 --> 00:16:16.370 tactical sweep of a mansion filled with bumbling 00:16:16.370 --> 00:16:20.230 but dangerous mobsters. This is wild to me. You 00:16:20.230 --> 00:16:22.490 know, you got future Nick acting like a video 00:16:22.490 --> 00:16:24.590 game veteran who knows where all the enemies 00:16:24.590 --> 00:16:27.389 are spawning in while Mike is just trying to 00:16:27.389 --> 00:16:30.830 keep his no -killing streak alive and failing 00:16:30.830 --> 00:16:35.370 miserably, by the way. And then you got the climax 00:16:35.370 --> 00:16:37.870 here when they think they've won. dying jimmy 00:16:37.870 --> 00:16:41.690 boy gets one last shot off and he hits nick present 00:16:41.690 --> 00:16:45.409 nick in the neck and then we get the present 00:16:45.409 --> 00:16:47.950 nick bleeding out in the back seat the oasis 00:16:47.950 --> 00:16:51.929 don't look back in anger i thought it was incredible 00:16:51.929 --> 00:16:54.850 this whole final fantastic matt was actually 00:16:54.850 --> 00:16:58.330 singing along next to me yeah right stoic husband 00:16:58.330 --> 00:17:03.419 he was like this is a great song The final act 00:17:03.419 --> 00:17:05.380 of this thing really did. It had you singing 00:17:05.380 --> 00:17:09.779 out loud. Like it was wild. Yeah. You know, that's 00:17:09.779 --> 00:17:14.180 crazy. Ahead of time too. When, uh, earlier in 00:17:14.180 --> 00:17:18.140 the movie, they, um, Alice does something to 00:17:18.140 --> 00:17:22.259 present day Nick. Yes. Stabs him or something. 00:17:22.359 --> 00:17:25.839 And then they check to see if future Nick ends 00:17:25.839 --> 00:17:29.400 up with a scar or like, does it affect? And so 00:17:29.400 --> 00:17:31.579 you knew that if something happens to present 00:17:31.579 --> 00:17:33.980 -day Nick, you know, as he's bleeding out in 00:17:33.980 --> 00:17:35.700 the car, you're like not sure if he's going to 00:17:35.700 --> 00:17:38.539 make it. You're realizing this whole time that 00:17:38.539 --> 00:17:42.440 if he goes, other Nick is going to go too, right? 00:17:42.819 --> 00:17:46.339 Yeah. Hence. Yeah, and you got a paradox here 00:17:46.339 --> 00:17:51.059 too because it's as present Nick is dying and 00:17:51.059 --> 00:17:53.640 dies, future Nick starts to fade away like Marty 00:17:53.640 --> 00:17:57.220 McFly. You know, at the enchantment under the 00:17:57.220 --> 00:18:01.859 sea dance in Back to the Future. To me, that's 00:18:01.859 --> 00:18:03.960 a parallel frequency type of moment. You know, 00:18:03.980 --> 00:18:06.599 a character literally watching himself cease 00:18:06.599 --> 00:18:10.720 to exist while singing some rip -pop oasis, Don't 00:18:10.720 --> 00:18:13.740 Look Back in Danger.

