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On this date in 1963, Jackie McLean walked into Rudy Van Gelder's Englewood Cliff Studio with a lineup that would define the future of jazz, Bobby Hutcherson on Vibraphone and 17-year-old Tony Williams behind the drums.
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This is Deep in the Stacks, today's album, One Step Beyond by Jackie McLean.
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McLean was at a crossroads.
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The hard Bop Alto Master had spent the late 50s running with Miles Davis and Art Blakey, but by 1963 he was pushing beyond the familiar changes and chord structures.
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Blue Note gave him the freedom to experiment, and he assembled a quintet that mixed veterans with newcomers.
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Bobby Hutcherson brought the metallic shimmer of vibraphone to McLean's angular melodies, while Tony Williams, still a teenager, played with a maturity that would soon land him in Miles Davis's second great quintet.
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Gretchen Monker on trombone and Eddie Kahn on bass completed the lineup.
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The session produced four originals, all McLean compositions, that showed Bebop could stretch without breaking.
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Alfred Lyon and Francis Wolfe captured something in transition, the sound of hard Bop opening up into the post-Bop explorations that would define the mid-sixties.
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Van Gelder's recording gave each instrument space to breathe while maintaining the intimate energy of a working band.
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Start with the title track, One Step Beyond.
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McLean's alto enters with a melody that moves in unexpected intervals, supported by Hutcherson's vibraphone chords that ring like distant bells.
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That's the sound of bebop vocabulary being stretched into new shapes.
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McLean keeps the intensity but loosens the harmonic grip.
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Notice how Williams approaches the drums, already showing the loose-limbed style that would revolutionize jazz rhythm sections.
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On Ghost Town, the rhythm section creates a haunting landscape.
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One Step Beyond by Jackie McLean.
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The moment Hard Bop discovered, it could step outside its own rules without losing its soul.
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I'm Danny from Kissa Kissa in Brooklyn.
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Go put on a record, we'll see you tomorrow.