Or Don't Look Back in Anger. 00:18:14.660 --> 00:18:17.339 I think there's a sequel going to come, too. 00:18:17.400 --> 00:18:20.259 You know, because Alice reveals that there's 00:18:20.259 --> 00:18:23.240 a... Yeah, there's a second time machine. So 00:18:23.240 --> 00:18:24.759 Mike realizes he's going to have to go back to 00:18:24.759 --> 00:18:27.339 the start of the night to save everybody, turning 00:18:27.339 --> 00:18:30.119 the whole movie into one giant loop. We kind 00:18:30.119 --> 00:18:32.220 of saw something similar with, what was the movie? 00:18:32.319 --> 00:18:34.880 Good luck, have fun, don't die. That's right. 00:18:35.019 --> 00:18:37.279 That's exactly what I was thinking. It reminded 00:18:37.279 --> 00:18:39.660 me of how, like, how many times have you played 00:18:39.660 --> 00:18:43.579 out this night? Yeah. Get it right and maybe 00:18:43.579 --> 00:18:46.799 save some lives. That's what they're about to 00:18:46.799 --> 00:18:49.319 do. So I would be all for a sequel if they went 00:18:49.319 --> 00:18:53.269 that direction. I was highly shocked and surprised 00:18:53.269 --> 00:18:57.750 by this movie and highly entertained more than 00:18:57.750 --> 00:19:00.750 anything. So a sequel to this, I'll be the first 00:19:00.750 --> 00:19:03.849 in line on my couch to watch it at home because 00:19:03.849 --> 00:19:06.630 it'll probably be on streaming service. I think 00:19:06.630 --> 00:19:08.289 the movie was incredible. I thought the idea 00:19:08.289 --> 00:19:10.730 was great. I thought the execution was even better. 00:19:11.069 --> 00:19:15.890 The acting, chef's kiss, as they say. Yeah, this 00:19:15.890 --> 00:19:18.990 is Vince Vaughn's character. Like, this type 00:19:18.990 --> 00:19:20.849 of character. Because, I mean, let's be honest, 00:19:21.029 --> 00:19:24.230 and no criticism whatsoever, but Vince Vaughn 00:19:24.230 --> 00:19:26.430 is one of those kind of actors who, he plays 00:19:26.430 --> 00:19:29.630 himself in different versions, in different characters, 00:19:29.670 --> 00:19:31.470 in different movies, right? Like, he does a great 00:19:31.470 --> 00:19:35.309 job. He just doesn't deviate too far from just 00:19:35.309 --> 00:19:39.029 this Vince Vaughn, who he is. And I think Nick 00:19:39.029 --> 00:19:43.470 is the perfect character for him. Oh, yeah. Yeah. 00:19:44.250 --> 00:19:46.849 Love this movie. You got to watch this movie. 00:19:46.930 --> 00:19:50.130 Go watch it. It's on, what was it on? Hulu Prime? 00:19:50.230 --> 00:19:53.309 What was it on? Hulu, yeah. Hulu, Disney Plus, 00:19:53.549 --> 00:19:56.509 Hulu, all that. We were talking about, you can 00:19:56.509 --> 00:19:58.890 watch it on Disney Plus, I'm sure too, if you 00:19:58.890 --> 00:20:01.690 want. They've just got all of those thrown together. 00:20:02.430 --> 00:20:06.190 Yeah, yeah. You got any more thoughts on this 00:20:06.190 --> 00:20:09.089 before we get into Freaky Friday? Yeah, oh, I'm 00:20:09.089 -->

00:20:10.809 so excited for Freaky Friday, but let me just 00:20:10.809 --> 00:20:14.319 say before we end with this movie. That as a 00:20:14.319 --> 00:20:17.480 person who works in the energy link, this is 00:20:17.480 --> 00:20:20.220 my frequency I bring to parallel frequencies. 00:20:20.920 --> 00:20:25.140 The idea of self -reflection, of being able to 00:20:25.140 --> 00:20:29.079 see yourself as you truly are and as people see 00:20:29.079 --> 00:20:31.980 you is played out really well. I think in these 00:20:31.980 --> 00:20:34.420 time travel type, you know, parallel universes 00:20:34.420 --> 00:20:37.200 type of movies, the science fiction of it. you 00:20:37.200 --> 00:20:39.440 get a chance to peek at what it would be like 00:20:39.440 --> 00:20:42.980 to see yourself and reflect on that. And sometimes 00:20:42.980 --> 00:20:45.339 you see things you don't like or you see things 00:20:45.339 --> 00:20:48.279 that you regret or you feel guilty or you feel 00:20:48.279 --> 00:20:50.980 shame about. And I love seeing that play out 00:20:50.980 --> 00:20:52.960 in this movie. I mean, it was a super funny movie. 00:20:53.079 --> 00:20:55.480 Obviously, it's a thriller. You got a lot of 00:20:55.480 --> 00:20:58.200 action going on. But I just want to point out 00:20:58.200 --> 00:21:02.480 that there is also this deeper level of maybe 00:21:02.480 --> 00:21:07.529 drama going on in the genre too in that You see 00:21:07.529 --> 00:21:11.549 Nick's character. He's only six months away from 00:21:11.549 --> 00:21:16.690 present -day Nick. Yeah. And the way he played 00:21:16.690 --> 00:21:20.089 such a different character, because it is. It's 00:21:20.089 --> 00:21:25.230 subtle. It's the same person. But future Nick 00:21:25.230 --> 00:21:27.809 is a little wiser, a little more self -aware, 00:21:27.890 --> 00:21:30.769 and is able to look at himself and go, I don't 00:21:30.769 --> 00:21:33.230 like that asshole. Yeah. I don't like that guy. 00:21:33.430 --> 00:21:36.599 And I'm not him anymore. And I won't be him anymore, 00:21:36.779 --> 00:21:39.440 you know? And that's really powerful because 00:21:39.440 --> 00:21:43.900 healing, as I have said a thousand times on Practically 00:21:43.900 --> 00:21:46.339 Magic, and I will say it everywhere I possibly 00:21:46.339 --> 00:21:49.759 can, healing is witnessing. It's not fixing anything. 00:21:49.940 --> 00:21:52.720 It's just witnessing yourself. So in this case, 00:21:52.940 --> 00:21:56.940 Nick being able to witness himself and be like, 00:21:57.019 --> 00:22:00.200 I know that guy. I understand that guy. I have 00:22:00.200 --> 00:22:02.359 compassion for that guy. I know why he is the 00:22:02.359 --> 00:22:04.650 way he is. But I don't want to be him anymore. 00:22:05.089 --> 00:22:08.289 Yeah. He's powerful. Great acting job, too, because 00:22:08.289 --> 00:22:09.730 you've got to play two different characters as 00:22:09.730 --> 00:22:12.230 the same person. Same person, six

months apart. 00:22:12.390 --> 00:22:14.829 Yeah, that's a great perspective, great point 00:22:14.829 --> 00:22:18.150 out, great view, Coco. Let's get to Freaky Friday, 00:22:18.309 --> 00:22:22.910 because I'm excited, too. Yeah. And we did Boy 00:22:22.910 --> 00:22:25.809 Meets World. Was that last week? Last week. We 00:22:25.809 --> 00:22:28.329 did Boy Meets World. We got a lot of feedback 00:22:28.329 --> 00:22:34.720 on some of this stuff. At CodyRogers1300 says, 00:22:34.920 --> 00:22:37.980 Sabrina the Teenage Witch. And we got a lot of 00:22:37.980 --> 00:22:42.720 these. At AaronPalmer983, step by step. At Kyle 00:22:42.720 --> 00:22:46.059 says, and they're talking about TGIF line up. 00:22:46.140 --> 00:22:47.980 He says, wonder if there's a little bit more. 00:22:48.400 --> 00:22:52.579 I was going to mention it. Yeah. So there's a 00:22:52.579 --> 00:22:54.500 lot of people that jumped in on this. They had 00:22:54.500 --> 00:22:59.180 a good time commenting on TGIF stuff. Here's 00:22:59.180 --> 00:23:03.769 a fun one. At Popeye6659 says, because we were 00:23:03.769 --> 00:23:07.210 talking about having crushes on Topanga in Boy 00:23:07.210 --> 00:23:10.329 Meets World. He says, I had a crush on Thelma 00:23:10.329 --> 00:23:14.210 from Good Times. Yes, I'm old. No shame there. 00:23:14.549 --> 00:23:18.269 No shame there, Thelma. No, not at all. Love 00:23:18.269 --> 00:23:24.990 that. Yeah. And at Kane Allen says, I'm. I'm 00:23:24.990 --> 00:23:27.869 born in 83. Please stop talking about this as 00:23:27.869 --> 00:23:30.289 if it's old as shit. Listen, I was born in 83 00:23:30.289 --> 00:23:33.009 yet, too. I'll just give you my age now. And 00:23:33.009 --> 00:23:34.890 this movie that we were talking about that you 00:23:34.890 --> 00:23:37.529 mentioned in the sleepaway camp is old as shit, 00:23:37.609 --> 00:23:40.890 okay? Sorry. I'm sorry, Kane Allen. You're going 00:23:40.890 --> 00:23:42.950 to have to just... It's a little obvious when 00:23:42.950 --> 00:23:45.950 you watch it. Yeah. Like, we don't have to say 00:23:45.950 --> 00:23:50.849 it when you watch it. One more comment on sleepaway 00:23:50.849 --> 00:23:54.319 camp. And we had a comment, did Ricky know? And 00:23:54.319 --> 00:23:59.519 Jennifer Long, Long, Long, Long Harris, he didn't 00:23:59.519 --> 00:24:01.819 know, she says. And we had a couple people jumping 00:24:01.819 --> 00:24:04.380 in on that, trying to say if he knew, if he didn't 00:24:04.380 --> 00:24:10.500 know. I felt that. Yeah. So one more towards 00:24:10.500 --> 00:24:18.000 Sleepaway Camp. At Evan. Vittorino says the only 00:24:18.000 --> 00:24:21.019 accurate way to describe the 80s is aggressive. 00:24:21.599 --> 00:24:25.359 Correct. That's so accurate. And Sleepaway Camp 00:24:25.359 --> 00:24:29.920 was one of the most aggressive movies from that 00:24:29.920 --> 00:24:34.920 era, right? I mean, the kids. Okay, I don't know 00:24:34.920 --> 00:24:37.900 if I mentioned this yesterday, or when was it 00:24:37.900 --> 00:24:40.519 we did it? Wednesday. Two days ago. I was like, 00:24:40.599 --> 00:24:43.880 even the kids, when she gets... thrown in the 00:24:43.880 --> 00:24:46.299 lake by the bullies and they're laughing at her 00:24:46.299 --> 00:24:48.759 and then ricky's kind of like trying to help 00:24:48.759 --> 00:24:51.279 her and pull her out the kids are throwing sand 00:24:51.279 --> 00:24:57.019 at her i'm like why is everybody so mean they 00:24:57.019 --> 00:24:59.619 were awful like if you want i just think people 00:24:59.619 --> 00:25:01.579 should be kind to each other okay adjust they 00:25:01.579 --> 00:25:04.220 should love and kindness in this world and that's 00:25:04.220 --> 00:25:07.799 all there is big time big time but that's gonna 00:25:07.799 --> 00:25:11.319 do it and i hope We get a great weekend this 00:25:11.319 --> 00:25:13.460 weekend. I hope prom goes good for you. Next 00:25:13.460 --> 00:25:17.079 week. What are we doing next week? Next week. 00:25:17.779 --> 00:25:21.220 I feel like I have to say it just because this 00:25:21.220 --> 00:25:24.599 movie, Mike, Nick, Nick and Alice talked about 00:25:24.599 --> 00:25:26.759 the show we're going to talk about next week 00:25:26.759 --> 00:25:30.779 several times. And that wasn't even planned. 00:25:30.940 --> 00:25:33.039 I was like, I can't believe they're actually 00:25:33.039 --> 00:25:34.660 talking about this show. We're going to talk 00:25:34.660 --> 00:25:37.180 about it next week. It's Gilmore Girls on Wistful 00:25:37.180 --> 00:25:41.279 Wednesday. Oh, my gosh. So do your rewatch, everybody. 00:25:41.539 --> 00:25:44.559 We know Gilmore Girls is back in the limelight. 00:25:44.660 --> 00:25:46.380 I don't know what it is about that show, but 00:25:46.380 --> 00:25:48.799 it was popular when it came out. And then it 00:25:48.799 --> 00:25:52.240 was quiet. And then it has had this rewatch revival 00:25:52.240 --> 00:25:57.200 in the last five years. So we're doing that next 00:25:57.200 --> 00:26:01.259 week. A resurgence has happened. Did they make 00:26:01.259 --> 00:26:03.380 a new version of Gilmore Girls not long ago, 00:26:03.400 --> 00:26:05.960 a couple years back? Did they? Did they do like 00:26:05.960 --> 00:26:10.269 a reunion show? I feel like they did a reunion, 00:26:10.670 --> 00:26:13.910 revival. I can't say for sure that happened. 00:26:14.130 --> 00:26:16.170 I thought it was on Netflix or something. Maybe 00:26:16.170 --> 00:26:17.809 I could be making all that up. I guess we'll 00:26:17.809 --> 00:26:19.789 look at it when we do our deep dive on Gilmore 00:26:19.789 --> 00:26:23.849 Girls. Because all of the shows and movies next 00:26:23.849 --> 00:26:30.009 week are Mother's Day themed. So listen, Mother's 00:26:30.009 --> 00:26:32.170 Day is Sunday. That's right. We want everybody 00:26:32.170 --> 00:26:36.980 to know that mothers are the mother. Okay? all 00:26:36.980 --> 00:26:39.759 y 'all

and not only it not a few birth children 00:26:39.759 --> 00:26:42.200 that's not the only mothers we're talking about 00:26:42.200 --> 00:26:45.839 i mean everybody everybody who deserves that 00:26:45.839 --> 00:26:48.500 title of mother because they mother do you know 00:26:48.500 --> 00:26:50.960 what i mean yeah you know what i mean like they 00:26:50.960 --> 00:26:55.559 mother so we're celebrating all the mothers of 00:26:55.559 --> 00:26:58.920 fur babies of their community of their what uh 00:26:58.920 --> 00:27:01.259 mothers all the mothers we're celebrating next 00:27:01.259 --> 00:27:03.180 week so we're going to be doing all the movies 00:27:03.180 --> 00:27:08.029 and shows Movie Monday will be Hamnet. Okay. 00:27:08.549 --> 00:27:10.509 Now, granted, that one could be a mother's and 00:27:10.509 --> 00:27:14.869 father's. But let's give her the credit that 00:27:14.869 --> 00:27:17.289 she deserves. The mother of Hamnet. So we're 00:27:17.289 --> 00:27:18.730 going to watch that. We're going to do that movie 00:27:18.730 --> 00:27:21.750 for Monday. We are going to do an overview of 00:27:21.750 --> 00:27:24.930 Moms of TV for Tube Tuesday next week. Oh, I 00:27:24.930 --> 00:27:27.430 can't wait. Generally broad, all the mothers. 00:27:27.950 --> 00:27:30.250 We got a couple of interviews with some TV moms. 00:27:30.430 --> 00:27:32.130 Maybe we'll put those in there. We've talked 00:27:32.130 --> 00:27:35.509 to Patricia Richardson. Who else did we talk 00:27:35.509 --> 00:27:40.690 to? Lawrence. Mama. Mama's family, right? Mama. 00:27:40.809 --> 00:27:43.750 We'll put that interview up. I guarantee we'll 00:27:43.750 --> 00:27:45.190 put that interview up. It'll be never before 00:27:45.190 --> 00:27:47.529 seen. She's wild. I'm going to tell you, I remember 00:27:47.529 --> 00:27:49.970 that one. Do you remember how wild she was? We're 00:27:49.970 --> 00:27:51.890 going to have to cut out a couple of things that 00:27:51.890 --> 00:27:54.589 she said, but we've got a little bit there that 00:27:54.589 --> 00:27:56.569 we talked to Vicky, and she's amazing. I love 00:27:56.569 --> 00:27:59.289 her. All right. Yeah. Gilmore Girls, obviously, 00:27:59.369 --> 00:28:01.779 was for Wednesday. we'll be doing trailer park 00:28:01.779 --> 00:28:04.059 thursdays we normally do and then feature friday 00:28:04.059 --> 00:28:06.579 we're doing undertone now that might not be but 00:28:06.579 --> 00:28:09.079 we had to stick that movie in somewhere and we 00:28:09.079 --> 00:28:14.640 had to do it so have you seen it yet no i i watched 00:28:14.640 --> 00:28:19.799 it i watched it right here in my studio uh late 00:28:19.799 --> 00:28:22.720 at night dark everything in it and it added to 00:28:22.720 --> 00:28:28.160 it i'm gonna tell you right now uh it's a soundscape 00:28:28.160 --> 00:28:33.059 okay it is it's Yes, it's a fun... Yes, get ready 00:28:33.059 --> 00:28:34.480 for that. I can't wait. I'm already hyped up 00:28:34.480 --> 00:28:38.279 about that. Happy Mother's Day to you, Coco. 00:28:38.740 --> 00:28:41.660 Thank you. There you go. Make sure we get that 00:28:41.660 --> 00:28:45.619 sent to you. Send your comments to Coco. Tell 00:28:45.619 --> 00:28:48.099 her Happy Mother's Day. Send her gifts. She's 00:28:48.099 --> 00:28:50.180 probably got an Amazon wish list. Go get that. 00:28:50.539 --> 00:28:53.619 You might need coffee. Guys, you might need coffee. 00:28:53.880 --> 00:28:59.319 I'm the happiest. Good to go. That's all I need. 00:28:59.690 --> 00:29:03.170 I love that. Well, listen, that's going to do 00:29:03.170 --> 00:29:06.470 it for this edition of Parallel Frequencies. 00:29:07.069 --> 00:29:09.730 Whether you were ripping through a neon city, 00:29:09.950 --> 00:29:13.369 listen to us or folding laundry in the suburbs. 00:29:14.190 --> 00:29:16.730 You were you were in the right place. OK, right 00:29:16.730 --> 00:29:18.730 here. Parallel Frequencies. I am just playing. 00:29:18.769 --> 00:29:21.450 She is Coco. We are freaks. You are the freaks. 00:29:21.970 --> 00:29:24.529 Can't wait to see you next week. Have a great 00:29:24.529 --> 00:29:26.289 weekend and we'll see you on the other side.